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Doing Digital Film History : Concepts, Tools, Practices
| Doing Digital Film History : Concepts, Tools, Practices |
| Autore | Dang Sarah-Mai |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Basel/Berlin/Boston : , : Walter de Gruyter GmbH, , 2024 |
| Descrizione fisica | 1 online resource (450 pages) |
| Disciplina | 791.4309 |
| Altri autori (Persone) |
van der HeijdenTim
OlesenChristian Gosvig |
| Collana | Studies in Digital History and Hermeneutics Series |
| Soggetto topico |
Digital humanities
Audiovisual education |
| ISBN |
9783111082486
3111082482 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Acknowledgments -- Contents -- Doing Digital Film History: An Introduction -- Prologue -- The DH Dilemma: Knowing More & Knowing for Sure vs. Never Knowing At All -- I Search -- Finding Female Film Editors in Wikidata: How to Query and Visualize Filmographic Records -- The Digitization of Silent Films and the Teaching of Film Historiography: Entanglements and Opportunities -- Collecting Data and Connecting Traces: Researching and Modeling Sources on Doña Francisquita (S 1934) -- Teaching Small-Gauge Formats with Digital Methods -- II Data -- Managing the Past: Research Data and Film History -- (Re)Visioning Women’s Film History: The Women Film Pioneers Project and Digital Curatorial-Editorial Labor -- Data Cleaning and Diversity in Digital Film Historiography -- Critically Curating Data in Cultural Heritage Collections -- III Analysis -- Timelines of Scholarly Video Annotation: For a Tool Critical History of Digital Film Historical Scholarship -- Distant Viewing the Amateur Film Platform -- Pursuing Film History with Digital Images: Towards Visual Literacy in the Age of AI and Social Media -- Managing Tools and Expectations: Dos and Don’ts of Teaching Digital Methods for Film Analysis and Film Historiography -- IV Visualization -- Visualization In/As Digital Media Studies -- A Scalable Perspective on Historical Cinema Cultures: Studying Movie Going in Amsterdam (1952‒1972) with Digital Data and Tools -- Catastrophe or Pointillism of Disaster? Annotating and Visualizing Patterns of Ecological Imagination -- “Pure Information, Not the Real Thing”: Digital Hermeneutics and Nelson Sullivan’s Videographic Legacy (1983‒1989) -- Epilogue -- Narration, Agency, and the Digital Film Historiography Group Chat -- List of Authors -- Index |
| Record Nr. | UNINA-9911011315203321 |
Dang Sarah-Mai
|
||
| Basel/Berlin/Boston : , : Walter de Gruyter GmbH, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Doing Digital Film History : Concepts, Tools, Practices
| Doing Digital Film History : Concepts, Tools, Practices |
| Autore | Dang Sarah-Mai |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Basel/Berlin/Boston : , : Walter de Gruyter GmbH, , 2024 |
| Descrizione fisica | 1 online resource (450 pages) |
| Disciplina | 791.4309 |
| Altri autori (Persone) |
van der HeijdenTim
OlesenChristian Gosvig |
| Collana | Studies in Digital History and Hermeneutics Series |
| Soggetto topico |
Digital humanities
Audiovisual education |
| ISBN |
9783111082486
3111082482 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Acknowledgments -- Contents -- Doing Digital Film History: An Introduction -- Prologue -- The DH Dilemma: Knowing More & Knowing for Sure vs. Never Knowing At All -- I Search -- Finding Female Film Editors in Wikidata: How to Query and Visualize Filmographic Records -- The Digitization of Silent Films and the Teaching of Film Historiography: Entanglements and Opportunities -- Collecting Data and Connecting Traces: Researching and Modeling Sources on Doña Francisquita (S 1934) -- Teaching Small-Gauge Formats with Digital Methods -- II Data -- Managing the Past: Research Data and Film History -- (Re)Visioning Women’s Film History: The Women Film Pioneers Project and Digital Curatorial-Editorial Labor -- Data Cleaning and Diversity in Digital Film Historiography -- Critically Curating Data in Cultural Heritage Collections -- III Analysis -- Timelines of Scholarly Video Annotation: For a Tool Critical History of Digital Film Historical Scholarship -- Distant Viewing the Amateur Film Platform -- Pursuing Film History with Digital Images: Towards Visual Literacy in the Age of AI and Social Media -- Managing Tools and Expectations: Dos and Don’ts of Teaching Digital Methods for Film Analysis and Film Historiography -- IV Visualization -- Visualization In/As Digital Media Studies -- A Scalable Perspective on Historical Cinema Cultures: Studying Movie Going in Amsterdam (1952‒1972) with Digital Data and Tools -- Catastrophe or Pointillism of Disaster? Annotating and Visualizing Patterns of Ecological Imagination -- “Pure Information, Not the Real Thing”: Digital Hermeneutics and Nelson Sullivan’s Videographic Legacy (1983‒1989) -- Epilogue -- Narration, Agency, and the Digital Film Historiography Group Chat -- List of Authors -- Index |
| Record Nr. | UNISA-996635569403316 |
|
Dang Sarah-Mai
|
||
| Basel/Berlin/Boston : , : Walter de Gruyter GmbH, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
