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Class, culture and the agrarian myth / / by Tom Brass
| Class, culture and the agrarian myth / / by Tom Brass |
| Autore | Brass Tom <1946-> |
| Pubbl/distr/stampa | Leiden, Netherlands : , : Brill, , 2014 |
| Descrizione fisica | 1 online resource (459 p.) |
| Disciplina | 305.5/633 |
| Collana | Studies in Critical Social Sciences |
| Soggetto topico |
Peasants - Social conditions
Rural conditions Social classes Culture conflict - Political aspects Culture conflict in motion pictures Culture conflict in literature Travel writing - History Agriculture and politics Agriculture - Economic aspects Capitalism - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN | 90-04-27394-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1. Culture, tradition and modernity -- Part 2. Screen images of rural struggle -- Part 3. Culture, class struggle and travel. |
| Record Nr. | UNINA-9910458335403321 |
Brass Tom <1946->
|
||
| Leiden, Netherlands : , : Brill, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Class, culture and the agrarian myth / / by Tom Brass
| Class, culture and the agrarian myth / / by Tom Brass |
| Autore | Brass Tom <1946-> |
| Pubbl/distr/stampa | Leiden, Netherlands : , : Brill, , 2014 |
| Descrizione fisica | 1 online resource (459 p.) |
| Disciplina | 305.5/633 |
| Collana | Studies in Critical Social Sciences |
| Soggetto topico |
Peasants - Social conditions
Rural conditions Social classes Culture conflict - Political aspects Culture conflict in motion pictures Culture conflict in literature Travel writing - History Agriculture and politics Agriculture - Economic aspects Capitalism - Philosophy |
| ISBN | 90-04-27394-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1. Culture, tradition and modernity -- Part 2. Screen images of rural struggle -- Part 3. Culture, class struggle and travel. |
| Record Nr. | UNINA-9910791195403321 |
|
Brass Tom <1946->
|
||
| Leiden, Netherlands : , : Brill, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Class, culture and the agrarian myth / / by Tom Brass
| Class, culture and the agrarian myth / / by Tom Brass |
| Autore | Brass Tom <1946-> |
| Pubbl/distr/stampa | Leiden, Netherlands : , : Brill, , 2014 |
| Descrizione fisica | 1 online resource (459 p.) |
| Disciplina | 305.5/633 |
| Collana | Studies in Critical Social Sciences |
| Soggetto topico |
Peasants - Social conditions
Rural conditions Social classes Culture conflict - Political aspects Culture conflict in motion pictures Culture conflict in literature Travel writing - History Agriculture and politics Agriculture - Economic aspects Capitalism - Philosophy |
| ISBN | 90-04-27394-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1. Culture, tradition and modernity -- Part 2. Screen images of rural struggle -- Part 3. Culture, class struggle and travel. |
| Record Nr. | UNINA-9910828026303321 |
|
Brass Tom <1946->
|
||
| Leiden, Netherlands : , : Brill, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hollywood's Africa after 1994 [[electronic resource] /] / edited by MaryEllen Higgins
| Hollywood's Africa after 1994 [[electronic resource] /] / edited by MaryEllen Higgins |
| Pubbl/distr/stampa | Athens, : Ohio University Press, c2012 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina |
791.43/651
791.43651 |
| Altri autori (Persone) | HigginsMaryEllen <1967-> |
| Soggetto topico |
Human rights in motion pictures
Imperialism in motion pictures Culture conflict in motion pictures Motion pictures - United States - History - 21st century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8214-4433-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. |
| Record Nr. | UNINA-9910461891703321 |
| Athens, : Ohio University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hollywood's Africa after 1994 [[electronic resource] /] / edited by MaryEllen Higgins
| Hollywood's Africa after 1994 [[electronic resource] /] / edited by MaryEllen Higgins |
| Pubbl/distr/stampa | Athens, : Ohio University Press, c2012 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina |
791.43/651
791.43651 |
| Altri autori (Persone) | HigginsMaryEllen <1967-> |
| Soggetto topico |
Human rights in motion pictures
Imperialism in motion pictures Culture conflict in motion pictures Motion pictures - United States - History - 21st century |
| ISBN | 0-8214-4433-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. |
| Record Nr. | UNINA-9910786353703321 |
| Athens, : Ohio University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hollywood's Africa after 1994 / / edited by MaryEllen Higgins
| Hollywood's Africa after 1994 / / edited by MaryEllen Higgins |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Athens, : Ohio University Press, c2012 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina |
791.43/651
791.43651 |
| Altri autori (Persone) | HigginsMaryEllen <1967-> |
| Soggetto topico |
Human rights in motion pictures
Imperialism in motion pictures Culture conflict in motion pictures Motion pictures - United States - History - 21st century |
| ISBN | 0-8214-4433-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: African blood, Hollywood's diamonds? Hollywood's Africa after 1994 / MaryEllen Higgins -- The cited and the uncited: toward an emancipatory reading of representations of Africa / Harry Garuba and Natasha Himmelman -- The troubled terrain of human rights films: Blood diamond, The last king of Scotland, and, The devil came on horseback / Margaret R. Higonnet, with Ethel R. Higonnet -- Hollywood's representations of human rights: the case of Terry George's Hotel Rwanda / Joyce B. Ashuntantang -- Hollywood's cowboy humanitarianism in Black Hawk down and Tears of the sun / MaryEllen Higgins -- Again, the darkness: Shake hands with the devil / Kenneth W. Harrow -- Ambiguities and paradoxes: framing northern intervention in The constant gardener / Christopher Odhiambo Joseph -- Minstrelsy and mythic appetites: The last king of Scotland's heart of darkness in the Jubilee Year of African independence / Ricardo Guthrie -- "An image of Africa": representations of modern colonialism in Africa in Peter Jackson's King Kong / Clifford T. Manlove -- Plus 'a change, plus c'est la meme chose: Hollywood's constructions of Africa in Lord of war / Earl Conteh-Morgan -- New Jack African cinema: Dangerous ground; Cry, the beloved country; and Blood diamond / Bennetta Jules-Rosette, J.R. Osborn, and Lea Marie Ruiz-Ade -- "It is a very rough game, almost as rough as politics": rugby as visual metaphor and the future of the new South Africa in Invictus / Christopher Garland -- "Every brother ain't a brother": cultural dissonance and Nigerian malaise in District 9's new South Africa / Kimberly Nichele Brown -- Coaxing the beast out of the cage: secrecy and disclosure in Red dust and Catch a fire / Jane Bryce -- Situating agency in Blood diamond and Ezra / Iyunolu Osagie -- Bye bye Hollywood: African cinema and its double in Mahamet-Saleh Haroun's Bye bye Africa / Dayna Oscherwitz. |
| Record Nr. | UNINA-9910819281303321 |
| Athens, : Ohio University Press, c2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
