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Body, space and technology journal
| Body, space and technology journal |
| Pubbl/distr/stampa | West London, England, : Brunel University |
| Soggetto topico |
Technology and the arts
Performing arts Arts, Modern - 21st century Technologie et arts Arts du spectacle Arts - 21e siècle Arts, Modern |
| Soggetto genere / forma | Periodicals. |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti |
Body, space & technology journal
BST BST journal |
| Record Nr. | UNINA-9910146753103321 |
| West London, England, : Brunel University | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Bomb
| Bomb |
| Pubbl/distr/stampa | New York, : X Motion Picture and Center for New Art Activities, 1981- |
| Disciplina | 700/.9/04 |
| Soggetto topico |
Arts, Modern - 20th century
Avant-garde (Aesthetics) - History - 20th century Arts, Modern Avant-garde (Aesthetics) Arts - 20e siècle Arts - 21e siècle Arts latino-américains - 21e siècle |
| Soggetto genere / forma |
Sztuka współczesna
Czasopismo o sztuce History Periodicals. periodicals. Périodiques. |
| ISSN | 2328-2894 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Bomb magazine |
| Record Nr. | UNINA-9910131837003321 |
| New York, : X Motion Picture and Center for New Art Activities, 1981- | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Mobilités culturelles : regards croisés Brésil/Canada / / sous la direction de Pascal Gin et Walter Moser = Cultural mobilities : a cross-perspective between Brazil and Canada / edited by Pascal Gin and Walter Moser
| Mobilités culturelles : regards croisés Brésil/Canada / / sous la direction de Pascal Gin et Walter Moser = Cultural mobilities : a cross-perspective between Brazil and Canada / edited by Pascal Gin and Walter Moser |
| Pubbl/distr/stampa | Ottawa [Ont.], : Presses de l'Université d'Ottawa = University of Ottawa Press, 2011 |
| Descrizione fisica | 1 online resource (365 p.) |
| Disciplina | 700/.971 |
| Altri autori (Persone) |
MoserWalter <1942->
GinPascal <1967-> |
| Collana | Transferts culturels =Cultural transfers |
| Soggetto topico |
Movement (Philosophy) in art
Arts, Canadian - 21st century Arts, Brazilian - 21st century Arts, Modern - 21st century Mouvement (Philosophie) dans l'art Arts canadiens - 21e siècle Arts brésiliens - 21e siècle Arts - 21e siècle |
| ISBN |
9786613667946
9781280691003 128069100X 9782760319844 2760319849 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Nota di contenuto |
Couverture / Cover Page; Mobilités culturelles / Cultural Mobilities; Page de droit d'auteur / Copyright; Table des matières / Contents; Avant-propos; Introduction; Analyser les mobilités culturelles; PREMIÈRE PARTIE / PART ONE; Présentation d'ensemble / Overview; I: The Brazilian Backlands as a Site of Migration: From Cinema Novo to Contemporary Cinema; II: Translocal Transits in Toronto Art Practices; III: Journaux de rue : espaces entrecroisés; IV: Les flux globaux subalternes, la ville et les camélodromes brésiliens; V: Perambulations: Art of Motion and the Streets of Ottawa
VI: L'itinérance des artistes et la constitution du champ des arts à Brasília (1958-2005)SECONDE PARTIE / PART TWO; Présentation d'ensemble / Overview; VII: The Sublime of Mobility and Thomas Wharton's Icefields; VIII: Déterritorialisation et cosmopolitisme dans le roman brésilien des années 2000; IX: Transnational Movements, Cultural Mobility and Literary Transits; X: L'expérience de filmer l'entre-cultures à la première personne chez Gariné Torossian et Sandra Kogut; XI: Le corps anthropophage dans Marché aux puces; Conclusion; Penser une culture de la mobilité Notices bio-bibliographiques / List of Contributors |
| Record Nr. | UNINA-9910155850203321 |
| Ottawa [Ont.], : Presses de l'Université d'Ottawa = University of Ottawa Press, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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