Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Acting Queer [[electronic resource] ] : Gender Dissidence and the Subversion of Realism / / by Conrad Alexandrowicz
| Acting Queer [[electronic resource] ] : Gender Dissidence and the Subversion of Realism / / by Conrad Alexandrowicz |
| Autore | Alexandrowicz Conrad |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (225 pages) |
| Disciplina | 305.3 |
| Soggetto topico |
Performing arts
Theater Actors Queer theory Gender identity Performing Arts Contemporary Theatre Performers and Practitioners Queer Theory Gender and Sexuality |
| ISBN | 3-030-29318-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: ‘Straight-looking, Straight-acting’ -- 2. ‘You’re Soaking in It’: the Influence of Hollywood -- 3. Gender Dissidence and Its Prohibitions -- 4. Gendered Movement and “Physical’ Acting -- 5. The Subversion of Realism -- 6. Queer-looking, Queer-acting -- 7. Extensions and Excursions: Acting Queer Ecology. |
| Record Nr. | UNINA-9910483216703321 |
Alexandrowicz Conrad
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction [[electronic resource] ] : Revolutionary and Evolutionary Paradoxes / / by Cristina Ionica
| The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction [[electronic resource] ] : Revolutionary and Evolutionary Paradoxes / / by Cristina Ionica |
| Autore | Ionica Cristina |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xi, 286 pages) |
| Disciplina | 848.91409 |
| Collana | New Interpretations of Beckett in the Twenty-First Century |
| Soggetto topico |
Literature, Modern—20th century
British literature Drama Theater Fiction Twentieth-Century Literature British and Irish Literature Contemporary Theatre |
| ISBN | 3-030-34902-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction to Beckett’s “Absurdist” Excess -- Part I Contagion and Accessibility: Revolutionary Beckett -- 2. Repetition, Deliberation, and an Other Power: The Paradox as Practice -- 3. The Liberating Laughter of “Nearly There”: Beckett’s Solidarity-Building Dramas -- 4. Under-the-Radar Derision and Anger: Becoming Revolutionary in/ through Beckett’s Fiction -- Part II Script Evaluation and Enrichment: Evolutionary Beckett -- 5. Beckett’s “Script Multiplication and Enrichment”: Rejecting Toxic Disjunctions and Seeking Inclusivity -- 6. Evaluation, Expulsion, Expansion, and Reframing: Building Processing Speed and Tolerance to Cognitive Strain -- 7. Conclusion. |
| Record Nr. | UNINA-9910483424503321 |
|
Ionica Cristina
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Africa on the Contemporary London Stage [[electronic resource] /] / edited by Tiziana Morosetti
| Africa on the Contemporary London Stage [[electronic resource] /] / edited by Tiziana Morosetti |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (251 pages) |
| Disciplina | 792.09421 |
| Soggetto topico |
Theater
Theater—History Ethnology—Africa Contemporary Theatre Theatre History National/Regional Theatre and Performance African Culture |
| ISBN | 3-319-94508-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction; Tiziana Morosetti -- 2. Freedom, London 1955: A Story of Modern Africa Written and Acted by Africans, or Perhaps Not; James Gibbs -- 3. Africa on the British Stage, 1955-1966; Stephen J. Nicholson -- 4. ‘On One of Those Sunday Nights’: 50 Years of Africa at the Royal Court; Tiziana Morosetti -- 5. Biyi Bandele’s Theatre of the Afropolitan Absurd; Michael Pearce -- 6. Nigerian Political Satire at the Soho Theatre: Class, Culture, and Theatrical Languages in Oladipo Agboluaje’s The Estate and Iyale (The First Wife); Lynette Goddard -- 7. Black Masculinity and the Black Voice: Casting and Canonicity in the National Theatre Gala; Sophie Duncan -- 8. Disrupting Historical Mis-Representations and Constructions: Talawa Theatre, Tiata Fahodzi and Representations of Polyphonic Africa on the Contemporary London Stage; Victor Ukaegbu -- 9. Iroko Theatre and the African Theatre-in-Education Scene in London; Alex Oma-Pius -- 10. ‘But [We] Will Delve One Yard below Their Mines/And Blow Them at the Moon’: Two Gents: ‘Africa’, Shakespeare, and the Silent Revolutio; Arne Pohlmeier -- 11. Interview with Ade Solanke; Tiziana Morosetti -- 12. Interview with Rotimi Babatunde; Ying Cheng -- 13. Interview with Dipo Agboluaje; Tiziana Morosetti. |
| Record Nr. | UNINA-9910303437103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
After In-Yer-Face Theatre [[electronic resource] ] : Remnants of a Theatrical Revolution / / edited by William C. Boles
| After In-Yer-Face Theatre [[electronic resource] ] : Remnants of a Theatrical Revolution / / edited by William C. Boles |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (255 pages) |
| Disciplina | 792.09 |
| Soggetto topico |
Theater
Theater—History Performing arts Contemporary Theatre Theatre History National/Regional Theatre and Performance Performing Arts Teatre |
| Soggetto genere / forma | Llibres electrònics |
| ISBN | 3-030-39427-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Chapter One: Introduction: Reflections on In-Yer-Face from the Other Side of the Atlantic; William C. Boles -- 2. Chapter Two: “In the Pursuit of New Writers”: The Royal Court Young Peoples’ Theatre and the Development of First Time Playwrights in the 1990s; Nicholas Holden -- 3. Chapter Three: “A Shop Window for Outrage”: Harold Pinter’s Ashes to Ashes, In-Yer-Face Theatre and the Royal Court’s 1996 West End Season; Graham Saunders -- 4. Chapter Four: “The Last Rolo”: Love, Conflict and War in Anthony Neilson’s Penetrator; Rachael Newberry -- 5. Chapter Five: Mark Ravenhill’s Dialectical Emotions: “In-Yer-Face” as Post-Brechtian Theater; Anja Hartl -- 6. Chapter Six: Undressing Sarah Kane: A Portuguese Perspective on In-Yer-Face; Cátia Faísco -- 7. Chapter Seven: Russian “In-Yer-Face Theatre” as a Problem or a Process; Elena Dotsenko -- 8. Chapter Eight: Surfing the Wave of In-Yer-Face Theatre on Australian Shores; Sandra Gattenhof -- 9. Chapter Nine: The Hidden Dialogue between Sarah Kane and Edward Bond: The Dramaturgy of Accident Time and Ethical Subjectivities; Chien-Cheng Chen -- 10. Chapter Ten: From “In-Yer-Face” to “In-Yer-Head”: Staging the Mind in Martin Crimp, Sarah Kane and Anthony Neilson; Solange Ayache -- 11. Chapter Eleven: Philip Ridley: Still In-Yer-Face; Thomas A. Oldham -- 12. Chapter Twelve: Tales from the East End: Dialogic and Confessional Storytelling as Therapy (?) in the Plays of Philip Ridley; Cath Badham -- 13. Chapter Thirteen: Joe Penhall’s Fatherhood Plays: Escaping the Influence of Sam Shepard and the Lad; William C. Boles -- 14. Chapter Fourteen: “Experiential, not speculative”: Love In and After In-Yer-Face; Korbinian Stöckl -- 15. Chapter Fifteen: The Echo Chamber: Theater in a “Post-Truth” World. |
| Record Nr. | UNINA-9910483803703321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Arthur Miller for the Twenty-First Century [[electronic resource] ] : Contemporary Views of His Writings and Ideas / / edited by Stephen Marino, David Palmer
| Arthur Miller for the Twenty-First Century [[electronic resource] ] : Contemporary Views of His Writings and Ideas / / edited by Stephen Marino, David Palmer |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (330 pages) |
| Disciplina | 812.52 |
| Collana | American Literature Readings in the 21st Century |
| Soggetto topico |
Drama
Literature, Modern—20th century Theater Twentieth-Century Literature Contemporary Theatre |
| ISBN | 3-030-37293-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction, Stephen Marino -- 2. Arthur Miller and American Tragedy, Livia Sacchetti -- 3. Pipe Dreams and the Self Eugene O’Neill’s and Arthur Miller’s Conceptions of Tragedy, David Palmer -- 4. Arthur Miller, Tennessee Williams, and the American Family, Brenda Murphy -- 5. Arthur Miller, Edward Albee, and Crises of the American Family: American Civilization and Its Discontents, Michael Y. Bennett -- 6. Arthur Miller and Contemporary American Women Dramatists, Ellen B. Anthony -- 7. Shaming, Rebellion, and Tragedy: Arthur Miller and African American Drama, David Palmer -- 8. “Some Men Don’t Bounce”: Miller’s The Price, Mamet’s American Buffalo, and Shepard’s The Late Henry Moss, E. Andrew Lee -- 9. Approaches to Teaching All My Sons: Making the Play Matter Across the Curriculum, Jan Balakian -- 10. Irish Immigrant Rebellion in O’Neill’s The Hairy Ape and Miller’s A Memory of Two Mondays, Joshua Polster -- 11. Before the Empty Bench: The Equivocal Motif of “Trial” in Arthur Miller’s Works, Rupendra Guha Majumdar -- 12. Reaganism in The Ride Down Mt. Morgan, Thiago Russo -- 13. Arthur Miller, Essayist, Matthew Roudané, 14. Viewing the Playwright through a Different Lens: Arthur Miller’s Fiction and How It Connects to His Life and Drama, Susan C. W. Abbotson -- 15. Miller in China, Claire Conceison -- 16. Human Rights and the Freedom to Write, Christopher Bigsby -- 17. “What a man” – Performing Masculinity in Arthur Miller’s and Tennessee Williams’ Plays, Claire Gleitman -- 18. Devouring Mechanization: Arthur Miller and the Proto-Posthuman, Peter Sloane. |
| Record Nr. | UNINA-9910484104203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Artistic Research in Performance through Collaboration [[electronic resource] /] / edited by Martin Blain, Helen Julia Minors
| Artistic Research in Performance through Collaboration [[electronic resource] /] / edited by Martin Blain, Helen Julia Minors |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (291 pages) : illustrations |
| Disciplina | 707.2 |
| Soggetto topico |
Performing arts
Theater Actors Arts Performing Arts Performers and Practitioners Contemporary Theatre |
| ISBN | 3-030-38599-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Chapter One: Introduction: Defining the Territory: Interrogating the Collaborative Processes, Issues and Concepts; Martin Blain and Helen Julia Minors -- 2. Chapter Two: The Place of Artistic Research in Higher Education; Martin Blain and Helen Julia Minors -- 3. Chapter Three: Why collaborate? Towards a Philosophy and Politics of Creative Collaboration; Mine Doğantan-Dack -- 4. Chapter Four: The Aesthetics of Collaboration; Andy Hamilton -- 5. Chapter Five: In The Bee Hive: Valuing Craft in the Cultural Industries; Alice Kettle, Helen Felcey and Amanda Ravetz -- 6. Chapter Six: The Right Thing to Play? Issues of Riff, Groove and Theme in Freely Improvised Ensemble Music: A Case Study; Adam Fairhall -- 7. Chapter Seven: Soundpainting: a Tool for Collaborating during Performance -- Helen Julia Minors -- 8. Chapter Eight: Collaboration and the Practitioner-Researcher; Tom Armstrong -- 9. Chapter Nine: Creative Industries and Copyright: Research into Collaborative Artistic Practices in Dance; Mathilde Pavis and Karen Wood -- 10. Chapter Ten: Romance and Contagion: Notes on a Conversation Between Drawing and Dance; Sally Morfill -- 11. Chapter Eleven: The Good, The God and the Guillotine: Insider/Outsider perspectives; Martin Blain and Jane Turner -- 12. Chapter Twelve: Connecting Silos: The New Arts Organisations and HEI Collaborations; Roger McKinley and Mark Wright. |
| Record Nr. | UNINA-9910484258203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Austerity and the Public Role of Drama [[electronic resource] ] : Performing Lives-in-Common / / by Victor Merriman
| Austerity and the Public Role of Drama [[electronic resource] ] : Performing Lives-in-Common / / by Victor Merriman |
| Autore | Merriman Victor |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2019 |
| Descrizione fisica | 1 online resource (176 pages) |
| Disciplina | 792 |
| Collana | Palgrave pivot |
| Soggetto topico |
Theater
Performing arts Contemporary Theatre National/Regional Theatre and Performance Performing Arts |
| ISBN | 3-030-03260-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I Neo-liberalism’s Political and Moral Economic Project: The End of Public Life? -- 1. Introduction: Austerity and Drama’s Public Role -- 2. The Public World: an idea under pressure -- 3. Drama in Public Worlds. -Part II Performance, the Academy, and the Politics of Austerity -- 4. Drama Worlds As Public Worlds -- 5. Confronting Corporate Neo-liberalism in Jim Nolan’s Johnny I Hardly Knew Ye (2016) -- 6. (Re)Public Worlds: Drama as Ethical Encounter -- 7. Beyond Deficit Culture: Conceptualising Collectives -- 8. Beyond Repair: A Critical Performance Manifesto. . |
| Record Nr. | UNINA-9910483632103321 |
|
Merriman Victor
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beckett's Intuitive Spectator [[electronic resource] ] : Me to Play / / by Michelle Chiang
| Beckett's Intuitive Spectator [[electronic resource] ] : Me to Play / / by Michelle Chiang |
| Autore | Chiang Michelle |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (VIII, 196 p.) |
| Disciplina | 809.41 |
| Collana | New Interpretations of Beckett in the Twenty-First Century |
| Soggetto topico |
British literature
Postmodernism (Literature) Theater British and Irish Literature Postmodern Literature Contemporary Theatre |
| ISBN | 3-319-91518-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. The Intuition of Loss in Beckett’s Radio Plays -- 3. Film and the Ecstatic Spectator -- 4. Time out from the World: Respite in Beckett’s Stage plays -- 5. The Disengaging Beckettian Television Audience and the Monument to Loss -- 6. Conclusion. |
| Record Nr. | UNINA-9910300033103321 |
|
Chiang Michelle
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Choreography and Verbatim Theatre [[electronic resource] ] : Dancing Words / / by Jess McCormack
| Choreography and Verbatim Theatre [[electronic resource] ] : Dancing Words / / by Jess McCormack |
| Autore | McCormack Jess |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 |
| Descrizione fisica | 1 online resource (147 pages) |
| Disciplina | 792.8072 |
| Soggetto topico |
Dance
Performing arts Theater Performing Arts Contemporary Theatre |
| ISBN | 3-319-92019-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1 -- Choreography as a Translation Process -- 2. Dancing Other People’s Words: Verbatim Dance-Theatre -- 3. DV8 Physical Theatre’s Verbatim Dance-Theatre: How might choreography be developed in verbatim performance? -- 4. Making Verbatim Dance-Theatre -- 5. Choreographed Dialogue. |
| Record Nr. | UNINA-9910300025503321 |
|
McCormack Jess
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Circus, Science and Technology [[electronic resource] ] : Dramatising Innovation / / edited by Anna-Sophie Jürgens
| Circus, Science and Technology [[electronic resource] ] : Dramatising Innovation / / edited by Anna-Sophie Jürgens |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xx, 189 pages) : illustrations |
| Disciplina | 791.3 |
| Collana | Palgrave Studies in Performance and Technology |
| Soggetto topico |
Stage management
Theater—History Theater Performing arts Technology and Stagecraft Theatre History Contemporary Theatre Performing Arts |
| ISBN | 3-030-43298-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Chapter 1: Circus Matters: Engineering, Imagineering and Popular Stages of Technology: Introduction; Anna-Sophie Jürgens -- 2. Chapter 2: Engineers of Curiosity: the Barnum Era; Jane Goodall -- 3. Chapter 3: Unreal Limbs: Erin Ball and The Extended Body in Contemporary Circus; Katie Lavers and Jon Burtt, with Erin Ball -- 4. Chapter 4: Circus as Laboratory: Imagineering Legitimacy; Mark St Leon -- 5. Chapter 5: Circus and Electricity: Staging Connexions between Science and Popular Entertainments; Gillian Arrighi -- 6. Chapter 6: Technologies of Risk, Fear and Fun: Human and Nonhuman Circus Performance; Peta Tait -- 7. Chapter 7: The Circus and the Magic Lantern: A Portfolio of Hand-Painted Mechanical Magic Lantern Slides; Martyn Jolly and Elisa deCourcy -- 8. Chapter 8: The Circus and Technologies of Animation; Ruth Richards -- 9. Chapter 9: Engineering Circus Enchantment: Automagic Technology and Electrifying Performances in Fiction; Anna-Sophie Jürgens and Robert C. Williamson. |
| Record Nr. | UNINA-9910483060103321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
Contemporary Theatre
(59)
- Theater (58)
- Performing arts (44)
- Performing Arts (43)
- National/Regional Theatre and Performance (19)