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The art and technique of digital color correction / / Steve Hullfish
The art and technique of digital color correction / / Steve Hullfish
Autore Hullfish Steve
Edizione [2nd ed.]
Pubbl/distr/stampa New York : , : Focal Press, , 2013
Descrizione fisica 1 online resource (527 p.)
Disciplina 777
778.6/6
778.66
Soggetto topico Color computer graphics
Color computer printers
Color display systems
Color photography - Digital techniques
Soggetto genere / forma Electronic books.
ISBN 1-138-45976-3
1-136-03962-7
1-283-97333-2
0-240-81716-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover; The Art and Technique of Digital Color Correction; Copyright; Contents; Acknowledgments; Using this Book and the DVD Materials; CHAPTER 1 Primary Color Correction: Tonal Range Primer; Monitoring; Video Monitor; Viewing Environment; Waveform and Vectorscope Displays; Alternative Displays and Tools for Analysis; First Things First: Black Level; Reading the Waveform Monitor; Setting the Black Level; Setting Highlights; Setting Gamma or Midtones; Defining Contrast; CHAPTER 2 Primary Color Correction: Tonal Correction Tools; Main Tools for Tonal Corrections
Sliders and Numerical Controls for Tonal RangeDon't Use Brightness or Contrast Controls; DaVinci Resolve; Color Primary In Room; The Avid Symphony and Color Finesse HSL Control Tab; Histograms or Levels; Forms and Functions of Histograms; Curves Tab; Curves Tutorial; Isolating Tonal Ranges with Curves; Luma Range Display; Luma Range Editing; Alternative to Luma Range; CHAPTER 3 Primary Color Correction: Color Control Primer; Balancing the Image; Analyzing Color Casts; Using Your Eyes; Color and the Waveform; Color and the Vectorscope; Histograms; Eyedropper
Balancing Color with a Flat Pass Waveform MonitorColor Contrast; CHAPTER 4 Primary Color Correction: Color Manipulation Tools; Color Wheels; Color Wheels and Trackballs with RGB Parade; Saturation Controls; Histograms; Curves; RGB Lift, Gamma, and Gain Sliders; Channels or Channel Mixers; Printer Lights; Filters; Additional Tools; CHAPTER 5 Secondary Color Correction Primer; The Purpose of Secondary Correction; Are You Qualified?; Color Vector Isolation; Isolating a Vector in DaVinci Resolve; Spot Color Correction (Vignettes or Power Windows); The Vignette; Geographical Color Fix
User-Defined ShapesUsing Spot Color Correction to Relight; Color Vector with Window or Vignette; Secondaries Are Crucial; CHAPTER 6 Secondaries with the Pros; Vignettes; Vignetting the Ultralight Flyover Scene; Vignetting the "Kiss" Bedroom Scene; Vignette to Create Day-for-Night; Vector and Luma Qualified Secondaries; Secondary Corrections Can Focus Attention; Using Secondaries to Match; Using a Luma Key to Build Contrast; Use a Secondary to Soften Skin Tones; Multiple Windows and Masks; Creating Depth and Texture; CHAPTER 7 Correcting Shots; Four More Grades of the "Banker's Light" Scene
Saving a Shot with Bad Color CastFour Trips Down the "Alley"; Three Passes Over the Barn; Building Up a Weak Piece of Video; Using Many Tools to Fix a Shot; Grading with Curves in Primary; Broadening the Color Palette; CHAPTER 8 Telling the Story; Color Changes the Story; Talk Like a DP; The Story Is the Script; Emphasize Elements to Further the Story; Imposing Story on the Boxer; Story Epilogue; CHAPTER 9 Matching Shots; Matching the Lions of the Art Institute; Matching Scene to Scene; Matching When Lighting Changes in a Scene; Matching AND Saving!; Matching Conclusion
CHAPTER 10 Creating Looks
Record Nr. UNINA-9910461274203321
Hullfish Steve  
New York : , : Focal Press, , 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The art and technique of digital color correction / / Steve Hullfish
The art and technique of digital color correction / / Steve Hullfish
Autore Hullfish Steve
Edizione [2nd ed.]
Pubbl/distr/stampa New York : , : Focal Press, , 2013
Descrizione fisica 1 online resource (527 p.)
Disciplina 777
778.6/6
778.66
Soggetto topico Color computer graphics
Color computer printers
Color display systems
Color photography - Digital techniques
ISBN 1-138-45976-3
1-136-03962-7
1-283-97333-2
0-240-81716-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover; The Art and Technique of Digital Color Correction; Copyright; Contents; Acknowledgments; Using this Book and the DVD Materials; CHAPTER 1 Primary Color Correction: Tonal Range Primer; Monitoring; Video Monitor; Viewing Environment; Waveform and Vectorscope Displays; Alternative Displays and Tools for Analysis; First Things First: Black Level; Reading the Waveform Monitor; Setting the Black Level; Setting Highlights; Setting Gamma or Midtones; Defining Contrast; CHAPTER 2 Primary Color Correction: Tonal Correction Tools; Main Tools for Tonal Corrections
Sliders and Numerical Controls for Tonal RangeDon't Use Brightness or Contrast Controls; DaVinci Resolve; Color Primary In Room; The Avid Symphony and Color Finesse HSL Control Tab; Histograms or Levels; Forms and Functions of Histograms; Curves Tab; Curves Tutorial; Isolating Tonal Ranges with Curves; Luma Range Display; Luma Range Editing; Alternative to Luma Range; CHAPTER 3 Primary Color Correction: Color Control Primer; Balancing the Image; Analyzing Color Casts; Using Your Eyes; Color and the Waveform; Color and the Vectorscope; Histograms; Eyedropper
Balancing Color with a Flat Pass Waveform MonitorColor Contrast; CHAPTER 4 Primary Color Correction: Color Manipulation Tools; Color Wheels; Color Wheels and Trackballs with RGB Parade; Saturation Controls; Histograms; Curves; RGB Lift, Gamma, and Gain Sliders; Channels or Channel Mixers; Printer Lights; Filters; Additional Tools; CHAPTER 5 Secondary Color Correction Primer; The Purpose of Secondary Correction; Are You Qualified?; Color Vector Isolation; Isolating a Vector in DaVinci Resolve; Spot Color Correction (Vignettes or Power Windows); The Vignette; Geographical Color Fix
User-Defined ShapesUsing Spot Color Correction to Relight; Color Vector with Window or Vignette; Secondaries Are Crucial; CHAPTER 6 Secondaries with the Pros; Vignettes; Vignetting the Ultralight Flyover Scene; Vignetting the "Kiss" Bedroom Scene; Vignette to Create Day-for-Night; Vector and Luma Qualified Secondaries; Secondary Corrections Can Focus Attention; Using Secondaries to Match; Using a Luma Key to Build Contrast; Use a Secondary to Soften Skin Tones; Multiple Windows and Masks; Creating Depth and Texture; CHAPTER 7 Correcting Shots; Four More Grades of the "Banker's Light" Scene
Saving a Shot with Bad Color CastFour Trips Down the "Alley"; Three Passes Over the Barn; Building Up a Weak Piece of Video; Using Many Tools to Fix a Shot; Grading with Curves in Primary; Broadening the Color Palette; CHAPTER 8 Telling the Story; Color Changes the Story; Talk Like a DP; The Story Is the Script; Emphasize Elements to Further the Story; Imposing Story on the Boxer; Story Epilogue; CHAPTER 9 Matching Shots; Matching the Lions of the Art Institute; Matching Scene to Scene; Matching When Lighting Changes in a Scene; Matching AND Saving!; Matching Conclusion
CHAPTER 10 Creating Looks
Record Nr. UNINA-9910790145303321
Hullfish Steve  
New York : , : Focal Press, , 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
The art and technique of digital color correction / / Steve Hullfish
The art and technique of digital color correction / / Steve Hullfish
Autore Hullfish Steve
Edizione [2nd ed.]
Pubbl/distr/stampa New York : , : Focal Press, , 2013
Descrizione fisica 1 online resource (527 p.)
Disciplina 777
778.6/6
778.66
Soggetto topico Color computer graphics
Color computer printers
Color display systems
Color photography - Digital techniques
ISBN 1-138-45976-3
1-136-03962-7
1-283-97333-2
0-240-81716-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover; The Art and Technique of Digital Color Correction; Copyright; Contents; Acknowledgments; Using this Book and the DVD Materials; CHAPTER 1 Primary Color Correction: Tonal Range Primer; Monitoring; Video Monitor; Viewing Environment; Waveform and Vectorscope Displays; Alternative Displays and Tools for Analysis; First Things First: Black Level; Reading the Waveform Monitor; Setting the Black Level; Setting Highlights; Setting Gamma or Midtones; Defining Contrast; CHAPTER 2 Primary Color Correction: Tonal Correction Tools; Main Tools for Tonal Corrections
Sliders and Numerical Controls for Tonal RangeDon't Use Brightness or Contrast Controls; DaVinci Resolve; Color Primary In Room; The Avid Symphony and Color Finesse HSL Control Tab; Histograms or Levels; Forms and Functions of Histograms; Curves Tab; Curves Tutorial; Isolating Tonal Ranges with Curves; Luma Range Display; Luma Range Editing; Alternative to Luma Range; CHAPTER 3 Primary Color Correction: Color Control Primer; Balancing the Image; Analyzing Color Casts; Using Your Eyes; Color and the Waveform; Color and the Vectorscope; Histograms; Eyedropper
Balancing Color with a Flat Pass Waveform MonitorColor Contrast; CHAPTER 4 Primary Color Correction: Color Manipulation Tools; Color Wheels; Color Wheels and Trackballs with RGB Parade; Saturation Controls; Histograms; Curves; RGB Lift, Gamma, and Gain Sliders; Channels or Channel Mixers; Printer Lights; Filters; Additional Tools; CHAPTER 5 Secondary Color Correction Primer; The Purpose of Secondary Correction; Are You Qualified?; Color Vector Isolation; Isolating a Vector in DaVinci Resolve; Spot Color Correction (Vignettes or Power Windows); The Vignette; Geographical Color Fix
User-Defined ShapesUsing Spot Color Correction to Relight; Color Vector with Window or Vignette; Secondaries Are Crucial; CHAPTER 6 Secondaries with the Pros; Vignettes; Vignetting the Ultralight Flyover Scene; Vignetting the "Kiss" Bedroom Scene; Vignette to Create Day-for-Night; Vector and Luma Qualified Secondaries; Secondary Corrections Can Focus Attention; Using Secondaries to Match; Using a Luma Key to Build Contrast; Use a Secondary to Soften Skin Tones; Multiple Windows and Masks; Creating Depth and Texture; CHAPTER 7 Correcting Shots; Four More Grades of the "Banker's Light" Scene
Saving a Shot with Bad Color CastFour Trips Down the "Alley"; Three Passes Over the Barn; Building Up a Weak Piece of Video; Using Many Tools to Fix a Shot; Grading with Curves in Primary; Broadening the Color Palette; CHAPTER 8 Telling the Story; Color Changes the Story; Talk Like a DP; The Story Is the Script; Emphasize Elements to Further the Story; Imposing Story on the Boxer; Story Epilogue; CHAPTER 9 Matching Shots; Matching the Lions of the Art Institute; Matching Scene to Scene; Matching When Lighting Changes in a Scene; Matching AND Saving!; Matching Conclusion
CHAPTER 10 Creating Looks
Record Nr. UNINA-9910826229703321
Hullfish Steve  
New York : , : Focal Press, , 2013
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Color gamut mapping [[electronic resource] /] / Ján Morovič
Color gamut mapping [[electronic resource] /] / Ján Morovič
Autore Morovič Ján <1974->
Pubbl/distr/stampa Chichester, England ; ; Hoboken, NJ, : John Wiley & Sons, c2008
Descrizione fisica 1 online resource (320 p.)
Disciplina 686.2
686.23042
Collana Wiley-IS&T series in imaging science and technology
Soggetto topico Color display systems
Color separation - Data processing
ISBN 1-281-84095-5
9786611840952
0-470-75892-9
0-470-75893-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Color Gamut Mapping; Contents; Foreword; Series Preface; Preface; 1. Introduction; 1.1 What is Color Gamut Mapping?; 1.2 Historical Context of Gamut Mapping; 1.3 Who is this Book for?; 1.4 What is in the Rest of the Book?; 2. Basics of Color Science; 2.1 What is Color?; 2.2 Describing Color Experiences; 2.3 The Color Ecosystem; 2.4 The Human Visual System; 2.5 Physical Color-related Properties; 2.6 Colorimetry; 2.7 Color Ecosystem Interactions; 2.8 Digital Color Capture and Generation; 2.9 Color Management; 2.10 What can Affect the Appearance of a Pair of Stimuli?; 2.11 Summary
3. Desired Color Reproduction Properties and their Evaluation3.1 Color Reproduction Framework; 3.2 Desired Color Reproduction Properties; 3.3 Evaluating Reproductions; 3.4 Case Study: Evaluating Printed Reproductions of a Displayed Image; 3.5 Summary; 4. Color Reproduction Data Flows; 4.1 Device Color Spaces; 4.2 Conceptual Stages of Color Reproduction; 4.3 Closed-loop Color Management; 4.4 sRGB Color Management; 4.5 ICC Color Management; 4.6 Windows Color System Color Management; 4.7 Importance of Gamut Mapping in Color Reproduction; 4.8 Summary; 5. Overview of Gamut Mapping; 5.1 Denitions
5.2 Aims of Gamut Mapping5.3 Gamut Mapping Algorithm Context; 5.4 Types of Gamut Mapping; 5.5 Building Blocks of Gamut Mapping Algorithms; 5.6 Factors Affecting Gamut Mapping; 5.7 Will Gamut Mapping become Redundant?; 6. Color Spaces for Gamut Mapping; 6.1 Implications of Mapping Appearance Predictors; 6.2 Which Appearance Attributes' Predictors to Map; 6.3 Overview of Color Appearance Spaces; 6.4 Mapping in Nonappearance Spaces; 6.5 Choosing a Space for Gamut Mapping; 7. Basic Computational Geometry for Gamut Mapping; 7.1 Spaces, Points, Lines and Planes; 7.2 Intersections
7.3 Is a Point Inside or Not?7.4 Normals; 7.5 Triangulation; 7.6 Summary; 8. Color Gamuts and their Computation; 8.1 Challenges and Implications of Denition; 8.2 Gamut Boundary Descriptor Algorithms; 8.3 Evaluating and Operating on Gamut Boundary Descriptors; 8.4 Examples of Salient Color Gamuts; 8.5 Image Gamuts; 8.6 Summary; 9. A Case Study: Minimum Color Difference Gamut Clipping; 9.1 The Original; 9.2 The Destination Gamut; 9.3 Minimum Color Difference Gamut Mapping; 9.4 The Destination Image; 9.5 Effect of Alternatives; 9.6 Summary; 10. Survey of Gamut Mapping Algorithms
10.1 Color-by-color Reduction10.2 Color-by-color Expansion; 10.3 Spatial Gamut Reduction; 10.4 Spectral Gamut Mapping; 10.5 Gamut Mapping for Special Applications; 10.6 Summary; 11. Gamut Mapping Algorithms and Color Management Systems; 11.1 Gamut Mapping Algorithms for Closed-loop Color Management; 11.2 Gamut Mapping Algorithms for sRGB Color Management; 11.3 Gamut Mapping Algorithms for ICC Color Management; 11.4 Gamut Mapping Algorithms for WCS Color Management; 11.5 Types of Color Management Context; 11.6 Spatial and Spectral Gamut Mapping; 11.7 Conclusions
12. Evaluating Gamut Mapping Algorithms
Record Nr. UNINA-9910144115303321
Morovič Ján <1974->  
Chichester, England ; ; Hoboken, NJ, : John Wiley & Sons, c2008
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Color gamut mapping [[electronic resource] /] / Ján Morovič
Color gamut mapping [[electronic resource] /] / Ján Morovič
Autore Morovič Ján <1974->
Pubbl/distr/stampa Chichester, England ; ; Hoboken, NJ, : John Wiley & Sons, c2008
Descrizione fisica 1 online resource (320 p.)
Disciplina 686.2
686.23042
Collana Wiley-IS&T series in imaging science and technology
Soggetto topico Color display systems
Color separation - Data processing
ISBN 1-281-84095-5
9786611840952
0-470-75892-9
0-470-75893-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Color Gamut Mapping; Contents; Foreword; Series Preface; Preface; 1. Introduction; 1.1 What is Color Gamut Mapping?; 1.2 Historical Context of Gamut Mapping; 1.3 Who is this Book for?; 1.4 What is in the Rest of the Book?; 2. Basics of Color Science; 2.1 What is Color?; 2.2 Describing Color Experiences; 2.3 The Color Ecosystem; 2.4 The Human Visual System; 2.5 Physical Color-related Properties; 2.6 Colorimetry; 2.7 Color Ecosystem Interactions; 2.8 Digital Color Capture and Generation; 2.9 Color Management; 2.10 What can Affect the Appearance of a Pair of Stimuli?; 2.11 Summary
3. Desired Color Reproduction Properties and their Evaluation3.1 Color Reproduction Framework; 3.2 Desired Color Reproduction Properties; 3.3 Evaluating Reproductions; 3.4 Case Study: Evaluating Printed Reproductions of a Displayed Image; 3.5 Summary; 4. Color Reproduction Data Flows; 4.1 Device Color Spaces; 4.2 Conceptual Stages of Color Reproduction; 4.3 Closed-loop Color Management; 4.4 sRGB Color Management; 4.5 ICC Color Management; 4.6 Windows Color System Color Management; 4.7 Importance of Gamut Mapping in Color Reproduction; 4.8 Summary; 5. Overview of Gamut Mapping; 5.1 Denitions
5.2 Aims of Gamut Mapping5.3 Gamut Mapping Algorithm Context; 5.4 Types of Gamut Mapping; 5.5 Building Blocks of Gamut Mapping Algorithms; 5.6 Factors Affecting Gamut Mapping; 5.7 Will Gamut Mapping become Redundant?; 6. Color Spaces for Gamut Mapping; 6.1 Implications of Mapping Appearance Predictors; 6.2 Which Appearance Attributes' Predictors to Map; 6.3 Overview of Color Appearance Spaces; 6.4 Mapping in Nonappearance Spaces; 6.5 Choosing a Space for Gamut Mapping; 7. Basic Computational Geometry for Gamut Mapping; 7.1 Spaces, Points, Lines and Planes; 7.2 Intersections
7.3 Is a Point Inside or Not?7.4 Normals; 7.5 Triangulation; 7.6 Summary; 8. Color Gamuts and their Computation; 8.1 Challenges and Implications of Denition; 8.2 Gamut Boundary Descriptor Algorithms; 8.3 Evaluating and Operating on Gamut Boundary Descriptors; 8.4 Examples of Salient Color Gamuts; 8.5 Image Gamuts; 8.6 Summary; 9. A Case Study: Minimum Color Difference Gamut Clipping; 9.1 The Original; 9.2 The Destination Gamut; 9.3 Minimum Color Difference Gamut Mapping; 9.4 The Destination Image; 9.5 Effect of Alternatives; 9.6 Summary; 10. Survey of Gamut Mapping Algorithms
10.1 Color-by-color Reduction10.2 Color-by-color Expansion; 10.3 Spatial Gamut Reduction; 10.4 Spectral Gamut Mapping; 10.5 Gamut Mapping for Special Applications; 10.6 Summary; 11. Gamut Mapping Algorithms and Color Management Systems; 11.1 Gamut Mapping Algorithms for Closed-loop Color Management; 11.2 Gamut Mapping Algorithms for sRGB Color Management; 11.3 Gamut Mapping Algorithms for ICC Color Management; 11.4 Gamut Mapping Algorithms for WCS Color Management; 11.5 Types of Color Management Context; 11.6 Spatial and Spectral Gamut Mapping; 11.7 Conclusions
12. Evaluating Gamut Mapping Algorithms
Record Nr. UNINA-9910830920303321
Morovič Ján <1974->  
Chichester, England ; ; Hoboken, NJ, : John Wiley & Sons, c2008
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Color gamut mapping [[electronic resource] /] / Ján Morovič
Color gamut mapping [[electronic resource] /] / Ján Morovič
Autore Morovič Ján <1974->
Pubbl/distr/stampa Chichester, England ; ; Hoboken, NJ, : John Wiley & Sons, c2008
Descrizione fisica 1 online resource (320 p.)
Disciplina 686.2
686.23042
Collana Wiley-IS&T series in imaging science and technology
Soggetto topico Color display systems
Color separation - Data processing
ISBN 1-281-84095-5
9786611840952
0-470-75892-9
0-470-75893-7
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Color Gamut Mapping; Contents; Foreword; Series Preface; Preface; 1. Introduction; 1.1 What is Color Gamut Mapping?; 1.2 Historical Context of Gamut Mapping; 1.3 Who is this Book for?; 1.4 What is in the Rest of the Book?; 2. Basics of Color Science; 2.1 What is Color?; 2.2 Describing Color Experiences; 2.3 The Color Ecosystem; 2.4 The Human Visual System; 2.5 Physical Color-related Properties; 2.6 Colorimetry; 2.7 Color Ecosystem Interactions; 2.8 Digital Color Capture and Generation; 2.9 Color Management; 2.10 What can Affect the Appearance of a Pair of Stimuli?; 2.11 Summary
3. Desired Color Reproduction Properties and their Evaluation3.1 Color Reproduction Framework; 3.2 Desired Color Reproduction Properties; 3.3 Evaluating Reproductions; 3.4 Case Study: Evaluating Printed Reproductions of a Displayed Image; 3.5 Summary; 4. Color Reproduction Data Flows; 4.1 Device Color Spaces; 4.2 Conceptual Stages of Color Reproduction; 4.3 Closed-loop Color Management; 4.4 sRGB Color Management; 4.5 ICC Color Management; 4.6 Windows Color System Color Management; 4.7 Importance of Gamut Mapping in Color Reproduction; 4.8 Summary; 5. Overview of Gamut Mapping; 5.1 Denitions
5.2 Aims of Gamut Mapping5.3 Gamut Mapping Algorithm Context; 5.4 Types of Gamut Mapping; 5.5 Building Blocks of Gamut Mapping Algorithms; 5.6 Factors Affecting Gamut Mapping; 5.7 Will Gamut Mapping become Redundant?; 6. Color Spaces for Gamut Mapping; 6.1 Implications of Mapping Appearance Predictors; 6.2 Which Appearance Attributes' Predictors to Map; 6.3 Overview of Color Appearance Spaces; 6.4 Mapping in Nonappearance Spaces; 6.5 Choosing a Space for Gamut Mapping; 7. Basic Computational Geometry for Gamut Mapping; 7.1 Spaces, Points, Lines and Planes; 7.2 Intersections
7.3 Is a Point Inside or Not?7.4 Normals; 7.5 Triangulation; 7.6 Summary; 8. Color Gamuts and their Computation; 8.1 Challenges and Implications of Denition; 8.2 Gamut Boundary Descriptor Algorithms; 8.3 Evaluating and Operating on Gamut Boundary Descriptors; 8.4 Examples of Salient Color Gamuts; 8.5 Image Gamuts; 8.6 Summary; 9. A Case Study: Minimum Color Difference Gamut Clipping; 9.1 The Original; 9.2 The Destination Gamut; 9.3 Minimum Color Difference Gamut Mapping; 9.4 The Destination Image; 9.5 Effect of Alternatives; 9.6 Summary; 10. Survey of Gamut Mapping Algorithms
10.1 Color-by-color Reduction10.2 Color-by-color Expansion; 10.3 Spatial Gamut Reduction; 10.4 Spectral Gamut Mapping; 10.5 Gamut Mapping for Special Applications; 10.6 Summary; 11. Gamut Mapping Algorithms and Color Management Systems; 11.1 Gamut Mapping Algorithms for Closed-loop Color Management; 11.2 Gamut Mapping Algorithms for sRGB Color Management; 11.3 Gamut Mapping Algorithms for ICC Color Management; 11.4 Gamut Mapping Algorithms for WCS Color Management; 11.5 Types of Color Management Context; 11.6 Spatial and Spectral Gamut Mapping; 11.7 Conclusions
12. Evaluating Gamut Mapping Algorithms
Record Nr. UNINA-9910841262803321
Morovič Ján <1974->  
Chichester, England ; ; Hoboken, NJ, : John Wiley & Sons, c2008
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Colour reproduction in electronic imaging systems : photography, television, cinematography / / Michael S Tooms
Colour reproduction in electronic imaging systems : photography, television, cinematography / / Michael S Tooms
Autore Tooms Michael S.
Pubbl/distr/stampa West Sussex, England : , : Wiley, , 2016
Descrizione fisica 1 online resource (739 p.)
Disciplina 621.382
Soggetto topico Color display systems
Color television
Color cinematography - Equipment and supplies
Color photography - Digital techniques
Color sensitometry (Photography)
ISBN 1-119-02178-2
1-119-02179-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Colour Reproduction in Electronic Imaging Systems; Contents; Preface; Acknowledgements; About the Companion Website; Introductions; The Book; The Colour Reproduction Workbook; Part 1 Colour - Perception, Characteristics and Definition; Introduction; 1 The Perception of Colour; 1.1 Introduction; 1.2 Setting the Scene; 1.2.1 The Historic Developments Leading to an Understanding of Colour Perception; 1.2.2 Surface Colours; 1.3 Characterising the Responses of the Eye to Light; 1.4 The Three Characteristics of the Eye Relevant to Reproduction
1.5 The Quantitative Response or Tonal Range of the Eye1.6 The Qualitative Response of the Eye; 2 Mapping, Mixing and Categorising Colours; 2.1 Primary Colours; 2.1.1 Additive Primaries; 2.1.2 Subtractive Primaries; 2.1.3 The Non-Primaries; 2.1.4 Primaries in Reproduction; 2.2 Colour Mixing; 2.2.1 Grassmans Law; 2.3 Colour in Three Dimensions; 2.3.1 The Simple Three-Dimensional Colour Space; 2.3.2 The Lightness Axis; 2.3.3 The Tone Scale; 2.4 Colour Terminology; 2.5 Categorising Colours; 2.5.1 The Munsell Colour System; 2.6 The Effects of Illumination on the Perception of Colour
Part 2 The Measurement and Generation of ColourIntroduction; 3 A Practical Approach to the Measurement of Colour; 3.1 The Fundamentals of Colour Measurement; 3.1.1 Establishing a Method for the Measurement of Colour; 3.2 Colour Matching Functions; 3.2.1 Selecting the Primaries; 3.2.2 The Colorimeter for Deriving the Colour Matching Functions; 3.2.3 The Observers; 3.2.4 Matching the Spectrum; 3.2.5 Observer Results; 3.3 Measuring Colour with the CMFs; 3.4 Chromaticity Diagrams; 3.4.1 Reducing Colour to a Two-Dimensional Quantity; 3.4.2 Three Steps to Producing a Chromaticity Diagram
3.4.3 Characteristics of the Chromaticity Diagram3.4.4 Plotting Colours on the Chromaticity Diagram; 4 Colour Measurement Standardisation - The CIE System of Colour Measurement; 4.1 Limitations of the Fundamental Approach to Colour Measurement; 4.2 The CIE; 4.3 The CIE 1931 Standard Observer; 4.4 The CIE 1931 X, Y, Z System of Colour Measurement; 4.4.1 Ensuring that One Primary Carries All the Luminance Information; 4.4.2 Transforming the R,G,B Diagram to the X,Y, Z Diagram; 4.4.3 The Transformation Process; 4.4.4 The X,Y,Z CMFs; 4.4.5 The 1931 CIE Chromaticity Diagram
4.4.6 Colour Measurement Using the ̄x( ), ̄y( ), ̄z( ) CMFs4.5 Transforming the CIE X, Y, Z Parameters to Perceptually Related Parameters; 4.6 The CIE 1976 UCS Diagram; 4.6.1 Subjective Limitations of the CIE 1931 Chromaticity Diagram; 4.6.2 The UCS Diagram; 4.6.3 Comparing the Two CIE Chromaticity Diagrams; 4.7 The CIE 1976 (L*, u*, v*) Colour Space; 4.7.1 Establishing a Perceptively Uniform Colour Space; 4.7.2 Specifying the Lightness Characteristic; 4.7.3 Constructing the Perceptibly Uniform Colour Space; 4.7.4 Measuring Colour Difference
4.8 Surface Colours within the LUV Colour Space
Record Nr. UNINA-9910137178703321
Tooms Michael S.  
West Sussex, England : , : Wiley, , 2016
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Colour reproduction in electronic imaging systems : photography, television, cinematography / / Michael S Tooms
Colour reproduction in electronic imaging systems : photography, television, cinematography / / Michael S Tooms
Autore Tooms Michael S.
Pubbl/distr/stampa West Sussex, England : , : Wiley, , 2016
Descrizione fisica 1 online resource (739 p.)
Disciplina 621.382
Soggetto topico Color display systems
Color television
Color cinematography - Equipment and supplies
Color photography - Digital techniques
Color sensitometry (Photography)
ISBN 1-119-02178-2
1-119-02179-0
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Colour Reproduction in Electronic Imaging Systems; Contents; Preface; Acknowledgements; About the Companion Website; Introductions; The Book; The Colour Reproduction Workbook; Part 1 Colour - Perception, Characteristics and Definition; Introduction; 1 The Perception of Colour; 1.1 Introduction; 1.2 Setting the Scene; 1.2.1 The Historic Developments Leading to an Understanding of Colour Perception; 1.2.2 Surface Colours; 1.3 Characterising the Responses of the Eye to Light; 1.4 The Three Characteristics of the Eye Relevant to Reproduction
1.5 The Quantitative Response or Tonal Range of the Eye1.6 The Qualitative Response of the Eye; 2 Mapping, Mixing and Categorising Colours; 2.1 Primary Colours; 2.1.1 Additive Primaries; 2.1.2 Subtractive Primaries; 2.1.3 The Non-Primaries; 2.1.4 Primaries in Reproduction; 2.2 Colour Mixing; 2.2.1 Grassmans Law; 2.3 Colour in Three Dimensions; 2.3.1 The Simple Three-Dimensional Colour Space; 2.3.2 The Lightness Axis; 2.3.3 The Tone Scale; 2.4 Colour Terminology; 2.5 Categorising Colours; 2.5.1 The Munsell Colour System; 2.6 The Effects of Illumination on the Perception of Colour
Part 2 The Measurement and Generation of ColourIntroduction; 3 A Practical Approach to the Measurement of Colour; 3.1 The Fundamentals of Colour Measurement; 3.1.1 Establishing a Method for the Measurement of Colour; 3.2 Colour Matching Functions; 3.2.1 Selecting the Primaries; 3.2.2 The Colorimeter for Deriving the Colour Matching Functions; 3.2.3 The Observers; 3.2.4 Matching the Spectrum; 3.2.5 Observer Results; 3.3 Measuring Colour with the CMFs; 3.4 Chromaticity Diagrams; 3.4.1 Reducing Colour to a Two-Dimensional Quantity; 3.4.2 Three Steps to Producing a Chromaticity Diagram
3.4.3 Characteristics of the Chromaticity Diagram3.4.4 Plotting Colours on the Chromaticity Diagram; 4 Colour Measurement Standardisation - The CIE System of Colour Measurement; 4.1 Limitations of the Fundamental Approach to Colour Measurement; 4.2 The CIE; 4.3 The CIE 1931 Standard Observer; 4.4 The CIE 1931 X, Y, Z System of Colour Measurement; 4.4.1 Ensuring that One Primary Carries All the Luminance Information; 4.4.2 Transforming the R,G,B Diagram to the X,Y, Z Diagram; 4.4.3 The Transformation Process; 4.4.4 The X,Y,Z CMFs; 4.4.5 The 1931 CIE Chromaticity Diagram
4.4.6 Colour Measurement Using the ̄x( ), ̄y( ), ̄z( ) CMFs4.5 Transforming the CIE X, Y, Z Parameters to Perceptually Related Parameters; 4.6 The CIE 1976 UCS Diagram; 4.6.1 Subjective Limitations of the CIE 1931 Chromaticity Diagram; 4.6.2 The UCS Diagram; 4.6.3 Comparing the Two CIE Chromaticity Diagrams; 4.7 The CIE 1976 (L*, u*, v*) Colour Space; 4.7.1 Establishing a Perceptively Uniform Colour Space; 4.7.2 Specifying the Lightness Characteristic; 4.7.3 Constructing the Perceptibly Uniform Colour Space; 4.7.4 Measuring Colour Difference
4.8 Surface Colours within the LUV Colour Space
Record Nr. UNINA-9910827927203321
Tooms Michael S.  
West Sussex, England : , : Wiley, , 2016
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Frequency of color names for colors generated on a CRT [[electronic resource] /] / by J. DiVita ; D.F. Neri ; and M.J. Shim
Frequency of color names for colors generated on a CRT [[electronic resource] /] / by J. DiVita ; D.F. Neri ; and M.J. Shim
Autore DiVita Joseph <1953->
Pubbl/distr/stampa Groton, CT : , : Naval Submarine Medical Research Laboratory, , [1991]
Descrizione fisica 1 online resource (iii, 8 pages, 2 unnumbered pages) : illustrations
Altri autori (Persone) NeriDavid F
ShimMatthew J
Collana NSMRL report
Soggetto topico Color vision
Color display systems
Luminescence
Color
Colors, Words for
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Altri titoli varianti Frequency of color names for colors generated on a cathode ray tube screen
Record Nr. UNINA-9910702114603321
DiVita Joseph <1953->  
Groton, CT : , : Naval Submarine Medical Research Laboratory, , [1991]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Identification of color coded target lines of different orientations on CRT screens [[electronic resource] /] / S.M. Luria ; David F. Neri ; Matthew J. Shim
Identification of color coded target lines of different orientations on CRT screens [[electronic resource] /] / S.M. Luria ; David F. Neri ; Matthew J. Shim
Autore Luria S. M
Pubbl/distr/stampa Groton, CT : , : Naval Submarine Medical Research Laboratory, , [1990]
Descrizione fisica 1 online resource (iii, 15 pages, 2 unnumbered pages) : illustrations
Altri autori (Persone) NeriDavid F
ShimMatthew J
Collana NSMRL report
Soggetto topico Color display systems
Sonar
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Record Nr. UNINA-9910702280603321
Luria S. M  
Groton, CT : , : Naval Submarine Medical Research Laboratory, , [1990]
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui