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Adultery and the Female Star [[electronic resource] /] / by Edward Gallafent
| Adultery and the Female Star [[electronic resource] /] / by Edward Gallafent |
| Autore | Gallafent Edward |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (237 pages) |
| Disciplina | 791.436543 |
| Collana | Palgrave Close Readings in Film and Television |
| Soggetto topico |
Ethnology
Motion pictures Culture Gender Cultural Anthropology Close Reading Culture and Gender |
| ISBN | 1-137-35224-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Bette Davis: 1937-43: Motherhood -- 3. Joan Fontaine: 1939-50: Devotion -- 4. Kim Novak: 1954-64: The Stranger -- 5. Meryl Streep: 1979-85: The Present and the Past -- 6. Conclusion. . |
| Record Nr. | UNINA-9910299997903321 |
Gallafent Edward
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Affect and Belonging in Contemporary Spanish Fiction and Film [[electronic resource] ] : Crossroads Visions / / by Jesse Barker
| Affect and Belonging in Contemporary Spanish Fiction and Film [[electronic resource] ] : Crossroads Visions / / by Jesse Barker |
| Autore | Barker Jesse |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XI, 226 p. 15 illus., 12 illus. in color.) |
| Disciplina | 791.43094 |
| Soggetto topico |
Motion pictures—European influences
European literature Ethnology—Europe Motion pictures Cultural heritage European Cinema and TV European Literature European Culture Close Reading Cultural Heritage |
| ISBN | 3-319-58969-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910255095303321 |
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Barker Jesse
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Cinematic Urban Geographies [[electronic resource] /] / edited by François Penz, Richard Koeck
| Cinematic Urban Geographies [[electronic resource] /] / edited by François Penz, Richard Koeck |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XXI, 350 p. 74 illus.) |
| Disciplina | 791.4301 |
| Collana | Screening Spaces |
| Soggetto topico |
Motion pictures
Motion pictures—History Sociology, Urban Film Theory Film History Urban Studies/Sociology Close Reading Global Cinema and TV |
| ISBN | 1-137-46084-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. The cinema in the map - the case of Braun and Hogenberg’s Civitates Orbis Terrarum -- 3. Cinematic cartographies of urban space and the descriptive spectacle of aerial views (1898-1948) -- 4. Charting the Criminal: Maps as devices for orientation and control in Fritz Lang´s “M” (1931) and Francesco Rosi´s “Hands Over the City” (1963) -- 5. ‘Merely local’: film and the depiction of place, especially in local documentary -- 6. The Cine-Tourist’s Map of New Wave Paris -- 7. Set-jetting, Film Pilgrimage and The Third Man -- 8. The Cinematic Shtetl as a Site of Postmemory -- 9. “Where Is The Dust That Has Not Been Alive?”: Screening The Vanished Polis In Stirbitch: An Imaginary -- 10. Melancholy Urbanism: Distant Horizons and the Presentation of Place -- 11. Cinematic urban archaeology – the Battersea case -- 12. The cinematic and the televisual city: south London revisited -- 13. Los Angeles and Hollywood in Film and French Theory: Agnès Varda’s Lions Love (1969) and Edgar Morin’s California Journal (1970) -- 14. Urban Cinematic Palimpsests: Moving Image Databases for the City -- 15. Geographies of the Moving Image: Translating cinematic representation into geographic information -- 16. Ghost Cinema App: Temporal Ubiquity and the Condition of Being in Everytime. |
| Record Nr. | UNINA-9910255070203321 |
| New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Comedies of Nihilism [[electronic resource] ] : The Representation of Tragedy Onscreen / / by Amir Khan
| Comedies of Nihilism [[electronic resource] ] : The Representation of Tragedy Onscreen / / by Amir Khan |
| Autore | Khan Amir |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (XI, 183 p. 4 illus. in color.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures
Film genres Motion pictures—United States Film Theory Genre Close Reading American Cinema and TV |
| ISBN | 3-319-59894-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. Farming out Resentment: Up in the Air -- 3. All War and No Agency: Tropic Thunder -- 4. Tragic Cinema: The Death of Subjectivities in JCVD -- 5. Hiding from Significance: Winnebago Man -- 6. A Claim to Community: The Trotsky -- 7. A Plea for Time in a State of Nature: Be Kind Rewind -- 8. Losing the Name of Action: Hamlet 2 -- 9. Conclusion. |
| Record Nr. | UNINA-9910255091803321 |
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Khan Amir
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Critical Essays on Twin Peaks: The Return [[electronic resource] /] / edited by Antonio Sanna
| Critical Essays on Twin Peaks: The Return [[electronic resource] /] / edited by Antonio Sanna |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (303 pages) |
| Disciplina | 791.4572 |
| Soggetto topico |
Popular Culture
Film genres Motion pictures Genre Close Reading Film/TV Industry |
| ISBN | 3-030-04798-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. In the Real World: History, Technology and Fandom -- 1. Entering the World of Twin Peaks (Antonio Sanna) -- 2. Is It Happening Again? Twin Peaks and ‘The Return’ of History (Matthew Ellis and Tyler Theus) -- 3. Extraterrestrial Intelligences in the Atomic Age: Exploring the Rhetorical Function of Aliens and the ‘Alien’ in the Twin PeaksUniverse (Elizabeth Lowry) -- 4. Lucy Finally Understands How Cellphones Work: Ambiguous Digital Technologies in Twin Peaks: The Return and its Fan Communities (Jeffrey Fallis and T. Kyle King) -- 5. ‘The owls are not what they meme’: Making Sense of Twin Peaks with Internet Memes (Brigid Cherry) -- 6. ‘Is it about the bunny? No, it’s not about the bunny!’: David Lynch’s Fandom and Trolling of Peak TV Audiences (David McAvoy) -- Part II. In the Lodges: Subjectivity and (Un)Realism -- 7. ‘Between Two Mysteries’: Intermediacy in Twin Peaks: The Return (Thomas Britt) -- 8. ‘My Log has a Message For You,’ or, Vibrant Matter and Twin Peaks: On Thing-Power and Subjectivity (Anthony Ballas) -- 9. ‘Here’s to the pie that saved your life, Dougie:’ The Weird Realism of Twin Peaks (Ryan Coogan) -- 10. Movement in the Box: The Production of Surreal Social Space and the Alienated Body (Joel Hawkes) -- 11. How Mark Frost’s Twin Peaks Books Clarify and Confound the Nature of Reality (Donald McCarthy) -- 12. Copy of a Copy of a Copy: Theorizing the Triplicity of Self and Otherness in Season Three of Twin Peaks (Kwasu David Tembo) -- Part III. Inside the Psyche: Trauma, Dreams and Music -- 13. From Lost Highway to Twin Peaks: Representations of Trauma and Transformation in Lynch’s Late Works (Timothy William Galow) -- 14. Kafka’s Crime Film: Twin Peaks: The Return and the Brotherhood of Lynch and Kafka (Adam Daniel) -- 15. Who is the Dreamer? (Michael Potter and Cam Cobb) -- 16. Is it the Wind in the Tall Trees or Just the Distant Buzz of Electricity?: Sound and Music as Portent in Twin Peaks’ Season Three (Andrew T. Burt) -- 17. ‘Listen to the Sounds’: Sound and Storytelling in Twin Peaks: The Return (Kingsley Marshall and Rupert Loydell) -- 18. ‘I’ll point you to a better time/A safer place to be’: Music, Nostalgia and Estrangement in Twin Peaks: The Return (David Sweeney). |
| Record Nr. | UNINA-9910484231803321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Displacements [[electronic resource] ] : Reading Space and Time in Moving Image Installations / / by Alison Butler
| Displacements [[electronic resource] ] : Reading Space and Time in Moving Image Installations / / by Alison Butler |
| Autore | Butler Alison |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (181 pages) : illustrations |
| Disciplina | 776 |
| Collana | Palgrave Close Readings in Film and Television |
| Soggetto topico |
Motion pictures
Arts Close Reading |
| ISBN | 3-030-30461-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. NOW and then -- 3. Imaginary museums and immaterial objects -- 4. Circulating -- 5. The visitor, the wanderer and the migrant -- 6. War zones -- 7. Epilogue. . |
| Record Nr. | UNINA-9910483223903321 |
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Butler Alison
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Dystopian Imagination in Contemporary Spanish Literature and Film [[electronic resource] /] / by Diana Q. Palardy
| The Dystopian Imagination in Contemporary Spanish Literature and Film [[electronic resource] /] / by Diana Q. Palardy |
| Autore | Palardy Diana Q |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XV, 235 p. 5 illus., 1 illus. in color.) |
| Disciplina | 306.094 |
| Collana | Hispanic Urban Studies |
| Soggetto topico |
Ethnology—Europe
Motion pictures—European influences Sociology, Urban European literature Motion pictures European Culture European Cinema and TV Urban Studies/Sociology European Literature Close Reading |
| ISBN | 3-319-92885-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. The Path to Voluntary Confinement: Dystopian Spaces of Consumerism in Ray Loriga’s Tokio ya no nos quiere -- 3. Grafting the Global North onto the Global South: Dystopian Transhumanism in Elia Barceló’s “Mil euros por tu vida” -- 4. The Architecture of Avarice in Ion de Sosa’s Sueñan los androides or: How I Learned to Stop Worrying about the Economic Crisis and Love the Sheep -- 5. Sensescapes of Precarity in El salario del gigante by José Ardillo, Madrid: frontera by David Llorente, and Nos mienten by Eduardo Vaquerizo -- 6. The Cartography of In/subordination in El sistema by Ricardo Menéndez Salmón -- 7. Conclusion. |
| Record Nr. | UNINA-9910300028303321 |
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Palardy Diana Q
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Endings in the Cinema [[electronic resource] ] : Thresholds, Water and the Beach / / by Michael Walker
| Endings in the Cinema [[electronic resource] ] : Thresholds, Water and the Beach / / by Michael Walker |
| Autore | Walker Michael |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (321 pages) |
| Disciplina | 791.4309 |
| Soggetto topico |
Motion pictures
Film Theory Close Reading |
| ISBN | 3-030-31657-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- THRESHOLDS AND BOUNDARIES -- Stations -- i. The station as stage -- ii. Lovers’ separations -- iii. World War 2 -- Wartime homecoming -- iv. Stations and death -- WATER -- i. The waterside -- Ship and boat departure -- ii. On water -- iii. In and under water -- KEY ENDING TROPES AND MOTIFS -- i. Sunsets -- ii. Voice-overs -- iii. ‘Let’s go home’ -- iv. Looking at or addressing the camera -- v. Emblematic shots -- vi. Theatricality -- BEACHES -- Introduction -- Early History -- i. Silent Cinema -- ii. The 1930s -- iii. World War 2 -- Concepts and development -- i. The Woman on the Beach -- 1954 and after -- ii. Beach holidays -- iii. Tabula rasa -- iv. Empty beach -- v. Renewal -- Auteurist inflections -- i. La nouvelle vague and after -- ii. Beach auteurs: Fellini, Kurys, Ozon, Kitano -- Themes and motifs -- i. Death -- Dying -- Suicides -- ii. War -- iii. Hallucination, breakdown and insanity -- iv. The family and childhood -- v. Mourning and solitary reflection -- vi. Home movies -- vii. Fantasy -- viii. Apocalypse and post-apocalypse -- ix. Paradise and lost paradise -- x. Other categories and Conclusion -- Appendix: Films with beach endings -- Bibliography. |
| Record Nr. | UNINA-9910484871003321 |
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Walker Michael
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Feminism and the Western in Film and Television [[electronic resource] /] / by Mark E. Wildermuth
| Feminism and the Western in Film and Television [[electronic resource] /] / by Mark E. Wildermuth |
| Autore | Wildermuth Mark E |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (170 pages) |
| Disciplina | 305.42 |
| Soggetto topico |
Film genres
Culture Gender Motion pictures—United States Popular Culture Motion pictures Genre Culture and Gender American Cinema and TV Close Reading |
| ISBN | 3-319-77001-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Is the Western an Inherently Anti-feminist Genre? -- 2. Women Professionals in 1930’s Film Westerns in the Context of the Progressive Age and the New Deal Gender Politics -- 3. Women and Westerns in the Films of the 1940s -- 4. Women and Western Films in the Cold War -- 5. After the Cold War: From the 1990’s Interregnum to 9/11 -- 6. Women and Television Westerns, 1954–2001 -- 7. Conclusion: Some Reflections on Women, Violence and Westerns. |
| Record Nr. | UNINA-9910300011203321 |
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Wildermuth Mark E
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Film Noir and the Possibilities of Hollywood [[electronic resource] /] / by Nathaniel Deyo
| Film Noir and the Possibilities of Hollywood [[electronic resource] /] / by Nathaniel Deyo |
| Autore | Deyo Nathaniel |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xii, 213 pages) : illustrations |
| Disciplina | 791.43655 |
| Collana | Palgrave Close Readings in Film and Television |
| Soggetto topico |
Motion pictures
Film genres Motion pictures—United States Close Reading Genre American Cinema and TV |
| ISBN | 3-030-37058-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: The Case of the Missing Films -- Part I: Paradigmatic and Conventional -- 2. The Maltese Falcon, Double Indemnity, Scarlet Street, & Out of the Past: Paradigm Cases -- 3. The Narrow Margin: Convention as Deception -- Part II: Auteurist Noir -- 4. Ministry of Fear: Fritz Lang’s De-Suturing Operations -- 5. The Big Sleep: Howard Hawks’s Hollywood Fantasy -- 6. Laura: Otto Preminger’s Statement of Purpose -- Part III: Noir and History -- 7. Act of Violence: Articulating the Spaces of Modernity -- 8. Reign of Terror & The Tall Target: Theses on the Philosophy of History -- Part IV: Conclusion -- 9. Conclusion: Reflections on Method . |
| Record Nr. | UNINA-9910484736003321 |
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Deyo Nathaniel
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
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Close Reading
(24)
- Motion pictures (24)
- Film Theory (12)
- Film genres (11)
- Genre (11)