The psychophysical ear [[electronic resource] ] : musical experiments, experimental sounds, 1840-1910 / / Alexandra Hui |
Autore | Hui Alexandra <1980-> |
Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, c2013 |
Descrizione fisica | 1 online resource (257 p.) |
Disciplina | 612.8/54 |
Collana | Transformations : studies in the history of science and technology |
Soggetto topico |
Psychoacoustics - History - 19th century
Psychoacoustics - History - 20th century Sound - Experiments - History - 19th century Sound - Experiments - History - 20th century Avant-garde (Music) - History - 19th century Avant-garde (Music) - History - 20th century |
Soggetto genere / forma | Electronic books. |
ISBN |
1-283-74161-X
0-262-30595-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Transformations: Studies in the History of Science and Technology; Contents; Acknowledgments; Introduction; 1 Gustav Fechner, the Day View, and the Origins of Psychophysics; 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann; 3 Sound Materialized and Music Reconciled: Hermann Helmholtz; 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke
5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the FieldCoda; Appendix; Notes; References; Index |
Record Nr. | UNINA-9910462329103321 |
Hui Alexandra <1980->
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Cambridge, Mass., : MIT Press, c2013 | ||
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Lo trovi qui: Univ. Federico II | ||
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The psychophysical ear [[electronic resource] ] : musical experiments, experimental sounds, 1840-1910 / / Alexandra Hui |
Autore | Hui Alexandra <1980-> |
Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, c2013 |
Descrizione fisica | 1 online resource (257 p.) |
Disciplina | 612.8/54 |
Collana | Transformations : studies in the history of science and technology |
Soggetto topico |
Psychoacoustics - History - 19th century
Psychoacoustics - History - 20th century Sound - Experiments - History - 19th century Sound - Experiments - History - 20th century Avant-garde (Music) - History - 19th century Avant-garde (Music) - History - 20th century |
Soggetto non controllato |
Psychoacoustics
Sound Avant-Garde (Music) Science |
ISBN |
0-262-30503-8
1-283-74161-X 0-262-30595-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Transformations: Studies in the History of Science and Technology; Contents; Acknowledgments; Introduction; 1 Gustav Fechner, the Day View, and the Origins of Psychophysics; 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann; 3 Sound Materialized and Music Reconciled: Hermann Helmholtz; 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke
5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the FieldCoda; Appendix; Notes; References; Index |
Record Nr. | UNINA-9910786500703321 |
Hui Alexandra <1980->
![]() |
||
Cambridge, Mass., : MIT Press, c2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
The psychophysical ear : musical experiments, experimental sounds, 1840-1910 / / Alexandra Hui |
Autore | Hui Alexandra <1980-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Cambridge, Mass., : MIT Press, c2013 |
Descrizione fisica | 1 online resource (257 p.) |
Disciplina | 612.8/54 |
Collana | Transformations : studies in the history of science and technology |
Soggetto topico |
Psychoacoustics - History - 19th century
Psychoacoustics - History - 20th century Sound - Experiments - History - 19th century Sound - Experiments - History - 20th century Avant-garde (Music) - History - 19th century Avant-garde (Music) - History - 20th century |
ISBN |
0-262-30503-8
1-283-74161-X 0-262-30595-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Transformations: Studies in the History of Science and Technology; Contents; Acknowledgments; Introduction; 1 Gustav Fechner, the Day View, and the Origins of Psychophysics; 2 From Sonically Moving Forms to Inaudible Undertones: The New Musical Aesthetics of A. B. Marx, Eduard Hanslick,and Hugo Riemann; 3 Sound Materialized and Music Reconciled: Hermann Helmholtz; 4 The Aesthetics of Attention: Ernst Mach's Accommodation Experiments, His Psychophysical Musical Aesthetics, and His Friendship with Eduard Kulke
5 The Bias of Musikbewusstsein When Listening in the Laboratory, on the City Streets, and in the FieldCoda; Appendix; Notes; References; Index |
Record Nr. | UNINA-9910817273203321 |
Hui Alexandra <1980->
![]() |
||
Cambridge, Mass., : MIT Press, c2013 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Stefan Wolpe and the avant-garde diaspora / / Brigid Cohen [[electronic resource]] |
Autore | Cohen Brigid Maureen |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
Descrizione fisica | 1 online resource (xii, 328 pages) : digital, PDF file(s) |
Disciplina |
780.92
B |
Collana | New perspectives in music history and criticism |
Soggetto topico |
Musicians
Avant-garde (Music) - History - 20th century |
ISBN |
1-139-69855-9
1-139-86155-7 1-139-86067-4 1-139-86853-5 1-139-87066-1 1-139-86495-5 0-511-75850-2 1-139-86281-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Wolpe's self-revelatory poetics and critical reflections, circa 1951 -- Weimar-era montage and avant-garde community -- "Amalgamated" musics and national visions in 1930s Palestine -- The mid-century poetics and politics of experimental community. |
Altri titoli varianti | Stefan Wolpe & the Avant-Garde Diaspora |
Record Nr. | UNINA-9910464870403321 |
Cohen Brigid Maureen
![]() |
||
Cambridge : , : Cambridge University Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Stefan Wolpe and the avant-garde diaspora / / Brigid Cohen [[electronic resource]] |
Autore | Cohen Brigid Maureen |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
Descrizione fisica | 1 online resource (xii, 328 pages) : digital, PDF file(s) |
Disciplina |
780.92
B |
Collana | New perspectives in music history and criticism |
Soggetto topico |
Musicians
Avant-garde (Music) - History - 20th century |
ISBN |
1-139-69855-9
1-139-86155-7 1-139-86067-4 1-139-86853-5 1-139-87066-1 1-139-86495-5 0-511-75850-2 1-139-86281-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Wolpe's self-revelatory poetics and critical reflections, circa 1951 -- Weimar-era montage and avant-garde community -- "Amalgamated" musics and national visions in 1930s Palestine -- The mid-century poetics and politics of experimental community. |
Altri titoli varianti | Stefan Wolpe & the Avant-Garde Diaspora |
Record Nr. | UNINA-9910789117703321 |
Cohen Brigid Maureen
![]() |
||
Cambridge : , : Cambridge University Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Stefan Wolpe and the avant-garde diaspora / / Brigid Cohen [[electronic resource]] |
Autore | Cohen Brigid Maureen |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
Descrizione fisica | 1 online resource (xii, 328 pages) : digital, PDF file(s) |
Disciplina |
780.92
B |
Collana | New perspectives in music history and criticism |
Soggetto topico |
Musicians
Avant-garde (Music) - History - 20th century |
ISBN |
1-139-69855-9
1-139-86155-7 1-139-86067-4 1-139-86853-5 1-139-87066-1 1-139-86495-5 0-511-75850-2 1-139-86281-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Wolpe's self-revelatory poetics and critical reflections, circa 1951 -- Weimar-era montage and avant-garde community -- "Amalgamated" musics and national visions in 1930s Palestine -- The mid-century poetics and politics of experimental community. |
Altri titoli varianti | Stefan Wolpe & the Avant-Garde Diaspora |
Record Nr. | UNISA-996248322503316 |
Cohen Brigid Maureen
![]() |
||
Cambridge : , : Cambridge University Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. di Salerno | ||
|
Stefan Wolpe and the avant-garde diaspora / / Brigid Cohen [[electronic resource]] |
Autore | Cohen Brigid Maureen |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 2012 |
Descrizione fisica | 1 online resource (xii, 328 pages) : digital, PDF file(s) |
Disciplina |
780.92
B |
Collana | New perspectives in music history and criticism |
Soggetto topico |
Musicians
Avant-garde (Music) - History - 20th century |
ISBN |
1-139-69855-9
1-139-86155-7 1-139-86067-4 1-139-86853-5 1-139-87066-1 1-139-86495-5 0-511-75850-2 1-139-86281-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Wolpe's self-revelatory poetics and critical reflections, circa 1951 -- Weimar-era montage and avant-garde community -- "Amalgamated" musics and national visions in 1930s Palestine -- The mid-century poetics and politics of experimental community. |
Altri titoli varianti | Stefan Wolpe & the Avant-Garde Diaspora |
Record Nr. | UNINA-9910823456503321 |
Cohen Brigid Maureen
![]() |
||
Cambridge : , : Cambridge University Press, , 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|