African art and agency in the workshop [[electronic resource] /] / edited by Sidney Littlefield Kasfir and Till Forster
| African art and agency in the workshop [[electronic resource] /] / edited by Sidney Littlefield Kasfir and Till Forster |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2013 |
| Descrizione fisica | 1 online resource (429 p.) |
| Disciplina | 706.096 |
| Altri autori (Persone) |
KasfirSidney Littlefield
ForsterTill |
| Collana | African expressive cultures |
| Soggetto topico |
Workshops - Africa
Artists' studios - Africa Artisans - Africa - Societies, etc Art patronage - Africa |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-299-24345-2
0-253-00758-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Contents; Acknowledgments; Introduction; Rethinking the Workshop: Work and Agency in African Art; The Contributions to This Book; Part 1: Production, Education, and Learning; 1 Grace Dieu Mission in South Africa: Defining the Modern Art Workshop in Africa; 2 Follow the Wood: Carving and Political Cosmology in Oku, Cameroon; 3 Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as a Multi-sited Pottery Workshop; 4 An Artist's Notes on the Triangle Workshops, Zambia and South Africa; Part 2: Audience and Encounters
5 Stitched-up Women, Pinned-down Men: Gender Politics in Weya and Mapula Needlework, Zimbabwe and South Africa 6 Rethinking Mbari Mbayo: Osogbo Workshops in the 1960's, Nigeria; 7 Working on the Small Difference: Notes on the Making of Sculpture in Tengenenge, Zimbabwe; 8 Navigating Nairobi: Artists in a Workshop System, Kenya; Part 3: Patronage and Domination; 9 Lewanika's Workshop and the Vision of Lozi Arts, Zambia; 10 Artesãos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives, and the Art of Socialist Revolution in Postcolonial Mozambique 11 Frank McEwen and Joram Mariga: Patron and Artist in the Rhodesian Workshop School Setting, Zimbabwe 12 ""A Matter of Must"": Continuities and Change in the Adugbologe Woodcarving Workshop in Abeokuta, Nigeria; Part 4: Comparative Aspects; 13 Work and Workshop: The Iteration of Style and Genre in Two Workshop Settings, Côte d'Ivoire and Cameroon; 14 Apprentices and Entrepreneurs: The Workshop and Style Uniformity in Sub-Saharan Africa; Coda; Apprentices and Entrepreneurs Revisited: Twenty Years of Workshop Changes, 1987-2007; Contributors; Index |
| Record Nr. | UNINA-9910465755203321 |
| Bloomington, : Indiana University Press, 2013 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
African art and agency in the workshop [[electronic resource] /] / edited by Sidney Littlefield Kasfir and Till Forster
| African art and agency in the workshop [[electronic resource] /] / edited by Sidney Littlefield Kasfir and Till Forster |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2013 |
| Descrizione fisica | 1 online resource (429 p.) |
| Disciplina | 706.096 |
| Altri autori (Persone) |
KasfirSidney Littlefield
ForsterTill |
| Collana | African expressive cultures |
| Soggetto topico |
Workshops - Africa
Artists' studios - Africa Artisans - Africa - Societies, etc Art patronage - Africa |
| ISBN |
1-299-24345-2
0-253-00758-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Contents; Acknowledgments; Introduction; Rethinking the Workshop: Work and Agency in African Art; The Contributions to This Book; Part 1: Production, Education, and Learning; 1 Grace Dieu Mission in South Africa: Defining the Modern Art Workshop in Africa; 2 Follow the Wood: Carving and Political Cosmology in Oku, Cameroon; 3 Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as a Multi-sited Pottery Workshop; 4 An Artist's Notes on the Triangle Workshops, Zambia and South Africa; Part 2: Audience and Encounters
5 Stitched-up Women, Pinned-down Men: Gender Politics in Weya and Mapula Needlework, Zimbabwe and South Africa 6 Rethinking Mbari Mbayo: Osogbo Workshops in the 1960's, Nigeria; 7 Working on the Small Difference: Notes on the Making of Sculpture in Tengenenge, Zimbabwe; 8 Navigating Nairobi: Artists in a Workshop System, Kenya; Part 3: Patronage and Domination; 9 Lewanika's Workshop and the Vision of Lozi Arts, Zambia; 10 Artesãos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives, and the Art of Socialist Revolution in Postcolonial Mozambique 11 Frank McEwen and Joram Mariga: Patron and Artist in the Rhodesian Workshop School Setting, Zimbabwe 12 ""A Matter of Must"": Continuities and Change in the Adugbologe Woodcarving Workshop in Abeokuta, Nigeria; Part 4: Comparative Aspects; 13 Work and Workshop: The Iteration of Style and Genre in Two Workshop Settings, Côte d'Ivoire and Cameroon; 14 Apprentices and Entrepreneurs: The Workshop and Style Uniformity in Sub-Saharan Africa; Coda; Apprentices and Entrepreneurs Revisited: Twenty Years of Workshop Changes, 1987-2007; Contributors; Index |
| Record Nr. | UNINA-9910792084203321 |
| Bloomington, : Indiana University Press, 2013 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
African art and agency in the workshop / / edited by Sidney Littlefield Kasfir and Till Forster
| African art and agency in the workshop / / edited by Sidney Littlefield Kasfir and Till Forster |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington, : Indiana University Press, 2013 |
| Descrizione fisica | 1 online resource (429 p.) |
| Disciplina | 706.06 |
| Altri autori (Persone) |
KasfirSidney Littlefield
FörsterTill |
| Collana | African expressive cultures |
| Soggetto topico |
Workshops - Africa
Artists' studios - Africa Artisans - Africa - Societies, etc Art patronage - Africa |
| ISBN |
1-299-24345-2
0-253-00758-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright; Contents; Acknowledgments; Introduction; Rethinking the Workshop: Work and Agency in African Art; The Contributions to This Book; Part 1: Production, Education, and Learning; 1 Grace Dieu Mission in South Africa: Defining the Modern Art Workshop in Africa; 2 Follow the Wood: Carving and Political Cosmology in Oku, Cameroon; 3 Masters, Trend-makers, and Producers: The Village of Nsei, Cameroon, as a Multi-sited Pottery Workshop; 4 An Artist's Notes on the Triangle Workshops, Zambia and South Africa; Part 2: Audience and Encounters
5 Stitched-up Women, Pinned-down Men: Gender Politics in Weya and Mapula Needlework, Zimbabwe and South Africa 6 Rethinking Mbari Mbayo: Osogbo Workshops in the 1960's, Nigeria; 7 Working on the Small Difference: Notes on the Making of Sculpture in Tengenenge, Zimbabwe; 8 Navigating Nairobi: Artists in a Workshop System, Kenya; Part 3: Patronage and Domination; 9 Lewanika's Workshop and the Vision of Lozi Arts, Zambia; 10 Artesãos da Nossa Pátria: Makonde Blackwood Sculptors, Cooperatives, and the Art of Socialist Revolution in Postcolonial Mozambique 11 Frank McEwen and Joram Mariga: Patron and Artist in the Rhodesian Workshop School Setting, Zimbabwe 12 ""A Matter of Must"": Continuities and Change in the Adugbologe Woodcarving Workshop in Abeokuta, Nigeria; Part 4: Comparative Aspects; 13 Work and Workshop: The Iteration of Style and Genre in Two Workshop Settings, Côte d'Ivoire and Cameroon; 14 Apprentices and Entrepreneurs: The Workshop and Style Uniformity in Sub-Saharan Africa; Coda; Apprentices and Entrepreneurs Revisited: Twenty Years of Workshop Changes, 1987-2007; Contributors; Index |
| Record Nr. | UNINA-9910973949803321 |
| Bloomington, : Indiana University Press, 2013 | ||
| Lo trovi qui: Univ. Federico II | ||
| ||