The (Im)possibility of Art Archives : Theories and Experience in/from Asia / / edited by Lu Pan
| The (Im)possibility of Art Archives : Theories and Experience in/from Asia / / edited by Lu Pan |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (xxxvii, 356 pages) : illustrations (some color) |
| Disciplina | 060 |
| Collana | Contemporary East Asian Visual Cultures, Societies and Politics |
| Soggetto topico |
Art, Modern - 21st century
Asia - Politics and government Art - History Culture - Study and teaching Culture Contemporary Art Asian Politics Art History Visual Culture Sociology of Culture |
| ISBN |
9789819958986
9819958989 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: Accumulation and Creation: The Birth of Archive -- Chapter 1: Diverse Voices of Japanese Modern and Contemporary Art: The Oral History Archives of Japanese Art -- Chapter 2: “Accumulation” and “Reward”: An Interview with Chen Tong on Video Bureau -- Chapter 3: RE-VISIONING THE ARCHIVES: On the Creation and Curation of a Relational and Decolonial Visual Art Archives in Asia -- Chapter 4: Hijikata Tatsumi Archive: A Pioneering Dance Archive in Japan -- Chapter 5: One-Man Archive: Koh Nguang How on the Possibilities of Archiving Singapore Art -- Part II: Deconstruction and Recreation: Artist, Curator and Research on Archive -- Chapter 6: Encountering Incompleteness: Archives, Institutions and Exhibition-making -- Chapter 7: The Need of Art Archives in India -- Chapter 8: The Timeless Plunge: The Ha Bik Chuen Archive -- Chapter 9: Endless Documents: Chinese Contemporary Art and Curatorial Practices in Archives -- Chapter 10: The Eyes of Archives: How Contemporary Taiwanese Video Art Set off a Revolt Regarding Japanese Colonial History -- Chapter 11: Expose: Archive of -- Matsuzawa Yutaka -- Chapter 12: It Takes a Village: Archives Talk Back -- Chapter 13: Others, A Night in Tokyo, Coconut Forest and Tigers: Observations of a Pseudo-Tourist -- Chapter 14: Muse -- the archive, archival/exhibiting turn -- Chapter 15: The Retrieval, Restoration, and Predicament Objects, Memories and Records in Wartime -- Chapter 16: Toward Archiveology: Regarding Nguyen Trinh Thi’s Essay Films -- Part III: The Public and Imagination: Archive as Self-Portrait of Community -- Chapter 17: The Relationship between Sendai Mediatheque’s Art Exhibitions and 3.11 Archives - A case study of “Record and Recalling: Walking on the House of Images” -- Chapter 18: Rescuing an image of one’s own: Memoirs of a Taiwanese folk image preservation movement -- Chapter 19: Archives Without Archivists: Notes on “I’m calling you. rebirth of humans and the elephant -- Chapter 20: Multitude Asia: Huang Sun-quan on Articulation, Network, Asian Visual Archive -- Chapter 21: Praxis of Praxis: Collaborative Art Archiving, Going beyond an Imagined Community toward a Community in Process -- Chapter 22: Archiving the Commons: Struggle of anti-gentrification and anti-eviction. |
| Record Nr. | UNINA-9910831005203321 |
| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Afterlife of Palestinian Images : Visual Remains and the Archive of Disappearance / / by Azza El Hassan
| The Afterlife of Palestinian Images : Visual Remains and the Archive of Disappearance / / by Azza El Hassan |
| Autore | El Hassan Azza |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (196 pages) |
| Disciplina | 305.89274 |
| Collana | Palgrave Studies in Arab Cinema |
| Soggetto topico |
Motion pictures
Art, Modern - 21st century Communication Middle East - Politics and government Global Film and TV Contemporary Art Media and Communication Middle Eastern Politics |
| ISBN |
9783031669514
9783031669507 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | -- CHAPTER 1. INTRODUCTION. -- CHAPTER 2. ARCHIVE OF DISAPPEARANCE. -- CHAPTER 3. HANDS ON VISUAL REMAINS. -- CHAPTER 4. BEGINNINGS. -- CHAPTER 5. THE FOUND ARCHIVE OF HANI JAWHERIEH. -- CHAPTER 6. THE AFTERLIFE IMAGE BOX. -- CHAPTER 7. PLUNDERING THE FUTURE. -- CHAPTER 8. CAMERA REMAINS. -- CHAPTER 9. FILM RESTORATION OF REMAINS. -- CHAPTER 10. APPROPRIATION. -- CHAPTER 11. NARRATIVES OF A MISE EN SCÈNE. |
| Record Nr. | UNINA-9910918594703321 |
El Hassan Azza
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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Arab Women's Revolutionary Art : Between Singularities and Multitudes / / by Nevine El Nossery
| Arab Women's Revolutionary Art : Between Singularities and Multitudes / / by Nevine El Nossery |
| Autore | El Nossery Névine |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (244 pages) |
| Disciplina | 709.174927 |
| Collana | Communication, Culture, and Gender in the Middle East and North Africa |
| Soggetto topico |
Ethnology - Middle East
Culture Ethnology - Africa Gender identity in mass media Art, Modern - 21st century Comic books, strips, etc - Influence on mass media Middle Eastern Culture African Culture Media and Gender Contemporary Art Comics Studies |
| ISBN |
9783031217241
9783031217234 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Part I Visualizing the Revolution -- Chapter 2. Bahia Shehab: The (In)visible Cairo Street Artist -- Chapter 3. Identity and Memory in Héla Ammar’s Photo-Embroidery -- Part II Performing the Revolution -- Chapter 4. When Women’s Bodies Speak in Public -- Chapter 5. Comics Against Taboos in Morocco -- Part III Writing The Revolution -- Chapter 6. Kaouther Adimi’s Palimpsest of Revolutionary Histories -- Chapter 7. Revolutionary Art in Nomadic Spaces -- Chapter 8. Conclusion./. |
| Record Nr. | UNINA-9910698645103321 |
El Nossery Névine
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Lo trovi qui: Univ. Federico II | ||
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Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann
| Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2021 |
| Descrizione fisica | 1 online resource |
| Disciplina | 770 |
| Collana | Inter/Media |
| Soggetto topico |
Theater
Postdramatik Performance Aktionskunst Gegenwartskunst Deutscher Film Germanistik Theaterwissenschaft Filmwissenschaft Volksbühne Theatre Postdramatic Theatre Contemporary Art German Studies Performance Studies Film Studies German Film |
| ISBN |
9783846765340
3846765341 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Intro -- Inhalt -- Im Bildersturm. Einleitende Überlegungen zu Christoph Schlingensiefs Arbeit am Bild und den offenen Rechnungen der Forschung -- Zwischen Bildern. Christoph Schlingensief und Werner Nekes -- Der Zuschauer als Schaffender. Christoph Schlingensiefs filmische Sehschule -- Maske, Opfer, Trash. Zum Status Helge Schneiders in den Filmen von Christoph Schlingensief -- Massaker-Bilder. Die deutsche Wiedervereinigung als Horror-Szenario -- Simbabwe, Schund, Schlingensief. Perspektiven des Parakinos -- Ein Tableau vivant, das keines ist. Verlebendigung kolonialer Fotografie in The African Twin Towers -- Bildpolitik. Bilder als Akteure einer neuen Gesellschaft -- Die Freisetzung innerer Bilder. Schlingensiefs Hörspiele -- Das vergessene Medium. Miszelle zu Christoph Schlingensiefs Arbeiten für die Zeitung -- Die Kunst des Krisenexperiments. Inszenierungen von Christoph Schlingensief (1999) -- Evocative Wordplay and Utopian Image-traces in Schlingensief's Participatory Projects -- Theaterprobe. Tradition und Provokation in Christoph Schlingensiefs Hamlet (2001) -- Bild-Begehren. Terror und Kunst in Schlingensiefs ATTA ATTA - Die Kunst ist ausgebrochen -- „Begegnung zweier Welten". Transformation und Kulturkontakt in Christoph Schlingensiefs Operninszenierung Der Fliegende Holländer -- Strategien der Überblendung. Bilderzeugende Verfahren und Deutungsmatrizen in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung -- Schlingensief, enfant terrible? Zur Arbeit am (Selbst-)Bild des Regisseurs an der Volksbühne Berlin -- „Das Leben ist nicht schlüssig". Sinnsuche und Kohärenzbildung in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! -- Individuelle Mythologie als Paradoxie im Ich. Zu Schlingensiefs autothematischer Übermalung von Kunst und Religion -- Autor*innen. |
| Record Nr. | UNINA-9910915634503321 |
| Paderborn, : Brill | Fink, 2021 | ||
| Lo trovi qui: Univ. Federico II | ||
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Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann
| Arbeit am Bild : Christoph Schlingensief und die Tradition / Peter Scheinpflug, Thomas Wortmann |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Paderborn, : Brill | Fink, 2021 |
| Descrizione fisica | 1 online resource |
| Disciplina | 832.914 |
| Collana | Inter/Media |
| Soggetto topico |
Theater
Postdramatik Performance Aktionskunst Gegenwartskunst Deutscher Film Germanistik Theaterwissenschaft Filmwissenschaft Volksbühne Theatre Postdramatic Theatre Contemporary Art German Studies Performance Studies Film Studies German Film |
| ISBN |
9783846765340
3846765341 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Intro -- Inhalt -- Im Bildersturm. Einleitende Überlegungen zu Christoph Schlingensiefs Arbeit am Bild und den offenen Rechnungen der Forschung -- Zwischen Bildern. Christoph Schlingensief und Werner Nekes -- Der Zuschauer als Schaffender. Christoph Schlingensiefs filmische Sehschule -- Maske, Opfer, Trash. Zum Status Helge Schneiders in den Filmen von Christoph Schlingensief -- Massaker-Bilder. Die deutsche Wiedervereinigung als Horror-Szenario -- Simbabwe, Schund, Schlingensief. Perspektiven des Parakinos -- Ein Tableau vivant, das keines ist. Verlebendigung kolonialer Fotografie in The African Twin Towers -- Bildpolitik. Bilder als Akteure einer neuen Gesellschaft -- Die Freisetzung innerer Bilder. Schlingensiefs Hörspiele -- Das vergessene Medium. Miszelle zu Christoph Schlingensiefs Arbeiten für die Zeitung -- Die Kunst des Krisenexperiments. Inszenierungen von Christoph Schlingensief (1999) -- Evocative Wordplay and Utopian Image-traces in Schlingensief's Participatory Projects -- Theaterprobe. Tradition und Provokation in Christoph Schlingensiefs Hamlet (2001) -- Bild-Begehren. Terror und Kunst in Schlingensiefs ATTA ATTA - Die Kunst ist ausgebrochen -- „Begegnung zweier Welten". Transformation und Kulturkontakt in Christoph Schlingensiefs Operninszenierung Der Fliegende Holländer -- Strategien der Überblendung. Bilderzeugende Verfahren und Deutungsmatrizen in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! Tagebuch einer Krebserkrankung -- Schlingensief, enfant terrible? Zur Arbeit am (Selbst-)Bild des Regisseurs an der Volksbühne Berlin -- „Das Leben ist nicht schlüssig". Sinnsuche und Kohärenzbildung in Christoph Schlingensiefs So schön wie hier kanns im Himmel gar nicht sein! -- Individuelle Mythologie als Paradoxie im Ich. Zu Schlingensiefs autothematischer Übermalung von Kunst und Religion -- Autor*innen. |
| Record Nr. | UNINA-9910971468903321 |
| Paderborn, : Brill | Fink, 2021 | ||
| Lo trovi qui: Univ. Federico II | ||
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Art in the City, the City in Art / / by Elisha Masemann
| Art in the City, the City in Art / / by Elisha Masemann |
| Autore | Masemann Elisha |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (266 pages) |
| Disciplina | 720.1 |
| Collana | The Contemporary City |
| Soggetto topico |
Art, Modern - 21st century
Cities and towns - History Contemporary Art Urban History |
| ISBN |
9789819960422
9819960428 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Establishing the city’s ‘ground rules’ -- Part I: Hardware -- Chapter 2: A rational city programme -- Chapter 3:Critical responses to the ‘city plan’ -- Chapter 4: Art’s non-rational uses of the city -- Part II: Software -- Chapter 5: Ideology and the city -- Chapter 6: The body and the city -- Chapter 7: The everyday city -- Chapter 8: Disrupting ‘normalcy’ through art -- Part III: Networks -- Chapter 9: Networks that create control in the city -- Chapter 10: Foundations for cognitive dissonance -- Chapter 11: Art’s intervention in the society of control -- Chapter 12: Epilogue: An ongoing struggle between ‘art in the city, the city in art’. |
| Record Nr. | UNINA-9910847073603321 |
Masemann Elisha
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| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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The Art of Orality : Cultural Aesthetics in the Absence of Writing / / by Declan Lloyd
| The Art of Orality : Cultural Aesthetics in the Absence of Writing / / by Declan Lloyd |
| Autore | Lloyd Declan |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (XII, 237 p. 22 illus., 19 illus. in color.) |
| Disciplina | 700 |
| Soggetto topico |
Art, Modern - 21st century
Literature - Aesthetics Literature Contemporary Art Literary Aesthetics Literary Methods |
| ISBN |
9783031854316
3031854314 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction: Unifying Orality, Literacy and Art -- Chapter 2: ‘The Great Awakening’: The Greek Revolution in Art and Orality -- Chapter 3: ‘A Curious Mixture’: Medieval Art and the Question of Orality -- Chapter 4: ‘The Style Most Perfect’: Tribal Art and Orality -- Chapter 5: ‘An Enviable Freedom’: Child Art and Orality -- Chapter 6: ‘A Pure and Elementary State’: Outsider Art and Orality -- Chapter 7: ‘The Kingdom Where Each of Us Reigns’: Julian Jaynes, Art and Orality -- Chapter 8: ‘Primordially Eternal’: Modern Art and Orality -- Chapter 9: Conclusion: The Future of Art and Orality. |
| Record Nr. | UNINA-9910988386603321 |
Lloyd Declan
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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Artistic and Intellectual Practices in Contemporary China : China as an Issue / / edited by Carol Yinghua Lu
| Artistic and Intellectual Practices in Contemporary China : China as an Issue / / edited by Carol Yinghua Lu |
| Autore | Lu Carol Yinghua |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (380 pages) |
| Disciplina | 709.5109045 |
| Soggetto topico |
Art, Modern - 21st century
Literature, Modern - 20th century Literature, Modern - 21st century China - History Contemporary Art Contemporary Literature Twentieth-Century Literature History of China |
| ISBN | 9789819988150 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1: Other Histories of Chinese Art after 1949 -- Section 1 Continuity -- Chapter 1: Chinese Art in the 1950s: An Avant-Garde Undercurrent Beneath the Mainstream of Realism Shao Dazhen -- Chapter 2: A Review of Artistic Practices from 1972 to 1982 Liu Ding, Carol Yinghua Lu -- Chapter 3: Painting in China After the Cultural Revolution: Style Developments and Theoretical Debates Hans van Dijk -- Chapter 4: The Market as Imaginary in Post Mao China Jane Debevoise -- Chapter 5: Prophecy at the Turn of the 1990s Carol Yinghua Lu -- Section 2 Frame of Mind -- Chapter 6: Somewhere (and Nowhere) Between Modernity and Tradition: Toward a Discursive Polylogue between Differing Interpretative Perspectives on Contemporary Chinese Art Paul Gladston -- Chapter 7: The Authenticity and the Neutrality of Value: on the Issue of Value in the Writings of Contemporary Art History Zou Yuejin -- Chapter 8: The More Homogeneous, Pure and Clear the History, the More Dangerous It Is Luo Xin -- Part 2: Expanses and Limitation -- Section 1 Universality -- Chapter 9: What is Asia? - On Anthropological Difference Naoki Sakai -- Chapter 10: Creating New Universality Sun Ge -- Chapter 11: Pull Universality Down From the Alter of Being Singular Naoki Sakai, Sun Ge -- Section 2 Particularity -- Chapter 12: On the Founding of The Scholar Journal Wang Hui -- Chapter 13: Some Tendencies in Small-Scale Art Publishing in Asia Lim Kyung-yong -- Chapter 14: Self-Publishing as a Method Lim Kyung-yong, Carol Yinghua Lu -- Section 3 Self-Criticism -- Chapter 15: How We Deal With the Virus Determines What It Is Xiao Yin -- Chapter 16: China, On the Verge of a "Momentous Era" Wang Xiaoming -- Chapter 17: Bringing Back "Self-Criticism" Hong Zicheng. |
| Record Nr. | UNINA-9910983084003321 |
Lu Carol Yinghua
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| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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Authoring Female Identities in Spanish and Latin American Art and Media / / edited by Nadia Albaladejo García, Fiona Noble
| Authoring Female Identities in Spanish and Latin American Art and Media / / edited by Nadia Albaladejo García, Fiona Noble |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (XX, 408 p. 53 illus., 52 illus. in color.) |
| Disciplina | 700 |
| Soggetto topico |
Art, Modern - 21st century
Ethnology - Latin America Culture Culture - Study and teaching Contemporary Art Latin American Culture Visual Culture |
| ISBN | 3-031-81444-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Editors’ Introduction -- Part: one -- Chapter 2: Collective Labour of Care: Building Feminist Infrastructures in the Post-Dictatorial Spanish State -- Chapter 3: Feminist Dissidence in Manuela Ballester Vilaseca’s Poetry -- Chapter 4: Maruja Mallo and Concha Méndez: Creative Friendship, Female Embodiment, and Ludic Space -- Chapter 5: Fósiles of the Feminine: Clara Janés, Rosa Biadiu, and the Vestiges of Time -- Chapter 6: In Deep with Ouka Leele -- Chapter 7: Symbolic Reparations, Buchonas, and Gore Capitalism in Mayra Martell’s Gore (2017) and Chulada (2018) -- Chapter 8: Gender and Violence in Lorena Wolffer’s Work -- Creative Intervention -- Chapter 9: Reflective Visual Mediations: Women Artists, Researchers, and their Positionings -- Part Two -- Chapter 10: ‘A todo el mundo le gustaría que su madre fuera una estrella de rock …’ [‘Everyone would like their mother to be a rockstar …’]: Music, Mourning, and the (absent) Maternal Voice in Todos están muertos -- Chapter 11: A Domestic Revolution: Feminist Awakening in the Home in Rosario Castellanos’s ‘Lección de cocina’ (1971) and Antonella Sudasassi’s El despertar de las hormigas (2019) -- Chapter 12: Retracing Ripples: Water, Idleness, and Guilt in Lucrecia Martel’s Salta Trilogy -- Chapter 13: Crafting New Roads to and Spaces for Womanhood in Leticia Dolera’s Requisitos para ser una persona normal (2015) and Vida perfecta (2019-21) -- Chapter 14: Alternative TV Voices: Jane the Virgin (CW, 2014-19) -- Chapter 15: Panels of the Self: Self-referentiality, Memory, and Speaking Out on Traumatic Abuse in Sole Otero’s Poncho Fue (2017) -- Final Remarks -- Chapter 16: Epilogue. |
| Record Nr. | UNINA-9910988284203321 |
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Lo trovi qui: Univ. Federico II | ||
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Bildrezeption als Bildproduktion : Ausgewählte Schriften zu Bildtheorie, Kunstwahrnehmung und Wirtschaftskultur / Michael Bockemühl, Karen van den Berg, Claus Volkenandt
| Bildrezeption als Bildproduktion : Ausgewählte Schriften zu Bildtheorie, Kunstwahrnehmung und Wirtschaftskultur / Michael Bockemühl, Karen van den Berg, Claus Volkenandt |
| Autore | Bockemühl Michael <p>Michael Bockemühl, (1943-2009), Deutschland </p> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bielefeld, : transcript Verlag, 2016 |
| Descrizione fisica | 1 online resource (351 pages) : illustrations (some color) |
| Disciplina | 706.8 |
| Collana | Image |
| Soggetto topico |
Image Theory
Bildtheorie Ästhetik Aesthetics Anschauliche Erkenntnis Visual Epistemology Erkenntnistheorie Epistemology Wahrnehmung Perception Kunsttheorie Theory of Art Moderne Malerei Modern Painting Contemporary Art Gegenwartskunst Farbtheorie Color Theory Fine Arts Kunstwissenschaft Kunstvermittlung Art Education Farbfeldmalerei Color Field Painting Unternehmensberatung Management Consultancy Anthroposophy Anthroposophie Joseph Beuys Mark Rothko Piet Mondrian Wassily Kandinsky Rudolf Steiner Goethe Bild Image Kunst Art Visual Studies Bildwissenschaft Kulturtheorie Cultural Theory |
| ISBN |
9783839436561
3839436567 |
| Classificazione | CC 6900 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter 1 Inhalt 5 Sehen gestaltet Wirklichkeit 7 Die Wirklichkeit des Bildes 35 Bild und Gebärde 141 Das Transzendente als das Sichtbare 157 Innocence of the Eye und Innocence of the Meaning 197 Vom unvollendeten zum offenen Kunstwerk 225 Identität und anschauliches Erkennen 245 Corner Field Painting 255 »Blush« 265 Beziehung als Gestalt 269 Kunst im Sozialen - Soziale Kunst 283 Kunst sehen - Wirklichkeit gestalten 299 Die Bedingung für den Transfer ist die Autonomie 327 Drucknachweise 335 Verzeichnis der Abbildungen 337 Personen- und Eigennamenregister 343 Backmatter 347 |
| Altri titoli varianti | Bockemühl, Bildrezeption als Bildproduktion Ausgewählte Schriften zu Bildtheorie, Kunstwahrnehmung und Wirtschaftskultur |
| Record Nr. | UNINA-9910155409403321 |
Bockemühl Michael <p>Michael Bockemühl, (1943-2009), Deutschland </p>
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| Bielefeld, : transcript Verlag, 2016 | ||
| Lo trovi qui: Univ. Federico II | ||
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