Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
American cinematographer
| American cinematographer |
| Pubbl/distr/stampa | Hollywood, Calif. : , : ASC Holding Corp |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.43 |
| Soggetto topico |
Motion pictures
Cinematography Filmkunst CINE - PUBLICACIONES PERIODICAS CINEMATOGRAFIA - PUBLICACIONES PERIODICAS |
| Soggetto genere / forma |
Electronic journals.
Periodicals. |
| ISSN | 0002-7938 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910273522003321 |
| Hollywood, Calif. : , : ASC Holding Corp | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American cinematographer
| American cinematographer |
| Pubbl/distr/stampa | Hollywood, Calif. : , : ASC Holding Corp |
| Descrizione fisica | 1 online resource |
| Disciplina | 791.43 |
| Soggetto topico |
Motion pictures
Cinematography Cinéma Filmkunst CINE - PUBLICACIONES PERIODICAS CINEMATOGRAFIA - PUBLICACIONES PERIODICAS |
| Soggetto genere / forma | Periodicals. |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996210043703316 |
| Hollywood, Calif. : , : ASC Holding Corp | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Análisis fílmico y audiovisual / / Demetrio E. Brisset
| Análisis fílmico y audiovisual / / Demetrio E. Brisset |
| Autore | Brisset Demetrio <1946-> |
| Pubbl/distr/stampa | Barcelona : , : Editorial UOC, , 2011 |
| Descrizione fisica | 1 online resource (175 p.) |
| Disciplina | 778.53 |
| Collana | Manuales series |
| Soggetto topico |
Cinematography
Visual communication Motion pictures |
| ISBN | 84-9029-086-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | spa |
| Record Nr. | UNINA-9910785805303321 |
Brisset Demetrio <1946->
|
||
| Barcelona : , : Editorial UOC, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Análisis fílmico y audiovisual / / Demetrio E. Brisset
| Análisis fílmico y audiovisual / / Demetrio E. Brisset |
| Autore | Brisset Demetrio <1946-> |
| Pubbl/distr/stampa | Barcelona : , : Editorial UOC, , 2011 |
| Descrizione fisica | 1 online resource (175 p.) |
| Disciplina | 778.53 |
| Collana | Manuales series |
| Soggetto topico |
Cinematography
Visual communication Motion pictures |
| ISBN | 84-9029-086-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | spa |
| Record Nr. | UNINA-9910823453703321 |
|
Brisset Demetrio <1946->
|
||
| Barcelona : , : Editorial UOC, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Atmosphere, architecture, cinema : thematic reflections on ambiance and place / / Michael Tawa
| Atmosphere, architecture, cinema : thematic reflections on ambiance and place / / Michael Tawa |
| Autore | Tawa Michael |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2022] |
| Descrizione fisica | 1 online resource (276 pages) |
| Disciplina | 810.9357 |
| Soggetto topico |
Architecture - Aesthetics
Cinematography |
| ISBN | 3-031-13964-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910633912403321 |
|
Tawa Michael
|
||
| Cham, Switzerland : , : Palgrave Macmillan, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cine, revolución y resistencia : La política cultural del Instituto Cubano del Arte e Industria Cinematográficos hacia América Latina / / Salvador Salazar Navarro
| Cine, revolución y resistencia : La política cultural del Instituto Cubano del Arte e Industria Cinematográficos hacia América Latina / / Salvador Salazar Navarro |
| Autore | Navarro Salvador Salazar |
| Pubbl/distr/stampa | [Place of publication not identified] : , : Latin America Research Commons, , 2020 |
| Descrizione fisica | 1 online resource |
| Disciplina | 778.53 |
| Soggetto topico | Cinematography |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Agradecimientos vii -- Prólogo, por Iván Giroud xi -- Introducción 1 -- Capítulo 1. Cine político y resistencia: la producción fílmica como parte de una historia de la comunicación y la cultura 23 -- El discurso cinematográfico. Referentes para su análisis 36 El cine político 44 -- Capítulo 2. "Los años de la ira": un acercamiento al contexto socio-cultural latinoamericano y cubano de la segunda mitad del siglo xx 57 -- De regreso a los sesenta 58 -- Los sesenta en perspectiva 64 -- Tercermundismo y subdesarrollo 68 Cambios en la trama social 73 -- Política, cine, cultura y comunicación 74 -- Lo latinoamericano en los documentos programáticos del Nuevo Cine regional 91 -- Fin de una época 97 -- Capítulo 3. Entre la revolución continental y el realismo mágico: principales desplazamientos en la política cultural del ICAIC hacia América Latina 101 -- Principales etapas de la política exterior de la Revolución hacia Latinoamérica 106 -- Capítulo 4. Del reconocimiento mutuo a la revolución latinoamericana. Los años sesenta 127 -- El aporte mexicano 130 -- Realizadores latinoamericanos en los primeros años del ICAIC 135 -- Primeros contactos 136 -- Los festivales de Viña del Mar y el apoyo a un cine militante 140 -- Un debate acerca de la libertad intelectual y la política cultural de la Revolución 143 -- La revista Cine Cubano en los sesenta 145 -- Cumbite: una parábola haitiana sobre el "desarrollo" en Latinoamérica 153 -- Capítulo 5. Los setenta, la década del panfleto: revolución y resistencia en el campo de la actividad cinematográfica 163 -- Relaciones del ICAIC con América Latina durante la década del setenta 168 -- Los vínculos entre el ICAIC y el cine chileno de la Unidad Popular 176 -- Resistencia a las dictaduras militares de la década del setenta. La actividad del cine cubano 182 -- La orientación latinoamericana de Cine Cubano 187 -- Una red de cineastas latinoamericanos de izquierda. El papel del ICAIC 190 -- El Noticiero ICAIC: América Latina en el cine político de Santiago Álvarez 194 -- Cantata de Chile: siete tesis de la Revolución Cubana sobre América Latina 208 -- Capítulo 6. América Latina en el ICAIC de los ochenta 221 -- Apoyo a Centroamérica 225 -- Cambio de época en Cine Cubano 229 -- El Estado cubano, patrocinador del Nuevo Cine 233 -- Auge de las coproducciones 242 -- La década de oro del Festival de La Habana 245 -- Amor en campo minado: ajuste de cuentas con el intelectual latinoamericano de izquierda 251 -- Capítulo 7. El ICAIC y Latinoamérica durante la larga década del noventa. Notas para un epílogo 257 El ICAIC en sus horas más bajas 260 -- Mascaró, el cazador americano: del cine político al cine de resistencia 269 -- Conclusiones. El ICAIC, la Revolución Cubana, el cine latinoamericano y el fin de una época 277 -- Sobre el autor 283 -- Sobre Latin America Research Commons 285 Bibliografía 287 -- Filmografía 297 -- Índice de contenidos 313 -- Índice de películas 321. |
| Altri titoli varianti |
Cine, revolución y resistencia
Cine, revolución y resistencia |
| Record Nr. | UNINA-9910477249703321 |
|
Navarro Salvador Salazar
|
||
| [Place of publication not identified] : , : Latin America Research Commons, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema comparat
| Cinema comparat |
| Pubbl/distr/stampa | Barcelona, Espanya : , : Col-lectiu d'Investigació Estètica dels Mitjans Audiovisuals (CINEMA) de la Universitat Pompeu Fabra (UPF), , 2012- |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Motion pictures
Cinematography |
| Soggetto genere / forma |
Electronic journals
Periodicals. |
| Soggetto non controllato | Film |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | cat |
| Altri titoli varianti |
Comparative cinema
Cinema comparat/ive cinema |
| Record Nr. | UNINA-9910132513303321 |
| Barcelona, Espanya : , : Col-lectiu d'Investigació Estètica dels Mitjans Audiovisuals (CINEMA) de la Universitat Pompeu Fabra (UPF), , 2012- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinema comparat
| Cinema comparat |
| Pubbl/distr/stampa | Barcelona, Espanya : , : Col-lectiu d'Investigació Estètica dels Mitjans Audiovisuals (CINEMA) de la Universitat Pompeu Fabra (UPF), , 2012- |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Motion pictures
Cinematography |
| Soggetto genere / forma |
Electronic journals
Periodicals. |
| Soggetto non controllato | Film |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | cat |
| Altri titoli varianti |
Comparative cinema
Cinema comparat/ive cinema |
| Record Nr. | UNISA-996321467603316 |
| Barcelona, Espanya : , : Col-lectiu d'Investigació Estètica dels Mitjans Audiovisuals (CINEMA) de la Universitat Pompeu Fabra (UPF), , 2012- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown
| Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown |
| Autore | Brown Blain |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Burlington, Mass., : Focal Press, 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 778.5 |
| Soggetto topico | Cinematography |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-16394-2
9786613163943 0-08-095895-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Cinematography: Theory andPractice; Copyright Page; Contents; Introduction; Writing withMotion; We Don't Need No Stinkin' Rules; The Scope of this Book; Titles and Terminology; Writing with Motion; The [Conceptual] Tools of Cinematography; Putting It All Together; ShootingMethods; What Is Cinematic?; The Frame; Cinema as a Language; The ShootingMethods; Involvingthe Audience: POV; VisualLanguage; More Than Just aPicture; Forces ofVisual Organization; Miscellaneous Rules ofComposition; Language of theLens; The Lens and theFrame; Image Control at theLens; VisualStorytelling
VisualMetaphorLighting asStorytelling; Light as VisualMetaphor; CinematicContinuity; Shooting forEditing; The PrimeDirective; ScreenDirection; Turnaround; PlanningCoverage; Other Issues inContinuity; Introductions; Other Editorial Issuesin Shooting; The Six Typesof Cuts; LightingBasics; The Fundamentals ofLighting; Some LightingTerminology; Aspectsof Light; Basic LightingTechniques; MotivatedLight; DayExteriors; Lighting For High DefVideo; LightingSources; The Tools ofLighting; DaylightSources; Xenons; TungstenLights; PARs; SoftLights; Color-CorrectFluorescents; Other Types ofUnits DayExteriorsFor More Informationon Lighting; HDCinematography; High Def and StandardDef; Analog and DigitalVideo; Types of VideoSensors; DigitalVideo; ShootingFormats; DigitalCompression; Monitoringon the set; The Waveform Monitor andVectorscope; VideoLatitude; The Digital Intermediate(DI); The VideoSignal; SDI; Setting upa Color Monitor; Camera WhiteBalance; Digital VideoEncoding; Is It BroadcastQuality?; Do It in the Camera or inPost?; Timecode andEdgecode; TimecodeSlating; TapelessProduction; Digital FileTypes; Compression andCodecs; MPEG; TheCurve; Controlling the HDImage; Exposure Exposure:The Easy WayLightas Energy; F/Stops; Exposure, ISO, and LightingRelationships; Light andFilm; Densitometry; BrightnessPerception; Contrast; DeterminingExposure; VideoExposure; TheTools; The ZoneSystem; The GrayScale; Exposure and theCamera; CameraMovement; Motivation and InvisibleTechnique; Types ofMoves; MovingShots; CameraMounting; The CrabDolly; Cranes; CarShots; AerialShots; Other Typesof Camera Mounts; MotionControl; Color; Colorin Visual Storytelling; Light andColor; The ColorWheel; ColorModels; ControllingColor; Color Balance with Gels andFilters; Correcting Off-ColorLights ImageControlColorPrinting; Controlling Color andContrast; LookupTables; Camera FilterTypes; Color Temperature andFiltration; Contrast Controlin Black-and-White; Controlling theLook of your Project; Image Controlwith the Camera; Optics &Focus; Physical Basisof Optics; Focus; Depth-of-field; Macrophotography; Close-UpTools; LensCare; Lens adapters forVideo; SetOperations; The ShotList; The Directorof Photography; TheTeam; SlatingTechnique; TimecodeSlates; SetProcedures; TechnicalIssues; Flicker; Filming PracticalMonitors; Shooting ProcessPhotography; Dimmers; Working withStrobes High-SpeedPhotography |
| Record Nr. | UNINA-9910456826603321 |
|
Brown Blain
|
||
| Burlington, Mass., : Focal Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown
| Cinematography [[electronic resource] ] : theory and practice : imagemaking for cinematographers and directors / / Blain Brown |
| Autore | Brown Blain |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Burlington, Mass., : Focal Press, 2012 |
| Descrizione fisica | 1 online resource (385 p.) |
| Disciplina | 778.5 |
| Soggetto topico | Cinematography |
| ISBN |
1-283-16394-2
9786613163943 0-08-095895-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Cinematography: Theory andPractice; Copyright Page; Contents; Introduction; Writing withMotion; We Don't Need No Stinkin' Rules; The Scope of this Book; Titles and Terminology; Writing with Motion; The [Conceptual] Tools of Cinematography; Putting It All Together; ShootingMethods; What Is Cinematic?; The Frame; Cinema as a Language; The ShootingMethods; Involvingthe Audience: POV; VisualLanguage; More Than Just aPicture; Forces ofVisual Organization; Miscellaneous Rules ofComposition; Language of theLens; The Lens and theFrame; Image Control at theLens; VisualStorytelling
VisualMetaphorLighting asStorytelling; Light as VisualMetaphor; CinematicContinuity; Shooting forEditing; The PrimeDirective; ScreenDirection; Turnaround; PlanningCoverage; Other Issues inContinuity; Introductions; Other Editorial Issuesin Shooting; The Six Typesof Cuts; LightingBasics; The Fundamentals ofLighting; Some LightingTerminology; Aspectsof Light; Basic LightingTechniques; MotivatedLight; DayExteriors; Lighting For High DefVideo; LightingSources; The Tools ofLighting; DaylightSources; Xenons; TungstenLights; PARs; SoftLights; Color-CorrectFluorescents; Other Types ofUnits DayExteriorsFor More Informationon Lighting; HDCinematography; High Def and StandardDef; Analog and DigitalVideo; Types of VideoSensors; DigitalVideo; ShootingFormats; DigitalCompression; Monitoringon the set; The Waveform Monitor andVectorscope; VideoLatitude; The Digital Intermediate(DI); The VideoSignal; SDI; Setting upa Color Monitor; Camera WhiteBalance; Digital VideoEncoding; Is It BroadcastQuality?; Do It in the Camera or inPost?; Timecode andEdgecode; TimecodeSlating; TapelessProduction; Digital FileTypes; Compression andCodecs; MPEG; TheCurve; Controlling the HDImage; Exposure Exposure:The Easy WayLightas Energy; F/Stops; Exposure, ISO, and LightingRelationships; Light andFilm; Densitometry; BrightnessPerception; Contrast; DeterminingExposure; VideoExposure; TheTools; The ZoneSystem; The GrayScale; Exposure and theCamera; CameraMovement; Motivation and InvisibleTechnique; Types ofMoves; MovingShots; CameraMounting; The CrabDolly; Cranes; CarShots; AerialShots; Other Typesof Camera Mounts; MotionControl; Color; Colorin Visual Storytelling; Light andColor; The ColorWheel; ColorModels; ControllingColor; Color Balance with Gels andFilters; Correcting Off-ColorLights ImageControlColorPrinting; Controlling Color andContrast; LookupTables; Camera FilterTypes; Color Temperature andFiltration; Contrast Controlin Black-and-White; Controlling theLook of your Project; Image Controlwith the Camera; Optics &Focus; Physical Basisof Optics; Focus; Depth-of-field; Macrophotography; Close-UpTools; LensCare; Lens adapters forVideo; SetOperations; The ShotList; The Directorof Photography; TheTeam; SlatingTechnique; TimecodeSlates; SetProcedures; TechnicalIssues; Flicker; Filming PracticalMonitors; Shooting ProcessPhotography; Dimmers; Working withStrobes High-SpeedPhotography |
| Record Nr. | UNINA-9910781484503321 |
|
Brown Blain
|
||
| Burlington, Mass., : Focal Press, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
