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A choreographer's handbook / / Jonathan Burrows
| A choreographer's handbook / / Jonathan Burrows |
| Autore | Burrows Jonathan |
| Pubbl/distr/stampa | Milton Park, Abingdon, Oxon ; ; New York : , : Routledge, , 2010 |
| Descrizione fisica | 1 online resource (237 p.) |
| Disciplina | 792.8/2 |
| Soggetto topico |
Choreography - Study and teaching
Dance - Study and teaching |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-136-97457-1
1-136-97458-X 1-282-62968-9 9786612629686 0-203-85216-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Copyright; Contents; Preface; Dancing / Principles; Material; Habits; Repetition; Repetition; Repetition; Improvisation / Cut and paste / Choreography paste / Choreography; Form; Exploration / Risk; Subject / Inspiration / Stealing / Familiar movement / Choreography / Referencing other sources / Selfexpression; Contract / Performance space / Language / Choreography; Breaking the rules; Research / How and what? / Dramaturgy / Theory / Curiosity; Interview / Unfinished business / Questions / Principles; Financial limitations / Studios / Funding applications
Preparation / Rehearsal schedule / HeavinessCollaboration / Audience; Originality / Paradox; Technique / Parrot on your shoulder / Authenticity / Daily practice / Dancing / Style / Fiddling; Virtuosity; Hoarding / Beginnings; Endings; Keeping it going / Pacing; Dub reggae / Rate of change / Simple material / Desperation; Stillness and silence / Fear of being boring; Minimal and maximal; Does it work? / Showings / Mentoring; Other bodies / States; Distracting the self / Paradox / Choreography / Performance / Electric guitars; Predictable and unpredictable / Expectation Narrative / Ballet / ContinuityContinuity / Sectional pieces / Material / Make six things / Choreography / Flow / Relation; Relation / Solos, duos, trios, quartets / Ideas; Relation / Time / Rhythm; Time; Abstract dance; Counterpoint / Formal elements / Difference; Scores / Studios / Improvisation; Chance / Empty hands / Gamut of movements / Limitations / Laborious work / Philosophy; Place or space?; Audience / Facing the front / Confrontation / Humour / Failure; Audience; Performance / Principles; The marketplace / Earning a living / Administrating the work / Commissions Music / Collaboration / SilenceText; Lighting / Technicians / Collaboration / Costumes / Shoes or no shoes? / Set design / Nudity; Titles; Filming / History / Collaboration / Mirrors / Human-scale; Hierarchies / Dancer or choreographer? / In it or out of it? / Who owns what?; How can I simplify all of this?; Forget all this; Bibliography; Thanks; Biography of the author; Index |
| Record Nr. | UNINA-9910458956703321 |
Burrows Jonathan
|
||
| Milton Park, Abingdon, Oxon ; ; New York : , : Routledge, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A choreographer's handbook / / Jonathan Burrows
| A choreographer's handbook / / Jonathan Burrows |
| Autore | Burrows Jonathan |
| Pubbl/distr/stampa | Milton Park, Abingdon, Oxon ; ; New York : , : Routledge is an imprint of the Taylor & Francis Group, , 2010 |
| Descrizione fisica | 1 online resource (xii, 224 pages) |
| Disciplina | 792.8/2 |
| Soggetto topico |
Choreography - Study and teaching
Dance - Study and teaching |
| ISBN |
9781136974571
1-136-97457-1 9781136974588 1-136-97458-X 9781282629684 1-282-62968-9 9780203852163 0203852168 0415555302 9780415555296 0415555299 9780415555302 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Dancing / Principles -- Material -- Habits -- Repetition -- Repetition -- Repetition -- Improvisation / Cut and paste / Choreography -- Form -- Exploration / Risk -- Subject / Inspiration / Stealing / Familiar movement / Choreography / Referencing other sources / Self expression -- Contract / Performance space / Language / Choreography -- Breaking the rules -- Research / How and what? / Dramaturgy / Theory / Curiosity -- Interview / Unfinished business / Questions / Principles -- Financial limitations / Studios / Funding applications -- Preparation / Rehearsal schedule / Heaviness -- Collaboration / Audience -- Originality / Paradox -- Technique / Parrot on your shoulder / Authenticity / Daily practice / Dancing / Style / Fiddling -- Virtuosity -- Hoarding / Beginnings -- Endings -- Keeping it going / Pacing -- Dub reggae / Rate of change / Simple material / Desperation -- Stillness and silence / Fear of being boring; Minimal and maximal -- Does it work? / Showings / Mentoring -- Other bodies / States -- Distracting the self / Paradox / Choreography / Performance / Electric guitars -- Predictable and unpredictable / Expectation -- Narrative / Ballet / Continuity -- Continuity / Sectional pieces / Material / Make six things / Choreography / Flow / Relation -- Relation / Solos, duos, trios, quartets / Ideas; Relation / Time / Rhythm -- Time -- Abstract dance -- Counterpoint / Formal elements / Difference -- Scores / Studios / Improvisation -- Chance / Empty hands / Gamut of movements / Limitations / Laborious work / Philosophy -- Place or space? -- Audience / Facing the front / Confrontation / Humour / Failure -- Audience -- Performance / Principles -- The marketplace / Earning a living / Administrating the work / Commissions -- Music / Collaboration / Silence -- Text -- Lighting / Technicians / Collaboration / Costumes / Shoes or no shoes? / Set design / Nudity -- Titles -- Filming / History / Collaboration / Mirrors / Human-scale -- Hierarchies / Dancer or choreographer? / In it or out of it? / Who owns what? -- How can I simplify all of this? -- Forget all this. |
| Record Nr. | UNINA-9910791123003321 |
|
Burrows Jonathan
|
||
| Milton Park, Abingdon, Oxon ; ; New York : , : Routledge is an imprint of the Taylor & Francis Group, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A choreographer's handbook / / Jonathan Burrows
| A choreographer's handbook / / Jonathan Burrows |
| Autore | Burrows Jonathan |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Milton Park, Abingdon, Oxon ; ; New York, : Routledge, 2010 |
| Descrizione fisica | 1 online resource (xii, 224 pages) |
| Disciplina | 792.8/2 |
| Soggetto topico |
Choreography - Study and teaching
Dance - Study and teaching |
| ISBN |
9781136974571
1-136-97457-1 9781136974588 1-136-97458-X 9781282629684 1-282-62968-9 9780203852163 0203852168 0415555302 9780415555296 0415555299 9780415555302 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Dancing / Principles -- Material -- Habits -- Repetition -- Repetition -- Repetition -- Improvisation / Cut and paste / Choreography -- Form -- Exploration / Risk -- Subject / Inspiration / Stealing / Familiar movement / Choreography / Referencing other sources / Self expression -- Contract / Performance space / Language / Choreography -- Breaking the rules -- Research / How and what? / Dramaturgy / Theory / Curiosity -- Interview / Unfinished business / Questions / Principles -- Financial limitations / Studios / Funding applications -- Preparation / Rehearsal schedule / Heaviness -- Collaboration / Audience -- Originality / Paradox -- Technique / Parrot on your shoulder / Authenticity / Daily practice / Dancing / Style / Fiddling -- Virtuosity -- Hoarding / Beginnings -- Endings -- Keeping it going / Pacing -- Dub reggae / Rate of change / Simple material / Desperation -- Stillness and silence / Fear of being boring; Minimal and maximal -- Does it work? / Showings / Mentoring -- Other bodies / States -- Distracting the self / Paradox / Choreography / Performance / Electric guitars -- Predictable and unpredictable / Expectation -- Narrative / Ballet / Continuity -- Continuity / Sectional pieces / Material / Make six things / Choreography / Flow / Relation -- Relation / Solos, duos, trios, quartets / Ideas; Relation / Time / Rhythm -- Time -- Abstract dance -- Counterpoint / Formal elements / Difference -- Scores / Studios / Improvisation -- Chance / Empty hands / Gamut of movements / Limitations / Laborious work / Philosophy -- Place or space? -- Audience / Facing the front / Confrontation / Humour / Failure -- Audience -- Performance / Principles -- The marketplace / Earning a living / Administrating the work / Commissions -- Music / Collaboration / Silence -- Text -- Lighting / Technicians / Collaboration / Costumes / Shoes or no shoes? / Set design / Nudity -- Titles -- Filming / History / Collaboration / Mirrors / Human-scale -- Hierarchies / Dancer or choreographer? / In it or out of it? / Who owns what? -- How can I simplify all of this? -- Forget all this. |
| Record Nr. | UNINA-9910828484803321 |
|
Burrows Jonathan
|
||
| Milton Park, Abingdon, Oxon ; ; New York, : Routledge, 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dance composition : a practical guide to creative success in dance making / / Jacqueline M. Smith-Autard
| Dance composition : a practical guide to creative success in dance making / / Jacqueline M. Smith-Autard |
| Autore | Smith-Autard Jacqueline M (Jacqueline Mary), <1939-, > |
| Edizione | [Fifth edition.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2004 |
| Descrizione fisica | 1 online resource (221 pages) |
| Disciplina | 792.82 |
| Soggetto topico |
Choreography
Choreography - Study and teaching |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-315-06003-5
1-135-87290-2 9781135872908 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Preface; Introduction Dance Composition; Dancing and composing dances; Dance as art; The nature of composition; The material elements; Methods of construction; The nature of dance composition; Teaching dance composition; Section 1 The Material Content - Movement and Meaning; The basic language of movement; Analysing the language; Choice of content; Literal movement into dance content; Exploring a range of movement; Movement and meaning; Section 2 Methods of Construction 1 - the Beginnings; Stimuli for dance; Improvisation - selection of starting movement for a danceMethods of Construction 2 - Motif into Composition; What is a motif?; Development and variation of a motif; Repetition as a constructional element; Types of motif; Methods of Construction 3 - Motif into Composition for a Group; The group as an expressive element; Motif, development and variation; The time aspect; The space aspect; Methods of Construction 4 - The Dance Form; Methods of Construction 5 - Elements of Construction; Motifs; Repetition; Variation and contrasts; Climax or highlights; Proportion and balance; Transition; Logical development; Unity; Methods of Construction 6 - Style; Understanding the term 'style'; Factors affecting the style of a dance; How to stylise a dance; Methods of Construction 7 - Improvisation in the Process of Composition; Meaning of terms; Improvisation and exploration: free and limited improvisation; Improvisation: improvisation in framework compositions; Guiding improvisation visually; Improvisation as process in composition; Role of evaluation in improvisation; Methods of Construction 8 - Alternative and Experimental Approaches in Dance Composition; Meaning of terms; Alternative movement contents and eclectic trendsThemes and reading of themes; Alternative and experimental approaches to dance composition; Section 3 Resource-based Teaching/Learning in Dance Composition and New Technologies; Resource-based teaching/learning; A CD Resource Pack and teaching/learning dance composition; Section 4 The Creative Process in Dance Composition; The creative process; Phases in creativity; Phase 1 - impulse to create; Phase 2 - working with the medium; Phase 3 - realising the final form; Phases 4 and 5 - performance and evaluation; Summary and conclusion; Section 5 Standing Back from the Process: the Composer's FreedomImagination and intuition; Knowing and feeling; Evaluations; Conclusion; Section 6 Practical Assignments for Students; References; Contact Information; Index |
| Altri titoli varianti | Dance composition |
| Record Nr. | UNINA-9910464872203321 |
|
Smith-Autard Jacqueline M (Jacqueline Mary), <1939-, >
|
||
| New York : , : Routledge, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dance composition / / Jacqueline M. Smith-Autard
| Dance composition / / Jacqueline M. Smith-Autard |
| Autore | Smith-Autard Jacqueline M (Jacqueline Mary), <1939-, > |
| Edizione | [Fifth edition.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2004 |
| Descrizione fisica | 1 online resource (221 pages) |
| Disciplina | 792.82 |
| Soggetto topico |
Choreography
Choreography - Study and teaching |
| ISBN |
1-135-87297-X
1-315-06003-5 1-135-87290-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Preface; Introduction Dance Composition; Dancing and composing dances; Dance as art; The nature of composition; The material elements; Methods of construction; The nature of dance composition; Teaching dance composition; Section 1 The Material Content - Movement and Meaning; The basic language of movement; Analysing the language; Choice of content; Literal movement into dance content; Exploring a range of movement; Movement and meaning; Section 2 Methods of Construction 1 - the Beginnings; Stimuli for dance; Improvisation - selection of starting movement for a danceMethods of Construction 2 - Motif into Composition; What is a motif?; Development and variation of a motif; Repetition as a constructional element; Types of motif; Methods of Construction 3 - Motif into Composition for a Group; The group as an expressive element; Motif, development and variation; The time aspect; The space aspect; Methods of Construction 4 - The Dance Form; Methods of Construction 5 - Elements of Construction; Motifs; Repetition; Variation and contrasts; Climax or highlights; Proportion and balance; Transition; Logical development; Unity; Methods of Construction 6 - Style; Understanding the term 'style'; Factors affecting the style of a dance; How to stylise a dance; Methods of Construction 7 - Improvisation in the Process of Composition; Meaning of terms; Improvisation and exploration: free and limited improvisation; Improvisation: improvisation in framework compositions; Guiding improvisation visually; Improvisation as process in composition; Role of evaluation in improvisation; Methods of Construction 8 - Alternative and Experimental Approaches in Dance Composition; Meaning of terms; Alternative movement contents and eclectic trendsThemes and reading of themes; Alternative and experimental approaches to dance composition; Section 3 Resource-based Teaching/Learning in Dance Composition and New Technologies; Resource-based teaching/learning; A CD Resource Pack and teaching/learning dance composition; Section 4 The Creative Process in Dance Composition; The creative process; Phases in creativity; Phase 1 - impulse to create; Phase 2 - working with the medium; Phase 3 - realising the final form; Phases 4 and 5 - performance and evaluation; Summary and conclusion; Section 5 Standing Back from the Process: the Composer's FreedomImagination and intuition; Knowing and feeling; Evaluations; Conclusion; Section 6 Practical Assignments for Students; References; Contact Information; Index |
| Altri titoli varianti | Dance composition |
| Record Nr. | UNINA-9910786549603321 |
|
Smith-Autard Jacqueline M (Jacqueline Mary), <1939-, >
|
||
| New York : , : Routledge, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dance composition / / Jacqueline M. Smith-Autard
| Dance composition / / Jacqueline M. Smith-Autard |
| Autore | Smith-Autard Jacqueline M (Jacqueline Mary), <1939-, > |
| Edizione | [Fifth edition.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2004 |
| Descrizione fisica | 1 online resource (221 pages) |
| Disciplina | 792.82 |
| Soggetto topico |
Choreography
Choreography - Study and teaching |
| ISBN |
1-135-87297-X
1-315-06003-5 1-135-87290-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Preface; Introduction Dance Composition; Dancing and composing dances; Dance as art; The nature of composition; The material elements; Methods of construction; The nature of dance composition; Teaching dance composition; Section 1 The Material Content - Movement and Meaning; The basic language of movement; Analysing the language; Choice of content; Literal movement into dance content; Exploring a range of movement; Movement and meaning; Section 2 Methods of Construction 1 - the Beginnings; Stimuli for dance; Improvisation - selection of starting movement for a danceMethods of Construction 2 - Motif into Composition; What is a motif?; Development and variation of a motif; Repetition as a constructional element; Types of motif; Methods of Construction 3 - Motif into Composition for a Group; The group as an expressive element; Motif, development and variation; The time aspect; The space aspect; Methods of Construction 4 - The Dance Form; Methods of Construction 5 - Elements of Construction; Motifs; Repetition; Variation and contrasts; Climax or highlights; Proportion and balance; Transition; Logical development; Unity; Methods of Construction 6 - Style; Understanding the term 'style'; Factors affecting the style of a dance; How to stylise a dance; Methods of Construction 7 - Improvisation in the Process of Composition; Meaning of terms; Improvisation and exploration: free and limited improvisation; Improvisation: improvisation in framework compositions; Guiding improvisation visually; Improvisation as process in composition; Role of evaluation in improvisation; Methods of Construction 8 - Alternative and Experimental Approaches in Dance Composition; Meaning of terms; Alternative movement contents and eclectic trendsThemes and reading of themes; Alternative and experimental approaches to dance composition; Section 3 Resource-based Teaching/Learning in Dance Composition and New Technologies; Resource-based teaching/learning; A CD Resource Pack and teaching/learning dance composition; Section 4 The Creative Process in Dance Composition; The creative process; Phases in creativity; Phase 1 - impulse to create; Phase 2 - working with the medium; Phase 3 - realising the final form; Phases 4 and 5 - performance and evaluation; Summary and conclusion; Section 5 Standing Back from the Process: the Composer's FreedomImagination and intuition; Knowing and feeling; Evaluations; Conclusion; Section 6 Practical Assignments for Students; References; Contact Information; Index |
| Altri titoli varianti | Dance composition |
| Record Nr. | UNINA-9910818222903321 |
|
Smith-Autard Jacqueline M (Jacqueline Mary), <1939-, >
|
||
| New York : , : Routledge, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
