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Circuiti del tempo : un percorso storico-critico nella creatività musicale elettroacustica e informatica / / Agostino Di Scipio
| Circuiti del tempo : un percorso storico-critico nella creatività musicale elettroacustica e informatica / / Agostino Di Scipio |
| Autore | Di Scipio Agostino |
| Pubbl/distr/stampa | LIM - Libreria Musicale Italiana |
| Soggetto topico |
Music and technology - History
Computer music - History and criticism Music - Data processing - History |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Altri titoli varianti | Circuiti del tempo |
| Record Nr. | UNINA-9910629379903321 |
Di Scipio Agostino
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| LIM - Libreria Musicale Italiana | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Digital Musician [[electronic resource]]
| The Digital Musician [[electronic resource]] |
| Autore | Hugill Andrew |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2012 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 786.7 |
| Soggetto topico |
Computer music - History and criticism
Computer music -- History and criticism Electronic music - History and criticism Electronic music -- History and criticism Music - Philosophy and aesthetics Music -- Philosophy and aesthetics Music Music, Dance, Drama & Film Music Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-87364-7
1-136-27989-X 9786613714954 0-203-11179-6 1-136-27988-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Digital Musician; Copyright; Contents; Figures and Tables; Preface; Notes to the Second Edition; Acknowledgements; Part I: Engaging; 1. Creative Identity; What Are You?; Project 1 (Elementary): Elevator Pitch; Where Have You Come From?; Where Are You Going?; Introduction to the Case Studies; Project 2 (Intermediate): Personal Vision Statement; 2. Aural Awareness; Listening; Listening Modes; Listening Purposes; Listening Situations; Project 3 (Elementary): Listen, Listen; The Soundscape; Project 4 (Intermediate): Soundwalk; Soundscape Composition
Project 5 (Advanced): Soundscape PieceHearing; Project 6 (Elementary): Speech Patterns; The Ear-Brain Connection; Information: The Mechanics of Hearing; Machine Listening; 3. Exploring Sound; Acoustics and Psychoacoustics; Information: Fundamentals of Acoustics; Sound Structures; Project 7 (Intermediate): Sound Structures; Duration; Project 8 (Elementary): Extended Duration; Pitch and Tuning; Information: The Harmonic Series; Harmonicity and Inharmonicity; Project 9 (Advanced): Drone Piece; From Noise to Silence; Information: Noise and Loudness; Project 10 (Advanced): Incomplete Silence TimbreProject 11 (Intermediate): Timbral Study; 4. Listening to Music; The Musician's Ear; Aural Phenomena; Active Listening; Critical Listening; Listening to Electro-acoustic Music; Project 12 (Elementary): Sud; Part II: Creating; 5. Organizing Sound; Sound-Art, Sonic Art and Sound Design; Project 13 (Intermediate): Hearing Hearing; Sound in Space; Information: Behaviour of Sound in Space; Project 14 (Intermediate): Diffraction Installation; Network Space; Project 15 (Elementary): Sonic Wiki; Spatialization; Multichannel Sound Diffusion; Information: Spatialization Layouts Project 16 (Advanced): Types of SpaceSound through Time; Spectromorphology; Project 17 (Advanced): Quintessence; 6. Digitizing Sound; Sampling; Fourier Transforms; Project 18 (Elementary): FFT Processing; File Formats; Project 19 (Elementary): File Formats; Representing; Wave-form Diagrams; Spectograms; Synthesizing; Information: Sinusoids; Project 20: Analysis-Synthesis; Processing; Time Domain Processes; Frequency Domain Processes; Project 21 (Elementary): Reverse EQ; Dynamic Processes; Spatial Processes; Spectral Processes; Project 22 (Elementary): Sonic Morph; 7. Creating Music The ComposerWhy Compose?; Project 23 (Intermediate): Inspiration Box; The Compositional Process; Aural Imagination; Project 24 (Intermediate): Sunset; Intention and Result; Freedom and Constraint; Project 25 (Advanced): Sudoku; Originality and Style; Project 26 (Advanced): Pastiche; Form and Structure; Project 27 (Advanced): Open-form Work; Mood and Modalities; Project 28 (Advanced): Night Piece; 8. Instruments and Media; Musicians and their Instruments; Organology; Project 29 (Advanced): Infra-Instrument; Extended Acoustic Instruments Project 30 (Elementary): Sound Byte for Voice or Percussion |
| Record Nr. | UNINA-9910452888503321 |
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Hugill Andrew
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| Hoboken, : Taylor and Francis, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Digital Musician [[electronic resource]]
| The Digital Musician [[electronic resource]] |
| Autore | Hugill Andrew |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2012 |
| Descrizione fisica | 1 online resource (337 p.) |
| Disciplina | 786.7 |
| Soggetto topico |
Computer music - History and criticism
Computer music -- History and criticism Electronic music - History and criticism Electronic music -- History and criticism Music - Philosophy and aesthetics Music -- Philosophy and aesthetics Music Music, Dance, Drama & Film Music Philosophy |
| ISBN |
1-280-87364-7
1-136-27989-X 9786613714954 0-203-11179-6 1-136-27988-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Digital Musician; Copyright; Contents; Figures and Tables; Preface; Notes to the Second Edition; Acknowledgements; Part I: Engaging; 1. Creative Identity; What Are You?; Project 1 (Elementary): Elevator Pitch; Where Have You Come From?; Where Are You Going?; Introduction to the Case Studies; Project 2 (Intermediate): Personal Vision Statement; 2. Aural Awareness; Listening; Listening Modes; Listening Purposes; Listening Situations; Project 3 (Elementary): Listen, Listen; The Soundscape; Project 4 (Intermediate): Soundwalk; Soundscape Composition
Project 5 (Advanced): Soundscape PieceHearing; Project 6 (Elementary): Speech Patterns; The Ear-Brain Connection; Information: The Mechanics of Hearing; Machine Listening; 3. Exploring Sound; Acoustics and Psychoacoustics; Information: Fundamentals of Acoustics; Sound Structures; Project 7 (Intermediate): Sound Structures; Duration; Project 8 (Elementary): Extended Duration; Pitch and Tuning; Information: The Harmonic Series; Harmonicity and Inharmonicity; Project 9 (Advanced): Drone Piece; From Noise to Silence; Information: Noise and Loudness; Project 10 (Advanced): Incomplete Silence TimbreProject 11 (Intermediate): Timbral Study; 4. Listening to Music; The Musician's Ear; Aural Phenomena; Active Listening; Critical Listening; Listening to Electro-acoustic Music; Project 12 (Elementary): Sud; Part II: Creating; 5. Organizing Sound; Sound-Art, Sonic Art and Sound Design; Project 13 (Intermediate): Hearing Hearing; Sound in Space; Information: Behaviour of Sound in Space; Project 14 (Intermediate): Diffraction Installation; Network Space; Project 15 (Elementary): Sonic Wiki; Spatialization; Multichannel Sound Diffusion; Information: Spatialization Layouts Project 16 (Advanced): Types of SpaceSound through Time; Spectromorphology; Project 17 (Advanced): Quintessence; 6. Digitizing Sound; Sampling; Fourier Transforms; Project 18 (Elementary): FFT Processing; File Formats; Project 19 (Elementary): File Formats; Representing; Wave-form Diagrams; Spectograms; Synthesizing; Information: Sinusoids; Project 20: Analysis-Synthesis; Processing; Time Domain Processes; Frequency Domain Processes; Project 21 (Elementary): Reverse EQ; Dynamic Processes; Spatial Processes; Spectral Processes; Project 22 (Elementary): Sonic Morph; 7. Creating Music The ComposerWhy Compose?; Project 23 (Intermediate): Inspiration Box; The Compositional Process; Aural Imagination; Project 24 (Intermediate): Sunset; Intention and Result; Freedom and Constraint; Project 25 (Advanced): Sudoku; Originality and Style; Project 26 (Advanced): Pastiche; Form and Structure; Project 27 (Advanced): Open-form Work; Mood and Modalities; Project 28 (Advanced): Night Piece; 8. Instruments and Media; Musicians and their Instruments; Organology; Project 29 (Advanced): Infra-Instrument; Extended Acoustic Instruments Project 30 (Elementary): Sound Byte for Voice or Percussion |
| Record Nr. | UNINA-9910779248203321 |
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Hugill Andrew
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| Hoboken, : Taylor and Francis, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Electronic and computer music / / Peter Manning
| Electronic and computer music / / Peter Manning |
| Autore | Manning Peter <1948-> |
| Edizione | [4th ed.] |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , [2013] |
| Descrizione fisica | 1 online resource (570 p.) |
| Disciplina | 786.709 |
| Soggetto topico |
Computer music - History and criticism
Electronic music - History and criticism |
| ISBN | 0-19-998643-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; 1. The Background to 1945; I. Developments from 1945 to 1960; 2. Paris and Musique Concrète; 3. Cologne and Elektronische Musik; 4. Milan and Elsewhere in Europe; 5. America; II. New Horizons in Electronic Design; 6. The Voltage-Controlled Synthesizer; III. The Electronic Repertory from 1960; 7. Works for Tape; 8. Live Electronic Music; 9. Rock and Pop Electronic Music; IV. The Digital Revolution to 1980; 10. The Foundations of Computer Music; 11. From Computer Technology to Musical Creativity; 12. The Microprocessor Revolution; V. Digital Audio
13. The Characteristics of Digital AudioVI. MIDI; 14. The Development of the MIDI Communications Protocol; 15. From Analog to Digital: The Evolution of MIDI Hardware; 16. From Microcomputer to Music Computer: The MIDI Perspective; 17. Further Advances in Hardware Design; 18. The Changing Fortunes of the MIDI Manufacturing Sector; VII. Desktop Synthesis and Signal Processing; 19. From Minicomputer to Advanced Computer Workstation; 20. The Personal Computer; 21. The Digital Audio Workstation; 22. Laptop Music and Related Activities; 23. Synthesis, Signal Processing, and Spatialization 24. Performance Controllers: Evolution and ChangeVIII. Global Networking; 25. The Internet; 26. Conclusion; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z |
| Record Nr. | UNINA-9910792234503321 |
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Manning Peter <1948->
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| New York : , : Oxford University Press, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Electronic and computer music [[electronic resource] /] / Peter Manning
| Electronic and computer music [[electronic resource] /] / Peter Manning |
| Autore | Manning Peter <1948-> |
| Edizione | [Rev. and expanded ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2004 |
| Descrizione fisica | 1 online resource (497 p.) |
| Disciplina | 786.7/09 |
| Soggetto topico |
Electronic music - History and criticism
Computer music - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-19-984980-3
0-19-151817-4 1-4237-2692-8 0-19-517085-7 1-280-53172-X 0-19-534929-6 1-4337-0070-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The background, to 1945 -- Developments from 1945 to 1960 -- Paris and musique concrète -- Cologne and electronische musik -- Milan and elsewhere in Europe -- America -- New horizons in electronic design -- The voltage-controlled synthesizer -- The electronic repertory from 1960 -- Works for tape -- Live electronic music -- Rock and pop electronic music -- The digital revolution to 1980 -- The foundations of computer music -- From computer technology to musical creativity -- The microprocessor revolution -- The characteristics of digital audio -- MIDI -- The development of the MIDI communications protocol -- From analog to digital: the evolution of MIDI hardware -- From microcomputer to music computer: the MIDI dimension -- New horizons for MIDI-based technologies -- Desktop synthesis and signal processing -- Personal computers and sound processing -- Music workstations and related computing architectures -- The expanding perspective -- Performance controllers -- New horizons in synthesis and signal processing software. |
| Record Nr. | UNINA-9910450325003321 |
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Manning Peter <1948->
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| Oxford ; ; New York, : Oxford University Press, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Electronic and computer music [[electronic resource] /] / Peter Manning
| Electronic and computer music [[electronic resource] /] / Peter Manning |
| Autore | Manning Peter <1948-> |
| Edizione | [Rev. and expanded ed.] |
| Pubbl/distr/stampa | Oxford ; ; New York, : Oxford University Press, 2004 |
| Descrizione fisica | 1 online resource (497 p.) |
| Disciplina | 786.7/09 |
| Soggetto topico |
Electronic music - History and criticism
Computer music - History and criticism |
| ISBN |
0-19-984980-3
0-19-151817-4 1-4237-2692-8 0-19-517085-7 1-280-53172-X 0-19-534929-6 1-4337-0070-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The background, to 1945 -- Developments from 1945 to 1960 -- Paris and musique concrète -- Cologne and electronische musik -- Milan and elsewhere in Europe -- America -- New horizons in electronic design -- The voltage-controlled synthesizer -- The electronic repertory from 1960 -- Works for tape -- Live electronic music -- Rock and pop electronic music -- The digital revolution to 1980 -- The foundations of computer music -- From computer technology to musical creativity -- The microprocessor revolution -- The characteristics of digital audio -- MIDI -- The development of the MIDI communications protocol -- From analog to digital: the evolution of MIDI hardware -- From microcomputer to music computer: the MIDI dimension -- New horizons for MIDI-based technologies -- Desktop synthesis and signal processing -- Personal computers and sound processing -- Music workstations and related computing architectures -- The expanding perspective -- Performance controllers -- New horizons in synthesis and signal processing software. |
| Record Nr. | UNINA-9910783264003321 |
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Manning Peter <1948->
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| Oxford ; ; New York, : Oxford University Press, 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Microsound [[electronic resource] /] / Curtis Roads
| Microsound [[electronic resource] /] / Curtis Roads |
| Autore | Roads Curtis |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, c2001 |
| Descrizione fisica | 1 online resource (423 p.) |
| Disciplina | 781.2/2 |
| Soggetto topico |
Music - Acoustics and physics
Electronic music - History and criticism Computer music - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-49937-0
9786613594600 0-262-28244-5 0-585-43684-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910454889303321 |
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Roads Curtis
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| Cambridge, Mass., : MIT Press, c2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Microsound / / Curtis Roads
| Microsound / / Curtis Roads |
| Autore | Roads Curtis |
| Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, ©2001 |
| Descrizione fisica | 1 online resource (423 p.) |
| Disciplina | 781.2/2 |
| Soggetto topico |
Music - Acoustics and physics
Electronic music - History and criticism Computer music - History and criticism |
| Soggetto non controllato |
COMPUTER SCIENCE/Computer Music
ARTS/Music & Sound Studies |
| ISBN |
1-280-49937-0
9786613594600 0-262-28244-5 0-585-43684-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910779830803321 |
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Roads Curtis
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| Cambridge, Mass., : MIT Press, ©2001 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Science of Sci-Fi Music [[electronic resource] /] / by Andrew May
| The Science of Sci-Fi Music [[electronic resource] /] / by Andrew May |
| Autore | May Andrew |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2020 |
| Descrizione fisica | 1 online resource (156 pages) |
| Disciplina | 786.7 |
| Collana | Science and Fiction |
| Soggetto topico |
Physics
Sound Mathematics Music Hearing Electronic music - History and criticism Computer music - History and criticism Popular Science in Physics Acoustics Mathematics in Music |
| ISBN | 3-030-47833-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Alien Sounds -- Musical Mathematics -- The Electronic Revolution -- Scientific Music -- Science Fiction and Music Culture -- Speculations on a Musical Theme. |
| Record Nr. | UNISA-996418181603316 |
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May Andrew
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| Cham : , : Springer International Publishing : , : Imprint : Springer, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The Science of Sci-Fi Music / / by Andrew May
| The Science of Sci-Fi Music / / by Andrew May |
| Autore | May Andrew |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2020 |
| Descrizione fisica | 1 online resource (156 pages) |
| Disciplina |
786.7
780.285 |
| Collana | Science and Fiction |
| Soggetto topico |
Physics
Sound Mathematics Music Hearing Electronic music - History and criticism Computer music - History and criticism Popular Science in Physics Acoustics Mathematics in Music |
| ISBN | 3-030-47833-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Alien Sounds -- Musical Mathematics -- The Electronic Revolution -- Scientific Music -- Science Fiction and Music Culture -- Speculations on a Musical Theme. |
| Record Nr. | UNINA-9910409990003321 |
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May Andrew
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| Cham : , : Springer International Publishing : , : Imprint : Springer, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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