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Curatopia : museums and the future of curatorship / / edited by Philipp Schorch and Conal McCarthy
| Curatopia : museums and the future of curatorship / / edited by Philipp Schorch and Conal McCarthy |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , 2019 |
| Descrizione fisica | 1 online resource (xvi, 342 pages) : illustrations |
| Disciplina | 069.5 |
| Soggetto topico |
Curatorship
Museums - Collection management Curatorship - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-5261-4201-5
1-5261-1820-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: conceptualising Curatopia -- Philipp Schorch, Conal McCarthy and Eveline Dürr -- Part I: Europe. The museum as method (revisited) / Nicholas Thomas -- What not to collect? Post-connoisseurial dystopia and the profusion of things / Sharon Macdonald and Jennie Morgan -- Concerning curatorial practice in ethnological museums: an epistemology of postcolonial debate / Larissa Förster and Friedrich von Bose -- Walking the fine line: From Samoa with Love? at the Museum Fünf Kontinente, Munich / Hilke Thode-Arora -- Curating across the colonial divides / Jette Sandahl -- Thinking and working through difference: remaking the ethnographic museum in the global contemporary / Viv Golding and Wayne Modest -- Part II: North America. The times of the curator / James Clifford -- Baroque modernity, critique and Indigenous epistemologies in museum representations of the Andes and Amazonia / Anthony Alan Shelton -- Swings and roundabouts: pluralism and the politics of change in Canada's national museums / Ruth B. Phillips -- Community engagement, Indigenous heritage and the complex figure of the curator: foe, facilitator, friend or forsaken? / Bryony Onciul -- Joining the club: a Tongan 'akau in New England / Ivan Gaskell -- 'c̨[schwa]sna?[schwa]m, the City before the City: exhibiting pre-Indigenous belonging in Vancouver / Paul Tapsell -- Part III: Pacific. The figure of the kaitiaki: learning from Maori curatorship past and present / Conal McCarthy, Arapata Hakiwai and Philipp Schorch -- Curating the uncommons: taking care of difference in museums / Billie Lythberg, Wayne Ngata and Amiria Salmond -- Collecting, curating and exhibiting cross-cultural material histories in a post-settler society / Bronwyn Labrum -- Curating relations between 'us' and 'them': the changing role of migration museums in Australia / Andrea Witcomb -- Agency and authority: the politics of co-collecting / Sean Mallon -- He alo ā he alo / kanohi ki te kanohi / face to face: curatorial bodies, encounters and relations / Noelle M.K.Y. Kahanu, Moana Nepia and Philipp Schorch -- Afterwords. Curating time / Ian Wedde -- Virtual museums and new directions? / Vilsoni HerenikoIndex. |
| Record Nr. | UNINA-9910480277603321 |
| Manchester : , : Manchester University Press, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Curatopia : museums and the future of curatorship / / editors, Philipp Schorch, Conal McCarthy
| Curatopia : museums and the future of curatorship / / editors, Philipp Schorch, Conal McCarthy |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , 2019 |
| Descrizione fisica | 1 online resource (xvi, 342 pages) : illustrations (black and white) |
| Disciplina | 069.5 |
| Soggetto topico |
Curatorship
Museums - Collection management Curatorship - Philosophy |
| Soggetto non controllato |
Anthropology
Curator Curating Curator/curating/curatorship Ethnography Europe/Americas/Pacific History Indigenous Native Tribal Museum Museums Research Theory and practice anthropology/ethnology collections exhibitions future indigenous |
| ISBN |
1-5261-1821-1
1-5261-4201-5 1-5261-1820-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: conceptualising Curatopia -- Philipp Schorch, Conal McCarthy and Eveline Dürr -- Part I: Europe. The museum as method (revisited) / Nicholas Thomas -- What not to collect? Post-connoisseurial dystopia and the profusion of things / Sharon Macdonald and Jennie Morgan -- Concerning curatorial practice in ethnological museums: an epistemology of postcolonial debate / Larissa Förster and Friedrich von Bose -- Walking the fine line: From Samoa with Love? at the Museum Fünf Kontinente, Munich / Hilke Thode-Arora -- Curating across the colonial divides / Jette Sandahl -- Thinking and working through difference: remaking the ethnographic museum in the global contemporary / Viv Golding and Wayne Modest -- Part II: North America. The times of the curator / James Clifford -- Baroque modernity, critique and Indigenous epistemologies in museum representations of the Andes and Amazonia / Anthony Alan Shelton -- Swings and roundabouts: pluralism and the politics of change in Canada's national museums / Ruth B. Phillips -- Community engagement, Indigenous heritage and the complex figure of the curator: foe, facilitator, friend or forsaken? / Bryony Onciul -- Joining the club: a Tongan 'akau in New England / Ivan Gaskell -- 'c̨[schwa]sna?[schwa]m, the City before the City: exhibiting pre-Indigenous belonging in Vancouver / Paul Tapsell -- Part III: Pacific. The figure of the kaitiaki: learning from Maori curatorship past and present / Conal McCarthy, Arapata Hakiwai and Philipp Schorch -- Curating the uncommons: taking care of difference in museums / Billie Lythberg, Wayne Ngata and Amiria Salmond -- Collecting, curating and exhibiting cross-cultural material histories in a post-settler society / Bronwyn Labrum -- Curating relations between 'us' and 'them': the changing role of migration museums in Australia / Andrea Witcomb -- Agency and authority: the politics of co-collecting / Sean Mallon -- He alo ā he alo / kanohi ki te kanohi / face to face: curatorial bodies, encounters and relations / Noelle M.K.Y. Kahanu, Moana Nepia and Philipp Schorch -- Afterwords. Curating time / Ian Wedde -- Virtual museums and new directions? / Vilsoni HerenikoIndex. |
| Record Nr. | UNINA-9910793283803321 |
| Manchester : , : Manchester University Press, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Curatopia : museums and the future of curatorship / / editors, Philipp Schorch, Conal McCarthy
| Curatopia : museums and the future of curatorship / / editors, Philipp Schorch, Conal McCarthy |
| Pubbl/distr/stampa | Manchester : , : Manchester University Press, , 2019 |
| Descrizione fisica | 1 online resource (xvi, 342 pages) : illustrations (black and white) |
| Disciplina | 069.5 |
| Soggetto topico |
Curatorship
Museums - Collection management Curatorship - Philosophy |
| Soggetto non controllato |
Anthropology
Curator Curating Curator/curating/curatorship Ethnography Europe/Americas/Pacific History Indigenous Native Tribal Museum Museums Research Theory and practice anthropology/ethnology collections exhibitions future indigenous |
| ISBN |
1-5261-1821-1
1-5261-4201-5 1-5261-1820-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: conceptualising Curatopia -- Philipp Schorch, Conal McCarthy and Eveline Dürr -- Part I: Europe. The museum as method (revisited) / Nicholas Thomas -- What not to collect? Post-connoisseurial dystopia and the profusion of things / Sharon Macdonald and Jennie Morgan -- Concerning curatorial practice in ethnological museums: an epistemology of postcolonial debate / Larissa Förster and Friedrich von Bose -- Walking the fine line: From Samoa with Love? at the Museum Fünf Kontinente, Munich / Hilke Thode-Arora -- Curating across the colonial divides / Jette Sandahl -- Thinking and working through difference: remaking the ethnographic museum in the global contemporary / Viv Golding and Wayne Modest -- Part II: North America. The times of the curator / James Clifford -- Baroque modernity, critique and Indigenous epistemologies in museum representations of the Andes and Amazonia / Anthony Alan Shelton -- Swings and roundabouts: pluralism and the politics of change in Canada's national museums / Ruth B. Phillips -- Community engagement, Indigenous heritage and the complex figure of the curator: foe, facilitator, friend or forsaken? / Bryony Onciul -- Joining the club: a Tongan 'akau in New England / Ivan Gaskell -- 'c̨[schwa]sna?[schwa]m, the City before the City: exhibiting pre-Indigenous belonging in Vancouver / Paul Tapsell -- Part III: Pacific. The figure of the kaitiaki: learning from Maori curatorship past and present / Conal McCarthy, Arapata Hakiwai and Philipp Schorch -- Curating the uncommons: taking care of difference in museums / Billie Lythberg, Wayne Ngata and Amiria Salmond -- Collecting, curating and exhibiting cross-cultural material histories in a post-settler society / Bronwyn Labrum -- Curating relations between 'us' and 'them': the changing role of migration museums in Australia / Andrea Witcomb -- Agency and authority: the politics of co-collecting / Sean Mallon -- He alo ā he alo / kanohi ki te kanohi / face to face: curatorial bodies, encounters and relations / Noelle M.K.Y. Kahanu, Moana Nepia and Philipp Schorch -- Afterwords. Curating time / Ian Wedde -- Virtual museums and new directions? / Vilsoni HerenikoIndex. |
| Record Nr. | UNINA-9910822544303321 |
| Manchester : , : Manchester University Press, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon
| The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2013 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina |
708
727.701 727/.701 |
| Soggetto topico |
Art museums - Philosophy
Curatorship - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4725-3361-5
1-4725-2316-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
HalfTitle; Series; Title; Copyright; Contents; Illustrations; Preface; Notes on Contributors; Introduction; Part I Send-Offs; 1 On the Curatorial, From the Trapeze; AZ; BY; CX; DW; EV; FU; GT; HS; IR; JQ; KP; LO; MN; 2 Theses in the Philosophy of Curating1; Gift; Embodied knowledge; The other of narrative; Spacing; Mapping and playing chess; Send-Off; Warrior of the imaginary; A place that isn't one; The ignorant body; Thought; 3 Whence the Future?; 4 The Expanding Field; What on earth do they mean?; The limits of multiplicity; Contemporaneity as infrastructure; 5 Dear Art, Yours Sincerely
Part II Praxeologies6 The Curator Crosses the River: A Fabulation; 7 Becoming-Curator; The event of becoming a curatorial subject; Truth - Knowledge; Three moves; Conclusion; 8 An Exhausted Curating; 9 Eros, Plague, Olfaction: Three Allegories of the Curatorial; Autistic doxology; Eros: Sensual epistemology; Plague: Affective contagion; Olfaction: Being sense; Operative play; Part III Moves; 10 The Task at Hand: Transcending the Clamp of Sovereignty; 11 The Simple Operator; Foreword; The rise up; Crossing over; The other; An example of beginning; Naming; The setting down 12 Three Short Takes on the CuratorialBlinding; Inhibiting; Symptom; 13 Aku menjadi saksi kepada - What I am Thinking; 14 Betrayal and the Curatorial - A Testimony for the Committee on the Curatorial; Part IV Heresies; 15 A Conspiracy without a Plot; The accomplice; The undercommons; The police; Study; Invocation; Care; Complicit love; 16 What does a Question Do? Micropolitics and Art Education; 17 Being Able to Do Something; A decided 'perhaps'; A question mark within; Critical agency; 18 The Politics of Residual Fun; The art of conversation; Technologies of fun; Part V Refigurations 19 Modern Art: Its Very Idea and the Time/Space of the Collection20 Two Invoking Media: Radio and Exhibition; 21 In Unfamiliar Terrain: Preliminary Notes towards Site-Relationality and the Curatorial; Report on Balikci Denjongpa's project; Report on the Alien Nation Project: The dynamics of community; Site-relationality: Map-making as gesture; Summation: Conflict and endless overlaps of disciplinary thoughts; 22 Curating Ghostly Objects: Counter-Memories in Cinematic Space; Introduction: The curatorial mode of filmmaking; Exhibiting warchitecture: Borders as sites of catastrophic memories Curating soundscapes: Remembering the polyvocal/multilingual societyPerforming counter-narratives: Reminiscing unofficial histories; Conclusion; 23 Non-Museums; Srinagar, 1963; Kassel, 2012; National Art Gallery, Islamabad, 2007; Toba Tek Singh, 1948 or 1949; Part VI Stages; 24 Curating, Dramatization and the Diagram: Notes towards a Sensible Stage; 25 Curating Context; Coda: Your Apples Fall Into My Garden: Two Takes on Context; 26 Backstage and Processuality: Unfolding the Installation Sites of Curatorial Projects; Processual notions; Call for materialism; Unfolding installation sites 27 This Is Not About Us |
| Record Nr. | UNINA-9910511908503321 |
| New York : , : Bloomsbury Academic, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon
| The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2013 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina | 727/.701 |
| Soggetto topico |
Art museums - Philosophy
Curatorship - Philosophy |
| ISBN |
1-4725-3361-5
1-4725-2316-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
HalfTitle; Series; Title; Copyright; Contents; Illustrations; Preface; Notes on Contributors; Introduction; Part I Send-Offs; 1 On the Curatorial, From the Trapeze; AZ; BY; CX; DW; EV; FU; GT; HS; IR; JQ; KP; LO; MN; 2 Theses in the Philosophy of Curating1; Gift; Embodied knowledge; The other of narrative; Spacing; Mapping and playing chess; Send-Off; Warrior of the imaginary; A place that isn't one; The ignorant body; Thought; 3 Whence the Future?; 4 The Expanding Field; What on earth do they mean?; The limits of multiplicity; Contemporaneity as infrastructure; 5 Dear Art, Yours Sincerely
Part II Praxeologies6 The Curator Crosses the River: A Fabulation; 7 Becoming-Curator; The event of becoming a curatorial subject; Truth - Knowledge; Three moves; Conclusion; 8 An Exhausted Curating; 9 Eros, Plague, Olfaction: Three Allegories of the Curatorial; Autistic doxology; Eros: Sensual epistemology; Plague: Affective contagion; Olfaction: Being sense; Operative play; Part III Moves; 10 The Task at Hand: Transcending the Clamp of Sovereignty; 11 The Simple Operator; Foreword; The rise up; Crossing over; The other; An example of beginning; Naming; The setting down 12 Three Short Takes on the CuratorialBlinding; Inhibiting; Symptom; 13 Aku menjadi saksi kepada - What I am Thinking; 14 Betrayal and the Curatorial - A Testimony for the Committee on the Curatorial; Part IV Heresies; 15 A Conspiracy without a Plot; The accomplice; The undercommons; The police; Study; Invocation; Care; Complicit love; 16 What does a Question Do? Micropolitics and Art Education; 17 Being Able to Do Something; A decided 'perhaps'; A question mark within; Critical agency; 18 The Politics of Residual Fun; The art of conversation; Technologies of fun; Part V Refigurations 19 Modern Art: Its Very Idea and the Time/Space of the Collection20 Two Invoking Media: Radio and Exhibition; 21 In Unfamiliar Terrain: Preliminary Notes towards Site-Relationality and the Curatorial; Report on Balikci Denjongpa's project; Report on the Alien Nation Project: The dynamics of community; Site-relationality: Map-making as gesture; Summation: Conflict and endless overlaps of disciplinary thoughts; 22 Curating Ghostly Objects: Counter-Memories in Cinematic Space; Introduction: The curatorial mode of filmmaking; Exhibiting warchitecture: Borders as sites of catastrophic memories Curating soundscapes: Remembering the polyvocal/multilingual societyPerforming counter-narratives: Reminiscing unofficial histories; Conclusion; 23 Non-Museums; Srinagar, 1963; Kassel, 2012; National Art Gallery, Islamabad, 2007; Toba Tek Singh, 1948 or 1949; Part VI Stages; 24 Curating, Dramatization and the Diagram: Notes towards a Sensible Stage; 25 Curating Context; Coda: Your Apples Fall Into My Garden: Two Takes on Context; 26 Backstage and Processuality: Unfolding the Installation Sites of Curatorial Projects; Processual notions; Call for materialism; Unfolding installation sites 27 This Is Not About Us |
| Record Nr. | UNINA-9910787782203321 |
| New York : , : Bloomsbury Academic, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon
| The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2013 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina | 727/.701 |
| Soggetto topico |
Art museums - Philosophy
Curatorship - Philosophy |
| ISBN |
1-4725-3361-5
1-4725-2316-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
HalfTitle; Series; Title; Copyright; Contents; Illustrations; Preface; Notes on Contributors; Introduction; Part I Send-Offs; 1 On the Curatorial, From the Trapeze; AZ; BY; CX; DW; EV; FU; GT; HS; IR; JQ; KP; LO; MN; 2 Theses in the Philosophy of Curating1; Gift; Embodied knowledge; The other of narrative; Spacing; Mapping and playing chess; Send-Off; Warrior of the imaginary; A place that isn't one; The ignorant body; Thought; 3 Whence the Future?; 4 The Expanding Field; What on earth do they mean?; The limits of multiplicity; Contemporaneity as infrastructure; 5 Dear Art, Yours Sincerely
Part II Praxeologies6 The Curator Crosses the River: A Fabulation; 7 Becoming-Curator; The event of becoming a curatorial subject; Truth - Knowledge; Three moves; Conclusion; 8 An Exhausted Curating; 9 Eros, Plague, Olfaction: Three Allegories of the Curatorial; Autistic doxology; Eros: Sensual epistemology; Plague: Affective contagion; Olfaction: Being sense; Operative play; Part III Moves; 10 The Task at Hand: Transcending the Clamp of Sovereignty; 11 The Simple Operator; Foreword; The rise up; Crossing over; The other; An example of beginning; Naming; The setting down 12 Three Short Takes on the CuratorialBlinding; Inhibiting; Symptom; 13 Aku menjadi saksi kepada - What I am Thinking; 14 Betrayal and the Curatorial - A Testimony for the Committee on the Curatorial; Part IV Heresies; 15 A Conspiracy without a Plot; The accomplice; The undercommons; The police; Study; Invocation; Care; Complicit love; 16 What does a Question Do? Micropolitics and Art Education; 17 Being Able to Do Something; A decided 'perhaps'; A question mark within; Critical agency; 18 The Politics of Residual Fun; The art of conversation; Technologies of fun; Part V Refigurations 19 Modern Art: Its Very Idea and the Time/Space of the Collection20 Two Invoking Media: Radio and Exhibition; 21 In Unfamiliar Terrain: Preliminary Notes towards Site-Relationality and the Curatorial; Report on Balikci Denjongpa's project; Report on the Alien Nation Project: The dynamics of community; Site-relationality: Map-making as gesture; Summation: Conflict and endless overlaps of disciplinary thoughts; 22 Curating Ghostly Objects: Counter-Memories in Cinematic Space; Introduction: The curatorial mode of filmmaking; Exhibiting warchitecture: Borders as sites of catastrophic memories Curating soundscapes: Remembering the polyvocal/multilingual societyPerforming counter-narratives: Reminiscing unofficial histories; Conclusion; 23 Non-Museums; Srinagar, 1963; Kassel, 2012; National Art Gallery, Islamabad, 2007; Toba Tek Singh, 1948 or 1949; Part VI Stages; 24 Curating, Dramatization and the Diagram: Notes towards a Sensible Stage; 25 Curating Context; Coda: Your Apples Fall Into My Garden: Two Takes on Context; 26 Backstage and Processuality: Unfolding the Installation Sites of Curatorial Projects; Processual notions; Call for materialism; Unfolding installation sites 27 This Is Not About Us |
| Record Nr. | UNINA-9910821125103321 |
| New York : , : Bloomsbury Academic, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
