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Effects of Opera Music from Brain to Body : A Matter of Wellbeing / / edited by Lorenzo Lorusso, Michele Augusto Riva, Vittorio Alessandro Sironi
| Effects of Opera Music from Brain to Body : A Matter of Wellbeing / / edited by Lorenzo Lorusso, Michele Augusto Riva, Vittorio Alessandro Sironi |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2023 |
| Descrizione fisica | 1 online resource (0 pages) |
| Disciplina | 700.19 |
| Collana | Neurocultural Health and Wellbeing |
| Soggetto topico |
Neurology
Psychiatry Neurosciences Neuropsychology Medicine - History Music Neuroscience History of Medicine Classical Music |
| ISBN | 3-031-34769-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I. A Medical Look at Opera -- Chapter 1. Pathology and Lirics: Diseases and Illness in the Opera -- Chapter 2. Physicians, Charlatans, Healers and Aphotecaries in Opera -- Chapter 3. Caring Through Music: Music Therapy and Opera Therapy -- Part II. Relationship Between Music and the Brain -- Chapter 4. “Va Sossopra il Mio Cervello” (It Goes over My Brain): Neurology and Psychiatry in the Opera -- Chapter 5. Neuro-Musicology of Opera -- Chapter 6. The Singing Brain: Words and Music in the Opera -- Part III. Diseases that Affect Workers in the Opera World -- Chapter 7. Work and Disease in Italian Operas -- Chapter 8. Operatic Inspiration, Genius and Madness -- Chapter 9. Playing and Singing: A Demanding Profession -- Part IV. Finale -- Chapter 10. Representational Conventions and Varieties of Operatic Madness: The Gap Between Dramaturgy and Diagnosis. |
| Record Nr. | UNINA-9910746957503321 |
| Cham : , : Springer International Publishing : , : Imprint : Springer, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Etudes on the Philosophy of Music / / by Juozas Rimas, Juozas Rimas Jr
| Etudes on the Philosophy of Music / / by Juozas Rimas, Juozas Rimas Jr |
| Autore | Rimas J. |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (XVI, 307 p.) |
| Disciplina | 781.68 |
| Soggetto topico |
Music
Music - Philosophy and aesthetics Music theory Classical Music Philosophy of Music Theory of Music |
| ISBN |
9783031639654
3031639650 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. The Origin of Music and Its Specific Characteristics (the Historical-Ontological Aspect) -- 3. Music – a Part of Spiritual Culture -- 4. The Fundamental Elements of Musical Expression -- 5. Some Principles of Baroque Aesthetics which are Important for Musical Expression -- 6. Voice and Sound -- 7. Music and Language -- 8. Music and Time -- 9. Musical Rhythm -- 10. Musical Articulation -- 11. Musical Agogics -- 12. Musical Phrasing -- 13. Sign and Expression -- 14. The Foreground and Background (Inner) Dimensions (Forms) of a Musical Work -- 15. The Text and the Work -- 16. Interpretation (the Main Form of the Manifestation of Music) -- 17. The Transcendental Quality of a Musical Work -- 17. The Concept of Creativity (and its Importance for Musical Expression) -- 18. Instrumentalising Creativity – Depriving Musical Expression of Meaning -- 19. The Logic of Music -- 20. A Philosophical Approach to Musical Expression: Necessity or Possibility -- 21. Significance and Meaning (the Given and the Goal) -- 23. Musical Thinking -- 24. Arnold chönberg on Musical Thought -- 25. Anton Webern on the “Saying” of Music -- 26. Ernest Ansermet on Music and its Performance -- 27. The Phenomenological Approach to Musical Expression. 28. Conclusion. |
| Record Nr. | UNINA-9910887891003321 |
Rimas J.
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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European Perspectives on the New Objectivity Movement : Entanglements of Music, Poetics, and Ideas in the Interwar Years / / edited by Benedetta Zucconi, Ulrik Volgsten
| European Perspectives on the New Objectivity Movement : Entanglements of Music, Poetics, and Ideas in the Interwar Years / / edited by Benedetta Zucconi, Ulrik Volgsten |
| Autore | Zucconi Benedetta |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (382 pages) |
| Disciplina | 780.9430904 |
| Collana | Literature, Cultural and Media Studies |
| Soggetto topico |
Music - History and criticism
Music History of Music Classical Music Contemporary Music |
| ISBN | 3-031-98261-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1-Theoretical and Historical Mappings.Chapter 1-Defamed but seized: contradictory approaches of Nazi music politics to Neue -- Chapter 2-A plurality of (metaphorical) languages: Neue Sachlichkeit under the prism of multilingualism -- Part 2:Decentering Neue Sachlichkeit -- Chapter 3-New Objectivity in interwar Catalonia: reception and influence -- Chapter4-Neue Sachlichkeit and the beginnings of modern Slovak music -- Chapter5-: Neue Sachlichkeit in Sweden? On the search for a modernist aesthetics -- Chapter6-The complexity of banality: Neo-classicism and Popular Music in Pauline Hall’s Suite for Wind Quintet -- Part 3:Institutional Foundations of Neue Sachlichkeit in Europe -- Chapter 7-The most objective music: the ascendancy of Neue Sachlichkeit as norm in Swedish church music -- Chapter 8-A Lost Imagination? New Objectivity and the Swedish Section of the International Society for Contemporary Music (ISSM) 1923–1939 -- Chapter9-Between Expressionism and Neue Sachlichkeit? Transformations of the Händel opera revival in the light of artistic networks -- Part 4-Sachliche” Practices Through New Media and Technology -- Chapter 10-New attitudes of professional music listeners in Hungary in the 1920s and 1930s.Chapter 11-Kajsa Rootzén and the record review: Solitary listening to die Sache selbst.Chapter 12-The performer and the machine: unexpected parallels between Neue Sachlichkeit and Italian Neo-Idealism in the interwar years -- Chapter 13-Between Sachlichkeit and sentimentality: the medial qualities of early Danish music radio programming. |
| Record Nr. | UNINA-9911046529903321 |
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Zucconi Benedetta
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Famous Composers – Diseases Reloaded / / by Andreas Otte
| Famous Composers – Diseases Reloaded / / by Andreas Otte |
| Autore | Otte Andreas |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Springer, , 2022 |
| Descrizione fisica | 1 online resource (180 pages) |
| Disciplina | 780.922 |
| Soggetto topico |
Medical jurisprudence
Music - History and criticism Music Forensic Medicine History of Music Classical Music Compositors Història de la medicina Malalties |
| Soggetto genere / forma |
Biografies
Llibres electrònics |
| ISBN |
9783031066719
9783031066702 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introductory to the Topic -- Johann Sebastian Bach (1685–1750) -- Domenico Scarlatti (1685–1757) -- Nicolò Paganini (1782–1840) -- Francisco Tárrega (1852–1909) -- Maurice Ravel (1875–1937) -- Heitor Villa-Lobos (1887-1959) -- Robert Schumann (1810-1856). |
| Record Nr. | UNINA-9910595029103321 |
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Otte Andreas
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| Cham : , : Springer International Publishing : , : Imprint : Springer, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Global Musicology : Music Histories from Elsewhere / / edited by Amanda Hsieh, Vera Wolkowicz
| Global Musicology : Music Histories from Elsewhere / / edited by Amanda Hsieh, Vera Wolkowicz |
| Autore | Hsieh Amanda |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (384 pages) |
| Disciplina | 780.9 |
| Collana | Literature, Cultural and Media Studies |
| Soggetto topico |
Music - History and criticism
World history Music History of Music World History, Global and Transnational History Classical Music |
| ISBN | 3-032-01489-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- Part 1: Patchworking Theory -- 2. Beyond Self-Exoticism: How to Situate Latin America in a Global History of Music -- 3. Toward a Musicological Suturing: A Non-Central Perspective on Global Music History and Global Musicology -- 4. A Universe of Sounds: Lessons in Listening from the Field in “Bengal” -- Part 2: Disciplines and Institutions -- 5. Half a Century of Musicology in Tunisia: A Prosopographical Study -- 6. Writing and Rewriting Music Histories: Nationalist Ideology in Communist Romania -- 7. Singing the Rainbow Nation: Opera as Transformative Art in Post-Apartheid South Africa -- Part 3: Colonial Entanglements -- 8. Becoming to Being Filipino in the Press: Acts of Visuality and Aurality Toward Identity and Nation in the Music of Manila 1860–1940 -- 9. Music in Brazil or Brazilian Music? Reflections on the Musical Construction of Nationalism in Brazil during the First Republic (1889–1934) -- 10. Global Vaporwave, Globalized “Japan”. |
| Record Nr. | UNINA-9911039327703321 |
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Hsieh Amanda
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Hearing Death at the Movies : Film Music and the Long History of the Dies Irae / / by Alex Ludwig
| Hearing Death at the Movies : Film Music and the Long History of the Dies Irae / / by Alex Ludwig |
| Autore | Ludwig Alex |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (XXVI, 239 p. 133 illus.) |
| Disciplina | 780 |
| Soggetto topico |
Music
Motion pictures Film Studies Classical Music |
| ISBN | 3-031-78795-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction: The “Other” in Horror; the Dies Irae as “Other” -- Part I: History -- Chapter 2: Making of a Musical Meme: Wendy Carlos & Stanley Kubrick -- Chapter 3: Tracing Film Music’s Most Ubiquitous Melody: Silent Films, Dimitri Tiomkin, and Vampires -- Part II: Theory -- Chapter 4: The Many Guises of Dies Irae: “Prelude to Evil,” “Ominous Echo,” and “Tension Engine” -- Chapter 5: “It Seems to Belong to Civilization”: The Dies Irae in Italy, Camp Crystal Lake, and a Galaxy -- Chapter 6: Afterword: The Ghost Light. |
| Record Nr. | UNINA-9911001469503321 |
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Ludwig Alex
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Insulting Music : A Lexicon of Insult in Music / / by Lily E. Hirsch
| Insulting Music : A Lexicon of Insult in Music / / by Lily E. Hirsch |
| Autore | Hirsch Lily E. |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (213 pages) |
| Disciplina |
895.134
781.64159 |
| Soggetto topico |
Popular music
Music Popular culture Popular Music Popular Culture Classical Music Pop and Rock |
| ISBN |
9783031164668
9783031164651 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Defining the Lexicon -- Part I Insult in Music -- 2. Musical Insult -- 3. Chanting Cupcake -- 4. The Slants and Self-Insult in Music -- 5. Bullying and Protest -- 6. Frank Zappa’s Plastic People -- Part II Insult at Music -- 7. Awards Ceremonies -- 8. The Music We Hate and Love to Hate -- 9. “Nasty” Taylor Swift -- 10. Musician Jokes and the Soprano -- 11. Insane Clown Posse and the Provocation of Musical Taste -- Part III Insult in Terms of Music -- 12. "An Insult to Music" -- 13. Music at Restaurants -- 14. Musical Torture -- 15. Talking About Music. |
| Record Nr. | UNINA-9910629298403321 |
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Hirsch Lily E.
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Music, New Media and the Archive / / edited by Sarah Kirby
| Music, New Media and the Archive / / edited by Sarah Kirby |
| Autore | Kirby Sarah |
| Edizione | [1st ed. 2025.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 |
| Descrizione fisica | 1 online resource (212 pages) |
| Disciplina | 026.78 |
| Collana | Literature, Cultural and Media Studies |
| Soggetto topico |
Music - History and criticism
Communication Information theory Music History of Music Media and Communication Theory Classical Music |
| ISBN |
9783032020253
9783032020246 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Introduction: Music, New Media, and the Archive -- Chapter 2: Lines of Beauty: The Development of Graphic Notation in the Music of Percy Grainger -- Chapter 3: On Amateurs and Sound Art in France and Britain, 1950s–1960s -- Chapter 4: Recordings on Radio and Anxiety over Archives in Weimar Republic Germany -- Chapter 5: Queer Technologies in Percy Grainger’s Experimental Practice -- Chapter 6: Intermedia and the Archive in John Zorn, Henry Hills, and Sally Silver’s Little Lieutenant -- Chapter 7: Digital Technologies as Musical Sources: Documenting Live Electronics in Adriano Guarnieri’s Work -- Chapter 8: Music, Technology and Living Archives at the Grainger Museum. |
| Record Nr. | UNINA-9911035048003321 |
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Kirby Sarah
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| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Palgrave Handbook of Critical Music Industry Studies / / edited by David Arditi, Ryan Nolan
| The Palgrave Handbook of Critical Music Industry Studies / / edited by David Arditi, Ryan Nolan |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (633 pages) |
| Disciplina | 621.38932 |
| Soggetto topico |
Music
Service industries Popular music Music - History and criticism Jazz Entertainment Industry Popular Music Classical Music Contemporary Music |
| ISBN |
9783031640131
3031640136 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Why we need critical music industry studies -- Part 1: Music, Labor and Exploitation -- 2. Tips, Tourists, and Musical Labor on Beale Street -- 3. Masters and Slaves: Black Artists and the Ownership of Sound Recording Copyright -- 4. Pressing reset: Reimagining performer and songwriter revenues in the contemporary music industry -- 5. Beyond the Sea: The Labour of Cruise Ship Musicians -- 6. Record Contracts: Recording Artists, Work, and Exploitation -- 7. Mothering: The Epicentre of Gender Gapping in the Music Industry? -- 8. Out of the Frying Pan and into the Fire: Music Education, Mental Health, and Our Students’ Futures -- 9. The care work of musical fields -- 10. Solidarity Under Monopoly and Labour Withdrawal in the Music Industry -- 11. Exploring the origins of digital burnout in the music industries & and what to do about it -- Part 2: Music and Technology: From radio to algorithmic gatekeepers -- 12. Amplifying Value: Labor, Technology, and Creativity in the Jingle Industry -- 13. “The numbers don’t lie!”: Metrics as tools for decision making and strategic planning in music industry organizations -- 14. Sorted: Categorisation and Genre in Contemporary Music Business -- 15. Music after Covid-19: capital, performance and sharing -- 16. Formatting Race on Commercial Radio Stations -- 17. Surveillance of and through Music -- Part 3: Cultural Production and Consumption -- 18. The establishment of k-pop: k-pop’s main characteristics -- 19. Dance Music Reckonings: Authenticity, Whiteness, and Toxic Masculinity -- 20. Underground Hip Hop: A Critical Consideration of Subgenre and Scene(s) -- 21. Music PR: A hidden history -- 22. Whoopin’ For the Innanet: Exploring YouTube Channels as Reputation Building Intermediaries for Artists in Chicago’s Drill Rap Scene -- 23. Catalogue Acquisitions: Who Wins? -- 24. How the Music Industries Killed “Selling Out”: Autopsy of a Concept -- 25. Strength in Numbers: How Young Artists Navigate Racial Stereotypes in the Rap Industry -- 26. Standing in the Way of Control: The Vinyl Revival, the Record Industry, and Record Store Day -- 27. Redefining Liverpool’s Purpose as a Music City: Identifying the cultural, demographic and geographic challenges to a career in music for Liverpool’s Black community -- Part 4: Alternatives through Cultural Policy -- 28. Misogyny in music: actors, business and law -- 29. Popular music in France and Action Culturelle: when musicians become cultural policy agents -- 30. “A Rising Tide Lifts All Boats”: On a Musician’s Minimum Rate, Cultural Labour, and the Live Music Sector -- 31. Music declares an emergency: music industry studies in the context of a changing climate -- 32. ‘It’s not the females’ job, it’s everybody’s job’: gender related experiences and challenges in Popular Music Higher Education and the music industry -- 33. The Music Industry does exist -- 34. What is Music Business Management? A Critical Conversation on Music, Knowledge and Power in the University -- 35. How Working Musicians (Finally) Became A Matter of Mainstream Political Interest. |
| Record Nr. | UNINA-9910890177903321 |
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Poesie – Musik – Übersetzung : Varietäten in der Translation von Liedtexten / / von Sigmund Kvam
| Poesie – Musik – Übersetzung : Varietäten in der Translation von Liedtexten / / von Sigmund Kvam |
| Autore | Kvam Sigmund |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Berlin : , : Frank & Timme GmbH : , : Imprint : Frank & Timme, , 2024 |
| Descrizione fisica | 1 online resource (211 pages) |
| Disciplina | 940.548647 |
| Collana | TRANSÜD. Arbeiten zur Theorie und Praxis des Übersetzens und Dolmetschens |
| Soggetto topico |
Translating and interpreting
Music Language Translation Classical Music |
| ISBN |
3-7329-8907-0
3-7329-8936-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto |
Intro -- Vorwort -- 1 Einleitung: Forschungsgegenstand und Problemstellung -- 2 Zum Forschungsgegenstand: Kunstlieder -- 2.1 Kunstlieder als eigene Textsorte -- 2.1.1 Allgemeines -- 2.1.2 Textlinguistische und semiotische Aspekte von Kunstliedern -- 2.2 Zur besonderen Rolle der musikalischen Semiotik bei der Übersetzung von Kunstliedern -- 2.3 Zur Typologie der Kunstliederübersetzung -- 3 Übersetzungstheoretische Einordnung der Kunstliederübersetzung -- 4 Materialgrundlage -- 5 Zur Forschungslage -- 5.1 Musik und Übersetzen als übergreifender Analysegegenstand -- 5.2 Übersetzung von Kunstliedern -- 5.2.1 Normativ orientierte Arbeiten -- 5.2.2 Übersetzung von Kunstliedern auf translatologischer und/oder linguistischer Grundlage -- 5.3 Kunstlieder - eine terra incognita der Übersetzungswissenschaft? -- 6 Übersetzerische Intertextualität und übergeordnete Übersetzungsstrategie -- 6.1 Invarianzverlagerung -- 6.1.1 Allgemeines -- 6.1.2 Invarianz der Melodie -- 6.1.3 Invarianz der Reimstruktur -- 6.1.4 Invarianz der übergeordneten Makrostruktur -- 6.1.5 Zum System der Invarianten bei der Übersetzung von Kunstliedern zu Aufführungszwecken -- 6.2 Entsprechungen im Rahmen der Invarianzverlagerung -- 6.3 Die problematische Intertextkategorie Varianz -- 6.4 Folgen der Invarianzverlagerung: Silbische Flexibilität als Strategieprinzip -- 7 Übersetzungsstrategische Mittel -- 7.1 Melodiebezogene silbische Flexibilität: Melismatisch-syllabischer Wechsel -- 7.2 Sprachbezogene silbische Flexibilität: Phonologie, Topologie und Lexiko-Grammatik -- 7.2.1 Zur besonderen Rolle der Phonologie -- 7.2.2 Silbische Flexibilität und Grammatikalität: Dehnung grammatisch-lexikalischer Regeln als Übersetzungsstrategie? -- 7.2.3 Morphologisch-lexikalische Mittel -- 7.2.4 Topologische Mittel: Permutation innerhalb und außerhalb der Satzgrenze -- 7.2.4.1 Grundsätzliches.
7.2.4.2 Konstituenteninterne Permutation -- 7.2.4.3 Konstituentenpermutation innerhalb des Satzrahmens -- 7.2.4.4 Konstituentenpermutation außerhalb des Satzrahmens -- 7.2.4.5 Diskontinuierliche Anordnung von Konstituenten -- 7.2.4.6 Topologische Mittel oder: Grenzen und Möglichkeiten von zielsprachlichen grammatischen Regeln -- 8 Schlussfolgerung und Thesen -- 8.1 Die translatologische Grundlage: Funktionale Übersetzungstheorie und Invarianzverlagerung -- 8.2 Übersetzungsstrategie und Übersetzungsmittel -- 8.3 Systematisierung der Regeln -- 8.3.1 Grundsätzliches -- 8.3.2 Zielsprachengemeinsame Regeln -- 8.3.3 Zielsprachenspezifische Regeln -- 8.4 Thesen zur Übersetzung von Kunstliedern im Aufführungskontext -- 9 Schlussbemerkung: Generalisierbarkeit und weitere Forschung -- 9.1 Zum Geltungsbereich der Ergebnisse -- 9.2 Weitere Forschungsfragen bei der Übersetzung von Kunstliedern -- Literaturverzeichnis. |
| Record Nr. | UNINA-9910773613903321 |
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Kvam Sigmund
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| Berlin : , : Frank & Timme GmbH : , : Imprint : Frank & Timme, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
-
Classical Music
(12)
- Music (12)
- Music - History and criticism (6)
- History of Music (5)
- Contemporary Music (2)