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Becoming past : history in contemporary art / / Jane Blocker
| Becoming past : history in contemporary art / / Jane Blocker |
| Autore | Blocker Jane |
| Pubbl/distr/stampa | Minneapolis, Minnesota ; ; London, [England] : , : University of Minnesota Press, , 2016 |
| Descrizione fisica | 1 online resource (246 p.) |
| Disciplina | 700.9 |
| Soggetto topico |
Arts and history
Arts, Modern - 20th century - Themes, motives Arts, Modern - 21st century - Themes, motives |
| ISBN | 1-4529-4494-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Introduction: History as Prosthesis; One: Wooden Legs: Goat Island's Acts of Repair; Two: Houses Falling Down: Archival Violence in Steve McQueen's Deadpan; Three: Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies; Four: The Empty Stage: A Story about the Past by Matthew Buckingham; Five: Stupid Birds: Temporal Dissidence in The Lastmaker; Six: Transitional Objects: Dario Robleto's Spools; Conclusion: Wooden Feet: Francis Alÿs and Syncopated Time; Acknowledgments; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V
WY |
| Record Nr. | UNINA-9910797997103321 |
Blocker Jane
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| Minneapolis, Minnesota ; ; London, [England] : , : University of Minnesota Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Becoming past : history in contemporary art / / Jane Blocker
| Becoming past : history in contemporary art / / Jane Blocker |
| Autore | Blocker Jane |
| Pubbl/distr/stampa | Minneapolis, Minnesota ; ; London, [England] : , : University of Minnesota Press, , 2016 |
| Descrizione fisica | 1 online resource (246 p.) |
| Disciplina | 700.9 |
| Soggetto topico |
Arts and history
Arts, Modern - 20th century - Themes, motives Arts, Modern - 21st century - Themes, motives |
| ISBN | 1-4529-4494-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Contents; Introduction: History as Prosthesis; One: Wooden Legs: Goat Island's Acts of Repair; Two: Houses Falling Down: Archival Violence in Steve McQueen's Deadpan; Three: Incorrect and Incomplete: Ross McElwee's Fictions and Samuel Delany's Lies; Four: The Empty Stage: A Story about the Past by Matthew Buckingham; Five: Stupid Birds: Temporal Dissidence in The Lastmaker; Six: Transitional Objects: Dario Robleto's Spools; Conclusion: Wooden Feet: Francis Alÿs and Syncopated Time; Acknowledgments; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V
WY |
| Record Nr. | UNINA-9910812821803321 |
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Blocker Jane
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| Minneapolis, Minnesota ; ; London, [England] : , : University of Minnesota Press, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Now What? : Quandaries of Art and the Radical Past
| Now What? : Quandaries of Art and the Radical Past |
| Autore | Weiss Rachel |
| Pubbl/distr/stampa | New York : , : Fordham University Press, , 2021 |
| Descrizione fisica | 1 online resource (1 online resource 235 p.) |
| Disciplina | 709.450904 |
| Soggetto topico | Arts and history |
| ISBN | 0-8232-9394-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
4 Whoever Knows the Truth Lies After October 1977, West Germany, in Germany in Autumn and October 18, 1977 -- Conclusion: The Undersong of Our Histories -- Acknowledgments -- Notes
Cover -- NOW WHAT? -- Title -- Copyright -- Dedication -- Contents -- Introduction: Being Afterward -- 1 Lupe at the Mic After January 1959, Havana, Cuba, in Tatlin's Whisper #6 -- 2 The Tenuous Moonlight of an Unrequited Past After September 11, 1973, Santiago de Chile, in The Battle of Chile, Chile: Obstinate Memory, and Nostalgia for the Light -- 3 Something That Opens a Wish and Closes a Door After December 1989, Romania, in Videograms of a Revolution, Autobiography of Nicolae Ceauşescu, and 12:08 East of Bucharest |
| Record Nr. | UNINA-9910554254003321 |
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Weiss Rachel
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| New York : , : Fordham University Press, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The quest for an appropriate past in literature, art and architecture / Edited by Karl A.E. Enenkel and Konrad A. Ottenheym
| The quest for an appropriate past in literature, art and architecture / Edited by Karl A.E. Enenkel and Konrad A. Ottenheym |
| Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill, , [2018] |
| Descrizione fisica | 1 online resource |
| Disciplina | 904/.7 |
| Collana | Intersections |
| Soggetto topico |
History
Arts and history |
| ISBN | 90-04-37821-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front Matter -- Copyright page -- Acknowledgements -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- The Quest for an Appropriate Past: The Creation of National Identities in Early Modern Literature, Scholarship, Architecture, and Art / Karl Enenkel and Konrad Ottenheym -- The Mediterranean -- Claiming and Contesting Trojan Ancestry on Both Sides of the Bosporus – Epic Answers to an Ethnographic Dispute in Quattrocento Humanist Poetry / Christian Peters -- Architecture, Poetry and Law: The Amphitheatre of Capua and the New Works Sponsored by the Local Élite / Bianca de Divitiis -- A City in Quest of an Appropriate Antiquity: The Arena of Verona and Its Influence on Architectural Theory in the Early Modern Era / Hubertus Günther -- Tradition and Originality in Raphael: The Stanza della Segnatura, the Middle Ages and Local Traditions / David Rijser -- An Appropriate Past for Renaissance Portugal: André de Resende and the City of Évora / Nuno Senos -- France -- The Construction of a National Past in the Bella Britannica by Humbert of Montmoret (d. circa 1525) / Thomas Haye -- Parody and Appropriation of the Past in the Grandes Chroniques Gargantuines and in Rabelais’s Pantagruel (1532) / Paul J. Smith -- Antiquity and Modernity: Sixteenth- to Eighteenth-Century French Architecture / Frédérique Lemerle -- The Roots of Philibert De l’Orme: Antiquity, Medieval Art, and Early Christian Architecture / Yves Pauwels -- The Low Countries -- From Chivalric Family Tree to “National” Gallery: The Portrait Series of the Counts of Holland, circa 1490–1650 / Karl Enenkel -- Dousa’s Medieval Tournaments: Chivalry Enters the Age of Humanism? / Coen Maas -- Living as Befits a Knight: New Castles in Seventeenth-Century Holland / Konrad Ottenheym -- ‘Non erubescat Hollandia’: Classical Embarrassment of Riches and the Construction of Local History in Hadrianus Junius’ Batavia / Coen Maas -- Epigraphy and Blurring Senses of the Past in Early Modern Travelling Men of Letters: The Case of Arnoldus Buchelius / Harald Hendrix -- ‘Sine amore, sine odio partium’: Nicolaus Burgundius’ Historia Belgica (1629) and his Tacitean Quest for an Appropriate Past / Marc Laureys -- The Mediaeval Prestige of Dutch Cities / Konrad Ottenheym -- An Appropriated History: The Case of the Amsterdam Town Hall (1648–1667) / Pieter Vlaardingerbroek -- The Holy Roman Empire -- Germany’s Glory, Past and Present: Konrad Peutinger’s Sermones convivales de mirandis Germanie antiquitatibus and Antiquarian Philology / Christoph Pieper -- Translating the Past: Local Romanesque Architecture in Germany and Its Fifteenth-Century Reinterpretation / Stephan Hoppe -- The Babylonian Origins of Trier / Hubertus Günther -- Poland and Sweden -- History and Architecture in Pursuit of a Gothic Heritage / Kristoffer Neville -- Early Modern Conceptualizations of Medieval History and Their Impact on Residential Architecture in the Polish-Lithuanian Commonwealth / Barbara Arciszewska -- Britain, Scotland, and Ireland -- Writing about Romano-British Architecture in the Late Seventeenth Century / Matthew Walker -- Preserving the Nation’s Zeal: Church Buildings and English Christian History in Stuart England / Anne-Françoise Morel. |
| Record Nr. | UNINA-9910309740703321 |
| Leiden ; ; Boston : , : Brill, , [2018] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The whispers of the muses : artworks as time travelers / / Vjeran Katunarić
| The whispers of the muses : artworks as time travelers / / Vjeran Katunarić |
| Autore | Katunarić Vjeran |
| Pubbl/distr/stampa | Stuttgart : , : Ibidem Verlag, , [2022] |
| Descrizione fisica | 1 online resource (361 pages) |
| Disciplina | 363.69 |
| Soggetto topico | Arts and history |
| ISBN | 9783838276977 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Introduction -- Chapter 1 Desensitized genius: The actuality of Dialectic of Enlightenment -- Introduction: Monsters, science, and art -- Excursus: The questionable role of God -- The archaic challenge of the aesthetic Enlightenment: The Sirens' song -- Opposing the Romantic worldview: The military Enlightenment -- The sensuous against the unregardful Enlightenment -- The hermeneutics of self-restraint -- or, What the Sirens actually said to Odysseus -- The peak of the antipoetic world: Nazism -- Conclusion: Genial stupidity and the quest for an aesthetic Enlightenment -- References -- Webography -- Chapter 2 A counter-stream toward a future: The whispering Muses -- Singers and whisperers -- Ten propositions -- References -- Chapter 3 Past and present, from which the future follows: On artistic cognition -- Introduction: Arrival at the unknown -- The social mechanism -- The angel of history -- Just an artist? -- Art as a signifier of the lifeworld-rebirth -- The monotheistic coup and linear time-the triumph of death? -- Going backwards or forward toward cosmic peace? -- References -- Chapter 4 The European Renaissance and the anticipation of capitalism -- The birth of a new alliance -- Last Supper with comrades -- Who will play Jesus? -- Jesus' performance of the New Testament script -- Farewell to idealism? -- References -- Webography -- Chapter 5 Baroque and Enlightenment: The architecture of the Prince -- An introduction to Versailles -- The ground floor next to emptiness-relief of the center of the world -- The magnificent façade for the primal urge -- Exclusive gardens -- Narcissistic mirrors -- Art and architecture and celebration of the highest power: A valid distinction? -- Time at an eternal standstill -- Versailles versus the triple helix -- References -- Webography.
Chapter 6 Romanticism: Anticipating revolution and nationalism -- Introduction: The effervescence of social emotions -- The "elective affinity" -- The choice of partners and morbid curiosity -- Being here and being there at once: A mission possible -- Freedom for the people led by the "eternal woman" -- The Sphinx who sang about the future-Verdi's Nabucco -- Verdi and the Risorgimento -- In the beginning was national thought-Va, Pensiero -- Singing about concordant rather than discordant nations -- References -- Chapter 7 Realism and dystopia: The tour de force of capitalism -- Introduction: Fictive justice and real injustice -- The enchanted misanthrope in A Christmas Carol -- "There is no job for you": Zola's Germinal -- The tour de force of capitalism: London's Iron Heel -- References -- Chapter 8 Modernism: Anticipating liberalism, fascism, and socialism -- Introduction: Temporal utopias -- The enthusiasm that swallows contradictions: Whitman's Leaves of Grass -- All times gathered in a common anthem to the world -- The future (as) machine: Marinetti's Manifesto of Futurism -- An agitating insomnia: D'Annunzio's Notturno -- Mephistopheles in Moscow: Bulgakov's Master and Margarita -- A destitute Jesus entering Cosmopolis: Krleža's "Croatian Rhapsody" -- References -- Chapter 9 The vanguard introducing a radical change invisual communication -- Introduction: Artistic visions playing with the law of gravitation -- Extending the scope of living matter: Picasso's Les Demoiselles d'Avignon -- African masks -- "Sacred prostitution" -- Preceding Miró: The blue void and Picasso's "sixth woman" -- The blue as the void and being: Miró's reanimations of objects -- References -- Webography -- Chapter 10 Postmodernism: Anticipating total commodification, the feminist continuity, and nostalgia. Introduction: The catastrophe of unilinear development and the cultural turn -- Postmodernism as the culture of late capitalism-how late? -- On postmodernism in the capitalist economy -- Barbara Kruger: I am not what I wanted to be -- Charles Willard Moore: Utopia interpolated in times and landscapes of place -- Marvel Comics-the return of monsters -- References -- Webography -- Chapter 11 Cinema Urania and Terra est Stella Nobilis: Anticipating cosmic peace and joy -- A couple of preliminary remarks -- Introduction -- The symbolic beginning of the new era -- The coming concert from Heaven and Earth celebrating the new life -- Urania and Gaia: Cosmic teacher and pupil -- From the Cenozoic to the Cosmozoic Era: The grand opening celebration -- An epilogue -- References -- Webography. |
| Record Nr. | UNINA-9910795744303321 |
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Katunarić Vjeran
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| Stuttgart : , : Ibidem Verlag, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The whispers of the muses : artworks as time travelers / / Vjeran Katunarić
| The whispers of the muses : artworks as time travelers / / Vjeran Katunarić |
| Autore | Katunarić Vjeran |
| Pubbl/distr/stampa | Stuttgart : , : Ibidem Verlag, , [2022] |
| Descrizione fisica | 1 online resource (361 pages) |
| Disciplina | 363.69 |
| Soggetto topico | Arts and history |
| ISBN | 9783838276977 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Acknowledgements -- Introduction -- Chapter 1 Desensitized genius: The actuality of Dialectic of Enlightenment -- Introduction: Monsters, science, and art -- Excursus: The questionable role of God -- The archaic challenge of the aesthetic Enlightenment: The Sirens' song -- Opposing the Romantic worldview: The military Enlightenment -- The sensuous against the unregardful Enlightenment -- The hermeneutics of self-restraint -- or, What the Sirens actually said to Odysseus -- The peak of the antipoetic world: Nazism -- Conclusion: Genial stupidity and the quest for an aesthetic Enlightenment -- References -- Webography -- Chapter 2 A counter-stream toward a future: The whispering Muses -- Singers and whisperers -- Ten propositions -- References -- Chapter 3 Past and present, from which the future follows: On artistic cognition -- Introduction: Arrival at the unknown -- The social mechanism -- The angel of history -- Just an artist? -- Art as a signifier of the lifeworld-rebirth -- The monotheistic coup and linear time-the triumph of death? -- Going backwards or forward toward cosmic peace? -- References -- Chapter 4 The European Renaissance and the anticipation of capitalism -- The birth of a new alliance -- Last Supper with comrades -- Who will play Jesus? -- Jesus' performance of the New Testament script -- Farewell to idealism? -- References -- Webography -- Chapter 5 Baroque and Enlightenment: The architecture of the Prince -- An introduction to Versailles -- The ground floor next to emptiness-relief of the center of the world -- The magnificent façade for the primal urge -- Exclusive gardens -- Narcissistic mirrors -- Art and architecture and celebration of the highest power: A valid distinction? -- Time at an eternal standstill -- Versailles versus the triple helix -- References -- Webography.
Chapter 6 Romanticism: Anticipating revolution and nationalism -- Introduction: The effervescence of social emotions -- The "elective affinity" -- The choice of partners and morbid curiosity -- Being here and being there at once: A mission possible -- Freedom for the people led by the "eternal woman" -- The Sphinx who sang about the future-Verdi's Nabucco -- Verdi and the Risorgimento -- In the beginning was national thought-Va, Pensiero -- Singing about concordant rather than discordant nations -- References -- Chapter 7 Realism and dystopia: The tour de force of capitalism -- Introduction: Fictive justice and real injustice -- The enchanted misanthrope in A Christmas Carol -- "There is no job for you": Zola's Germinal -- The tour de force of capitalism: London's Iron Heel -- References -- Chapter 8 Modernism: Anticipating liberalism, fascism, and socialism -- Introduction: Temporal utopias -- The enthusiasm that swallows contradictions: Whitman's Leaves of Grass -- All times gathered in a common anthem to the world -- The future (as) machine: Marinetti's Manifesto of Futurism -- An agitating insomnia: D'Annunzio's Notturno -- Mephistopheles in Moscow: Bulgakov's Master and Margarita -- A destitute Jesus entering Cosmopolis: Krleža's "Croatian Rhapsody" -- References -- Chapter 9 The vanguard introducing a radical change invisual communication -- Introduction: Artistic visions playing with the law of gravitation -- Extending the scope of living matter: Picasso's Les Demoiselles d'Avignon -- African masks -- "Sacred prostitution" -- Preceding Miró: The blue void and Picasso's "sixth woman" -- The blue as the void and being: Miró's reanimations of objects -- References -- Webography -- Chapter 10 Postmodernism: Anticipating total commodification, the feminist continuity, and nostalgia. Introduction: The catastrophe of unilinear development and the cultural turn -- Postmodernism as the culture of late capitalism-how late? -- On postmodernism in the capitalist economy -- Barbara Kruger: I am not what I wanted to be -- Charles Willard Moore: Utopia interpolated in times and landscapes of place -- Marvel Comics-the return of monsters -- References -- Webography -- Chapter 11 Cinema Urania and Terra est Stella Nobilis: Anticipating cosmic peace and joy -- A couple of preliminary remarks -- Introduction -- The symbolic beginning of the new era -- The coming concert from Heaven and Earth celebrating the new life -- Urania and Gaia: Cosmic teacher and pupil -- From the Cenozoic to the Cosmozoic Era: The grand opening celebration -- An epilogue -- References -- Webography. |
| Record Nr. | UNINA-9910807366403321 |
|
Katunarić Vjeran
|
||
| Stuttgart : , : Ibidem Verlag, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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