Autore	Schafer Stephanie
Edizione	[1st ed.]
Pubbl/distr/stampa	Hamburg, : Diplomica Verlag, 2012
Descrizione fisica	1 online resource (120 p.)
Disciplina	781.642
Soggetto topico	Country music - History and criticism Music trade - Tennessee - Nashville
ISBN	3-8428-2845-4
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	"Cashville": Dilution of Original Country Music Identity through Increasing Commercialization; Table of Contents; I. Introduction: Country Music as Manifestation of Identity and Cultural Expression; II. Stereotypes and Recognition of American Country Music; III. Perspectives of Identity and Music: Social Identity Theory; 1. Country Music Identity; 2. Where I Come From: Southern Working Class Identity and Country Music; 2.1 Peculiarities of Southern Culture: Sense of Place; 2.2 Working-Class Culture; IV. Generic Themes of Country Music V. History of Country Music: Blending of Cultures vs. Preservation of Identity 1. Cowboy Music; 2. 1930's: Western Swing: Bob Wills; 3. The 1940's and 1950's; 3.1 Hillbilly/Honky-Tonk; 3.2 The Bar: An Alternative Home; 4. Reaching a Broader Audience: The Emergence of Radio Broadcasting; 5. Early 1970's: Cosmic Cowboy/ Outlaw Movement; 6. 1970's: Mainstream Country/Country-Pop; 7. Late 1970's/1980's: Urban Cowboy; 8. 1980's: New Traditionalists; 9. 1990's - Today: Young Country; VI. Musical Hybrids; 1. Alternative Country; 2. Country-Rock/Southern Rock/Americana 3. Blending of Cultures: Conjunto and Tejano Music VII. "Don't Get Above Your Raisin'": Authentic Regional Identity vs.Commercialization; 1. Class Identity; 2. Authenticity and Commodification; 3. Back to the Roots: Country Identity and Regional Pride; 3.1 Texas Country; 3.2 Texas Regional Pride; 3.3 Austin and Lubbock - Lone Star Country Music Arenas; 3.4 Anti-Nashville Sentiments; 4. Nashville Country; 4.1 The (Countrypolitan) Nashville Sound; 4.2 Commercialization and Performance; 4.3 Grand Ol' Opry; 4.4 Cowboy Lifestyle; 4.5 Back to the Roots: The Story of Willie Nelson 4.6 "Gone Country": The Changing Face of Nashville VIII. Preliminary Conclusion; IX. Red, White, and Blue: National Expansion of Country Music; 1. Country Music Goes to War; 1.1 World War II; 1.2 United Forces against Communism; 2. Walls came tumbling down: Country Music after 9/11; 2.1 Unity in Crisis: National Identity; 2.1.1 Toby Keith: "Courtesy of the Red, White, and Blue (The Angry American)"; 2.1.2 Alan Jackson: "Where Were You (When the World Stopped Turning)"; 2.2 Country Songs in the Patriotic Tradition; 2.2.1 Darryl Worley: "Have you Forgotten"; 2.2.2 Brooks & Dunn: "Holy War" 3. Political Campaigns and Country Music 4. Country Musicians in Political Battle: Dixie Chicks vs. Toby Keith; X. Conclusion; XI. Bibliography; Author's Profile
Record Nr.	UNINA-9910810152403321

Autore	Schäfer Stephanie
Pubbl/distr/stampa	Hamburg, : Diplomica Verlag, 2012
Descrizione fisica	1 online resource (120 p.)
Disciplina	781.642
Soggetto topico	Country music - History and criticism Music trade - Tennessee - Nashville
Soggetto genere / forma	Electronic books.
ISBN	3-8428-2845-4
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	"Cashville": Dilution of Original Country Music Identity through Increasing Commercialization; Table of Contents; I. Introduction: Country Music as Manifestation of Identity and Cultural Expression; II. Stereotypes and Recognition of American Country Music; III. Perspectives of Identity and Music: Social Identity Theory; 1. Country Music Identity; 2. Where I Come From: Southern Working Class Identity and Country Music; 2.1 Peculiarities of Southern Culture: Sense of Place; 2.2 Working-Class Culture; IV. Generic Themes of Country Music V. History of Country Music: Blending of Cultures vs. Preservation of Identity 1. Cowboy Music; 2. 1930's: Western Swing: Bob Wills; 3. The 1940's and 1950's; 3.1 Hillbilly/Honky-Tonk; 3.2 The Bar: An Alternative Home; 4. Reaching a Broader Audience: The Emergence of Radio Broadcasting; 5. Early 1970's: Cosmic Cowboy/ Outlaw Movement; 6. 1970's: Mainstream Country/Country-Pop; 7. Late 1970's/1980's: Urban Cowboy; 8. 1980's: New Traditionalists; 9. 1990's - Today: Young Country; VI. Musical Hybrids; 1. Alternative Country; 2. Country-Rock/Southern Rock/Americana 3. Blending of Cultures: Conjunto and Tejano Music VII. "Don't Get Above Your Raisin'": Authentic Regional Identity vs.Commercialization; 1. Class Identity; 2. Authenticity and Commodification; 3. Back to the Roots: Country Identity and Regional Pride; 3.1 Texas Country; 3.2 Texas Regional Pride; 3.3 Austin and Lubbock - Lone Star Country Music Arenas; 3.4 Anti-Nashville Sentiments; 4. Nashville Country; 4.1 The (Countrypolitan) Nashville Sound; 4.2 Commercialization and Performance; 4.3 Grand Ol' Opry; 4.4 Cowboy Lifestyle; 4.5 Back to the Roots: The Story of Willie Nelson 4.6 "Gone Country": The Changing Face of Nashville VIII. Preliminary Conclusion; IX. Red, White, and Blue: National Expansion of Country Music; 1. Country Music Goes to War; 1.1 World War II; 1.2 United Forces against Communism; 2. Walls came tumbling down: Country Music after 9/11; 2.1 Unity in Crisis: National Identity; 2.1.1 Toby Keith: "Courtesy of the Red, White, and Blue (The Angry American)"; 2.1.2 Alan Jackson: "Where Were You (When the World Stopped Turning)"; 2.2 Country Songs in the Patriotic Tradition; 2.2.1 Darryl Worley: "Have you Forgotten"; 2.2.2 Brooks & Dunn: "Holy War" 3. Political Campaigns and Country Music 4. Country Musicians in Political Battle: Dixie Chicks vs. Toby Keith; X. Conclusion; XI. Bibliography; Author's Profile
Record Nr.	UNINA-9910461667303321

Pubbl/distr/stampa	Jackson, : University Press of Mississippi, c2004
Descrizione fisica	1 online resource (257 p.)
Disciplina	781.642/082
Altri autori (Persone)	McCuskerKristine M PecknoldDiane
Collana	American made music series
Soggetto topico	Country music - History and criticism Femininity in popular culture Masculinity in popular culture
Soggetto genere / forma	Electronic books.
ISBN	1-282-55561-8 9786612555619 1-60473-956-8
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	Contents; Foreword: Muddying the Clear Water: The Dubious Transparency of Country Music; Acknowledgments; Introduction; Bibliography and Further Reading; "Bury Me Beneath the Willow": Linda Parker and Definitions of Tradition on the National Barn Dance, 1932-1935; "Spade Doesn't Look Exactly Starved": Country Music and the Negotiation of Women's Domesticity in Cold War Los Angeles; Charline Arthur: The (Un)Making of a Honky-Tonk Star; I Don't Think Hank Done It That Way: Elvis, Country Music, and the Reconstruction of Southern Masculinity "I Wanna Play House": Configurations of Masculinity in the Nashville Sound Era Patsy Cline's Crossovers: Celebrity, Reputation, and Feminine Identity; Dancing Together: The Rhythms of Gender in the Country Dance Hall; Between Riot Grrrl and Quiet Girl: The New Women's Movement in Country Music; Going Back to the Old Mainstream No Depression, Robbie Fulks, and Alt.Country's Muddied Waters; Postlude; Notes; Contributors; Index
Record Nr.	UNINA-9910459349703321

Autore	Hill Jeremy <1975->
Pubbl/distr/stampa	Amherst : , : University of Massachusetts Press, , [2016]
Descrizione fisica	1 online resource (188 pages) : illustrations
Disciplina	781.64209768/55
Collana	American popular music
Soggetto topico	Country music - History and criticism Music trade - Tennessee - Nashville
Soggetto genere / forma	Electronic books.
ISBN	1-61376-371-9
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	"Nothing but realism" : early hillbilly music's blend of rural and urban -- "Country comes to town" : a new urban identity for country music in the 1960s -- "You sound like us but you look like them" : the racial politics of country music in the city of Nashville -- "Country music is wherever the soul of a country music fan is" : Opryland U.S.A. and the importance of "home" in country music -- "They're not as backward as they used to be" : country music's commercial success in the 1990s and the transformation of downtown Nashville.
Record Nr.	UNINA-9910153233903321

Pubbl/distr/stampa	Lexington, Kentucky : , : The University Press of Kentucky, , 2005
Descrizione fisica	1 online resource (259 p.)
Disciplina	781.642/1599
Soggetto topico	Country music - History and criticism Country music - Social aspects Music and war Political ballads and songs - History and criticism
Soggetto genere / forma	Electronic books.
ISBN	0-8131-4965-7
Formato	Materiale a stampa
Livello bibliografico	Monografia
Lingua di pubblicazione	eng
Nota di contenuto	The Civil War in country music tradition / Andrew K. Smith and James E. Akenson -- "Bloody war" : war songs in early country music / Charles K. Wolfe -- "There's a Star Spangled Banner waving somewhere" : the story behind its success / Louis B. Hatchett Jr. and W.K. McNeil -- Gene Autry in WW II / Don Cusic -- Peace in the valley : The development of John Lair's enterprises during WW II / Michael Ann Williams -- Hayloft patriotism : the national barn dance during World War II / Wayne W. Daniel -- "Jesus hits like an atom bomb" : nuclear warfare in country music, 1944-56 / Charles K. Wolfe -- Purple hearts, Heartbreak Ridge, and Korean mud : pain, patriotism, and faith in the 1950-1953 "Police action" / Ivan M. Tribe -- "Dear Ivan" : country music perspectives on the Soviet Union and the Cold War / Kevin S. Fontenot -- "True patriot" : Brian Letton goes to war / Rae Waer -- "Alternative" to what? : O brother, September 11, and the politics of country music / Aaron A. Fox -- Ulster loyalism and country music, 1969-85 / David A. Wilson -- In whose name? : country artists speak out on Gulf War II / Randy Rudder -- Country music : a teaching tool for dealing with war / James E. Akenson.
Record Nr.	UNINA-9910459588003321