Il cinema che ha fatto sognare il mondo [[electronic resource] ] : la commedia brillante e il musical / / a cura di Franco La Polla, Franco Monteleone ; [contributi di] Jean-Loup Bourget ... [et al.] |
Pubbl/distr/stampa | Roma, : Bulzoni, 2002 |
Descrizione fisica | 375 p |
Disciplina | 791 |
Altri autori (Persone) |
La PollaFranco
MonteleoneFranco |
Collana | I libri dell'Associazione Sigismondo Malatesta |
Soggetto topico |
Comedy films - History and criticism
Musicals - History and criticism |
ISBN | 88-8319-692-9 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ita |
Altri titoli varianti |
Cinema che ha fatto sognare il mondo
Il cinema che ha fatto sognare il mondo |
Record Nr. | UNINA-9910132015303321 |
Roma, : Bulzoni, 2002 | ||
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Lo trovi qui: Univ. Federico II | ||
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The comedy of philosophy [[electronic resource] ] : sense and nonsense in early cinematic slapstick / / Lisa Trahair |
Autore | Trahair Lisa <1962-> |
Pubbl/distr/stampa | Albany, : State University of New York Press, c2007 |
Descrizione fisica | 1 online resource (278 p.) |
Disciplina | 791.43/617 |
Collana | SUNY series, insinuations |
Soggetto topico |
Comedy films - History and criticism
Motion pictures - History |
Soggetto genere / forma | Electronic books. |
ISBN |
0-7914-7932-3
1-4356-2692-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910451854903321 |
Trahair Lisa <1962->
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Albany, : State University of New York Press, c2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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The comedy of philosophy [[electronic resource] ] : sense and nonsense in early cinematic slapstick / / Lisa Trahair |
Autore | Trahair Lisa <1962-> |
Pubbl/distr/stampa | Albany, : State University of New York Press, c2007 |
Descrizione fisica | 1 online resource (278 p.) |
Disciplina | 791.43/617 |
Collana | SUNY series, insinuations |
Soggetto topico |
Comedy films - History and criticism
Motion pictures - History |
ISBN |
0-7914-7932-3
1-4356-2692-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910778230803321 |
Trahair Lisa <1962->
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Albany, : State University of New York Press, c2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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The comedy of philosophy [[electronic resource] ] : sense and nonsense in early cinematic slapstick / / Lisa Trahair |
Autore | Trahair Lisa <1962-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Albany, : State University of New York Press, c2007 |
Descrizione fisica | 1 online resource (278 p.) |
Disciplina | 791.43/617 |
Collana | SUNY series, insinuations |
Soggetto topico |
Comedy films - History and criticism
Motion pictures - History |
ISBN |
0-7914-7932-3
1-4356-2692-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Intro -- The Comedy of Philosophy -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- 1. The Philosophy of Laughter: Bataille, Hegel, and Derrida -- 2. Restricted and General Economy: Narrative, Gag, and Slapstick in One Week -- 3. The Machine of Comedy: Gunning, Deleuze, and Buster Keaton -- 4. Fool's Gold: Metamorphoses in Sherlock Jr. -- 5. Jokes and Their Relation to . . . -- 6. The Comic: Degradation and Refinement in 1920s' Cinematic Slapstick -- 7. From Words to Images (Gagging) -- 8. Figural Vision: Freud, Lyotard, and City Lights -- 9. Preposterous Figurality: Comic Cinema and Bad Metaphor -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z. |
Record Nr. | UNINA-9910825858903321 |
Trahair Lisa <1962->
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Albany, : State University of New York Press, c2007 | ||
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Lo trovi qui: Univ. Federico II | ||
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Comedy/Cinema/Theory / / Andrew Horton |
Edizione | [Reprint 2019] |
Pubbl/distr/stampa | Berkeley, CA : , : University of California Press, , [1991] |
Descrizione fisica | 1 online resource (264 p.) |
Disciplina | 791.43/617 |
Soggetto topico |
Comedy films - History and criticism
Comic, The Film Music, Dance, Drama & Film |
ISBN |
0-520-91025-7
0-585-29948-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction -- Notes on the Sight Gag -- Penis-size Jokes and Their Relation to Hollywood's Unconscious -- Sometimes I Feel Like a Motherless Child: Comedy and Matricide -- In Search of Radical Metacinema -- Mock Realism: The Comedy of Futility in Eastern Europe -- Charles Chaplin and the Annals of Anality -- The Light Side of Genius: Hitchcock's Mr. and Mrs. Smith in the Screwball Tradition -- Cartoon and Narrative in the Films of Frank Tashlin and Preston Sturges -- The Three Stooges and the (Anti-)Narrative of Violence: De(con)structive Comedy -- Paralysis in Motion: Jerry Lewis's Life as a Man -- Woody Allen's Zelig: An American Jewish Parody -- The Mouse Who Wanted to F—k a Cow: Cinematic Carnival Laughter in Dusan Makavejev's Films -- Selected Bibliography and Works Cited -- Contributors -- Index |
Record Nr. | UNISA-996248240103316 |
Berkeley, CA : , : University of California Press, , [1991] | ||
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Lo trovi qui: Univ. di Salerno | ||
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A companion to film comedy [[electronic resource] /] / edited by Andrew Horton and Joanna E. Rapf |
Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, c2012 |
Descrizione fisica | 1 online resource (585 p.) |
Disciplina | 791.43/617 |
Altri autori (Persone) |
HortonAndrew
RapfJoanna E |
Soggetto topico |
Comedy films - History and criticism
Comic, The |
ISBN |
1-118-32784-5
1-118-32783-7 1-118-32782-9 1-283-64440-1 1-118-32785-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
A Companion to Film Comedy; Contents; Notes on Editors and Contributors; Comic Introduction: ``Make 'em Laugh, make 'em Laugh!''; Part I Comedy Before Sound, and the Slapstick Tradition; Chapter 1 The Mark of the Ridiculous and Silent Celluloid: Some Trends in American and European Film Comedy from 1894 to 1929; Fred Ott's Infectious Sneeze (1894); A Plot Underfoot: The Lumi`ere Brothers' L'Arroseur arros ́e (1895); Documentary of a Slap Shoe Hero: Little Tich et ses ''Big Boots'' (1900); Georges M ́eli`es, ''Fantasist Film maker'' (1896-1902); Fantasist Film making in Britain (1900-1901)
Cut to the Chase (1907-1909)Silent Super Star: Max Linder (1905-1912); Ethnic Comedy and the American Character (1900-1916); Mack Sennett's Commedia dell'Arte (1912-1917); American Comedy Gets Some Manners: Flora Finch, John Bunny, Mr. & Mrs. Sidney Drew (1908-1917); The ''Mark of the Ridiculous'' of Charlie Chaplin's ''Pierrot'' (1914-1918); The Mark of the Ridiculous and American Middle Class Silent Comedy of Manners (1915-1929); Conclusion: The Loss of Silents; Notes; References; Further Reading; Chapter 2 Pie Queens and Virtuous Vamps: The Funny Women of the Silent Screen Pioneers of the Pie: Early Silent ComediennesThe ''Rough Gals'' of Slapstick; Flappers, Flirts, and ''Polite'' Comedy; Conclusion; References; Further Reading; Chapter 3 ``Sound Came Along and Out Went the Pies'': The American Slapstick Short and the Coming of Sound; ''To put it unkindly'': Sound and the Historiography of Film Comedy; ''The artistry of the Actor in Delivering the Spoken Lines'': Playlets and the Uses of Dialogue; ''The Funniest Sound Effect Yet Recorded'': Slapstick and the Uses of Noise; ''They Love it in the Small Towns'': Early Sound Slapstick and the Short-Subject Market ''You Don't have to Speak Funny Words to Make Things Funny'': Charlie Chaplin versus the Three Stooges Notes; References; Further Reading; Part II Comic Performers in the Sound Era; Chapter 4 Mutinies Wednesdays and Saturdays: Carnivalesque Comedy and the Marx Brothers; Unaccustomed Laughter; Plurality Humor; Rabelais on Celluloid; Delirious Abandon; Notes; References; Further Reading; Chapter 5 Jacques Tati and Comedic Performance; Notes; References; Further Reading; Chapter 6 Woody Allen: Charlie Chaplin of New Hollywood; The Nebbish; The Artist; Notes; References; Further Reading Chapter 7 Mel Brooks, Vulgar Modernism, and Comic Remediation The Last Gas(p) of Vulgar Modernism; Be a Clown!; Chicken Fat and Blackouts; Bodily Eruptions and Generic Transformations; Sound Gags and Silent Movies; ''Hey, It Worked in Blazing Saddles''; References; Further Reading; Part III New Perspectives on Romantic Comedy and Masculinity; Chapter 8 Humor and Erotic Utopia: The Intimate Scenarios of Romantic Comedy; References; Further Reading; Chapter 9 Taking Romantic Comedy Seriously in Eternal Sunshine of the Spotless Mind (2004) and Before Sunset (2004); References; Further Reading Chapter 10 The View from the Man Cave: Comedy in the Contemporary ``Homme-com'' Cycle |
Record Nr. | UNINA-9910141387303321 |
Malden, MA, : Wiley-Blackwell, c2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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A companion to film comedy / / edited by Andrew Horton and Joanna E. Rapf |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Malden, MA, : Wiley-Blackwell, c2012 |
Descrizione fisica | 1 online resource (585 p.) |
Disciplina | 791.43/617 |
Altri autori (Persone) |
HortonAndrew
RapfJoanna E |
Soggetto topico |
Comedy films - History and criticism
Comic, The |
ISBN |
1-118-32784-5
1-118-32783-7 1-118-32782-9 1-283-64440-1 1-118-32785-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
A Companion to Film Comedy; Contents; Notes on Editors and Contributors; Comic Introduction: ``Make 'em Laugh, make 'em Laugh!''; Part I Comedy Before Sound, and the Slapstick Tradition; Chapter 1 The Mark of the Ridiculous and Silent Celluloid: Some Trends in American and European Film Comedy from 1894 to 1929; Fred Ott's Infectious Sneeze (1894); A Plot Underfoot: The Lumi`ere Brothers' L'Arroseur arros ́e (1895); Documentary of a Slap Shoe Hero: Little Tich et ses ''Big Boots'' (1900); Georges M ́eli`es, ''Fantasist Film maker'' (1896-1902); Fantasist Film making in Britain (1900-1901)
Cut to the Chase (1907-1909)Silent Super Star: Max Linder (1905-1912); Ethnic Comedy and the American Character (1900-1916); Mack Sennett's Commedia dell'Arte (1912-1917); American Comedy Gets Some Manners: Flora Finch, John Bunny, Mr. & Mrs. Sidney Drew (1908-1917); The ''Mark of the Ridiculous'' of Charlie Chaplin's ''Pierrot'' (1914-1918); The Mark of the Ridiculous and American Middle Class Silent Comedy of Manners (1915-1929); Conclusion: The Loss of Silents; Notes; References; Further Reading; Chapter 2 Pie Queens and Virtuous Vamps: The Funny Women of the Silent Screen Pioneers of the Pie: Early Silent ComediennesThe ''Rough Gals'' of Slapstick; Flappers, Flirts, and ''Polite'' Comedy; Conclusion; References; Further Reading; Chapter 3 ``Sound Came Along and Out Went the Pies'': The American Slapstick Short and the Coming of Sound; ''To put it unkindly'': Sound and the Historiography of Film Comedy; ''The artistry of the Actor in Delivering the Spoken Lines'': Playlets and the Uses of Dialogue; ''The Funniest Sound Effect Yet Recorded'': Slapstick and the Uses of Noise; ''They Love it in the Small Towns'': Early Sound Slapstick and the Short-Subject Market ''You Don't have to Speak Funny Words to Make Things Funny'': Charlie Chaplin versus the Three Stooges Notes; References; Further Reading; Part II Comic Performers in the Sound Era; Chapter 4 Mutinies Wednesdays and Saturdays: Carnivalesque Comedy and the Marx Brothers; Unaccustomed Laughter; Plurality Humor; Rabelais on Celluloid; Delirious Abandon; Notes; References; Further Reading; Chapter 5 Jacques Tati and Comedic Performance; Notes; References; Further Reading; Chapter 6 Woody Allen: Charlie Chaplin of New Hollywood; The Nebbish; The Artist; Notes; References; Further Reading Chapter 7 Mel Brooks, Vulgar Modernism, and Comic Remediation The Last Gas(p) of Vulgar Modernism; Be a Clown!; Chicken Fat and Blackouts; Bodily Eruptions and Generic Transformations; Sound Gags and Silent Movies; ''Hey, It Worked in Blazing Saddles''; References; Further Reading; Part III New Perspectives on Romantic Comedy and Masculinity; Chapter 8 Humor and Erotic Utopia: The Intimate Scenarios of Romantic Comedy; References; Further Reading; Chapter 9 Taking Romantic Comedy Seriously in Eternal Sunshine of the Spotless Mind (2004) and Before Sunset (2004); References; Further Reading Chapter 10 The View from the Man Cave: Comedy in the Contemporary ``Homme-com'' Cycle |
Record Nr. | UNINA-9910828301503321 |
Malden, MA, : Wiley-Blackwell, c2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Hokum! : The Early Sound Slapstick Short and Depression-Era Mass Culture / / Rob King |
Autore | King Rob <1975-> |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2017] |
Descrizione fisica | 1 online resource (xiii, 253 pages) : illustrations; PDF, digital file(s) |
Disciplina | 791.43/6170973 |
Soggetto topico |
Comedy films - United States - History - 20th century
Comedy films - History and criticism |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
1920 american comedy
20th century comedians 20th century comedy teams cinematography comedy films comedy movies comic movies depression era film early 20th century cinema early sound era early sound slapstick film and tv film industry film studies history of comedy history of film hokum laurel and hardy media studies popular culture robert benchley silent era slapstick slapstick stage slang comedy three stooges |
ISBN | 0-520-96316-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | "The cuckoo school of humor" : humor and metropolitan culture in 1920s America -- "The stigma of slapstick" : the short-subject industry and its imagined public -- "The spice of the program" : educational pictures and the small-town audience -- "I want music everywhere" : music, operetta, and cultural hierarchy at the Hal Roach Studios -- "From the archives of Keystone memory" : slapstick and re-membrance at Columbia Pictures' short-subjects department -- Coda : when comedy was king. |
Record Nr. | UNISA-996333147803316 |
King Rob <1975->
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Oakland, California : , : University of California Press, , [2017] | ||
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Lo trovi qui: Univ. di Salerno | ||
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Hokum! : The Early Sound Slapstick Short and Depression-Era Mass Culture / / Rob King |
Autore | King Rob <1975-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Oakland, California : , : University of California Press, , [2017] |
Descrizione fisica | 1 online resource (xiii, 253 pages) : illustrations; PDF, digital file(s) |
Disciplina | 791.43/6170973 |
Soggetto topico |
Comedy films - United States - History - 20th century
Comedy films - History and criticism |
Soggetto genere / forma | Electronic books. |
Soggetto non controllato |
1920 american comedy
20th century comedians 20th century comedy teams cinematography comedy films comedy movies comic movies depression era film early 20th century cinema early sound era early sound slapstick film and tv film industry film studies history of comedy history of film hokum laurel and hardy media studies popular culture robert benchley silent era slapstick slapstick stage slang comedy three stooges |
ISBN | 0-520-96316-4 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | "The cuckoo school of humor" : humor and metropolitan culture in 1920s America -- "The stigma of slapstick" : the short-subject industry and its imagined public -- "The spice of the program" : educational pictures and the small-town audience -- "I want music everywhere" : music, operetta, and cultural hierarchy at the Hal Roach Studios -- "From the archives of Keystone memory" : slapstick and re-membrance at Columbia Pictures' short-subjects department -- Coda : when comedy was king. |
Record Nr. | UNINA-9910213849403321 |
King Rob <1975->
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Oakland, California : , : University of California Press, , [2017] | ||
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Lo trovi qui: Univ. Federico II | ||
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Keeping quiet : visual comedy in the age of sound / / Julian Dutton |
Autore | Dutton Julian |
Pubbl/distr/stampa | Gosport, [England] : , : Chaplin Books, , 2015 |
Descrizione fisica | 1 online resource (407 p.) |
Disciplina | 791.43617 |
Soggetto topico | Comedy films - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN |
1-909183-83-0
1-909183-82-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Contents; Front Matter; Title Page; Publisher Information; Dedication; Foreword; Introduction; Keeping Quiet; Origins: From Ritual to Film; Keeping Still: the Coming of Sound; Slowing Down: Laurel and Hardy; Swansong of a Pantomimist: Chaplin; Out and Down: Buster Keaton; Long Live Vaudeville - Harpo Marx; Diehards: Visual Comedy on Stage & Screen 1930-45; At Odds with the World - Jacques Tati; The Kid: Norman Wisdom; The Nebbish: Jerry Lewis; Diehards II: Visual Comedy on Stage & Screen 1945-1960; Television's First Genius: Ernie Kovacs; Kid in a Sweet-Shop - Benny Hill
Diehards III: Visual Comedy on Stage & Screen 1960 to 1970Rhubarb Rhubarb - Eric Sykes and the Spoken Silents; Chameleon Boy: Peter Sellers; Another Outsider: Marty Feldman; Ronnie Barker: The Grumble & Grunt Comedies; Diehards IV: Visual Comedy on Stage, Film & TV 1970 to present; The Alien: Rowan Atkinson; The Human Cartoon: Matt Lucas and Pompidou!; Back Matter; Acknowledgements; Bibliography; Film Magazines & Journals Consulted; Also Available |
Record Nr. | UNINA-9910460764903321 |
Dutton Julian
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Gosport, [England] : , : Chaplin Books, , 2015 | ||
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Lo trovi qui: Univ. Federico II | ||
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