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Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough
| Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough |
| Autore | Gough Melinda |
| Pubbl/distr/stampa | Toronto : , : University of Toronto Press, , [2019] |
| Descrizione fisica | 1 online resource (395 pages) |
| Disciplina | 944/.031092 |
| Soggetto topico | Ballet - France - History - 17th century |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Bourbon monarchy
France French court ballets French Henri IV Louvre Queen Marie de Médicis dance studies literary studies musicology political history women’s and gender studies |
| ISBN |
1-4875-1847-1
1-4875-1846-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro; Contents; Illustrations; Acknowledgments; Abbreviations; Principles of Transcription and Translation; Introduction; Chapter One-Magnificence, Mistresses, and Marie's Dance of Maternity; Peace, Plenty, and the Pleasures of Courtly Pastimes Restored; Franco-Florentine Neoplatonism and the (Medicean) Magnificence of Bourbon Rule; Marie as (Virgin) Mother; Marie's Primitive Accumulation of (Marian) Cultural Capital; Chapter Two-Royal Women's Ballet and/as Royal Ceremonial; Threats to Dynastic Continuity and Images of Joint Rule, 1603-5
The Occasion, the On-stage Action, and the Ballet's Framing as Royal Ceremonial"Pour faire ranger tout le monde"; Casting Choices: "Those Who Could Make her Queen"; Sovereign yet Subject; Ceremonial Expressions of Political Partnership: Abstract Theory, Embodied Practice; Chapter Three-Alliances and Others; Civility's (Islamic) Others; Restoring "the seat of his [Thracian] empire"; Collaboration ... and Contestation; Chapter Four-Eros and "Absolutism"; Marie's Ballet of Diana and her Nymphs: The On-stage Action and Its "Directrice Absolue." (Dance) Lessons from a Queen: New Bourbon "Methodologies of Authority"Dance and/vs Song: Angelique Paulet and the Limits of Marie's (Proto)feminism; Eros Channeled to (Sovereign) Virtue: Marie Dances Diana; The April 1609 Ballet de Madame and the Limits of (Patriarchal) Absolutism; Chapter Five-Dances of Diplomacy: London, Valladolid, Paris; Two Queen's Masques, a Sarao, and the Treaty of London, 1604-5; "Hostipitality" at France's 1605 ballet de la reine; A Queen's Ballet, a Queen's Masque, and the Truce of Antwerp, 1609; Conclusion; Appendices; Appendix 1; Appendix 2; Appendix 3; Notes |
| Record Nr. | UNINA-9910793597403321 |
Gough Melinda
|
||
| Toronto : , : University of Toronto Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough
| Dancing Queen : Marie de Médicis' Ballets at the Court of Henri IV / / Melinda Gough |
| Autore | Gough Melinda |
| Pubbl/distr/stampa | Toronto : , : University of Toronto Press, , [2019] |
| Descrizione fisica | 1 online resource (395 pages) |
| Disciplina | 944.031092 |
| Soggetto topico | Ballet - France - History - 17th century |
| Soggetto genere / forma | History |
| Soggetto non controllato |
Bourbon monarchy
France French court ballets French Henri IV Louvre Queen Marie de Médicis dance studies literary studies musicology political history women’s and gender studies |
| ISBN |
1-4875-1847-1
1-4875-1846-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro; Contents; Illustrations; Acknowledgments; Abbreviations; Principles of Transcription and Translation; Introduction; Chapter One-Magnificence, Mistresses, and Marie's Dance of Maternity; Peace, Plenty, and the Pleasures of Courtly Pastimes Restored; Franco-Florentine Neoplatonism and the (Medicean) Magnificence of Bourbon Rule; Marie as (Virgin) Mother; Marie's Primitive Accumulation of (Marian) Cultural Capital; Chapter Two-Royal Women's Ballet and/as Royal Ceremonial; Threats to Dynastic Continuity and Images of Joint Rule, 1603-5
The Occasion, the On-stage Action, and the Ballet's Framing as Royal Ceremonial"Pour faire ranger tout le monde"; Casting Choices: "Those Who Could Make her Queen"; Sovereign yet Subject; Ceremonial Expressions of Political Partnership: Abstract Theory, Embodied Practice; Chapter Three-Alliances and Others; Civility's (Islamic) Others; Restoring "the seat of his [Thracian] empire"; Collaboration ... and Contestation; Chapter Four-Eros and "Absolutism"; Marie's Ballet of Diana and her Nymphs: The On-stage Action and Its "Directrice Absolue." (Dance) Lessons from a Queen: New Bourbon "Methodologies of Authority"Dance and/vs Song: Angelique Paulet and the Limits of Marie's (Proto)feminism; Eros Channeled to (Sovereign) Virtue: Marie Dances Diana; The April 1609 Ballet de Madame and the Limits of (Patriarchal) Absolutism; Chapter Five-Dances of Diplomacy: London, Valladolid, Paris; Two Queen's Masques, a Sarao, and the Treaty of London, 1604-5; "Hostipitality" at France's 1605 ballet de la reine; A Queen's Ballet, a Queen's Masque, and the Truce of Antwerp, 1609; Conclusion; Appendices; Appendix 1; Appendix 2; Appendix 3; Notes |
| Record Nr. | UNINA-9910814872203321 |
|
Gough Melinda
|
||
| Toronto : , : University of Toronto Press, , [2019] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
