Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
The art and technique of digital color correction / / Steve Hullfish
| The art and technique of digital color correction / / Steve Hullfish |
| Autore | Hullfish Steve |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Focal Press, , 2013 |
| Descrizione fisica | 1 online resource (527 p.) |
| Disciplina |
777
778.6/6 778.66 |
| Soggetto topico |
Color computer graphics
Color computer printers Color display systems Color photography - Digital techniques |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-138-45976-3
1-136-03962-7 1-283-97333-2 0-240-81716-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Art and Technique of Digital Color Correction; Copyright; Contents; Acknowledgments; Using this Book and the DVD Materials; CHAPTER 1 Primary Color Correction: Tonal Range Primer; Monitoring; Video Monitor; Viewing Environment; Waveform and Vectorscope Displays; Alternative Displays and Tools for Analysis; First Things First: Black Level; Reading the Waveform Monitor; Setting the Black Level; Setting Highlights; Setting Gamma or Midtones; Defining Contrast; CHAPTER 2 Primary Color Correction: Tonal Correction Tools; Main Tools for Tonal Corrections
Sliders and Numerical Controls for Tonal RangeDon't Use Brightness or Contrast Controls; DaVinci Resolve; Color Primary In Room; The Avid Symphony and Color Finesse HSL Control Tab; Histograms or Levels; Forms and Functions of Histograms; Curves Tab; Curves Tutorial; Isolating Tonal Ranges with Curves; Luma Range Display; Luma Range Editing; Alternative to Luma Range; CHAPTER 3 Primary Color Correction: Color Control Primer; Balancing the Image; Analyzing Color Casts; Using Your Eyes; Color and the Waveform; Color and the Vectorscope; Histograms; Eyedropper Balancing Color with a Flat Pass Waveform MonitorColor Contrast; CHAPTER 4 Primary Color Correction: Color Manipulation Tools; Color Wheels; Color Wheels and Trackballs with RGB Parade; Saturation Controls; Histograms; Curves; RGB Lift, Gamma, and Gain Sliders; Channels or Channel Mixers; Printer Lights; Filters; Additional Tools; CHAPTER 5 Secondary Color Correction Primer; The Purpose of Secondary Correction; Are You Qualified?; Color Vector Isolation; Isolating a Vector in DaVinci Resolve; Spot Color Correction (Vignettes or Power Windows); The Vignette; Geographical Color Fix User-Defined ShapesUsing Spot Color Correction to Relight; Color Vector with Window or Vignette; Secondaries Are Crucial; CHAPTER 6 Secondaries with the Pros; Vignettes; Vignetting the Ultralight Flyover Scene; Vignetting the "Kiss" Bedroom Scene; Vignette to Create Day-for-Night; Vector and Luma Qualified Secondaries; Secondary Corrections Can Focus Attention; Using Secondaries to Match; Using a Luma Key to Build Contrast; Use a Secondary to Soften Skin Tones; Multiple Windows and Masks; Creating Depth and Texture; CHAPTER 7 Correcting Shots; Four More Grades of the "Banker's Light" Scene Saving a Shot with Bad Color CastFour Trips Down the "Alley"; Three Passes Over the Barn; Building Up a Weak Piece of Video; Using Many Tools to Fix a Shot; Grading with Curves in Primary; Broadening the Color Palette; CHAPTER 8 Telling the Story; Color Changes the Story; Talk Like a DP; The Story Is the Script; Emphasize Elements to Further the Story; Imposing Story on the Boxer; Story Epilogue; CHAPTER 9 Matching Shots; Matching the Lions of the Art Institute; Matching Scene to Scene; Matching When Lighting Changes in a Scene; Matching AND Saving!; Matching Conclusion CHAPTER 10 Creating Looks |
| Record Nr. | UNINA-9910461274203321 |
Hullfish Steve
|
||
| New York : , : Focal Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art and technique of digital color correction / / Steve Hullfish
| The art and technique of digital color correction / / Steve Hullfish |
| Autore | Hullfish Steve |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Focal Press, , 2013 |
| Descrizione fisica | 1 online resource (527 p.) |
| Disciplina |
777
778.6/6 778.66 |
| Soggetto topico |
Color computer graphics
Color computer printers Color display systems Color photography - Digital techniques |
| ISBN |
1-138-45976-3
1-136-03962-7 1-283-97333-2 0-240-81716-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Art and Technique of Digital Color Correction; Copyright; Contents; Acknowledgments; Using this Book and the DVD Materials; CHAPTER 1 Primary Color Correction: Tonal Range Primer; Monitoring; Video Monitor; Viewing Environment; Waveform and Vectorscope Displays; Alternative Displays and Tools for Analysis; First Things First: Black Level; Reading the Waveform Monitor; Setting the Black Level; Setting Highlights; Setting Gamma or Midtones; Defining Contrast; CHAPTER 2 Primary Color Correction: Tonal Correction Tools; Main Tools for Tonal Corrections
Sliders and Numerical Controls for Tonal RangeDon't Use Brightness or Contrast Controls; DaVinci Resolve; Color Primary In Room; The Avid Symphony and Color Finesse HSL Control Tab; Histograms or Levels; Forms and Functions of Histograms; Curves Tab; Curves Tutorial; Isolating Tonal Ranges with Curves; Luma Range Display; Luma Range Editing; Alternative to Luma Range; CHAPTER 3 Primary Color Correction: Color Control Primer; Balancing the Image; Analyzing Color Casts; Using Your Eyes; Color and the Waveform; Color and the Vectorscope; Histograms; Eyedropper Balancing Color with a Flat Pass Waveform MonitorColor Contrast; CHAPTER 4 Primary Color Correction: Color Manipulation Tools; Color Wheels; Color Wheels and Trackballs with RGB Parade; Saturation Controls; Histograms; Curves; RGB Lift, Gamma, and Gain Sliders; Channels or Channel Mixers; Printer Lights; Filters; Additional Tools; CHAPTER 5 Secondary Color Correction Primer; The Purpose of Secondary Correction; Are You Qualified?; Color Vector Isolation; Isolating a Vector in DaVinci Resolve; Spot Color Correction (Vignettes or Power Windows); The Vignette; Geographical Color Fix User-Defined ShapesUsing Spot Color Correction to Relight; Color Vector with Window or Vignette; Secondaries Are Crucial; CHAPTER 6 Secondaries with the Pros; Vignettes; Vignetting the Ultralight Flyover Scene; Vignetting the "Kiss" Bedroom Scene; Vignette to Create Day-for-Night; Vector and Luma Qualified Secondaries; Secondary Corrections Can Focus Attention; Using Secondaries to Match; Using a Luma Key to Build Contrast; Use a Secondary to Soften Skin Tones; Multiple Windows and Masks; Creating Depth and Texture; CHAPTER 7 Correcting Shots; Four More Grades of the "Banker's Light" Scene Saving a Shot with Bad Color CastFour Trips Down the "Alley"; Three Passes Over the Barn; Building Up a Weak Piece of Video; Using Many Tools to Fix a Shot; Grading with Curves in Primary; Broadening the Color Palette; CHAPTER 8 Telling the Story; Color Changes the Story; Talk Like a DP; The Story Is the Script; Emphasize Elements to Further the Story; Imposing Story on the Boxer; Story Epilogue; CHAPTER 9 Matching Shots; Matching the Lions of the Art Institute; Matching Scene to Scene; Matching When Lighting Changes in a Scene; Matching AND Saving!; Matching Conclusion CHAPTER 10 Creating Looks |
| Record Nr. | UNINA-9910790145303321 |
|
Hullfish Steve
|
||
| New York : , : Focal Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The art and technique of digital color correction / / Steve Hullfish
| The art and technique of digital color correction / / Steve Hullfish |
| Autore | Hullfish Steve |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | New York : , : Focal Press, , 2013 |
| Descrizione fisica | 1 online resource (527 p.) |
| Disciplina |
777
778.6/6 778.66 |
| Soggetto topico |
Color computer graphics
Color computer printers Color display systems Color photography - Digital techniques |
| ISBN |
1-138-45976-3
1-136-03962-7 1-283-97333-2 0-240-81716-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; The Art and Technique of Digital Color Correction; Copyright; Contents; Acknowledgments; Using this Book and the DVD Materials; CHAPTER 1 Primary Color Correction: Tonal Range Primer; Monitoring; Video Monitor; Viewing Environment; Waveform and Vectorscope Displays; Alternative Displays and Tools for Analysis; First Things First: Black Level; Reading the Waveform Monitor; Setting the Black Level; Setting Highlights; Setting Gamma or Midtones; Defining Contrast; CHAPTER 2 Primary Color Correction: Tonal Correction Tools; Main Tools for Tonal Corrections
Sliders and Numerical Controls for Tonal RangeDon't Use Brightness or Contrast Controls; DaVinci Resolve; Color Primary In Room; The Avid Symphony and Color Finesse HSL Control Tab; Histograms or Levels; Forms and Functions of Histograms; Curves Tab; Curves Tutorial; Isolating Tonal Ranges with Curves; Luma Range Display; Luma Range Editing; Alternative to Luma Range; CHAPTER 3 Primary Color Correction: Color Control Primer; Balancing the Image; Analyzing Color Casts; Using Your Eyes; Color and the Waveform; Color and the Vectorscope; Histograms; Eyedropper Balancing Color with a Flat Pass Waveform MonitorColor Contrast; CHAPTER 4 Primary Color Correction: Color Manipulation Tools; Color Wheels; Color Wheels and Trackballs with RGB Parade; Saturation Controls; Histograms; Curves; RGB Lift, Gamma, and Gain Sliders; Channels or Channel Mixers; Printer Lights; Filters; Additional Tools; CHAPTER 5 Secondary Color Correction Primer; The Purpose of Secondary Correction; Are You Qualified?; Color Vector Isolation; Isolating a Vector in DaVinci Resolve; Spot Color Correction (Vignettes or Power Windows); The Vignette; Geographical Color Fix User-Defined ShapesUsing Spot Color Correction to Relight; Color Vector with Window or Vignette; Secondaries Are Crucial; CHAPTER 6 Secondaries with the Pros; Vignettes; Vignetting the Ultralight Flyover Scene; Vignetting the "Kiss" Bedroom Scene; Vignette to Create Day-for-Night; Vector and Luma Qualified Secondaries; Secondary Corrections Can Focus Attention; Using Secondaries to Match; Using a Luma Key to Build Contrast; Use a Secondary to Soften Skin Tones; Multiple Windows and Masks; Creating Depth and Texture; CHAPTER 7 Correcting Shots; Four More Grades of the "Banker's Light" Scene Saving a Shot with Bad Color CastFour Trips Down the "Alley"; Three Passes Over the Barn; Building Up a Weak Piece of Video; Using Many Tools to Fix a Shot; Grading with Curves in Primary; Broadening the Color Palette; CHAPTER 8 Telling the Story; Color Changes the Story; Talk Like a DP; The Story Is the Script; Emphasize Elements to Further the Story; Imposing Story on the Boxer; Story Epilogue; CHAPTER 9 Matching Shots; Matching the Lions of the Art Institute; Matching Scene to Scene; Matching When Lighting Changes in a Scene; Matching AND Saving!; Matching Conclusion CHAPTER 10 Creating Looks |
| Record Nr. | UNINA-9910826229703321 |
|
Hullfish Steve
|
||
| New York : , : Focal Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Color correction matrix for digital still and video imaging systems [[electronic resource] /] / Stephen Wolf
| Color correction matrix for digital still and video imaging systems [[electronic resource] /] / Stephen Wolf |
| Autore | Wolf Stephen C |
| Pubbl/distr/stampa | [Washington, D.C.] : , : [National Telecommunications and Information Administration], , [2003] |
| Descrizione fisica | viii, 28 pages : digital, PDF file |
| Collana | NTIA technical memorandum |
| Soggetto topico |
Color photography - Digital techniques
Image processing - Digital techniques |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910695169403321 |
|
Wolf Stephen C
|
||
| [Washington, D.C.] : , : [National Telecommunications and Information Administration], , [2003] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Color management [[electronic resource] ] : understanding and using ICC profiles / / edited by Phil Green
| Color management [[electronic resource] ] : understanding and using ICC profiles / / edited by Phil Green |
| Autore | Green Phil <1953-> |
| Pubbl/distr/stampa | Chichester, West Sussex, U.K., : Wiley, 2010 |
| Descrizione fisica | 1 online resource (316 p.) |
| Disciplina |
621.36/7
621.367 |
| Collana | The Wiley-IS&T Series in Imaging Science and Technology |
| Soggetto topico |
Image processing - Digital techniques - Standards
File organization (Computer science) Color photography - Digital techniques Colors - Standards Ink-jet printing Colorimetry Photography, Orthochromatic |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-48222-X
9786612482229 0-470-68810-6 0-470-68811-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
COLOR MANAGEMENT: UNDERSTANDING AND USING ICC PROFILES; Contents; About the Editor; Series Editor's Preface; Preface; Part One: General; 1 Introduction; 2 Color Management - A Conceptual Overview; 3 The Role of ICC Profiles in a Color Reproduction System; 4 Common Color Management Workflows and Rendering Intent Usage; 5 Recent Developments in ICC Color Management; 6 Color Management Implementation Classification; 7 ICC Profiles, Color Appearance Modeling, and the Microsoft Windows Color System; 8 Glossary of Terms; Part Two: Version 4; 9 The Reasons for Changing to the v4 ICC Profile Format
10 ICC Version 2 and Version 4 Display Profile Differences11 Using the sRGB_v4_ICC_preference.icc Profile; 12 Fundamentals of the Version 4 Perceptual Rendering Intent; 13 Perceptual Rendering Intent Use Case Issues; Part Three: Workflows; 14 Using ICC Profiles with Digital Camera Images; 15 RGB Color-Managed Workflow Example; 16 Issues in CMYK Workflows; 17 Orchestrating Color - Tools and Capabilities; 18 Flexible Color Management for the Graphic Arts; Part Four: Measurement and Viewing Conditions; 19 Standards for Color Measurement and Viewing; 20 ICC Recommendations for Color Measurement 21 Fluorescence in Measurement22 Measurement Issues and Color Stability in Inkjet Printing; 23 Viewing Conditions; Part Five: Profile Construction and Evaluation; 24 Overview of ICC Profile Construction; 25 ICC Profile Internal Mechanics; 26 Use of the parametricCurveType; 27 Embedding and Referencing ICC Profiles; 28 LUT-Based Transforms in ICC Profiles; 29 Populating the Matrix Entries in lutAtoBType and lutBtoAType of Version 4 ICC Profiles; 30 Implementation Notes for SampleICC's IccProfLib; 31 Introducing the New multiProcessingElements Tag Type; 32 Inverting ICC Profiles 33 Evaluating Color Transforms in ICC Profiles34 Profile Compliance Testing with SampleICC; Index |
| Record Nr. | UNINA-9910139508103321 |
|
Green Phil <1953->
|
||
| Chichester, West Sussex, U.K., : Wiley, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Color management [[electronic resource] ] : understanding and using ICC profiles / / edited by Phil Green
| Color management [[electronic resource] ] : understanding and using ICC profiles / / edited by Phil Green |
| Autore | Green Phil <1953-> |
| Pubbl/distr/stampa | Chichester, West Sussex, U.K., : Wiley, 2010 |
| Descrizione fisica | 1 online resource (316 p.) |
| Disciplina |
621.36/7
621.367 |
| Collana | The Wiley-IS&T Series in Imaging Science and Technology |
| Soggetto topico |
Image processing - Digital techniques - Standards
File organization (Computer science) Color photography - Digital techniques Colors - Standards Ink-jet printing Colorimetry Photography, Orthochromatic |
| ISBN |
1-282-48222-X
9786612482229 0-470-68810-6 0-470-68811-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
COLOR MANAGEMENT: UNDERSTANDING AND USING ICC PROFILES; Contents; About the Editor; Series Editor's Preface; Preface; Part One: General; 1 Introduction; 2 Color Management - A Conceptual Overview; 3 The Role of ICC Profiles in a Color Reproduction System; 4 Common Color Management Workflows and Rendering Intent Usage; 5 Recent Developments in ICC Color Management; 6 Color Management Implementation Classification; 7 ICC Profiles, Color Appearance Modeling, and the Microsoft Windows Color System; 8 Glossary of Terms; Part Two: Version 4; 9 The Reasons for Changing to the v4 ICC Profile Format
10 ICC Version 2 and Version 4 Display Profile Differences11 Using the sRGB_v4_ICC_preference.icc Profile; 12 Fundamentals of the Version 4 Perceptual Rendering Intent; 13 Perceptual Rendering Intent Use Case Issues; Part Three: Workflows; 14 Using ICC Profiles with Digital Camera Images; 15 RGB Color-Managed Workflow Example; 16 Issues in CMYK Workflows; 17 Orchestrating Color - Tools and Capabilities; 18 Flexible Color Management for the Graphic Arts; Part Four: Measurement and Viewing Conditions; 19 Standards for Color Measurement and Viewing; 20 ICC Recommendations for Color Measurement 21 Fluorescence in Measurement22 Measurement Issues and Color Stability in Inkjet Printing; 23 Viewing Conditions; Part Five: Profile Construction and Evaluation; 24 Overview of ICC Profile Construction; 25 ICC Profile Internal Mechanics; 26 Use of the parametricCurveType; 27 Embedding and Referencing ICC Profiles; 28 LUT-Based Transforms in ICC Profiles; 29 Populating the Matrix Entries in lutAtoBType and lutBtoAType of Version 4 ICC Profiles; 30 Implementation Notes for SampleICC's IccProfLib; 31 Introducing the New multiProcessingElements Tag Type; 32 Inverting ICC Profiles 33 Evaluating Color Transforms in ICC Profiles34 Profile Compliance Testing with SampleICC; Index |
| Record Nr. | UNINA-9910830317003321 |
|
Green Phil <1953->
|
||
| Chichester, West Sussex, U.K., : Wiley, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Color management [[electronic resource] ] : understanding and using ICC profiles / / edited by Phil Green
| Color management [[electronic resource] ] : understanding and using ICC profiles / / edited by Phil Green |
| Autore | Green Phil <1953-> |
| Pubbl/distr/stampa | Chichester, West Sussex, U.K., : Wiley, 2010 |
| Descrizione fisica | 1 online resource (316 p.) |
| Disciplina |
621.36/7
621.367 |
| Collana | The Wiley-IS&T Series in Imaging Science and Technology |
| Soggetto topico |
Image processing - Digital techniques - Standards
File organization (Computer science) Color photography - Digital techniques Colors - Standards Ink-jet printing Colorimetry Photography, Orthochromatic |
| ISBN |
1-282-48222-X
9786612482229 0-470-68810-6 0-470-68811-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
COLOR MANAGEMENT: UNDERSTANDING AND USING ICC PROFILES; Contents; About the Editor; Series Editor's Preface; Preface; Part One: General; 1 Introduction; 2 Color Management - A Conceptual Overview; 3 The Role of ICC Profiles in a Color Reproduction System; 4 Common Color Management Workflows and Rendering Intent Usage; 5 Recent Developments in ICC Color Management; 6 Color Management Implementation Classification; 7 ICC Profiles, Color Appearance Modeling, and the Microsoft Windows Color System; 8 Glossary of Terms; Part Two: Version 4; 9 The Reasons for Changing to the v4 ICC Profile Format
10 ICC Version 2 and Version 4 Display Profile Differences11 Using the sRGB_v4_ICC_preference.icc Profile; 12 Fundamentals of the Version 4 Perceptual Rendering Intent; 13 Perceptual Rendering Intent Use Case Issues; Part Three: Workflows; 14 Using ICC Profiles with Digital Camera Images; 15 RGB Color-Managed Workflow Example; 16 Issues in CMYK Workflows; 17 Orchestrating Color - Tools and Capabilities; 18 Flexible Color Management for the Graphic Arts; Part Four: Measurement and Viewing Conditions; 19 Standards for Color Measurement and Viewing; 20 ICC Recommendations for Color Measurement 21 Fluorescence in Measurement22 Measurement Issues and Color Stability in Inkjet Printing; 23 Viewing Conditions; Part Five: Profile Construction and Evaluation; 24 Overview of ICC Profile Construction; 25 ICC Profile Internal Mechanics; 26 Use of the parametricCurveType; 27 Embedding and Referencing ICC Profiles; 28 LUT-Based Transforms in ICC Profiles; 29 Populating the Matrix Entries in lutAtoBType and lutBtoAType of Version 4 ICC Profiles; 30 Implementation Notes for SampleICC's IccProfLib; 31 Introducing the New multiProcessingElements Tag Type; 32 Inverting ICC Profiles 33 Evaluating Color Transforms in ICC Profiles34 Profile Compliance Testing with SampleICC; Index |
| Record Nr. | UNINA-9910840532803321 |
|
Green Phil <1953->
|
||
| Chichester, West Sussex, U.K., : Wiley, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Colour reproduction in electronic imaging systems : photography, television, cinematography / / Michael S Tooms
| Colour reproduction in electronic imaging systems : photography, television, cinematography / / Michael S Tooms |
| Autore | Tooms Michael S. |
| Pubbl/distr/stampa | West Sussex, England : , : Wiley, , 2016 |
| Descrizione fisica | 1 online resource (739 p.) |
| Disciplina | 621.382 |
| Soggetto topico |
Color display systems
Color television Color cinematography - Equipment and supplies Color photography - Digital techniques Color sensitometry (Photography) |
| ISBN |
1-119-02178-2
1-119-02179-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Colour Reproduction in Electronic Imaging Systems; Contents; Preface; Acknowledgements; About the Companion Website; Introductions; The Book; The Colour Reproduction Workbook; Part 1 Colour - Perception, Characteristics and Definition; Introduction; 1 The Perception of Colour; 1.1 Introduction; 1.2 Setting the Scene; 1.2.1 The Historic Developments Leading to an Understanding of Colour Perception; 1.2.2 Surface Colours; 1.3 Characterising the Responses of the Eye to Light; 1.4 The Three Characteristics of the Eye Relevant to Reproduction
1.5 The Quantitative Response or Tonal Range of the Eye1.6 The Qualitative Response of the Eye; 2 Mapping, Mixing and Categorising Colours; 2.1 Primary Colours; 2.1.1 Additive Primaries; 2.1.2 Subtractive Primaries; 2.1.3 The Non-Primaries; 2.1.4 Primaries in Reproduction; 2.2 Colour Mixing; 2.2.1 Grassmans Law; 2.3 Colour in Three Dimensions; 2.3.1 The Simple Three-Dimensional Colour Space; 2.3.2 The Lightness Axis; 2.3.3 The Tone Scale; 2.4 Colour Terminology; 2.5 Categorising Colours; 2.5.1 The Munsell Colour System; 2.6 The Effects of Illumination on the Perception of Colour Part 2 The Measurement and Generation of ColourIntroduction; 3 A Practical Approach to the Measurement of Colour; 3.1 The Fundamentals of Colour Measurement; 3.1.1 Establishing a Method for the Measurement of Colour; 3.2 Colour Matching Functions; 3.2.1 Selecting the Primaries; 3.2.2 The Colorimeter for Deriving the Colour Matching Functions; 3.2.3 The Observers; 3.2.4 Matching the Spectrum; 3.2.5 Observer Results; 3.3 Measuring Colour with the CMFs; 3.4 Chromaticity Diagrams; 3.4.1 Reducing Colour to a Two-Dimensional Quantity; 3.4.2 Three Steps to Producing a Chromaticity Diagram 3.4.3 Characteristics of the Chromaticity Diagram3.4.4 Plotting Colours on the Chromaticity Diagram; 4 Colour Measurement Standardisation - The CIE System of Colour Measurement; 4.1 Limitations of the Fundamental Approach to Colour Measurement; 4.2 The CIE; 4.3 The CIE 1931 Standard Observer; 4.4 The CIE 1931 X, Y, Z System of Colour Measurement; 4.4.1 Ensuring that One Primary Carries All the Luminance Information; 4.4.2 Transforming the R,G,B Diagram to the X,Y, Z Diagram; 4.4.3 The Transformation Process; 4.4.4 The X,Y,Z CMFs; 4.4.5 The 1931 CIE Chromaticity Diagram 4.4.6 Colour Measurement Using the ̄x( ), ̄y( ), ̄z( ) CMFs4.5 Transforming the CIE X, Y, Z Parameters to Perceptually Related Parameters; 4.6 The CIE 1976 UCS Diagram; 4.6.1 Subjective Limitations of the CIE 1931 Chromaticity Diagram; 4.6.2 The UCS Diagram; 4.6.3 Comparing the Two CIE Chromaticity Diagrams; 4.7 The CIE 1976 (L*, u*, v*) Colour Space; 4.7.1 Establishing a Perceptively Uniform Colour Space; 4.7.2 Specifying the Lightness Characteristic; 4.7.3 Constructing the Perceptibly Uniform Colour Space; 4.7.4 Measuring Colour Difference 4.8 Surface Colours within the LUV Colour Space |
| Record Nr. | UNINA-9910137178703321 |
|
Tooms Michael S.
|
||
| West Sussex, England : , : Wiley, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Colour reproduction in electronic imaging systems : photography, television, cinematography / / Michael S Tooms
| Colour reproduction in electronic imaging systems : photography, television, cinematography / / Michael S Tooms |
| Autore | Tooms Michael S. |
| Pubbl/distr/stampa | West Sussex, England : , : Wiley, , 2016 |
| Descrizione fisica | 1 online resource (739 p.) |
| Disciplina | 621.382 |
| Soggetto topico |
Color display systems
Color television Color cinematography - Equipment and supplies Color photography - Digital techniques Color sensitometry (Photography) |
| ISBN |
1-119-02178-2
1-119-02179-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Colour Reproduction in Electronic Imaging Systems; Contents; Preface; Acknowledgements; About the Companion Website; Introductions; The Book; The Colour Reproduction Workbook; Part 1 Colour - Perception, Characteristics and Definition; Introduction; 1 The Perception of Colour; 1.1 Introduction; 1.2 Setting the Scene; 1.2.1 The Historic Developments Leading to an Understanding of Colour Perception; 1.2.2 Surface Colours; 1.3 Characterising the Responses of the Eye to Light; 1.4 The Three Characteristics of the Eye Relevant to Reproduction
1.5 The Quantitative Response or Tonal Range of the Eye1.6 The Qualitative Response of the Eye; 2 Mapping, Mixing and Categorising Colours; 2.1 Primary Colours; 2.1.1 Additive Primaries; 2.1.2 Subtractive Primaries; 2.1.3 The Non-Primaries; 2.1.4 Primaries in Reproduction; 2.2 Colour Mixing; 2.2.1 Grassmans Law; 2.3 Colour in Three Dimensions; 2.3.1 The Simple Three-Dimensional Colour Space; 2.3.2 The Lightness Axis; 2.3.3 The Tone Scale; 2.4 Colour Terminology; 2.5 Categorising Colours; 2.5.1 The Munsell Colour System; 2.6 The Effects of Illumination on the Perception of Colour Part 2 The Measurement and Generation of ColourIntroduction; 3 A Practical Approach to the Measurement of Colour; 3.1 The Fundamentals of Colour Measurement; 3.1.1 Establishing a Method for the Measurement of Colour; 3.2 Colour Matching Functions; 3.2.1 Selecting the Primaries; 3.2.2 The Colorimeter for Deriving the Colour Matching Functions; 3.2.3 The Observers; 3.2.4 Matching the Spectrum; 3.2.5 Observer Results; 3.3 Measuring Colour with the CMFs; 3.4 Chromaticity Diagrams; 3.4.1 Reducing Colour to a Two-Dimensional Quantity; 3.4.2 Three Steps to Producing a Chromaticity Diagram 3.4.3 Characteristics of the Chromaticity Diagram3.4.4 Plotting Colours on the Chromaticity Diagram; 4 Colour Measurement Standardisation - The CIE System of Colour Measurement; 4.1 Limitations of the Fundamental Approach to Colour Measurement; 4.2 The CIE; 4.3 The CIE 1931 Standard Observer; 4.4 The CIE 1931 X, Y, Z System of Colour Measurement; 4.4.1 Ensuring that One Primary Carries All the Luminance Information; 4.4.2 Transforming the R,G,B Diagram to the X,Y, Z Diagram; 4.4.3 The Transformation Process; 4.4.4 The X,Y,Z CMFs; 4.4.5 The 1931 CIE Chromaticity Diagram 4.4.6 Colour Measurement Using the ̄x( ), ̄y( ), ̄z( ) CMFs4.5 Transforming the CIE X, Y, Z Parameters to Perceptually Related Parameters; 4.6 The CIE 1976 UCS Diagram; 4.6.1 Subjective Limitations of the CIE 1931 Chromaticity Diagram; 4.6.2 The UCS Diagram; 4.6.3 Comparing the Two CIE Chromaticity Diagrams; 4.7 The CIE 1976 (L*, u*, v*) Colour Space; 4.7.1 Establishing a Perceptively Uniform Colour Space; 4.7.2 Specifying the Lightness Characteristic; 4.7.3 Constructing the Perceptibly Uniform Colour Space; 4.7.4 Measuring Colour Difference 4.8 Surface Colours within the LUV Colour Space |
| Record Nr. | UNINA-9910827927203321 |
|
Tooms Michael S.
|
||
| West Sussex, England : , : Wiley, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital color : acquisition, perception, coding and rendering / / edited by Christine Fernández-Maloine, Frédérique Robert-Inacio, Ludovic Macaire
| Digital color : acquisition, perception, coding and rendering / / edited by Christine Fernández-Maloine, Frédérique Robert-Inacio, Ludovic Macaire |
| Pubbl/distr/stampa | London : , : ISTE |
| Descrizione fisica | 1 online resource (330 p.) |
| Disciplina | 006.6 |
| Collana | ISTE |
| Soggetto topico |
Image converters
Digital images Color vision Color photography - Digital techniques |
| ISBN |
1-118-56268-2
1-118-56324-7 1-118-56269-0 1-299-18892-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Foreword; Chapter 1. Colorimetry and Physiology - The LMS Specification; 1.1. Physiological basis; 1.1.1. The photoreceptors; 1.1.2. Retinal organization; 1.1.3. Physiological modeling of visual attributes related to color; 1.2. The XYZ colorimetry: the benchmark model of CIE; 1.3. LMS colorimetry; 1.3.1. LMS fundamentals; 1.3.2. Application of LMS colorimetry; 1.3.3. Color discrimination; 1.4. Colors in their context; 1.4.1. CIECAM02; 1.4.2. Chromatic adaptation; 1.4.3. Partitioning of the perceptual space by the elementary hues
1.5. Conclusion1.6. Bibliography; Chapter 2. Color Constancy; 2.1. Introduction; 2.2. Theoretical preliminaries and problems; 2.2.1. Concept of illuminant; 2.2.2. Concept of objects' reflectance; 2.2.3. Problem of color constancy; 2.3. Color constancy models; 2.3.1. Model of the human visual system; 2.3.2. Von Kries diagonal model; 2.3.3. Land theory; 2.4. Color correction algorithms; 2.4.1. Gray world; 2.4.2. Retinex theory; 2.4.3. Gamut conversion; 2.4.4. Probabilistic methods; 2.4.5. Method based on neural networks; 2.4.6. ACE: automatic color equalization 2.4.7. Methods combining several approaches2.5. Comparison of color constancy algorithms; 2.5.1. Algorithms evaluation; 2.5.2. Examples of applications with specific patterns; 2.6. Conclusion; 2.7. Bibliography; Chapter 3. Color Appearance Models; 3.1. Introduction; 3.2. The two perceptual phenomena of color appearance; 3.3. The main components of a CAM; 3.3.1. Chromatic adaptation models; 3.3.2. The perceptual attributes; 3.3.3. General architecture of CAMs standardized by the CIE; 3.4. The CIECAM02; 3.4.1. Input data; 3.4.2. The chromatic adaptation transform 3.4.3. The appearance attributes3.5. Conclusion; 3.6. Bibliography; Chapter 4. Rendering and Computer Graphics; 4.1. Introduction; 4.2. Reflection and representation models of light sources; 4.2.1. Concept of luminance; 4.2.2. Representation of the light sources; 4.2.3. Reflection and refraction models; 4.3. Simulation of light propagation; 4.3.1. Light propagation model: the rendering equation; 4.3.2. Solution of the rendering equation; 4.4. Display of results; 4.4.1. LDR and HDR Images; 4.4.2. Tone mapping; 4.4.3. Management of spectral aspects; 4.4.4. Computer graphics and perception 4.5. Conclusion4.6. Bibliography; Chapter 5. Image Sensor Technology; 5.1. Photodetection principle; 5.1.1. The photodiode; 5.1.2. The photoMOS; 5.2. Imagers; 5.2.1. CMOS and CCD technologies; 5.2.2. CCD (charge coupled device) imager principle; 5.2.3. CMOS imagers principle; 5.2.4. Photodiode pixel in current mode; 5.2.5. Photodiode pixel in integration mode; 5.3. Spectral sensitivity of imagers; 5.4. Color acquisition systems; 5.5. Through monochrome camera; 5.6. Tri-sensor systems; 5.7. Color camera based on color filter arrays; 5.7.1. Types of filters; 5.8. Variants of integrated sensors 5.8.1. Backside illumination: Sony, Omnivision |
| Record Nr. | UNINA-9910138856003321 |
| London : , : ISTE | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
