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Letters of Ralph Vaughan Williams, 1895-1958 [[electronic resource]]
| Letters of Ralph Vaughan Williams, 1895-1958 [[electronic resource]] |
| Autore | Cobbe Hugh |
| Pubbl/distr/stampa | Oxford, : OUP Oxford, 2008 |
| Descrizione fisica | 1 online resource (1343 p.) |
| Disciplina | 780.92 |
| Soggetto topico |
Composers -- England -- Correspondence
Vaughan Williams, Ralph, 1872-1958 -- Correspondence Music Music, Dance, Drama & Film Composers |
| ISBN | 0-19-161526-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover Page; Title Page; Copyright Page; Dedication; Foreword; Preface; Acknowledgements; Contents; List of Abbreviations; Introduction; 1 Earliest Letters (c.1895) to the Outbreak of the First World War: 1895-1914; 2 From the Beginning of the First World War until the Move to Dorking: 1914-1929; 3 From the Move to Dorking until the Outbreak of the Second World War: 1929-September 1939; 4 The Second World War: September 1939-May 1945; 5 From the Second World War to the Move Back to London: June 1945-15 September 1953
6 From the Move Back to London until VW's Death: 15 September 1953-26 August 1958List of Sources; Bibliography; Index of Works of Ralph Vaughan Williams; General Index; Footnotes; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6 |
| Record Nr. | UNINA-9910154332803321 |
Cobbe Hugh
|
||
| Oxford, : OUP Oxford, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Tippett Studies [[electronic resource]]
| Tippett Studies [[electronic resource]] |
| Autore | Clarke David |
| Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 1999 |
| Descrizione fisica | 1 online resource (250 p.) |
| Disciplina |
780
780.92 |
| Collana | Cambridge Composer Studies |
| Soggetto topico |
Composers -- England -- Correspondence
Composers -- Great Britain -- Correspondence Tippett, Michael, 1905-1998 -- Correspondence Tippett, Michael, 1905-1998 -- Criticism and interpretation |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-107-17296-9
0-511-37020-2 0-511-48199-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V
4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V Appendix: glossary of terms used in pitch-class set theoryIndex |
| Record Nr. | UNINA-9910459181103321 |
|
Clarke David
|
||
| Cambridge, : Cambridge University Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Tippett Studies [[electronic resource]]
| Tippett Studies [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 1999 |
| Descrizione fisica | 1 online resource (250 pages) |
| Disciplina |
780
780.92 |
| Collana | Cambridge Composer Studies. |
| Soggetto topico |
Composers -- England -- Correspondence
Composers -- Great Britain -- Correspondence Tippett, Michael, 1905-1998 -- Correspondence Tippett, Michael, 1905-1998 -- Criticism and interpretation |
| ISBN |
1-107-17296-9
0-511-37020-2 0-511-48199-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V
4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V Appendix: glossary of terms used in pitch-class set theoryIndex |
| Record Nr. | UNINA-9910792125903321 |
| Cambridge, : Cambridge University Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Tippett Studies [[electronic resource]]
| Tippett Studies [[electronic resource]] |
| Pubbl/distr/stampa | Cambridge, : Cambridge University Press, 1999 |
| Descrizione fisica | 1 online resource (250 pages) |
| Disciplina |
780
780.92 |
| Collana | Cambridge Composer Studies. |
| Soggetto topico |
Composers -- England -- Correspondence
Composers -- Great Britain -- Correspondence Tippett, Michael, 1905-1998 -- Correspondence Tippett, Michael, 1905-1998 -- Criticism and interpretation |
| ISBN |
1-107-17296-9
0-511-37020-2 0-511-48199-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V
4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V Appendix: glossary of terms used in pitch-class set theoryIndex |
| Record Nr. | UNINA-9910828601603321 |
| Cambridge, : Cambridge University Press, 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
