The (Im)possibility of Art Archives : Theories and Experience in/from Asia / / edited by Lu Pan
| The (Im)possibility of Art Archives : Theories and Experience in/from Asia / / edited by Lu Pan |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (xxxvii, 356 pages) : illustrations (some color) |
| Disciplina | 060 |
| Collana | Contemporary East Asian Visual Cultures, Societies and Politics |
| Soggetto topico |
Art, Modern - 21st century
Asia - Politics and government Art - History Culture - Study and teaching Culture Contemporary Art Asian Politics Art History Visual Culture Sociology of Culture |
| ISBN |
9789819958986
9819958989 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: Accumulation and Creation: The Birth of Archive -- Chapter 1: Diverse Voices of Japanese Modern and Contemporary Art: The Oral History Archives of Japanese Art -- Chapter 2: “Accumulation” and “Reward”: An Interview with Chen Tong on Video Bureau -- Chapter 3: RE-VISIONING THE ARCHIVES: On the Creation and Curation of a Relational and Decolonial Visual Art Archives in Asia -- Chapter 4: Hijikata Tatsumi Archive: A Pioneering Dance Archive in Japan -- Chapter 5: One-Man Archive: Koh Nguang How on the Possibilities of Archiving Singapore Art -- Part II: Deconstruction and Recreation: Artist, Curator and Research on Archive -- Chapter 6: Encountering Incompleteness: Archives, Institutions and Exhibition-making -- Chapter 7: The Need of Art Archives in India -- Chapter 8: The Timeless Plunge: The Ha Bik Chuen Archive -- Chapter 9: Endless Documents: Chinese Contemporary Art and Curatorial Practices in Archives -- Chapter 10: The Eyes of Archives: How Contemporary Taiwanese Video Art Set off a Revolt Regarding Japanese Colonial History -- Chapter 11: Expose: Archive of -- Matsuzawa Yutaka -- Chapter 12: It Takes a Village: Archives Talk Back -- Chapter 13: Others, A Night in Tokyo, Coconut Forest and Tigers: Observations of a Pseudo-Tourist -- Chapter 14: Muse -- the archive, archival/exhibiting turn -- Chapter 15: The Retrieval, Restoration, and Predicament Objects, Memories and Records in Wartime -- Chapter 16: Toward Archiveology: Regarding Nguyen Trinh Thi’s Essay Films -- Part III: The Public and Imagination: Archive as Self-Portrait of Community -- Chapter 17: The Relationship between Sendai Mediatheque’s Art Exhibitions and 3.11 Archives - A case study of “Record and Recalling: Walking on the House of Images” -- Chapter 18: Rescuing an image of one’s own: Memoirs of a Taiwanese folk image preservation movement -- Chapter 19: Archives Without Archivists: Notes on “I’m calling you. rebirth of humans and the elephant -- Chapter 20: Multitude Asia: Huang Sun-quan on Articulation, Network, Asian Visual Archive -- Chapter 21: Praxis of Praxis: Collaborative Art Archiving, Going beyond an Imagined Community toward a Community in Process -- Chapter 22: Archiving the Commons: Struggle of anti-gentrification and anti-eviction. |
| Record Nr. | UNINA-9910831005203321 |
| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Afterlife of Palestinian Images : Visual Remains and the Archive of Disappearance / / by Azza El Hassan
| The Afterlife of Palestinian Images : Visual Remains and the Archive of Disappearance / / by Azza El Hassan |
| Autore | El-Hassan Azza |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (196 pages) : illustrations |
| Disciplina | 305.89274 |
| Collana | Palgrave Studies in Arab Cinema |
| Soggetto topico |
Motion pictures - Palestine - History
Palestinian Arabs in motion pictures Cultural property - Destruction and pillage - Palestine Art, Modern - 21st century Communication Middle East - Politics and government Global Film and TV Contemporary Art Media and Communication Middle Eastern Politics |
| ISBN |
9783031669514
9783031669507 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | -- CHAPTER 1. INTRODUCTION. -- CHAPTER 2. ARCHIVE OF DISAPPEARANCE. -- CHAPTER 3. HANDS ON VISUAL REMAINS. -- CHAPTER 4. BEGINNINGS. -- CHAPTER 5. THE FOUND ARCHIVE OF HANI JAWHERIEH. -- CHAPTER 6. THE AFTERLIFE IMAGE BOX. -- CHAPTER 7. PLUNDERING THE FUTURE. -- CHAPTER 8. CAMERA REMAINS. -- CHAPTER 9. FILM RESTORATION OF REMAINS. -- CHAPTER 10. APPROPRIATION. -- CHAPTER 11. NARRATIVES OF A MISE EN SCÈNE. |
| Record Nr. | UNINA-9910918594703321 |
El-Hassan Azza
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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Arab Women's Revolutionary Art : Between Singularities and Multitudes / / by Nevine El Nossery
| Arab Women's Revolutionary Art : Between Singularities and Multitudes / / by Nevine El Nossery |
| Autore | El Nossery Névine |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (244 pages) |
| Disciplina | 709.174927 |
| Collana | Communication, Culture, and Gender in the Middle East and North Africa |
| Soggetto topico |
Ethnology - Middle East
Culture Ethnology - Africa Gender identity in mass media Art, Modern - 21st century Comic books, strips, etc - Influence on mass media Middle Eastern Culture African Culture Media and Gender Contemporary Art Comics Studies |
| ISBN | 3-031-21724-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Part I Visualizing the Revolution -- Chapter 2. Bahia Shehab: The (In)visible Cairo Street Artist -- Chapter 3. Identity and Memory in Héla Ammar’s Photo-Embroidery -- Part II Performing the Revolution -- Chapter 4. When Women’s Bodies Speak in Public -- Chapter 5. Comics Against Taboos in Morocco -- Part III Writing The Revolution -- Chapter 6. Kaouther Adimi’s Palimpsest of Revolutionary Histories -- Chapter 7. Revolutionary Art in Nomadic Spaces -- Chapter 8. Conclusion./. |
| Record Nr. | UNINA-9910698645103321 |
El Nossery Névine
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Lo trovi qui: Univ. Federico II | ||
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Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann
| Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2021 |
| Descrizione fisica | 1 online resource |
| Disciplina | 770 |
| Collana | Inter/Media |
| Soggetto topico |
Theater
Postdramatik Performance Aktionskunst Gegenwartskunst Deutscher Film Germanistik Theaterwissenschaft Filmwissenschaft Volksbühne Theatre Postdramatic Theatre Contemporary Art German Studies Performance Studies Film Studies German Film |
| ISBN |
9783846765340
3846765341 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Intro -- Inhalt -- Im Bildersturm. Einleitende Überlegungen zu Christoph Schlingensiefs Arbeit am Bild und den offenen Rechnungen der Forschung -- Zwischen Bildern. Christoph Schlingensief und Werner Nekes -- Der Zuschauer als Schaffender. Christoph Schlingensiefs filmische Sehschule -- Maske, Opfer, Trash. Zum Status Helge Schneiders in den Filmen von Christoph Schlingensief -- Massaker-Bilder. Die deutsche Wiedervereinigung als Horror-Szenario -- Simbabwe, Schund, Schlingensief. Perspektiven des Parakinos -- Ein Tableau vivant, das keines ist. Verlebendigung kolonialer Fotografie in The African Twin Towers -- Bildpolitik. Bilder als Akteure einer neuen Gesellschaft -- Die Freisetzung innerer Bilder. Schlingensiefs Hörspiele -- Das vergessene Medium. Miszelle zu Christoph Schlingensiefs Arbeiten für die Zeitung -- Die Kunst des Krisenexperiments. Inszenierungen von Christoph Schlingensief (1999) -- Evocative Wordplay and Utopian Image-traces in Schlingensief's Participatory Projects -- Theaterprobe. Tradition und Provokation in Christoph Schlingensiefs Hamlet (2001) -- Bild-Begehren. Terror und Kunst in Schlingensiefs ATTA ATTA - Die Kunst ist ausgebrochen -- „Begegnung zweier Welten". Transformation und Kulturkontakt in Christoph Schlingensiefs Operninszenierung Der Fliegende Holländer -- Strategien der Überblendung. Bilderzeugende Verfahren und Deutungsmatrizen in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung -- Schlingensief, enfant terrible? Zur Arbeit am (Selbst-)Bild des Regisseurs an der Volksbühne Berlin -- „Das Leben ist nicht schlüssig". Sinnsuche und Kohärenzbildung in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! -- Individuelle Mythologie als Paradoxie im Ich. Zu Schlingensiefs autothematischer Übermalung von Kunst und Religion -- Autor*innen. |
| Record Nr. | UNINA-9910915634503321 |
| Paderborn, : Brill | Fink, 2021 | ||
| Lo trovi qui: Univ. Federico II | ||
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Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann
| Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2021 |
| Descrizione fisica | 1 online resource |
| Disciplina | 832.914 |
| Collana | Inter/Media |
| Soggetto topico |
Theater
Postdramatik Performance Aktionskunst Gegenwartskunst Deutscher Film Germanistik Theaterwissenschaft Filmwissenschaft Volksbühne Theatre Postdramatic Theatre Contemporary Art German Studies Performance Studies Film Studies German Film |
| ISBN |
9783846765340
3846765341 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Intro -- Inhalt -- Im Bildersturm. Einleitende Überlegungen zu Christoph Schlingensiefs Arbeit am Bild und den offenen Rechnungen der Forschung -- Zwischen Bildern. Christoph Schlingensief und Werner Nekes -- Der Zuschauer als Schaffender. Christoph Schlingensiefs filmische Sehschule -- Maske, Opfer, Trash. Zum Status Helge Schneiders in den Filmen von Christoph Schlingensief -- Massaker-Bilder. Die deutsche Wiedervereinigung als Horror-Szenario -- Simbabwe, Schund, Schlingensief. Perspektiven des Parakinos -- Ein Tableau vivant, das keines ist. Verlebendigung kolonialer Fotografie in The African Twin Towers -- Bildpolitik. Bilder als Akteure einer neuen Gesellschaft -- Die Freisetzung innerer Bilder. Schlingensiefs Hörspiele -- Das vergessene Medium. Miszelle zu Christoph Schlingensiefs Arbeiten für die Zeitung -- Die Kunst des Krisenexperiments. Inszenierungen von Christoph Schlingensief (1999) -- Evocative Wordplay and Utopian Image-traces in Schlingensief's Participatory Projects -- Theaterprobe. Tradition und Provokation in Christoph Schlingensiefs Hamlet (2001) -- Bild-Begehren. Terror und Kunst in Schlingensiefs ATTA ATTA - Die Kunst ist ausgebrochen -- „Begegnung zweier Welten". Transformation und Kulturkontakt in Christoph Schlingensiefs Operninszenierung Der Fliegende Holländer -- Strategien der Überblendung. Bilderzeugende Verfahren und Deutungsmatrizen in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung -- Schlingensief, enfant terrible? Zur Arbeit am (Selbst-)Bild des Regisseurs an der Volksbühne Berlin -- „Das Leben ist nicht schlüssig". Sinnsuche und Kohärenzbildung in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! -- Individuelle Mythologie als Paradoxie im Ich. Zu Schlingensiefs autothematischer Übermalung von Kunst und Religion -- Autor*innen. |
| Record Nr. | UNINA-9910971468903321 |
| Paderborn, : Brill | Fink, 2021 | ||
| Lo trovi qui: Univ. Federico II | ||
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Art in the City, the City in Art / / by Elisha Masemann
| Art in the City, the City in Art / / by Elisha Masemann |
| Autore | Masemann Elisha |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (266 pages) |
| Disciplina | 720.1 |
| Collana | The Contemporary City |
| Soggetto topico |
Art, Modern - 21st century
Cities and towns - History Contemporary Art Urban History |
| ISBN |
9789819960422
9819960428 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Establishing the city’s ‘ground rules’ -- Part I: Hardware -- Chapter 2: A rational city programme -- Chapter 3:Critical responses to the ‘city plan’ -- Chapter 4: Art’s non-rational uses of the city -- Part II: Software -- Chapter 5: Ideology and the city -- Chapter 6: The body and the city -- Chapter 7: The everyday city -- Chapter 8: Disrupting ‘normalcy’ through art -- Part III: Networks -- Chapter 9: Networks that create control in the city -- Chapter 10: Foundations for cognitive dissonance -- Chapter 11: Art’s intervention in the society of control -- Chapter 12: Epilogue: An ongoing struggle between ‘art in the city, the city in art’. |
| Record Nr. | UNINA-9910847073603321 |
Masemann Elisha
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| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Art of Orality : Cultural Aesthetics in the Absence of Writing / / by Declan Lloyd
| The Art of Orality : Cultural Aesthetics in the Absence of Writing / / by Declan Lloyd |
| Autore | Lloyd Declan |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (XII, 237 p. 22 illus., 19 illus. in color.) |
| Disciplina | 700 |
| Soggetto topico |
Art, Modern - 21st century
Literature - Aesthetics Literature Contemporary Art Literary Aesthetics Literary Methods |
| ISBN |
9783031854316
3031854314 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction: Unifying Orality, Literacy and Art -- Chapter 2: ‘The Great Awakening’: The Greek Revolution in Art and Orality -- Chapter 3: ‘A Curious Mixture’: Medieval Art and the Question of Orality -- Chapter 4: ‘The Style Most Perfect’: Tribal Art and Orality -- Chapter 5: ‘An Enviable Freedom’: Child Art and Orality -- Chapter 6: ‘A Pure and Elementary State’: Outsider Art and Orality -- Chapter 7: ‘The Kingdom Where Each of Us Reigns’: Julian Jaynes, Art and Orality -- Chapter 8: ‘Primordially Eternal’: Modern Art and Orality -- Chapter 9: Conclusion: The Future of Art and Orality. |
| Record Nr. | UNINA-9910988386603321 |
Lloyd Declan
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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Artgames after GamerGate / / by Rob Gallagher
| Artgames after GamerGate / / by Rob Gallagher |
| Autore | Gallagher A. Robert |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (332 pages) |
| Disciplina | 794.8 |
| Collana | Palgrave Games in Context |
| Soggetto topico |
Games
Gender identity in mass media Popular culture Art, Modern - 21st century Games Studies Media and Gender Popular Culture Contemporary Art |
| ISBN | 3-032-04435-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9911040921003321 |
Gallagher A. Robert
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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Artistic and Intellectual Practices in Contemporary China : China as an Issue / / edited by Carol Yinghua Lu
| Artistic and Intellectual Practices in Contemporary China : China as an Issue / / edited by Carol Yinghua Lu |
| Autore | Lu Carol Yinghua |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (380 pages) |
| Disciplina | 709.5109045 |
| Collana | Literature, Cultural and Media Studies |
| Soggetto topico |
Art, Modern - 21st century
Literature, Modern - 20th century Literature, Modern - 21st century China - History Contemporary Art Contemporary Literature Twentieth-Century Literature History of China |
| ISBN | 9789819988150 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1: Other Histories of Chinese Art after 1949 -- Section 1 Continuity -- Chapter 1: Chinese Art in the 1950s: An Avant-Garde Undercurrent Beneath the Mainstream of Realism Shao Dazhen -- Chapter 2: A Review of Artistic Practices from 1972 to 1982 Liu Ding, Carol Yinghua Lu -- Chapter 3: Painting in China After the Cultural Revolution: Style Developments and Theoretical Debates Hans van Dijk -- Chapter 4: The Market as Imaginary in Post Mao China Jane Debevoise -- Chapter 5: Prophecy at the Turn of the 1990s Carol Yinghua Lu -- Section 2 Frame of Mind -- Chapter 6: Somewhere (and Nowhere) Between Modernity and Tradition: Toward a Discursive Polylogue between Differing Interpretative Perspectives on Contemporary Chinese Art Paul Gladston -- Chapter 7: The Authenticity and the Neutrality of Value: on the Issue of Value in the Writings of Contemporary Art History Zou Yuejin -- Chapter 8: The More Homogeneous, Pure and Clear the History, the More Dangerous It Is Luo Xin -- Part 2: Expanses and Limitation -- Section 1 Universality -- Chapter 9: What is Asia? - On Anthropological Difference Naoki Sakai -- Chapter 10: Creating New Universality Sun Ge -- Chapter 11: Pull Universality Down From the Alter of Being Singular Naoki Sakai, Sun Ge -- Section 2 Particularity -- Chapter 12: On the Founding of The Scholar Journal Wang Hui -- Chapter 13: Some Tendencies in Small-Scale Art Publishing in Asia Lim Kyung-yong -- Chapter 14: Self-Publishing as a Method Lim Kyung-yong, Carol Yinghua Lu -- Section 3 Self-Criticism -- Chapter 15: How We Deal With the Virus Determines What It Is Xiao Yin -- Chapter 16: China, On the Verge of a "Momentous Era" Wang Xiaoming -- Chapter 17: Bringing Back "Self-Criticism" Hong Zicheng. |
| Record Nr. | UNINA-9910983084003321 |
Lu Carol Yinghua
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| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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Authoring Female Identities in Spanish and Latin American Art and Media / / edited by Nadia Albaladejo García, Fiona Noble
| Authoring Female Identities in Spanish and Latin American Art and Media / / edited by Nadia Albaladejo García, Fiona Noble |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (XX, 408 p. 53 illus., 52 illus. in color.) |
| Disciplina | 700 |
| Soggetto topico |
Art, Modern - 21st century
Ethnology - Latin America Culture Culture - Study and teaching Contemporary Art Latin American Culture Visual Culture |
| ISBN | 3-031-81444-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Editors’ Introduction -- Part: one -- Chapter 2: Collective Labour of Care: Building Feminist Infrastructures in the Post-Dictatorial Spanish State -- Chapter 3: Feminist Dissidence in Manuela Ballester Vilaseca’s Poetry -- Chapter 4: Maruja Mallo and Concha Méndez: Creative Friendship, Female Embodiment, and Ludic Space -- Chapter 5: Fósiles of the Feminine: Clara Janés, Rosa Biadiu, and the Vestiges of Time -- Chapter 6: In Deep with Ouka Leele -- Chapter 7: Symbolic Reparations, Buchonas, and Gore Capitalism in Mayra Martell’s Gore (2017) and Chulada (2018) -- Chapter 8: Gender and Violence in Lorena Wolffer’s Work -- Creative Intervention -- Chapter 9: Reflective Visual Mediations: Women Artists, Researchers, and their Positionings -- Part Two -- Chapter 10: ‘A todo el mundo le gustaría que su madre fuera una estrella de rock …’ [‘Everyone would like their mother to be a rockstar …’]: Music, Mourning, and the (absent) Maternal Voice in Todos están muertos -- Chapter 11: A Domestic Revolution: Feminist Awakening in the Home in Rosario Castellanos’s ‘Lección de cocina’ (1971) and Antonella Sudasassi’s El despertar de las hormigas (2019) -- Chapter 12: Retracing Ripples: Water, Idleness, and Guilt in Lucrecia Martel’s Salta Trilogy -- Chapter 13: Crafting New Roads to and Spaces for Womanhood in Leticia Dolera’s Requisitos para ser una persona normal (2015) and Vida perfecta (2019-21) -- Chapter 14: Alternative TV Voices: Jane the Virgin (CW, 2014-19) -- Chapter 15: Panels of the Self: Self-referentiality, Memory, and Speaking Out on Traumatic Abuse in Sole Otero’s Poncho Fue (2017) -- Final Remarks -- Chapter 16: Epilogue. |
| Record Nr. | UNINA-9910988284203321 |
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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