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The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon
| The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2013 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina |
708
727.701 727/.701 |
| Soggetto topico |
Art museums - Philosophy
Curatorship - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-4725-3361-5
1-4725-2316-4 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
HalfTitle; Series; Title; Copyright; Contents; Illustrations; Preface; Notes on Contributors; Introduction; Part I Send-Offs; 1 On the Curatorial, From the Trapeze; AZ; BY; CX; DW; EV; FU; GT; HS; IR; JQ; KP; LO; MN; 2 Theses in the Philosophy of Curating1; Gift; Embodied knowledge; The other of narrative; Spacing; Mapping and playing chess; Send-Off; Warrior of the imaginary; A place that isn't one; The ignorant body; Thought; 3 Whence the Future?; 4 The Expanding Field; What on earth do they mean?; The limits of multiplicity; Contemporaneity as infrastructure; 5 Dear Art, Yours Sincerely
Part II Praxeologies6 The Curator Crosses the River: A Fabulation; 7 Becoming-Curator; The event of becoming a curatorial subject; Truth - Knowledge; Three moves; Conclusion; 8 An Exhausted Curating; 9 Eros, Plague, Olfaction: Three Allegories of the Curatorial; Autistic doxology; Eros: Sensual epistemology; Plague: Affective contagion; Olfaction: Being sense; Operative play; Part III Moves; 10 The Task at Hand: Transcending the Clamp of Sovereignty; 11 The Simple Operator; Foreword; The rise up; Crossing over; The other; An example of beginning; Naming; The setting down 12 Three Short Takes on the CuratorialBlinding; Inhibiting; Symptom; 13 Aku menjadi saksi kepada - What I am Thinking; 14 Betrayal and the Curatorial - A Testimony for the Committee on the Curatorial; Part IV Heresies; 15 A Conspiracy without a Plot; The accomplice; The undercommons; The police; Study; Invocation; Care; Complicit love; 16 What does a Question Do? Micropolitics and Art Education; 17 Being Able to Do Something; A decided 'perhaps'; A question mark within; Critical agency; 18 The Politics of Residual Fun; The art of conversation; Technologies of fun; Part V Refigurations 19 Modern Art: Its Very Idea and the Time/Space of the Collection20 Two Invoking Media: Radio and Exhibition; 21 In Unfamiliar Terrain: Preliminary Notes towards Site-Relationality and the Curatorial; Report on Balikci Denjongpa's project; Report on the Alien Nation Project: The dynamics of community; Site-relationality: Map-making as gesture; Summation: Conflict and endless overlaps of disciplinary thoughts; 22 Curating Ghostly Objects: Counter-Memories in Cinematic Space; Introduction: The curatorial mode of filmmaking; Exhibiting warchitecture: Borders as sites of catastrophic memories Curating soundscapes: Remembering the polyvocal/multilingual societyPerforming counter-narratives: Reminiscing unofficial histories; Conclusion; 23 Non-Museums; Srinagar, 1963; Kassel, 2012; National Art Gallery, Islamabad, 2007; Toba Tek Singh, 1948 or 1949; Part VI Stages; 24 Curating, Dramatization and the Diagram: Notes towards a Sensible Stage; 25 Curating Context; Coda: Your Apples Fall Into My Garden: Two Takes on Context; 26 Backstage and Processuality: Unfolding the Installation Sites of Curatorial Projects; Processual notions; Call for materialism; Unfolding installation sites 27 This Is Not About Us |
| Record Nr. | UNINA-9910511908503321 |
| New York : , : Bloomsbury Academic, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon
| The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2013 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina | 727/.701 |
| Soggetto topico |
Art museums - Philosophy
Curatorship - Philosophy |
| ISBN |
1-4725-3361-5
1-4725-2316-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
HalfTitle; Series; Title; Copyright; Contents; Illustrations; Preface; Notes on Contributors; Introduction; Part I Send-Offs; 1 On the Curatorial, From the Trapeze; AZ; BY; CX; DW; EV; FU; GT; HS; IR; JQ; KP; LO; MN; 2 Theses in the Philosophy of Curating1; Gift; Embodied knowledge; The other of narrative; Spacing; Mapping and playing chess; Send-Off; Warrior of the imaginary; A place that isn't one; The ignorant body; Thought; 3 Whence the Future?; 4 The Expanding Field; What on earth do they mean?; The limits of multiplicity; Contemporaneity as infrastructure; 5 Dear Art, Yours Sincerely
Part II Praxeologies6 The Curator Crosses the River: A Fabulation; 7 Becoming-Curator; The event of becoming a curatorial subject; Truth - Knowledge; Three moves; Conclusion; 8 An Exhausted Curating; 9 Eros, Plague, Olfaction: Three Allegories of the Curatorial; Autistic doxology; Eros: Sensual epistemology; Plague: Affective contagion; Olfaction: Being sense; Operative play; Part III Moves; 10 The Task at Hand: Transcending the Clamp of Sovereignty; 11 The Simple Operator; Foreword; The rise up; Crossing over; The other; An example of beginning; Naming; The setting down 12 Three Short Takes on the CuratorialBlinding; Inhibiting; Symptom; 13 Aku menjadi saksi kepada - What I am Thinking; 14 Betrayal and the Curatorial - A Testimony for the Committee on the Curatorial; Part IV Heresies; 15 A Conspiracy without a Plot; The accomplice; The undercommons; The police; Study; Invocation; Care; Complicit love; 16 What does a Question Do? Micropolitics and Art Education; 17 Being Able to Do Something; A decided 'perhaps'; A question mark within; Critical agency; 18 The Politics of Residual Fun; The art of conversation; Technologies of fun; Part V Refigurations 19 Modern Art: Its Very Idea and the Time/Space of the Collection20 Two Invoking Media: Radio and Exhibition; 21 In Unfamiliar Terrain: Preliminary Notes towards Site-Relationality and the Curatorial; Report on Balikci Denjongpa's project; Report on the Alien Nation Project: The dynamics of community; Site-relationality: Map-making as gesture; Summation: Conflict and endless overlaps of disciplinary thoughts; 22 Curating Ghostly Objects: Counter-Memories in Cinematic Space; Introduction: The curatorial mode of filmmaking; Exhibiting warchitecture: Borders as sites of catastrophic memories Curating soundscapes: Remembering the polyvocal/multilingual societyPerforming counter-narratives: Reminiscing unofficial histories; Conclusion; 23 Non-Museums; Srinagar, 1963; Kassel, 2012; National Art Gallery, Islamabad, 2007; Toba Tek Singh, 1948 or 1949; Part VI Stages; 24 Curating, Dramatization and the Diagram: Notes towards a Sensible Stage; 25 Curating Context; Coda: Your Apples Fall Into My Garden: Two Takes on Context; 26 Backstage and Processuality: Unfolding the Installation Sites of Curatorial Projects; Processual notions; Call for materialism; Unfolding installation sites 27 This Is Not About Us |
| Record Nr. | UNINA-9910787782203321 |
| New York : , : Bloomsbury Academic, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon
| The curatorial : a philosophy of curating / / edited by Jean-Paul Martinon |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2013 |
| Descrizione fisica | 1 online resource (281 p.) |
| Disciplina | 727/.701 |
| Soggetto topico |
Art museums - Philosophy
Curatorship - Philosophy |
| ISBN |
1-4725-3361-5
1-4725-2316-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
HalfTitle; Series; Title; Copyright; Contents; Illustrations; Preface; Notes on Contributors; Introduction; Part I Send-Offs; 1 On the Curatorial, From the Trapeze; AZ; BY; CX; DW; EV; FU; GT; HS; IR; JQ; KP; LO; MN; 2 Theses in the Philosophy of Curating1; Gift; Embodied knowledge; The other of narrative; Spacing; Mapping and playing chess; Send-Off; Warrior of the imaginary; A place that isn't one; The ignorant body; Thought; 3 Whence the Future?; 4 The Expanding Field; What on earth do they mean?; The limits of multiplicity; Contemporaneity as infrastructure; 5 Dear Art, Yours Sincerely
Part II Praxeologies6 The Curator Crosses the River: A Fabulation; 7 Becoming-Curator; The event of becoming a curatorial subject; Truth - Knowledge; Three moves; Conclusion; 8 An Exhausted Curating; 9 Eros, Plague, Olfaction: Three Allegories of the Curatorial; Autistic doxology; Eros: Sensual epistemology; Plague: Affective contagion; Olfaction: Being sense; Operative play; Part III Moves; 10 The Task at Hand: Transcending the Clamp of Sovereignty; 11 The Simple Operator; Foreword; The rise up; Crossing over; The other; An example of beginning; Naming; The setting down 12 Three Short Takes on the CuratorialBlinding; Inhibiting; Symptom; 13 Aku menjadi saksi kepada - What I am Thinking; 14 Betrayal and the Curatorial - A Testimony for the Committee on the Curatorial; Part IV Heresies; 15 A Conspiracy without a Plot; The accomplice; The undercommons; The police; Study; Invocation; Care; Complicit love; 16 What does a Question Do? Micropolitics and Art Education; 17 Being Able to Do Something; A decided 'perhaps'; A question mark within; Critical agency; 18 The Politics of Residual Fun; The art of conversation; Technologies of fun; Part V Refigurations 19 Modern Art: Its Very Idea and the Time/Space of the Collection20 Two Invoking Media: Radio and Exhibition; 21 In Unfamiliar Terrain: Preliminary Notes towards Site-Relationality and the Curatorial; Report on Balikci Denjongpa's project; Report on the Alien Nation Project: The dynamics of community; Site-relationality: Map-making as gesture; Summation: Conflict and endless overlaps of disciplinary thoughts; 22 Curating Ghostly Objects: Counter-Memories in Cinematic Space; Introduction: The curatorial mode of filmmaking; Exhibiting warchitecture: Borders as sites of catastrophic memories Curating soundscapes: Remembering the polyvocal/multilingual societyPerforming counter-narratives: Reminiscing unofficial histories; Conclusion; 23 Non-Museums; Srinagar, 1963; Kassel, 2012; National Art Gallery, Islamabad, 2007; Toba Tek Singh, 1948 or 1949; Part VI Stages; 24 Curating, Dramatization and the Diagram: Notes towards a Sensible Stage; 25 Curating Context; Coda: Your Apples Fall Into My Garden: Two Takes on Context; 26 Backstage and Processuality: Unfolding the Installation Sites of Curatorial Projects; Processual notions; Call for materialism; Unfolding installation sites 27 This Is Not About Us |
| Record Nr. | UNINA-9910821125103321 |
| New York : , : Bloomsbury Academic, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
In the aftermath of art : ethics, aesthetics, politics / / Donald Preziosi ; critical commentary, Johanne Lamoureux
| In the aftermath of art : ethics, aesthetics, politics / / Donald Preziosi ; critical commentary, Johanne Lamoureux |
| Autore | Preziosi Donald <1941, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2006 |
| Descrizione fisica | 1 online resource (185 p.) |
| Disciplina | 707.2/2 |
| Altri autori (Persone) | LamoureuxJohanne |
| Collana | Critical voices in art, theory and culture |
| Soggetto topico |
Art - Historiography
Art museums - Philosophy |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-64361-8
0-203-96135-8 1-134-23188-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | in the aftermath of art ethics, aesthetics, politics; Copyright; Contents; Series Editor's Preface; Acknowledgements; Introduction: Subjects, objects and object lessons; 1. La vi(ll)e en rose: reading Jameson mapping space; 2. The question of art history; 3. Collecting/museums; 4. The art of Art History; 5. The crystalline veil and the phallomorphic imaginary; 6. Romulus, Rebus, and the gaze of Victoria; 7. Seeing through art history: showing scars of legibility; Index |
| Record Nr. | UNINA-9910461955903321 |
Preziosi Donald <1941, >
|
||
| London ; ; New York : , : Routledge, , 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
In the aftermath of art : ethics, aesthetics, politics / / Donald Preziosi ; critical commentary, Johanne Lamoureux
| In the aftermath of art : ethics, aesthetics, politics / / Donald Preziosi ; critical commentary, Johanne Lamoureux |
| Autore | Preziosi Donald <1941, > |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2006 |
| Descrizione fisica | 1 online resource (185 p.) |
| Disciplina | 707.2/2 |
| Altri autori (Persone) | LamoureuxJohanne |
| Collana | Critical voices in art, theory and culture |
| Soggetto topico |
Art - Historiography
Art museums - Philosophy |
| ISBN |
1-134-23187-3
1-283-64361-8 0-203-96135-8 1-134-23188-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | in the aftermath of art ethics, aesthetics, politics; Copyright; Contents; Series Editor's Preface; Acknowledgements; Introduction: Subjects, objects and object lessons; 1. La vi(ll)e en rose: reading Jameson mapping space; 2. The question of art history; 3. Collecting/museums; 4. The art of Art History; 5. The crystalline veil and the phallomorphic imaginary; 6. Romulus, Rebus, and the gaze of Victoria; 7. Seeing through art history: showing scars of legibility; Index |
| Record Nr. | UNINA-9910785997103321 |
|
Preziosi Donald <1941, >
|
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| London ; ; New York : , : Routledge, , 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Moderieren im Museum : Theorie und praxis der dialogischen besucherführung / / Christiane Schrübbers (Hg.)
| Moderieren im Museum : Theorie und praxis der dialogischen besucherführung / / Christiane Schrübbers (Hg.) |
| Pubbl/distr/stampa | Bielefeld : , : transcript Verlag, , 2013 |
| Descrizione fisica | 1 online resource (257 pages) : illustrations, photographs |
| Disciplina | 708 |
| Collana | Schriften zum Kultur- und Museumsmanagement |
| Soggetto topico |
Art museums - Educational aspects
Art museums - Philosophy |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Altri titoli varianti | Moderieren im Museum |
| Record Nr. | UNINA-9910477029503321 |
| Bielefeld : , : transcript Verlag, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Il museo come spazio critico : artista museo pubblico / Alessandro Demma
| Il museo come spazio critico : artista museo pubblico / Alessandro Demma |
| Autore | Demma, Alessandro |
| Descrizione fisica | 115 pages : illustrations ; 21 cm |
| Disciplina | 069 |
| Collana | Postmedia UNI |
| Soggetto topico |
Art museums - History
Museum techniques - History Art museums - Philosophy |
| ISBN | 9788874902026 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNISALENTO-991003823039707536 |
|
Demma, Alessandro
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| Materiale a stampa | ||
| Lo trovi qui: Univ. del Salento | ||
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Museum skepticism [[electronic resource] ] : a history of the display of art in public galleries / / David Carrier
| Museum skepticism [[electronic resource] ] : a history of the display of art in public galleries / / David Carrier |
| Autore | Carrier David <1944-> |
| Pubbl/distr/stampa | Durham, : Duke University Press, 2006 |
| Descrizione fisica | 1 online resource (329 p.) |
| Disciplina | 708.009 |
| Soggetto topico |
Art museums - Social aspects
Art museums - Philosophy Art - Exhibition techniques |
| ISBN |
1-283-02216-8
9786613022165 0-8223-8757-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. "Beauty and art, history and fame and power" : on entering the Louvre -- 2. Art and power : time travel in the museum -- 3. Museum skeptics -- 4. Picturing museum skepticism -- 5. Art museum narratives -- 6. Isabella Stewart Gardner's museum -- 7. Ernest Fenollosa's history of Asian art -- 8. Albert Barnes's foundation and the place of modernist art within the art museum -- 9. The display of absolutely contemporary art in the J. Paul Getty museum -- 10. The end of the modern public art museum : a tale of two cities -- Conclusion : What the public art museum might become |
| Record Nr. | UNINA-9910777988303321 |
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Carrier David <1944->
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| Durham, : Duke University Press, 2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Museums after modernism [[electronic resource] ] : strategies of engagement / / edited by Griselda Pollock and Joyce Zemans
| Museums after modernism [[electronic resource] ] : strategies of engagement / / edited by Griselda Pollock and Joyce Zemans |
| Pubbl/distr/stampa | Malden, MA, : Blackwell, 2007 |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina |
069
708.001 |
| Altri autori (Persone) |
PollockGriselda
ZemansJoyce <1940-> |
| Collana | New interventions in art history |
| Soggetto topico | Art museums - Philosophy |
| ISBN |
1-280-93257-0
9786610932573 0-470-76375-2 0-470-77663-3 1-4051-8217-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Museums After Modernism: Strategies of Engagement; Contents; List of Figures; Notes on Contributors; Series Editor's Preface; Preface; 1 Un-Framing the Modern: Critical Space/Public Possibility; 2 Women's Rembrandt; 3 Museums and the Native Voice; 4 Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact; 5 Mirroring Evil, Evil Mirrored: Timing, Trauma, and Temporary Exhibitions; 6 A Place for Uncertainty: Towards a New Kind of Museum; 7 The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, and Mediation
8 Riksutsta ̈llningar: Swedish Traveling Exhibitions9 Reframing Participation in the Museum: A Syncopated Discussion; 10 ''There Is No Such Thing as a Visitor''; 11 ''Anxious Dust'': History and Repression in the Archives of Mary Kelly; 12 On Discourse as Monument: Institutional Spaces and Feminist Problematics; Bibliography; Index |
| Record Nr. | UNINA-9910145289303321 |
| Malden, MA, : Blackwell, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Museums after modernism [[electronic resource] ] : strategies of engagement / / edited by Griselda Pollock and Joyce Zemans
| Museums after modernism [[electronic resource] ] : strategies of engagement / / edited by Griselda Pollock and Joyce Zemans |
| Pubbl/distr/stampa | Malden, MA, : Blackwell, 2007 |
| Descrizione fisica | 1 online resource (274 p.) |
| Disciplina |
069
708.001 |
| Altri autori (Persone) |
PollockGriselda
ZemansJoyce <1940-> |
| Collana | New interventions in art history |
| Soggetto topico | Art museums - Philosophy |
| ISBN |
1-280-93257-0
9786610932573 0-470-76375-2 0-470-77663-3 1-4051-8217-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Museums After Modernism: Strategies of Engagement; Contents; List of Figures; Notes on Contributors; Series Editor's Preface; Preface; 1 Un-Framing the Modern: Critical Space/Public Possibility; 2 Women's Rembrandt; 3 Museums and the Native Voice; 4 Exhibiting Africa after Modernism: Globalization, Pluralism, and the Persistent Paradigms of Art and Artifact; 5 Mirroring Evil, Evil Mirrored: Timing, Trauma, and Temporary Exhibitions; 6 A Place for Uncertainty: Towards a New Kind of Museum; 7 The Ballad of Kastriot Rexhepi: Notes on Gesture, Medium, and Mediation
8 Riksutsta ̈llningar: Swedish Traveling Exhibitions9 Reframing Participation in the Museum: A Syncopated Discussion; 10 ''There Is No Such Thing as a Visitor''; 11 ''Anxious Dust'': History and Repression in the Archives of Mary Kelly; 12 On Discourse as Monument: Institutional Spaces and Feminist Problematics; Bibliography; Index |
| Record Nr. | UNISA-996201769403316 |
| Malden, MA, : Blackwell, 2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
