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Art and activism in the age of systemic crisis : aesthetic resilience / / edited by Eliza Steinbock, Bram Ieven, and Marijke de Valck
| Art and activism in the age of systemic crisis : aesthetic resilience / / edited by Eliza Steinbock, Bram Ieven, and Marijke de Valck |
| Pubbl/distr/stampa | New York : , : Routledge, , 2021 |
| Descrizione fisica | 1 online resource (xi, 212 pages) : illustrations |
| Disciplina | 700.103 |
| Collana | Routledge research in art and politics |
| Soggetto topico |
Arts - Political aspects
Art and social action |
| ISBN |
9780429269189
0-429-26918-8 1-000-19543-0 0-367-21984-0 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Resilience : searching for new weapons while fleeing -- Global conjunctions of aesthetic resilience -- Artistic practices of embodied resilience. |
| Record Nr. | UNINA-9910794351203321 |
| New York : , : Routledge, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art and activism in the age of systemic crisis : aesthetic resilience / / edited by Eliza Steinbock, Bram Ieven, and Marijke de Valck
| Art and activism in the age of systemic crisis : aesthetic resilience / / edited by Eliza Steinbock, Bram Ieven, and Marijke de Valck |
| Pubbl/distr/stampa | New York : , : Routledge, , 2021 |
| Descrizione fisica | 1 online resource (xi, 212 pages) : illustrations |
| Disciplina | 700.103 |
| Collana | Routledge research in art and politics |
| Soggetto topico |
Arts - Political aspects
Art and social action |
| ISBN |
9780429269189
0-429-26918-8 1-000-19543-0 0-367-21984-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Resilience : searching for new weapons while fleeing -- Global conjunctions of aesthetic resilience -- Artistic practices of embodied resilience. |
| Record Nr. | UNINA-9910815594203321 |
| New York : , : Routledge, , 2021 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
L'art, le politique et la création / / sous la direction de Florent Gaudez
| L'art, le politique et la création / / sous la direction de Florent Gaudez |
| Pubbl/distr/stampa | Editions L'Harmattan |
| Disciplina | 701/.03 |
| Altri autori (Persone) | GaudezFlorent |
| Soggetto topico |
Arts - Political aspects
Politics and culture |
| ISBN | 2-14-001275-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Nota di contenuto | tome 1. La création politique dans les arts -- tome 2. La création artistique subversive -- tome 3. Les frictions créatives art-politique. |
| Record Nr. | UNINA-9910149513203321 |
| Editions L'Harmattan | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Arts and power : policies in and by the arts / / Lisa Gaupp, Alenka Barber-Kersovan and Volker Kirchberg, editors
| Arts and power : policies in and by the arts / / Lisa Gaupp, Alenka Barber-Kersovan and Volker Kirchberg, editors |
| Pubbl/distr/stampa | Wiesbaden, Germany : , : Springer, , [2022] |
| Descrizione fisica | 1 online resource (358 pages) |
| Disciplina | 700.103 |
| Collana | Kunst und Gesellschaft |
| Soggetto topico |
Arts - Political aspects
Cultural policy Culture |
| ISBN | 3-658-37429-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | efi |
| Nota di contenuto |
Intro -- Contents -- List of Figures -- 1 Power and Policies in and by the Arts-Introduction -- Abstract -- 1.1 Domination and Power-Pivotal Terms for Sociological Research -- 1.2 Establishing and De-Establishing Power in the Arts -- 1.3 Arts and the Power of Social Structures -- 1.4 Arts and the Dominance of Political (Dis)Order -- 1.5 Power in the Arts-Power by the Arts -- References -- Part I Establishing and De-Establishing Power in the Arts -- 2 Repurposing the Black Arts Movement on the South Side of Chicago -- Abstract -- 2.1 Introduction -- 2.2 Culture and Community Development in Hyde Park/Kenwood -- 2.3 Who is Theaster Gates? -- 2.4 Gates and the University -- 2.5 Race, Class and the University of Chicago -- 2.6 Black Arts, Black Power -- 2.7 First Life: Black Arts Movement, Black Power and Welfare State Urban Policy -- 2.8 Second Life: Black Arts Movement and Neoliberal Considerations -- 2.9 Some Concluding Thoughts (for now) -- References -- 3 The ArtReview's Power 100: On the Concept and the Constitution of Power in Contemporary Art -- Abstract -- 3.1 Why a Ranking? Why Power? -- 3.2 Making the List: The World of the Power 100 -- 3.3 Forms of Power in the Power 100 -- 3.4 Power in the Power 100 from a Sociological Perspective -- References -- 4 How Organisations Exercise Power Through Peer Review: A Case Study from Contemporary Art Music -- Abstract -- 4.1 Introduction -- 4.1.1 What is Contemporary Art Music? -- 4.1.2 Methods -- 4.2 The Power to Define -- 4.2.1 Evaluation and Boundary Work -- 4.2.2 Rebuilding the "Wall" -- 4.2.3 How this Power to Define is Seen as Legitimate -- 4.3 Concluding Remarks -- References -- 5 Art Perception and Power. A Plea for Relational Sociological Aesthetics -- Abstract -- 5.1 Introduction -- 5.2 Social Science Research and the Visiting of Art Exhibitions.
5.3 The Practical Aesthetics of Experiencing Art and Art Exhibitions-Gar-Finkel, Goffman and Vom Lehn -- 5.4 The Field Analytic Aesthetics of Experiencing Art Exhibitions-Pierre Bourdieu -- 5.5 The Relational Sociological Aesthetics of Experiencing Art and Art Exhibitions-Georg Simmel -- 5.6 Conclusion -- References -- 6 Art Organisations and Their Visitors. About Standardisation Methods of Non-members -- Abstract -- 6.1 Art Organisations and the Problem of Non-Membership of Visitors -- 6.2 How Do Visitors Behave in Art Organisations? -- 6.2.1 Interaction Order 1: Applause at the Wrong Passages -- 6.2.2 Interaction Order 2: Singing in the Opera House -- 6.2.3 Interaction Order 3: Disturbing the Acoustic Warning Barriers -- 6.3 Why Do Visitors Behave Similarly in Art Organisations? -- 6.4 Concluding Remarks -- References -- Part II The Arts and the Power of Social Structures -- 7 Equality, History, Tradition: Gender-Political Issues in the Oxford Collegiate Choral Scene -- Abstract -- 7.1 Introduction -- 7.2 Methods and Participants -- 7.3 Aesthetics and Equal Access versus Preservation of a Tradition -- 7.4 Gendered Musicality and Institutional Obstacles -- 7.5 Conclusions -- References -- 8 "When She Talks, I Hear the Revolution": Pop Feminism Between Hegemony and Subalternity -- Abstract -- 8.1 "Hot Topic": Pop Culture -- 8.2 "All About that Base": Structure and Superstructure -- 8.3 "A Walking Contradiction" -- 8.4 "Strong Enough": Universalising Good Sense -- 8.5 "Smells like Teen Spirit": Pop Culture in Civil Society -- 8.6 "This is the End": Pop Feminism Can Build Bridges -- References -- 9 Female Bodybuilding and Patriarchal Civilization. The Intrusion of a Practice in Sport into Artistic Fields and Visual Culture -- Abstract -- 9.1 Introduction -- 9.2 Some Aspects of the Practice of Bodybuilding. 9.3 Pierre Bourdieu and Loïc Wacquant on Bodybuilding and Sports -- 9.4 Bodybuilding as a Kind of Sport vs. Bodybuilding in the Artistic Field and in Popular Visual Culture -- 9.5 Aspects of the History of (Female) Bodybuilding in the Second Half of the Twentieth Century: Primary Social Antagonisms and Gender Tensions -- 9.6 The Twenty-First Century: The Evolution vs. Decline of Female Bodybuilding Disputes -- 9.7 Views on Female Bodybuilding-Gender Transgression and Parody. Subversive Acts, or the Reproduction of Ideals of Femininity? -- 9.8 Female Bodybuilding Contests: Demands for Femininity -- 9.9 Conclusions -- References -- 10 On the History of the Blues in the Field of Music Production in the United States Beginning in the 20th Century: A Field Theoretical Approach -- Abstract -- References -- 11 "It's Almost like Greeting"-Artistic Development Projects and Value Making of Traditional Art Practices in Ugandan Civil Society -- Abstract -- 11.1 Introduction -- 11.2 The Question of Power -- 11.3 Methodology -- 11.4 Sample -- 11.5 Visual Culture and Civil Society in Uganda -- 11.6 Art Education Today -- 11.7 Civil Society -- 11.8 Visual Culture -- 11.8.1 Socially Engaged Artistic Expression -- 11.8.2 Visual Culture Between Neglection and Appreciation -- 11.8.3 Framing of Visual Culture -- 11.9 It's Almost like Greeting-Value Making of Traditional Art Practices -- 11.10 Poverty Eradication Through Craft-Making -- 11.11 Lived and Felt Value of Visual Culture -- 11.12 Conclusions -- References -- Part III The Arts and the Dominance of Politics and Economic Order -- 12 Art Politics' Tendencies of the Documenta Exhibition Series -- Abstract -- 12.1 Documenta 1955 -- 12.2 Avant-Garde Approaches -- 12.3 Documenta 4 (1968) -- 12.4 Documenta IX (1992) -- 12.5 Different Art Worlds -- List of Figures -- References. 13 The Aesthetic Subversion of Cultural Posters-Examples from the Former People's Republic of Poland -- Abstract -- 13.1 Relevant Socio-Political Events in the People's Republic of Poland -- 13.2 Socialist Realism as an Art Doctrine in the People's Republic of Poland -- 13.3 Methodical Approaches -- 13.4 Analyses of Polish Cultural Posters -- 13.5 Conclusion -- References -- 14 "The Dead are Coming". Contemporary Interventionist Art, Political Beauty, and the Power of Reason -- Abstract -- 14.1 Introduction -- 14.2 Performance, Methods, Strategies -- 14.2.1 A Performance in Several Acts -- 14.2.2 Methods Between Activism and Art -- 14.2.3 Three Aesthetico-Political Strategies -- 14.3 The Communicative Power of Artistic Dramaturgical Action -- 14.3.1 Dramaturgical Action -- 14.3.2 The "Powers and Forces" of a Dramaturgical Performance -- 14.3.3 The Art of Bending the Fields of Force of Good Reasons -- 14.4 The Center for Political Beauty's Aesthetic Intent: A Call to Action -- 14.5 Concluding Thoughts -- References -- 15 Musical Interface Agendas. Musical Appropriation via Technological Pre-configuration -- Abstract -- 15.1 Introduction -- 15.2 Interfaces, Devices, and Their Role as Designed Things -- 15.3 Musical Interface Complexes and the Empty World -- 15.4 Method -- 15.5 Artifact-Analytical Descriptions -- 15.6 Implications of the Self-Documentation Videos -- 15.7 Discussion -- 15.8 Summary -- References -- 16 Who Plays? an Analysis of Musicians' Global Mobility in the World Music Market -- Abstract -- 16.1 Introduction -- 16.2 Understanding Musicians' Global Mobility -- 16.3 The World Music Market -- 16.4 Empirical Analysis of Musicians' Global Mobility -- 16.5 Final Considerations -- References -- List of authors and German abstracts. |
| Record Nr. | UNINA-9910592991203321 |
| Wiesbaden, Germany : , : Springer, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dance, politics & co-immunity / / edited by Gerald Siegmund und Stefan Hölscher
| Dance, politics & co-immunity / / edited by Gerald Siegmund und Stefan Hölscher |
| Edizione | [1. Auflage =] |
| Pubbl/distr/stampa | Zürich : , : Diaphanes, , [2013] |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 784.10923489 |
| Collana | Thinking resistances : current perspectives on politics and communities in the arts |
| Soggetto topico |
Dance - Political aspects
Aesthetics - Political aspects Arts - Political aspects Communities - Political aspects Political science - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN | 3-03734-814-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Table of Contents; 1. The Politics of Enjoyment; From Partaking to Initiating: Leadingfollowing as Dance's (a-personal) Political Singularity; Dancing Politics. Political Reflections on Choreography, Dance and Protest; Working Out Contemporaneity. Dance and Post-Fordism; 2. The Politics of Sense; Coming Alive in a World of Texture. For Neurodiversity; Civilisational Wilderness or Civilderness and Cultural Immune Systems; Choreographing Participatory Relations. Contamination and Articulation; 3. The Politics of Modernism; On the Choreographic Production of Problems
Heteropolitics of Contemporary Dance. Xavier Le Roy's ""Le Sacre du printemps""Myth, Nationalism and Embodiment in ""American Document""; 4. The Politics of the Social; Notes on the Politicality of Contemporary Dance; The (Micro-)Politics of Social Choreography. Aesthetic and Political Strategies of Protest and Participation; Mobilizing Dance. Toward a Social Logic of the Derivative; ""My Private Bio-Politics"". A Performance on the Paper Floor (Third phase); 5. The Politics of Community; The Biopolitics of Modernist Dance and Suffragette Protest Politics of Immunization and the Precarious LifeAfter Community: Condividuality; Notes on Contributors |
| Record Nr. | UNINA-9910460866303321 |
| Zürich : , : Diaphanes, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dance, politics & co-immunity / / edited by Gerald Siegmund und Stefan Hölscher
| Dance, politics & co-immunity / / edited by Gerald Siegmund und Stefan Hölscher |
| Edizione | [1. Auflage =] |
| Pubbl/distr/stampa | Zürich : , : Diaphanes, , [2013] |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 784.10923489 |
| Collana | Thinking resistances : current perspectives on politics and communities in the arts |
| Soggetto topico |
Dance - Political aspects
Aesthetics - Political aspects Arts - Political aspects Communities - Political aspects Political science - Philosophy |
| ISBN | 3-03734-814-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Table of Contents; 1. The Politics of Enjoyment; From Partaking to Initiating: Leadingfollowing as Dance's (a-personal) Political Singularity; Dancing Politics. Political Reflections on Choreography, Dance and Protest; Working Out Contemporaneity. Dance and Post-Fordism; 2. The Politics of Sense; Coming Alive in a World of Texture. For Neurodiversity; Civilisational Wilderness or Civilderness and Cultural Immune Systems; Choreographing Participatory Relations. Contamination and Articulation; 3. The Politics of Modernism; On the Choreographic Production of Problems
Heteropolitics of Contemporary Dance. Xavier Le Roy's ""Le Sacre du printemps""Myth, Nationalism and Embodiment in ""American Document""; 4. The Politics of the Social; Notes on the Politicality of Contemporary Dance; The (Micro-)Politics of Social Choreography. Aesthetic and Political Strategies of Protest and Participation; Mobilizing Dance. Toward a Social Logic of the Derivative; ""My Private Bio-Politics"". A Performance on the Paper Floor (Third phase); 5. The Politics of Community; The Biopolitics of Modernist Dance and Suffragette Protest Politics of Immunization and the Precarious LifeAfter Community: Condividuality; Notes on Contributors |
| Record Nr. | UNINA-9910797486203321 |
| Zürich : , : Diaphanes, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dance, politics & co-immunity / / edited by Gerald Siegmund und Stefan Hölscher
| Dance, politics & co-immunity / / edited by Gerald Siegmund und Stefan Hölscher |
| Edizione | [1. Auflage =] |
| Pubbl/distr/stampa | Zürich : , : Diaphanes, , [2013] |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 784.10923489 |
| Collana | Thinking resistances : current perspectives on politics and communities in the arts |
| Soggetto topico |
Dance - Political aspects
Aesthetics - Political aspects Arts - Political aspects Communities - Political aspects Political science - Philosophy |
| ISBN | 3-03734-814-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Table of Contents; 1. The Politics of Enjoyment; From Partaking to Initiating: Leadingfollowing as Dance's (a-personal) Political Singularity; Dancing Politics. Political Reflections on Choreography, Dance and Protest; Working Out Contemporaneity. Dance and Post-Fordism; 2. The Politics of Sense; Coming Alive in a World of Texture. For Neurodiversity; Civilisational Wilderness or Civilderness and Cultural Immune Systems; Choreographing Participatory Relations. Contamination and Articulation; 3. The Politics of Modernism; On the Choreographic Production of Problems
Heteropolitics of Contemporary Dance. Xavier Le Roy's ""Le Sacre du printemps""Myth, Nationalism and Embodiment in ""American Document""; 4. The Politics of the Social; Notes on the Politicality of Contemporary Dance; The (Micro-)Politics of Social Choreography. Aesthetic and Political Strategies of Protest and Participation; Mobilizing Dance. Toward a Social Logic of the Derivative; ""My Private Bio-Politics"". A Performance on the Paper Floor (Third phase); 5. The Politics of Community; The Biopolitics of Modernist Dance and Suffragette Protest Politics of Immunization and the Precarious LifeAfter Community: Condividuality; Notes on Contributors |
| Record Nr. | UNINA-9910825544603321 |
| Zürich : , : Diaphanes, , [2013] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dark matter [[electronic resource] ] : art and politics in the age of enterprise culture / / Gregory Sholette
| Dark matter [[electronic resource] ] : art and politics in the age of enterprise culture / / Gregory Sholette |
| Autore | Sholette Gregory |
| Pubbl/distr/stampa | London ; ; New York, : Pluto Press, 2011 |
| Descrizione fisica | xvi, 240 p. : ill |
| Disciplina | 700..1/03 |
| Collana | Marxism and culture |
| Soggetto topico |
Arts - Political aspects
Artists - Political activity Arts - Economic aspects Arts and society |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78371-446-8
1-84964-543-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910460444403321 |
Sholette Gregory
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| London ; ; New York, : Pluto Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dark matter : art and politics in the age of enterprise culture / / Gregory Sholette
| Dark matter : art and politics in the age of enterprise culture / / Gregory Sholette |
| Autore | Sholette Gregory |
| Pubbl/distr/stampa | London ; ; New York : , : Pluto Press, , 2011 |
| Descrizione fisica | 1 online resource (xvi, 240 pages) : illustrations |
| Disciplina | 700..1/03 |
| Collana | Marxism and culture |
| Soggetto topico |
Arts - Political aspects
Artists - Political activity Arts - Economic aspects Arts and society |
| ISBN |
1-78371-446-8
1-84964-543-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910785413003321 |
|
Sholette Gregory
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| London ; ; New York : , : Pluto Press, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Dark matter : art and politics in the age of enterprise culture / / Gregory Sholette
| Dark matter : art and politics in the age of enterprise culture / / Gregory Sholette |
| Autore | Sholette Gregory |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Pluto Press, , 2011 |
| Descrizione fisica | 1 online resource (xvi, 240 pages) : illustrations |
| Disciplina | 700..1/03 |
| Collana | Marxism and culture |
| Soggetto topico |
Arts - Political aspects
Artists - Political activity Arts - Economic aspects Arts and society |
| ISBN |
1-78371-446-8
1-84964-543-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Contents -- Series Preface -- Acknowledgments -- Exordium: An Accidental Remainder -- Introduction: The Missing Mass -- 1. Art, Politics, Dark Matter: Nine Prologues -- 2. The Grin of the Archive -- 3. History That Disturbs the Present -- 4. Temporary Services -- 5. Glut, Overproduction, Redundancy! -- 6. The Unnamable -- 7. Mockstitutions -- 8. Conclusions: Nights of Amateurs -- Notes -- Bibliography -- Appendix: Artists' Groups Survey 2008 -- Index. |
| Record Nr. | UNINA-9910810869703321 |
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Sholette Gregory
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| London ; ; New York : , : Pluto Press, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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