Staged Otherness : Ethnic Shows in Central and Eastern Europe, 1850–1939 / / ed. by Dagnosław Demski, Dominika Czarnecka |
Pubbl/distr/stampa | Budapest ; ; New York : , : Central European University Press, , [2022] |
Descrizione fisica | 1 online resource (460 p.) |
Soggetto topico |
Audiences - Europe, Central - History - 19th century
Audiences - Europe, Central - History - 20th century Audiences - Europe, Eastern - History - 19th century Audiences - Europe, Eastern - History - 20th century Ethnographic shows - Europe, Central - History - 19th century Ethnographic shows - Europe, Central - History - 20th century Ethnographic shows - Europe, Eastern - History - 19th century Ethnographic shows - Europe, Eastern - History - 20th century Social sciences SOCIAL SCIENCE / Anthropology / Cultural & Social |
Soggetto non controllato |
Völkerschauen
differences exotic human zoo mass entertainment, modernity social history |
ISBN | 963-386-440-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- 1. Introduction: From Western to Peripheral Voices -- I. European versus Indigenous Agency -- 2. The Hagenbeck Ethnic Shows: Recruitment, Organization, and Academic and Popular Responses -- 3. A Brief History of Staging Somali Ethnographic Performing Troupes in Europe, 1885–1930 -- 4. “Wild Chamacoco” and the Czechs: The Double-Edged Ethnographic Show of Vojtěch Frič, 1908–9 -- 5. Why Hidden Ears Matter: On Kalintsov’s Samoyed Exhibition in Vienna, 1882 -- II. Performing the Ethnographic Other -- 6. The (Ethno-)Drama of Exoticism: Ethnic Shows as a Medium -- 7. How Do These “Exotic” Bodies Move? Ethnographic Shows and Constructing Otherness in the Polish-Language Press, 1880–1914 -- 8. The World of Creation: Press Accounts of Ethnographic Shows in Circus Performances in Upper Silesia -- III. Across Local Contexts -- 9. Racialized Performance and the Construction of Slovene Whiteness: Ethnographic Shows and Circus Acts on the Habsburg Periphery, 1880–1914 -- 10. A Century of Elision? Ethnic Shows in Saint Petersburg and Moscow, 1879–1914 -- 11. “When Winter Arrives, the Sinhalese Go Back to Ceylon and Their Elephants Go to Hamburg”: Hagenbeck’s Sinhalese Caravans and Ethnographic Imagery in the Polish Press during the Partition Era -- 12. The Call of the Wild: A Sociological Sketch of Buffalo Bill’s Wild West in Banat and Transylvania -- 13. “Staged Otherness” in Saint Petersburg -- Epilogue -- List of Contributors -- Index |
Record Nr. | UNISA-996483170703316 |
Budapest ; ; New York : , : Central European University Press, , [2022] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. di Salerno | ||
|
Staged Otherness : Ethnic Shows in Central and Eastern Europe, 1850–1939 / / ed. by Dagnosław Demski, Dominika Czarnecka |
Pubbl/distr/stampa | Budapest ; ; New York : , : Central European University Press, , [2022] |
Descrizione fisica | 1 online resource (460 p.) |
Soggetto topico |
Audiences - Europe, Central - History - 19th century
Audiences - Europe, Central - History - 20th century Audiences - Europe, Eastern - History - 19th century Audiences - Europe, Eastern - History - 20th century Ethnographic shows - Europe, Central - History - 19th century Ethnographic shows - Europe, Central - History - 20th century Ethnographic shows - Europe, Eastern - History - 19th century Ethnographic shows - Europe, Eastern - History - 20th century Social sciences SOCIAL SCIENCE / Anthropology / Cultural & Social |
Soggetto non controllato |
Völkerschauen
differences exotic human zoo mass entertainment, modernity social history |
ISBN | 963-386-440-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- 1. Introduction: From Western to Peripheral Voices -- I. European versus Indigenous Agency -- 2. The Hagenbeck Ethnic Shows: Recruitment, Organization, and Academic and Popular Responses -- 3. A Brief History of Staging Somali Ethnographic Performing Troupes in Europe, 1885–1930 -- 4. “Wild Chamacoco” and the Czechs: The Double-Edged Ethnographic Show of Vojtěch Frič, 1908–9 -- 5. Why Hidden Ears Matter: On Kalintsov’s Samoyed Exhibition in Vienna, 1882 -- II. Performing the Ethnographic Other -- 6. The (Ethno-)Drama of Exoticism: Ethnic Shows as a Medium -- 7. How Do These “Exotic” Bodies Move? Ethnographic Shows and Constructing Otherness in the Polish-Language Press, 1880–1914 -- 8. The World of Creation: Press Accounts of Ethnographic Shows in Circus Performances in Upper Silesia -- III. Across Local Contexts -- 9. Racialized Performance and the Construction of Slovene Whiteness: Ethnographic Shows and Circus Acts on the Habsburg Periphery, 1880–1914 -- 10. A Century of Elision? Ethnic Shows in Saint Petersburg and Moscow, 1879–1914 -- 11. “When Winter Arrives, the Sinhalese Go Back to Ceylon and Their Elephants Go to Hamburg”: Hagenbeck’s Sinhalese Caravans and Ethnographic Imagery in the Polish Press during the Partition Era -- 12. The Call of the Wild: A Sociological Sketch of Buffalo Bill’s Wild West in Banat and Transylvania -- 13. “Staged Otherness” in Saint Petersburg -- Epilogue -- List of Contributors -- Index |
Record Nr. | UNINA-9910831814003321 |
Budapest ; ; New York : , : Central European University Press, , [2022] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|