Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]] |
Autore | Brinckmann Christine <1937-> |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2014 |
Descrizione fisica | 1 online resource (269 pages) : digital, PDF file(s) |
Disciplina | 791 |
Collana | Film culture in transition |
Soggetto topico |
Colors in motion pictures - History
Color cinematography - History Color motion pictures - History |
ISBN | 90-485-2326-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Table of Contents -- Preface / Brinckman, Christine N. -- Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition |
Record Nr. | UNINA-9910459781803321 |
Brinckmann Christine <1937->
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Amsterdam : , : Amsterdam University Press, , 2014 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]] |
Autore | Brinckmann Christine <1937-> |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2014 |
Descrizione fisica | 1 online resource (269 pages) : digital, PDF file(s) |
Disciplina | 791 |
Collana | Film culture in transition |
Soggetto topico |
Colors in motion pictures - History
Color cinematography - History Color motion pictures - History |
Soggetto non controllato |
Film poetics
colour in film documentary film historical stylistics viewer response |
ISBN | 90-485-2326-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Table of Contents -- Preface / Brinckman, Christine N. -- Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition |
Record Nr. | UNINA-9910787400203321 |
Brinckmann Christine <1937->
![]() |
||
Amsterdam : , : Amsterdam University Press, , 2014 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Color and empathy : essays on two aspects of film / / Christine N. Brinckmann [[electronic resource]] |
Autore | Brinckmann Christine <1937-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , 2014 |
Descrizione fisica | 1 online resource (269 pages) : digital, PDF file(s) |
Disciplina | 791 |
Collana | Film culture in transition |
Soggetto topico |
Colors in motion pictures - History
Color cinematography - History Color motion pictures - History |
Soggetto non controllato |
Film poetics
colour in film documentary film historical stylistics viewer response |
ISBN | 90-485-2326-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front matter -- Table of Contents -- Preface / Brinckman, Christine N. -- Cinematic Color as Likeness and as Artifact -- Chords of Color -- The Tension of Colors in Colorized Silent Films -- Structural Film, Structuring Color: Jenny Okun's Still Life -- Desert Fury: A Film Noir in Color -- The Work of the Camera: Beau travail -- Empathy with the Animal -- Motor Mimicry in Hitchcock -- Abstraction and Empathy in the Early German Avant-garde -- The Role of Empathy in Documentary Film: A Case Study -- Genre Conflict in Tracey Emin's Top Spot -- Viewer Empathy and Mosaic Structure in Frederick Wiseman's Primate -- Casta Diva: An Empathetic Reading -- Publication Data -- Index of Films -- Index of Subjects -- Film Culture in Transition |
Record Nr. | UNINA-9910810766303321 |
Brinckmann Christine <1937->
![]() |
||
Amsterdam : , : Amsterdam University Press, , 2014 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Harnessing the Technicolor rainbow [[electronic resource] ] : color design in the 1930s / / Scott Higgins |
Autore | Higgins Scott <1968-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Austin, : University of Texas Press, 2007 |
Descrizione fisica | 1 online resource (313 p.) |
Disciplina | 778.5/342 |
Soggetto topico |
Color cinematography - History
Color motion pictures - History |
Soggetto genere / forma | Electronic books. |
ISBN | 0-292-79490-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910452118203321 |
Higgins Scott <1968->
![]() |
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Austin, : University of Texas Press, 2007 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Harnessing the Technicolor rainbow [[electronic resource] ] : color design in the 1930s / / Scott Higgins |
Autore | Higgins Scott <1968-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Austin, : University of Texas Press, 2007 |
Descrizione fisica | 1 online resource (313 p.) |
Disciplina | 778.5/342 |
Soggetto topico |
Color cinematography - History
Color motion pictures - History |
ISBN | 0-292-79490-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- ONE. Introduction: The Challenge of Technicolor -- TWO. Forging a New Aesthetic: From Opera to Color Consciousness -- THREE. A Feature-Length Demonstration: Becky Sharp -- FOUR. Unobtrusive Design: Introducing Three-Color to Conventional Production -- FIVE. Delicate Expansions: Designing in the Restrained Mode -- SIX. Broadening the Palette: The Adventures of Robin Hood -- SEVEN. A Fully Integrated Design: Light and Color in Gone with the Wind -- EIGHT. Beyond the 1930s: The Legacies of Three-Color Aesthetics -- Appendix 1. Types of Prints Consulted and Variables in Color Reproduction -- Appendix 2. Chronological Filmography: Three-Color Features of the 1930s -- Appendix 3. Pantone Numbers for Color Names -- Notes -- Works Cited -- Index |
Record Nr. | UNINA-9910778110303321 |
Higgins Scott <1968->
![]() |
||
Austin, : University of Texas Press, 2007 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Harnessing the Technicolor rainbow : color design in the 1930s / / Scott Higgins |
Autore | Higgins Scott <1968-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Austin, : University of Texas Press, 2007 |
Descrizione fisica | 1 online resource (313 p.) |
Disciplina | 778.5/342 |
Soggetto topico |
Color cinematography - History
Color motion pictures - History |
ISBN | 0-292-79490-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- ONE. Introduction: The Challenge of Technicolor -- TWO. Forging a New Aesthetic: From Opera to Color Consciousness -- THREE. A Feature-Length Demonstration: Becky Sharp -- FOUR. Unobtrusive Design: Introducing Three-Color to Conventional Production -- FIVE. Delicate Expansions: Designing in the Restrained Mode -- SIX. Broadening the Palette: The Adventures of Robin Hood -- SEVEN. A Fully Integrated Design: Light and Color in Gone with the Wind -- EIGHT. Beyond the 1930s: The Legacies of Three-Color Aesthetics -- Appendix 1. Types of Prints Consulted and Variables in Color Reproduction -- Appendix 2. Chronological Filmography: Three-Color Features of the 1930s -- Appendix 3. Pantone Numbers for Color Names -- Notes -- Works Cited -- Index |
Record Nr. | UNINA-9910806214403321 |
Higgins Scott <1968->
![]() |
||
Austin, : University of Texas Press, 2007 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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