Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
The Composer, Herself : Contemporary Snapshots of the Creative Process / / edited by Linda Kouvaras, Natalie Williams, Maria Grenfell
| The Composer, Herself : Contemporary Snapshots of the Creative Process / / edited by Linda Kouvaras, Natalie Williams, Maria Grenfell |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (432 pages) |
| Disciplina | 780.82 |
| Altri autori (Persone) |
KouvarasLinda Ioanna
WilliamsNatalie <1977-> GrenfellMaria <1969-> |
| Soggetto topico |
Music - History and criticism
Feminism Feminist theory Communication and traffic Philosophy Postcolonialism Contemporary Music Feminism and Feminist Theory Media Industries Post-Colonial Philosophy |
| ISBN |
9783031239229
3031239229 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: The 'Post-Feminist' Moment in Contemporary Classical Music; Lina Kouvaras -- Part 1: Activist Musical Projects and Intersectional C ollaborations -- 2. Borrowing from the Bard: Ruler of the Hive; Melody Eotvos -- 3. Letters to Clara: A Contemporary Composer's Homage to a Women Pioneer; Natalie Williams -- 4. Carnivals of Voice, Musical Playgrounds: Music from Text in Works of Andree Greenwell; Andree Greenwell -- 5. Holding, Handling, Moulding and Setting the Inner Thoughts of Another in Hidden Thoughts; Katy Abbott -- 6. Walking the Line: Emancipating the Complex Female Voice in Recent Operas; Missy Mazzoli -- 7. Democracy and Collective Composition; Cathy Milliken -- 8.Harmonia Mundi: Creating a New Work of Music Theatre to speak to the Current World Chaos; Judith Clingan -- 9. Blocking Out Noise: Metamorphosis and Identity in the Recent Chamber Music of Vivian Fung; Vivian Fung -- 10. An overview of My Compositional Practice and Collaborations into China; Rachel Walker -- 11. Luck, Grief, Hospitality: Re-Routing Power Relationships in Music; Liza Lim -- 12. In Search of the Artistic Moment: Interdisciplinary Collaboration and 'The Space Between' from an Australian Screen -- Composer's Perspective; Yantra De Vilder -- Part 2: Philosophical and Phenomenological Dimensions of Time -- 13. Finding Time, Finding Space: An Autoethnography of Compositional Praxis; Christine mcCombe -- 14. A Compositional Life in Time: The Recent Operas of Elena Kats-Chernin; Elena Kats-Chernin -- 15. Einstein's Dream: At the Threshold between Science and Art; Cindy McTee -- 16. The Pendulum Process: Point of Balance; Mary Finsterer -- 17. Gravity and Gravitas: Time, Passion, and Inevitability in the Music of Shulamit Ran; Shulamit Ran -- 18. Low Frequency as Concept in the Music of Cat Hope; Cat Hope -- 19. A Drone Opera Recast: Threat, Allure, Promise; Susan Frykberg -- Part 3: Music Awakenings: Reflecting Back, Projecting Forward -- 20: Composing the Rolls-Royce: A Composer's Adventures in Orchestral Composition; Maria Grenfell -- 21.Finding a Reason: A Composer's Pathway Forged through Social Justice Advocacy; Kathleen McGuire -- 22.'I'm A Type Triple-A Composer!' Augusta Read Thomas -- 23. How My Music is Made: 'Tantot Libre, Tantot Recherche'; Nicola LeFanu -- 25. The Mirror: A Novel in Reflections; Lera Auerbach -- 26.Sometimes Dreams do Come True: Thea Musgrave's Exploration of Dramatic-Abstract Forms in her Instrumental Music; -- 27. My Awakening as a Composer: No Adjective; Judith Lang, Zaimont -- 28. Epilogue. |
| Record Nr. | UNINA-9910767525003321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Environmental Humanities in India / / edited by Debajyoti Biswas, John C. Ryan
| Environmental Humanities in India / / edited by Debajyoti Biswas, John C. Ryan |
| Autore | Biswas Debajyoti |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2025 |
| Descrizione fisica | 1 online resource (326 pages) |
| Disciplina | 809.933553 |
| Altri autori (Persone) | RyanJohn C |
| Collana | Asia in Transition |
| Soggetto topico |
Ecocriticism
Oriental literature Sex Music - History and criticism Art, Modern - 21st century Asian Literature Gender Studies Contemporary Music Contemporary Art |
| ISBN |
9789819739332
9819739330 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: Environmental Humanities in India -- 2. Indigenous Native Epistemology as A Model in Environmental Humanities in India -- 3. The Environment in Hindu Consciousness: Revisiting the Sacred Texts -- 4. Cultural Practices and Indigenous Traditions of the Garo and Bodo: Reinterpreting 'Man-Nature' Convergences in Wangala and Bathou -- 5. Indigenous Nature Conservation in Meghalaya: Environmental and Religious Dimensions of Tribal Land Ownership Among the Khasi Community -- 6. Philosophy for Environmental Policy and Law in India -- 7. The Secular in Ecological Consciousness -- 8. Multispecies Conviviality, Bioregionalism, And Vegetal Politics in Kodagu, India -- 9. “When The Black Half of The Kunni Seed Whitens”: Plant-Lore and The Plantationocene in Ambikasuthan Mangad’s Swarga -- 10. Mourning the Loss of Mother Earth: Reclaiming the Path of Recovery in Akkineni Kutumbarao’s Softy Dies a Lake -- 11. “Leave City, Leave Reality; Enter Forest, Enter Fantasy”: Representing Ecotopian Space as a Protest against Urbanization in Bibhutibhusan Bandyopadhyay’s Literary Oeuvre -- 12. Connecting and Creating Narratives: Interrogating Myth and Identity in Ghosh’s Gun Island -- 13. Amitav Ghosh’s Storyworlds for Environmental Dwelling: Multimodal Iterations and Performativity in/of Jungle Nama: A Story of the Sundarban -- 14. Ecomusicology in India: Voicing the Unvoiced Anthropocene through Popular Culture. |
| Record Nr. | UNINA-9910898595103321 |
Biswas Debajyoti
|
||
| Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Global Hiphopography / / edited by Quentin Williams, Jaspal Naveel Singh
| Global Hiphopography / / edited by Quentin Williams, Jaspal Naveel Singh |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (474 pages) |
| Disciplina | 306.484249 |
| Altri autori (Persone) |
WilliamsQuentin
SinghJaspal Naveel |
| Soggetto topico |
Sociolinguistics
Anthropological linguistics Music - History and criticism Civilization - History Race Linguistic Anthropology Contemporary Music Cultural History Race and Ethnicity Studies |
| ISBN |
9783031219559
3031219554 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | INTRODUCTION:Hip Hop’s here, there… and everywhere: An introduction to Global Hiphopography.-PART I – NOW CHECK THE METHOD.-CHAPTER 1:Public Enemy, public scholarship: Hiphopography and the co-production of knowledge with Chuck D.-CHAPTER 2:Rappin’ for rap’s sake: Towards T.R.A.P. research for collective liberation.-CHAPTER 3:Recalculating…: Hiphopography and decentring scholarship.-CHAPTER 4:Relational hiphopography: Some notes on shared study .-CHAPTER 5:Homeboys: A photo essay on Delhi’s underground hip hop culture.PARTII – FEMININE ENERGY.-CHAPTER 6:Decolonizing African Studies approaches to research on African women in Hip-Hop -- CHAPTER 7:Sisters in the hood: Re-centring gender balance in HipHop by creating safe spaces for women -- PART III – MIND, BODY AND SOUL.-CHAPTER 8:How I know, be, move: Embodied Hip Hop Pedagogies as teaching, research, writing, and living praxis .-CHAPTER 9:Flipping the academic discourse: Reflections on corporeal knowledge and gender negotiations in breaking.-CHAPTER 10:Graffuturism: Hiphopographic futures for urban art -- PART IV – FEAR OF A BLACK PLANET.-CHAPTER 11:Translocal hip hop aesthetics: Contemporary performances in Brazilian hip hop.-CHAPTER 12:Racialization and strategic / normalized otherness: A hiphopography of Danish and Finnish rap scenes -- PART V – POLITRICKS -- CHAPTER 13:Real and hypocrisy: The “moral turn” in Chinese Hip Hop music.-CHAPTER 14:Transidiomatism in Da Billas’ Mafohlana rap song: The socio-cultural integration of Mozambican migrants in South Africa -- PART VI – THIS IS A JOURNEY INTO SOUND:CHAPTER 15:The mixtape as Hip Hop historiography: A systematic analysis of record releases of German 1980s Hip Hop.-CHAPTER 16:‘My space trips from Chimoio’: Notes about space and temporality in sampling.-CHAPTER 17:Black sound designs: Reflections on one Brazilian DJ’s approach to a profession . |
| Record Nr. | UNINA-9910736018803321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Hyperorchestra : Screen Music and Virtual Musical Ensembles / / by Sergi Casanelles
| The Hyperorchestra : Screen Music and Virtual Musical Ensembles / / by Sergi Casanelles |
| Autore | Casanelles Sergi |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (336 pages) |
| Disciplina | 781.54201 |
| Soggetto topico |
Music - History and criticism
Music theory Motion pictures Television broadcasting History of Music Theory of Music Contemporary Music Film and Television Studies |
| ISBN |
9783031751936
3031751930 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- PART I: Theoretical and Practical Foundations -- 2. From Hyperreality to Digital Cinema: A Theoretical Overview -- 3. Conceptualizing the Hyperorchestra -- 4. The Digital Tools for the Hyperorchestra: MIDI, Virtual Instruments, and Digital Music -- PART II: The Hyperorchestra and the contemporary aesthetics for screen music -- 5. Hyperorchestral Aesthetic Frameworks for the Screen Music Composer -- 6. Hyperorchestration: Sonic Strategies for the Creation of Meaning -- 7. Conclusion. |
| Record Nr. | UNINA-9910918594603321 |
|
Casanelles Sergi
|
||
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Janelle Monáe's "Dirty Computer" / / by Dan Hassler-Forest
| Janelle Monáe's "Dirty Computer" / / by Dan Hassler-Forest |
| Autore | Hassler-Forest Dan |
| Edizione | [1st ed. 2021.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
| Descrizione fisica | 1 online resource (108 pages) |
| Disciplina |
305.896073
782.42164092 |
| Collana | Palgrave Science Fiction and Fantasy: A New Canon |
| Soggetto topico |
Popular music
African Americans Culture Music - History and criticism Popular culture Popular Music African American Culture Contemporary Music Popular Culture |
| ISBN |
9783030906535
9783030906528 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. "Young, Black, Wild and Free": Janelle Monáe's Afrofuturist Project -- 2. "Black Girl Magic, Y'All Can't Stand It": Black Feminism -- 3. "Everything is Sex, Except Sex, Which is Power": Queerness and Sexual Identity -- 4. "This is Not My America": The Dialectics of Racial Capitalism -- 5. "Sign Your Name on the Dotted Line": SF Activism. |
| Record Nr. | UNINA-9910520072303321 |
|
Hassler-Forest Dan
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis
| Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis |
| Autore | Utz Christian <p>Christian Utz, Kunstuniversität Graz, Österreich </p> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2021 |
| Descrizione fisica | 1 online resource (528 p.) |
| Disciplina | 780.904 |
| Collana | Musik und Klangkultur |
| Soggetto topico |
Contemporary Music
20th Century Globalization Transnationalism Entangled Histories Asia China Japan Korea Music Musicology Interculturalism Cultural Studies Cultural History |
| ISBN |
9783839450956
3839450950 |
| Classificazione | LP 19507 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Preface -- Preface to the Revised and Expanded English Edition -- Acknowledgements -- List of Examples, Figures, and Tables -- I. Introduction: Art Music, Identity, and Reflexive Globalization -- 1. Art Music in a Global Context -- 2. Identity Criticism and Reflexive Globalization -- 3. Discourses of Intercultural Composition -- II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- 1. Preliminaries of an Intercultural Music Historiography -- 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- 3. The Ambivalence of the Local in Twentieth-Century Music -- 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- 6. Categories of Intercultural Reception in Western Composition -- III. Studies on the History and Analysis of New East Asian Music -- 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- IV. The shō Context -- 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- V. New Music and Beyond: Music-Historical and Cultural Entanglements -- 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- 2. Stratification and Analysis -- 3. Intercultural and Multilingual Trajectories of the Human Voice -- 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- Bibliography -- Appendix -- Index |
| Altri titoli varianti | Utz, Musical Composition in the Context New Perspectives on Music History in the 20th and 21st Century |
| Record Nr. | UNINA-9910476917603321 |
|
Utz Christian <p>Christian Utz, Kunstuniversität Graz, Österreich </p>
|
||
| Bielefeld, : transcript Verlag, 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
New Music and Institutional Critique / / edited by Christian Grüny, Brandon Farnsworth
| New Music and Institutional Critique / / edited by Christian Grüny, Brandon Farnsworth |
| Autore | Grüny Christian |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : J.B. Metzler, , 2024 |
| Descrizione fisica | 1 online resource (207 pages) |
| Disciplina | 780.9 |
| Altri autori (Persone) | FarnsworthBrandon |
| Collana | Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens |
| Soggetto topico |
Music - History and criticism
Performing arts Theater Aesthetics Music - Philosophy and aesthetics Contemporary Music Theatre and Performance Arts Philosophy of Music |
| ISBN |
9783662671313
366267131X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- I Scholars -- 2. Institutions Against Art Music—Curation, Rehearsal, and Contemporary Art -- 3. Gender Issues as Criticism within (New) Music Institutions -- 4. Darmstadt and its Discontents -- 5. Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Research -- 6. Black Music’s Institutional Critique -- II Artists -- 7. My Via Dolorosa from (Impotent) Institutional Critique to the Founding of my own Institution, the Norwegian Opra, with the Gradual Construction of the followers of ø Opra-Dorf on a Meadow in the Swedish Forest, thereby (Maybe) Saving the Autonomy of Art -- 8. Sheltering Each Other from the Storms to Come. Why we need to become allies rather than critics of liberal cultural institutions -- 9. Gender Relations in New Music is Institutional Critique -- 10. Ark -- 11. On the Kunsthalle for Music and (Music-)Institutional Critique -- III Interviews -- 12. “We started expanding the ‘us,’ rather than including someone else” – Peter Meanwell and Tine Rude interviewed by Brandon Farnsworth -- 13. “Don’t expect the wrong things from institutions.” – Berno Odo Polzer interviewed by Christian Grüny -- 14. “Pockets of Obscure Skills” – Samson Young interviewed by Brandon Farnsworth -- 15. “Positioning myself between stools” – Hannes Seidl interviewed by Christian Grüny -- 16. “Framing Europe” – meLê yamomo interviewed by Theresa Beyer. |
| Record Nr. | UNINA-9910753398503321 |
|
Grüny Christian
|
||
| Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : J.B. Metzler, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Palgrave Handbook of Critical Music Industry Studies / / edited by David Arditi, Ryan Nolan
| The Palgrave Handbook of Critical Music Industry Studies / / edited by David Arditi, Ryan Nolan |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (633 pages) |
| Disciplina | 621.38932 |
| Soggetto topico |
Music
Service industries Popular music Music - History and criticism Jazz Entertainment Industry Popular Music Classical Music Contemporary Music |
| ISBN |
9783031640131
3031640136 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Why we need critical music industry studies -- Part 1: Music, Labor and Exploitation -- 2. Tips, Tourists, and Musical Labor on Beale Street -- 3. Masters and Slaves: Black Artists and the Ownership of Sound Recording Copyright -- 4. Pressing reset: Reimagining performer and songwriter revenues in the contemporary music industry -- 5. Beyond the Sea: The Labour of Cruise Ship Musicians -- 6. Record Contracts: Recording Artists, Work, and Exploitation -- 7. Mothering: The Epicentre of Gender Gapping in the Music Industry? -- 8. Out of the Frying Pan and into the Fire: Music Education, Mental Health, and Our Students’ Futures -- 9. The care work of musical fields -- 10. Solidarity Under Monopoly and Labour Withdrawal in the Music Industry -- 11. Exploring the origins of digital burnout in the music industries & and what to do about it -- Part 2: Music and Technology: From radio to algorithmic gatekeepers -- 12. Amplifying Value: Labor, Technology, and Creativity in the Jingle Industry -- 13. “The numbers don’t lie!”: Metrics as tools for decision making and strategic planning in music industry organizations -- 14. Sorted: Categorisation and Genre in Contemporary Music Business -- 15. Music after Covid-19: capital, performance and sharing -- 16. Formatting Race on Commercial Radio Stations -- 17. Surveillance of and through Music -- Part 3: Cultural Production and Consumption -- 18. The establishment of k-pop: k-pop’s main characteristics -- 19. Dance Music Reckonings: Authenticity, Whiteness, and Toxic Masculinity -- 20. Underground Hip Hop: A Critical Consideration of Subgenre and Scene(s) -- 21. Music PR: A hidden history -- 22. Whoopin’ For the Innanet: Exploring YouTube Channels as Reputation Building Intermediaries for Artists in Chicago’s Drill Rap Scene -- 23. Catalogue Acquisitions: Who Wins? -- 24. How the Music Industries Killed “Selling Out”: Autopsy of a Concept -- 25. Strength in Numbers: How Young Artists Navigate Racial Stereotypes in the Rap Industry -- 26. Standing in the Way of Control: The Vinyl Revival, the Record Industry, and Record Store Day -- 27. Redefining Liverpool’s Purpose as a Music City: Identifying the cultural, demographic and geographic challenges to a career in music for Liverpool’s Black community -- Part 4: Alternatives through Cultural Policy -- 28. Misogyny in music: actors, business and law -- 29. Popular music in France and Action Culturelle: when musicians become cultural policy agents -- 30. “A Rising Tide Lifts All Boats”: On a Musician’s Minimum Rate, Cultural Labour, and the Live Music Sector -- 31. Music declares an emergency: music industry studies in the context of a changing climate -- 32. ‘It’s not the females’ job, it’s everybody’s job’: gender related experiences and challenges in Popular Music Higher Education and the music industry -- 33. The Music Industry does exist -- 34. What is Music Business Management? A Critical Conversation on Music, Knowledge and Power in the University -- 35. How Working Musicians (Finally) Became A Matter of Mainstream Political Interest. |
| Record Nr. | UNINA-9910890177903321 |
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Poetic Music of Wallace Stevens / / by Bart Eeckhout, Lisa Goldfarb
| The Poetic Music of Wallace Stevens / / by Bart Eeckhout, Lisa Goldfarb |
| Autore | Eeckhout Bart |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (222 pages) |
| Disciplina | 811.52 |
| Collana | Palgrave Studies in Music and Literature |
| Soggetto topico |
Poetry
Literature, Modern - 20th century Music - History and criticism Music theory Poetry and Poetics Twentieth-Century Literature Contemporary Music Theory of Music |
| ISBN |
9783031070327
3031070321 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction: Reflections on Musicking Stevens -- Chapter 2: The Enigmatic Relation between Music and Memory- Chapter 3: The Enigmatic Relation between Music and Memory -- Chapter 4: The Lifelong Lures of Birdsong -- Chapter 5: The Vibrations of Latent Music: Juxtaposing Stevens with Strauss, Mahler, Hindemith, and Debussy -- Chapter 6: Shared Aspects of a Musical Poetics: Juxtaposing Stevens with Stravinsky -- Chapter 7: Learning from Ned Rorem's Last Poems of Wallace Stevens. . |
| Record Nr. | UNINA-9910584478103321 |
|
Eeckhout Bart
|
||
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Quantum Mechanics and Avant-Garde Music : Shadows of the Void / / by Rakhat-Bi Abdyssagin
| Quantum Mechanics and Avant-Garde Music : Shadows of the Void / / by Rakhat-Bi Abdyssagin |
| Autore | Abdyssagin Rakhat-Bi |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2024 |
| Descrizione fisica | 1 online resource (287 pages) |
| Disciplina | 780.905 |
| Soggetto topico |
Music - History and criticism
Quantum theory General relativity (Physics) Logic, Symbolic and mathematical Thermodynamics Contemporary Music Quantum Physics General Relativity Mathematical Logic and Foundations |
| ISBN | 3-031-63161-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: Origins and Development of Avant-Garde Music in Faces -- Prologue -- Correlations in Timeline -- On Some Analogies -- Werner Heisenberg’s Musical Universe; Meeting with Martin Heisenberg -- Werner Heisenberg’s Musical Universe; Meeting with Christine Mann -- Great Scientists—Gifted Musicians -- Origins and Development of Classical Music in Faces -- Origins and Development of Contemporary Music in Faces -- Part II: Heisenberg’s Uncertainty Principle and Aleatoric Technique in Music -- Entropy in the Development of Tonality -- Performance as Experiment -- On Time in Music -- Symbols, Mathematics and Notation -- Heisenberg’s Uncertainty Principle and Aleatoric Technique in Music -- Time Dilation, Synchronicity and Ligeti’s Etudes -- Pauli Exclusion Principle and Schoenberg’s Dodecaphony -- Part III: Shadows of the Void -- Shadows of the Void -- Boolean Algebra, Bits and Qubits in Music -- Basic Operations with a Tone Row -- Tears of Silence -- The Newest Performing Techniques -- Quantum Entanglement in Physics and Extended Techniques in Music -- Part IV: Epilogue. |
| Record Nr. | UNINA-9910887811203321 |
|
Abdyssagin Rakhat-Bi
|
||
| Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
