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Ancient dramatic chorus through the eyes of a modern choreographer : Zouzou Nikoloudi / / by Katia Savrami
| Ancient dramatic chorus through the eyes of a modern choreographer : Zouzou Nikoloudi / / by Katia Savrami |
| Autore | Savrami Katia |
| Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2016 |
| Descrizione fisica | 1 online resource (181 pages) : illustrations |
| Disciplina | 792.82 |
| Soggetto topico |
Choreography
Greek drama (Tragedy) |
| ISBN | 1-4438-6090-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910158591403321 |
Savrami Katia
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| Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Black dance : a contemporary voice / / Thomas F. DeFrantz and Thomas Talawa Prestø
| Black dance : a contemporary voice / / Thomas F. DeFrantz and Thomas Talawa Prestø |
| Autore | DeFrantz Thomas |
| Pubbl/distr/stampa | London, England : , : Serendipity, , [2019] |
| Descrizione fisica | 1 online resource (123 pages) |
| Disciplina | 792.808996073 |
| Soggetto topico |
African diaspora
Choreography Dance |
| ISBN | 1-9163965-9-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910795767803321 |
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DeFrantz Thomas
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| London, England : , : Serendipity, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Black dance : a contemporary voice / / Thomas F. DeFrantz and Thomas Talawa Prestø
| Black dance : a contemporary voice / / Thomas F. DeFrantz and Thomas Talawa Prestø |
| Autore | DeFrantz Thomas |
| Pubbl/distr/stampa | London, England : , : Serendipity, , [2019] |
| Descrizione fisica | 1 online resource (123 pages) |
| Disciplina | 792.808996073 |
| Soggetto topico |
African diaspora
Choreography Dance |
| ISBN | 1-9163965-9-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910812407503321 |
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DeFrantz Thomas
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| London, England : , : Serendipity, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Choreographic practices
| Choreographic practices |
| Pubbl/distr/stampa | Bristol : , : Intellect Ltd., , 2011- |
| Descrizione fisica | 1 online resource |
| Disciplina | 792.82 |
| Soggetto topico |
Choreography
Chorégraphie |
| Soggetto genere / forma | Periodicals. |
| ISSN | 2040-5677 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910647792903321 |
| Bristol : , : Intellect Ltd., , 2011- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Choreographies : tracing the materials of an ephemeral art form / / Jacky Lansley
| Choreographies : tracing the materials of an ephemeral art form / / Jacky Lansley |
| Autore | Lansley Jacky |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, England : , : Intellect, , [2017] |
| Descrizione fisica | 1 online resource (196 pages) |
| Disciplina | 792.82 |
| Soggetto topico | Choreography |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Hlaf Title -- Title -- Copyright -- Contents -- Acknowledgements -- Inward -- Chapter 1: Minimal Dance -- Chapter 2: Dance Object -- Chapter 3: Out of Thin Air... -- Chapter 4: Holding Space -- Chapter 5: View from the Shore -- Chapter 6: Standing Stones -- Chapter 7: Researching Guests -- Chapter 8: Guest Suites -- Chapter 9: Other Voices -- Onward -- Works and Photography Credits -- Bibliography -- Index -- Back Cover. |
| Record Nr. | UNINA-9910792968403321 |
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Lansley Jacky
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| Bristol, England : , : Intellect, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Choreographies : tracing the materials of an ephemeral art form / / Jacky Lansley
| Choreographies : tracing the materials of an ephemeral art form / / Jacky Lansley |
| Autore | Lansley Jacky |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bristol, England : , : Intellect, , [2017] |
| Descrizione fisica | 1 online resource (196 pages) |
| Disciplina | 792.82 |
| Soggetto topico | Choreography |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Hlaf Title -- Title -- Copyright -- Contents -- Acknowledgements -- Inward -- Chapter 1: Minimal Dance -- Chapter 2: Dance Object -- Chapter 3: Out of Thin Air... -- Chapter 4: Holding Space -- Chapter 5: View from the Shore -- Chapter 6: Standing Stones -- Chapter 7: Researching Guests -- Chapter 8: Guest Suites -- Chapter 9: Other Voices -- Onward -- Works and Photography Credits -- Bibliography -- Index -- Back Cover. |
| Record Nr. | UNINA-9910822452503321 |
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Lansley Jacky
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| Bristol, England : , : Intellect, , [2017] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Choreographing intersubjectivity in performance art / / Victoria Wynne-Jones
| Choreographing intersubjectivity in performance art / / Victoria Wynne-Jones |
| Autore | Wynne-Jones Victoria <1981-> |
| Pubbl/distr/stampa | Cham, Switzerland : , : Palgrave Macmillan, , [2021] |
| Descrizione fisica | 1 online resource (263 pages) |
| Disciplina | 709.050155 |
| Collana | New World Choreographies |
| Soggetto topico |
Performance art
Choreography |
| ISBN | 3-030-40585-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Praise for Choreographing Intersubjectivity in Performance Art -- Contents -- List of Figures -- 1 Introduction: Exhibitions and the Choreographic Turn -- 1.1 The Choreographic Turn: The Emergence and Flourishing of Dance Exhibitions -- 1.2 Defining Intersubjectivity -- 1.3 A Working Definition of Choreography -- 1.4 Summary of Chapters -- References -- 2 Museum Bodies: Choreo-Policing and Choreo-Politics -- 2.1 Museum Bodies: Self-Regulation -- 2.2 The Twentieth-Century Exhibition Space: The White Cube as a Mechanism for Viewing -- 2.3 Twenty-First Century Contemporary Art Museums and the Experience Economy -- 2.4 Choreographed Bodies: Institutions, Instruction and Choreo-Politics -- 2.5 The Choreo-Political Project -- References -- 3 Xavier Le Roy and the Male Subject as Performance Artist -- 3.1 Threshold Spaces and Machinic Voices -- 3.2 Bodymades: Metamorphosis and Transformation -- 3.3 Becoming-Animal -- References -- 4 Human, Non-human and Post-human Moving Together: Tino Sehgal and Alicia Frankovich -- 4.1 Action, Alterity and Assignation: Philosophical Accounts of Intersubjectivity -- 4.2 A Relation of Relations: Gilbert Simondon's Transindividual -- 4.3 An Unruly Mob: Swarming, Social Bonding and the Multitude -- 4.4 Singularity and Dissensus: Félix Guattari and Intersubjectivity -- 4.5 The Posthuman: Post-Anthropocentrism, Darkness and De-familiarisation -- References -- 5 From Elsewhere to Here: Rebecca Hobbs' Networked and Post-Internet Choreographies -- 5.1 Rebecca Hobbs' "Otara at Night" (2011) -- 5.2 Networked Choreographies, Subjectivity as Network -- 5.3 Post-Internet or Post-Digital Art and Performance -- 5.4 Becoming-Machine and Cyborgs -- 5.5 Pushing Movement Archives into the Body: The Internet as a Library of Dance -- 5.6 Rebecca Hobbs' "Mangere Mall" (2011) -- References.
6 Articulating Alternatives: val smith's Queer Choreographies -- 6.1 On the Possibility of Queering Choreography -- 6.2 val smith: Queer Authority and Shifting off Shame -- 6.3 val smith: Transitioning and Transformation -- References -- 7 Walking the Wall and Crossing the Threshold: Angela Tiatia, Kalisolaite 'Uhila and Shigeyuki Kihara's Counter-Hegemonic Choreographies -- 7.1 Walking the Wall: Pacific Bodies in Museums and Contemporary Art Galleries -- 7.2 Pasifika Styles: A Short Exhibition History of Pacific Bodies Performing in Museums and Contemporary Art Institutions -- 7.3 Crossing the Threshold: Decolonizing Choreographies -- 7.4 Dancing as if to Float: Vā and Relational Space -- References -- 8 Conclusion: Unsettling the Museum -- References -- Index. |
| Record Nr. | UNINA-9910502989503321 |
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Wynne-Jones Victoria <1981->
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| Cham, Switzerland : , : Palgrave Macmillan, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary choreography : a critical reader / / edited by Jo Butterworth and Liesbeth Wildschut
| Contemporary choreography : a critical reader / / edited by Jo Butterworth and Liesbeth Wildschut |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Milton Park, Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2018 |
| Descrizione fisica | 1 online resource (573 pages) |
| Disciplina | 792.8/2 |
| Soggetto topico | Choreography |
| ISBN |
1-138-67998-4
1-317-19157-9 1-317-19158-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | chapter General introduction: studying contemporary choreography / JO BUTTERWORTH -- chapter Section introduction -- chapter 1 Knowing through dance-making: choreography, practical knowledge and practice-as-research / ANNA PAKES -- chapter 2 Expert-intuitive and deliberative processes: struggles in (the wording of ) creative decision-making in ‘dance’ / SUSAN MELROSE -- chapter 3 ‘Throwing like a girl’? Gender in a transnational world / SUSAN LEIGH FOSTER -- chapter 4 Choreography that poses problems / BOJANA CVEJIC´ -- chapter 5 Choreography as research: iteration, object, context / BEN SPATZ -- chapter Section introduction -- chapter 6 Too many cooks? A framework for dance making and devising / JO BUTTERWORTH -- chapter 7 Facilitating choreographic process / LARRY LAVENDER -- chapter 8 Velvet Petal: getting lost / FLEUR DARKIN -- chapter 9 Risk-taking and group dance improvisation / JOAO DA SILVA -- chapter 10 Dancing strategies and moving identities: the contributions independent contemporary dancers make to the choreographic process / JENNY ROCHE -- chapter 11 Jonathan Burrows’ Postdance Conference keynote address, Stockholm 2015 / JONATHAN BURROWS -- chapter Intervention / PEGGY OLISLAEGERS -- chapter Section introduction -- chapter 12 Dance dramaturgical agency / PIL HANSEN -- chapter 13 The catalytic function of dramaturgy: working on actions in choreographic processes / KONSTANTINA GEORGELOU -- chapter 14 Decentred dramaturgy: non-structural contexts in contemporary choreography -- chapter Section introduction -- chapter 15 Dancing around exclusion: an examination of the issues of social inclusion within choreographic practice in the community / SARA HOUSTON -- chapter 16 Choreographic approaches in the community context / DIANE AMANS -- chapter 17 Escola Livre de Danca da Mare in Rio de Janeiro: a ground to share / SILVIA SOTER -- chapter 18 Experiencing space: some implications for site-specific dance performance / VICTORIA HUNTER -- chapter 19 Whispering Birds: site-specific dance, affect and emotion / KAREN N. BARBOUR -- chapter Section introduction -- chapter 20 Principles of African choreography: some perspectives from Ghana / FRANCIS NII-YARTEY -- chapter 21 The body as a site of power: an artistic case study on contemporary choreography in the Arab world / SANDRA NOETH AND SAMAR HADDAD KING -- chapter 22 Beyond the intercultural to the accented body: an Australian perspective / CHERYL STOCK -- chapter 23 Minority visibility and hip hop choreography: France 2015 / FELICIA MCCARREN -- chapter 24 Sidi Larbi Cherkaoui and Akram Khan: intertwined journeys in-between dance cultures / GUY COOLS -- chapter 25 Akram Khan on the politics of choreographing touch / ROYONA MITRA -- chapter Section introduction -- chapter 26 In search of Asian modernity: Cloud Gate Dance Theatre’s body aesthetics in the era of globalisation / YA-PING CHEN -- chapter 27 The body as the stage of abstract space: sculpting of spectatorship in Meg Stuart’s choreography / JEROEN FABIUS -- chapter 28 Hi, who are you? On choreography and the aged dancer / EFVA LILJA -- chapter 29 Inclusive choreography: Lucy Bennett and Stopgap Dance Company / SHO SHIBATA -- chapter Section introduction -- chapter 30 Choreographic performance systems / JOHANNES BIRRINGER -- chapter 31 Virtually touching: embodied engagement in telematic and virtual reality performance / SITA POPAT -- chapter 32 How does motion capture mediate dance? / LAURA KARREMAN -- chapter 33 Social media and choreographic practice: creative tools for collaboration, co-creation and creative practice / SOPHY SMITH. |
| Record Nr. | UNINA-9910796378103321 |
| Milton Park, Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Contemporary choreography : a critical reader / / edited by Jo Butterworth and Liesbeth Wildschut
| Contemporary choreography : a critical reader / / edited by Jo Butterworth and Liesbeth Wildschut |
| Edizione | [Second edition.] |
| Pubbl/distr/stampa | Milton Park, Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2018 |
| Descrizione fisica | 1 online resource (573 pages) |
| Disciplina | 792.8/2 |
| Soggetto topico | Choreography |
| ISBN |
1-138-67998-4
1-317-19157-9 1-317-19158-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | chapter General introduction: studying contemporary choreography / JO BUTTERWORTH -- chapter Section introduction -- chapter 1 Knowing through dance-making: choreography, practical knowledge and practice-as-research / ANNA PAKES -- chapter 2 Expert-intuitive and deliberative processes: struggles in (the wording of ) creative decision-making in ‘dance’ / SUSAN MELROSE -- chapter 3 ‘Throwing like a girl’? Gender in a transnational world / SUSAN LEIGH FOSTER -- chapter 4 Choreography that poses problems / BOJANA CVEJIC´ -- chapter 5 Choreography as research: iteration, object, context / BEN SPATZ -- chapter Section introduction -- chapter 6 Too many cooks? A framework for dance making and devising / JO BUTTERWORTH -- chapter 7 Facilitating choreographic process / LARRY LAVENDER -- chapter 8 Velvet Petal: getting lost / FLEUR DARKIN -- chapter 9 Risk-taking and group dance improvisation / JOAO DA SILVA -- chapter 10 Dancing strategies and moving identities: the contributions independent contemporary dancers make to the choreographic process / JENNY ROCHE -- chapter 11 Jonathan Burrows’ Postdance Conference keynote address, Stockholm 2015 / JONATHAN BURROWS -- chapter Intervention / PEGGY OLISLAEGERS -- chapter Section introduction -- chapter 12 Dance dramaturgical agency / PIL HANSEN -- chapter 13 The catalytic function of dramaturgy: working on actions in choreographic processes / KONSTANTINA GEORGELOU -- chapter 14 Decentred dramaturgy: non-structural contexts in contemporary choreography -- chapter Section introduction -- chapter 15 Dancing around exclusion: an examination of the issues of social inclusion within choreographic practice in the community / SARA HOUSTON -- chapter 16 Choreographic approaches in the community context / DIANE AMANS -- chapter 17 Escola Livre de Danca da Mare in Rio de Janeiro: a ground to share / SILVIA SOTER -- chapter 18 Experiencing space: some implications for site-specific dance performance / VICTORIA HUNTER -- chapter 19 Whispering Birds: site-specific dance, affect and emotion / KAREN N. BARBOUR -- chapter Section introduction -- chapter 20 Principles of African choreography: some perspectives from Ghana / FRANCIS NII-YARTEY -- chapter 21 The body as a site of power: an artistic case study on contemporary choreography in the Arab world / SANDRA NOETH AND SAMAR HADDAD KING -- chapter 22 Beyond the intercultural to the accented body: an Australian perspective / CHERYL STOCK -- chapter 23 Minority visibility and hip hop choreography: France 2015 / FELICIA MCCARREN -- chapter 24 Sidi Larbi Cherkaoui and Akram Khan: intertwined journeys in-between dance cultures / GUY COOLS -- chapter 25 Akram Khan on the politics of choreographing touch / ROYONA MITRA -- chapter Section introduction -- chapter 26 In search of Asian modernity: Cloud Gate Dance Theatre’s body aesthetics in the era of globalisation / YA-PING CHEN -- chapter 27 The body as the stage of abstract space: sculpting of spectatorship in Meg Stuart’s choreography / JEROEN FABIUS -- chapter 28 Hi, who are you? On choreography and the aged dancer / EFVA LILJA -- chapter 29 Inclusive choreography: Lucy Bennett and Stopgap Dance Company / SHO SHIBATA -- chapter Section introduction -- chapter 30 Choreographic performance systems / JOHANNES BIRRINGER -- chapter 31 Virtually touching: embodied engagement in telematic and virtual reality performance / SITA POPAT -- chapter 32 How does motion capture mediate dance? / LAURA KARREMAN -- chapter 33 Social media and choreographic practice: creative tools for collaboration, co-creation and creative practice / SOPHY SMITH. |
| Record Nr. | UNINA-9910826878003321 |
| Milton Park, Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Dance composition : a practical guide to creative success in dance making / / Jacqueline M. Smith-Autard
| Dance composition : a practical guide to creative success in dance making / / Jacqueline M. Smith-Autard |
| Autore | Smith-Autard Jacqueline M (Jacqueline Mary), <1939-, > |
| Edizione | [Fifth edition.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2004 |
| Descrizione fisica | 1 online resource (221 pages) |
| Disciplina | 792.82 |
| Soggetto topico |
Choreography
Choreography - Study and teaching |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-315-06003-5
1-135-87290-2 9781135872908 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title Page; Copyright Page; Table of Contents; Preface; Introduction Dance Composition; Dancing and composing dances; Dance as art; The nature of composition; The material elements; Methods of construction; The nature of dance composition; Teaching dance composition; Section 1 The Material Content - Movement and Meaning; The basic language of movement; Analysing the language; Choice of content; Literal movement into dance content; Exploring a range of movement; Movement and meaning; Section 2 Methods of Construction 1 - the Beginnings; Stimuli for dance; Improvisation - selection of starting movement for a danceMethods of Construction 2 - Motif into Composition; What is a motif?; Development and variation of a motif; Repetition as a constructional element; Types of motif; Methods of Construction 3 - Motif into Composition for a Group; The group as an expressive element; Motif, development and variation; The time aspect; The space aspect; Methods of Construction 4 - The Dance Form; Methods of Construction 5 - Elements of Construction; Motifs; Repetition; Variation and contrasts; Climax or highlights; Proportion and balance; Transition; Logical development; Unity; Methods of Construction 6 - Style; Understanding the term 'style'; Factors affecting the style of a dance; How to stylise a dance; Methods of Construction 7 - Improvisation in the Process of Composition; Meaning of terms; Improvisation and exploration: free and limited improvisation; Improvisation: improvisation in framework compositions; Guiding improvisation visually; Improvisation as process in composition; Role of evaluation in improvisation; Methods of Construction 8 - Alternative and Experimental Approaches in Dance Composition; Meaning of terms; Alternative movement contents and eclectic trendsThemes and reading of themes; Alternative and experimental approaches to dance composition; Section 3 Resource-based Teaching/Learning in Dance Composition and New Technologies; Resource-based teaching/learning; A CD Resource Pack and teaching/learning dance composition; Section 4 The Creative Process in Dance Composition; The creative process; Phases in creativity; Phase 1 - impulse to create; Phase 2 - working with the medium; Phase 3 - realising the final form; Phases 4 and 5 - performance and evaluation; Summary and conclusion; Section 5 Standing Back from the Process: the Composer's FreedomImagination and intuition; Knowing and feeling; Evaluations; Conclusion; Section 6 Practical Assignments for Students; References; Contact Information; Index |
| Altri titoli varianti | Dance composition |
| Record Nr. | UNINA-9910464872203321 |
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Smith-Autard Jacqueline M (Jacqueline Mary), <1939-, >
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| New York : , : Routledge, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
-
Choreography
(45)
- Dance (12)
- Ballet (4)
- Dance - History (4)
- Dance - Social aspects (4)