American–Australian Cinema [[electronic resource] ] : Transnational Connections / / edited by Adrian Danks, Stephen Gaunson, Peter C. Kunze |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (XVII, 333 p. 15 illus., 10 illus. in color.) |
Disciplina | 791.4366 |
Soggetto topico |
Motion pictures
Australasia Motion pictures—United States Culture Australasian Cinema and TV American Cinema and TV Global Cinema and TV Global/International Culture Australasian Culture |
ISBN | 3-319-66676-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Where I’m Calling From: An American-Australian Cinema? -- 2. Rudimentary Modernism: Ken G. Hall, Rear-Projection and 1930s Hollywood -- 3. Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life -- 4. Representations and Hybridisations in First Nation Cinema: Change and Newness by Fusion -- 5. Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette’s Anti-Star Persona -- 6. Accented Relations: Mad Max on US Screens -- 7. Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood -- 8. Australian Horror Movies and the American Market -- 9. The Female Gothic Meets the Terrible Terrace House : Transnational Exchanges and the Suburban Australian Horror of The Babadook -- 10. American Cartel: Block Bookings and the Paramount Plan -- 11. The Multiplex Era -- 12. “Zest to the Jaded Movie Palate”: Wallace Worsley, Scott Dunlap and The Romance of Runnibede (1928) -- 13. Defining Neverland: P. J. Hogan, J. M. Barrie, and Peter Pan in Post-Mabo Australia -- 14. The Great Gatsby: Telling National Iconic Stories Through a Transnational Lens. |
Record Nr. | UNINA-9910300021203321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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Australian Film Festivals [[electronic resource] ] : Audience, Place, and Exhibition Culture / / by Kirsten Stevens |
Autore | Stevens Kirsten |
Edizione | [1st ed. 2016.] |
Pubbl/distr/stampa | New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016 |
Descrizione fisica | 1 online resource (XI, 270 p. 11 illus., 9 illus. in color.) |
Disciplina | 791.43079 |
Collana | Framing Film Festivals |
Soggetto topico |
Motion pictures
Australasia Culture Motion pictures—History Communication Australasian Cinema and TV Australasian Culture Film History Media and Communication |
ISBN | 1-137-58130-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | List of Illustrations -- List of Abbreviations -- Introduction -- 1.Enthusiastic Amateurs: Origins of Australia’s film festival movement -- 2.Growth and Change: Curator-led festivals, fragmenting audiences and shifting film exhibition cultures -- 3. From Film Weeks to Festivals: The spread of the urban film festival after 1980 -- 4. Between Success and Failure: Crisis and recovery at the Melbourne International Film Festival -- 5. Programming Perceptions: Film festivals and the construction of taste -- 6. A Festival for Every Occasion: Niche programming, event culture and vertically integrated film festivals -- Conclusion -- Appendix 1: Early Melbourne and Sydney Film Festival programs -- Appendix 2: Summary of film exhibition and film culture activities, 1949-1990 -- Appendix 3: Film Festivals in Melbourne, 1949-2000 -- Appendix 4: Melbourne and Sydney Film Festivals -- Archives and Research Collections -- Bibliography. |
Record Nr. | UNINA-9910150190403321 |
Stevens Kirsten
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New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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Digital Media and Documentary [[electronic resource] ] : Antipodean Approaches / / edited by Adrian Miles |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 |
Descrizione fisica | 1 online resource (X, 114 p.) |
Disciplina | 791.43 |
Collana | Palgrave pivot |
Soggetto topico |
Documentary films
Digital media Motion pictures Australasia Culture Technology Social media Documentary Digital/New Media Australasian Cinema and TV Culture and Technology Social Media |
ISBN | 3-319-68643-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction - Adrian Miles -- 2. Moments of Noticing: I See You as a Speculative Work Towards an Essayistic List Practice for Interactive Documentary - Hannah Brasier -- 3. Documentary, Instructions and Experiences of Place - Bettina Frankham -- 4. The Documentary Designer: A List of Propositions for Interactive Documentary Practice Online - Seth Keen -- 5. Ambient Media Making, Auto– Documentary, and Affect - Adrian Miles -- 6. Miniature and Series: The Re–Invention of the Epistolary Form in the Work of Alexander Hahn - Cathie Payne -- 7. #24Frames 24Hours: An Emerging Documentary Form of Workshop Generated Videos - Max Schleser. . |
Record Nr. | UNINA-9910300021403321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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Multiculturalism, Whiteness and Otherness in Australia [[electronic resource] /] / by Jon Stratton |
Autore | Stratton Jon |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (318 pages) : illustrations |
Disciplina | 301.3409944 |
Soggetto topico |
Culture
Australasia Ethnicity Motion pictures Australasian Culture Ethnicity Studies Australasian Cinema and TV Global/International Culture |
ISBN |
3-030-50079-9
9783030500795 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Logics of Exclusion -- 2. Expression, Ethnicity and the Perth Nightclub Scene of the 1980s -- 3. With God on our Side: The Unholy Mixture of Religion and Race, Christianity and Whiteness, Islam and Otherness, in the Australian Experience -- 4. The Sapphires were not the Australian Supremes: Neoliberalism, History and Pleasure in The Sapphires -- 5. Whose Home; Which Island?: Displacement and Identity in ‘My Island Home’ -- 6. The Jackson Jive: Blackface Today and the Limits of Whiteness in Australia -- 7. Whatever Happened to Multiculturalism?: Here Come the Habibs!, Race, Identity, and Representation -- 8. Pizza and Housos: Neoliberalism, the Discursive Construction of the Underclass, and its Representation -- 9. Afterword: and then novel coronavirus happened …. |
Record Nr. | UNINA-9910484331303321 |
Stratton Jon
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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Rural cinema exhibition and audiences in a global context [[electronic resource] /] / edited by Daniela Treveri Gennari, Danielle Hipkins, Catherine O'Rawe |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (370 pages) |
Disciplina | 791.4309 |
Collana | Global Cinema |
Soggetto topico |
Motion pictures
Motion pictures—European influences Motion pictures, American Africa Australasia Motion pictures—United States Global Cinema and TV European Cinema and TV Latin American Cinema and TV African Cinema and TV Australasian Cinema and TV American Cinema and TV |
ISBN | 3-319-66344-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Rural Cinema Exhibition and Audiences in a Global Context—Not Just a Slower Transition to Modernity -- Part I Space, Place and Cinema-Going Experiences -- 2. The Use of Geographical Categories in Cinema Studies: An Ontological Examination -- 3. Kanda’s Grounds and the Ritual Experience of Rural Cinema in Narok -- 4. The Business of ‘Wholesome Entertainment’: The Mascioli Film Circuit of Northeastern Ontario -- Part II Early Cinema, Itinerant Showmen and the Lure of Modernity -- 5. Spaces In-Between: The Railway and Early Cinema in Rural, Western Canada -- 6. Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire’s North Country, 1896–1917 -- Part III Oral Histories and the Social Experience of Rural Cinema-Going -- 7. Oral Memories of Cinema-Going in Rural Italy of the 1950s -- 8. Belgian Film Culture Beyond the Big City: Cinema-Going in the Provincial and Rural Periphery of Antwerp -- 9. The Social Experience of Going to the Movies in the 1930s–1960s in a Small Texas Border Town: Moviegoing Habits and Memories of Films in Laredo, Texas -- 10. The Social Geography of ‘Going Out’: Teenagers and Community Cinema in Rural Australia -- Part IV Shaping Cinema Audiences for Educational and Ideological Purposes -- 11. Projecting Modernity: Sol Plaatje’s Touring Cinema Exhibition in 1920s South Africa -- 12. Controlling Rural Cinemagoing by Appropriating a Film Format: The Catholic Adventure of 'Pathé-Rural' in Interwar France -- 13. UNESCO, Mobile Cinema, and Rural Audiences: Exhibition Histories and Instrumental Ideologies of the 1940s -- 14. Reconsidering Post-Revolutionary Cultural Change: Rural Film Projection Teams in Shaanxi Province, 1949–1956 -- 15. Silence under the Linden Tree: Rural Cinema-Going in Czechoslovakia in the 1950s and 1960s -- Part V Film Programming Strategies, Exhibition Practices and Reception -- 16. Language and Cultural Nearness: Film Programming Strategies and Audience Preferences in Big Cities and Small Towns in the Netherlands 1934–1936 -- 17. Post-war Thai Cinema: Audiences and Film Style in a Divided Nation -- 18. Youth, Leisure, and Modernity in the film One Summer of Happiness (1951): Exploring the Space of Rural Film Exhibition in Swedish Post-war Cinema -- 19. Cine Centímetro: Memories and Cinemagoing Practices in an MGM Replica Cinema in the Rio de Janeiro Countryside. |
Record Nr. | UNINA-9910300032603321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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Trauma and Disability in Mad Max [[electronic resource] ] : Beyond the Road Warrior’s Fury / / by Mick Broderick, Katie Ellis |
Autore | Broderick Mick |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2019 |
Descrizione fisica | 1 online resource (115 pages) : illustrations |
Disciplina | 791.436520816 |
Soggetto topico |
Motion pictures
Australasia Popular Culture People with disabilities Communication Australasian Cinema and TV Disability Studies Media and Communication |
ISBN | 3-030-19439-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction -- 1. Trauma -- 2. Disability -- 3.Gender -- 4. Mythology -- 5. Fandom -- Conclusion. |
Record Nr. | UNINA-9910484753603321 |
Broderick Mick
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Urban Australia and Post-Punk [[electronic resource] ] : Exploring Dogs in Space / / edited by David Nichols, Sophie Perillo |
Edizione | [1st ed. 2020.] |
Pubbl/distr/stampa | Singapore : , : Springer Singapore : , : Imprint : Palgrave Macmillan, , 2020 |
Descrizione fisica | 1 online resource (347 pages) |
Disciplina | 306.1 |
Soggetto topico |
Motion pictures
Australasia Sociology, Urban Human geography Music Youth—Social life and customs Australasian Cinema and TV Urban Studies/Sociology Human Geography Youth Culture |
ISBN | 981-329-702-6 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction -- 2. Sam Sejavka -- 3. It Was Filmic -- 4. I Was In-Between Two Worlds -- 5. The B-Side of a Single -- 6. In My Mind the World Was Safer -- 7. Let's Go and Get in Some Trub -- 8. Everyone Was Interchangeable -- 9. ‘We’re the Most Fabulous People the World Has Ever Known’ -- 10. It Was Never Pistols at Dawn -- 11. Bowie Queue -- 12. Excerpt from Comic Book -- 13. Rock Star in Space -- 14. The Intimacy of Distance: Re/reading Dogs in Space -- 15. ‘Someone’s Been Fucking Using This for Meat Again’: 18 Berry St and Melbourne Share Housing in the 1970s and 1980s -- 16. Berry St Revisited -- 17. The Ears and INXS: Mapping Parallel Universes -- 18. The Strange Life of Shivers and Its Place in Dogs in Space -- 19. The Fucked Room -- 20. Say Clitoris: Queers in Space -- 21. FunHouse -- 22. TikTok -- 23. Lowenstein Interview 2009. |
Record Nr. | UNINA-9910483060603321 |
Singapore : , : Springer Singapore : , : Imprint : Palgrave Macmillan, , 2020 | ||
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Lo trovi qui: Univ. Federico II | ||
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