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African art, interviews, narratives [[electronic resource] ] : bodies of knowledge at work / / edited by Joanna Grabski and Carol Magee
| African art, interviews, narratives [[electronic resource] ] : bodies of knowledge at work / / edited by Joanna Grabski and Carol Magee |
| Pubbl/distr/stampa | Bloomington, Ind., : Indiana University Press, 2013 |
| Descrizione fisica | 1 online resource (207 p.) |
| Disciplina | 709.6 |
| Altri autori (Persone) |
GrabskiJoanna
MageeCarol |
| Collana | African Expressive Cultures |
| Soggetto topico |
Art, African
Artists Art museum curators Art historians Anthropologists |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-253-00699-6 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgments; Introduction: The Work of Interviews; 1. Talking to People about Art; 2. Ghostly Stories: Interviews with Artists in Dakar and the Productive Space around Absence; 3. Can the Artist Speak?: Hamid Kachmar's Subversive Redemptive Art of Resistance; 4. Photography, Narrative Interventions, and (Cross) Cultural Representations; 5. Narrating the Artist: Seyni Camara and the Multiple Constructions of the Artistic Persona; 6. Interview: Akinbode Akinbiyi
7. Interweaving Narratives of Art and Activism: Sandra Kriel's Heroic Women8. Politics of Narrative at the African Burial Ground in New York City: The Final Monument; 9. Who Owns the Past?: Constructing an Art History of a Malian Masquerade; 10. Framing Practices: Artists' Voices and the Power of Self-Representation; 11. Undisciplined Knowledge; Appendix: Interlocutors; Contributors; Index |
| Record Nr. | UNINA-9910463892803321 |
| Bloomington, Ind., : Indiana University Press, 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
African art, interviews, narratives [[electronic resource] ] : bodies of knowledge at work / / edited by Joanna Grabski and Carol Magee
| African art, interviews, narratives [[electronic resource] ] : bodies of knowledge at work / / edited by Joanna Grabski and Carol Magee |
| Pubbl/distr/stampa | Bloomington, Indiana : , : Indiana University Press, , 2013 |
| Descrizione fisica | 1 online resource (207 pages) |
| Disciplina | 709.6 |
| Altri autori (Persone) |
GrabskiJoanna
MageeCarol L |
| Collana | African Expressive Cultures. |
| Soggetto topico |
Art, African
Artists Art museum curators Art historians Anthropologists |
| ISBN | 0-253-00699-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgments; Introduction: The Work of Interviews; 1. Talking to People about Art; 2. Ghostly Stories: Interviews with Artists in Dakar and the Productive Space around Absence; 3. Can the Artist Speak?: Hamid Kachmar's Subversive Redemptive Art of Resistance; 4. Photography, Narrative Interventions, and (Cross) Cultural Representations; 5. Narrating the Artist: Seyni Camara and the Multiple Constructions of the Artistic Persona; 6. Interview: Akinbode Akinbiyi
7. Interweaving Narratives of Art and Activism: Sandra Kriel's Heroic Women8. Politics of Narrative at the African Burial Ground in New York City: The Final Monument; 9. Who Owns the Past?: Constructing an Art History of a Malian Masquerade; 10. Framing Practices: Artists' Voices and the Power of Self-Representation; 11. Undisciplined Knowledge; Appendix: Interlocutors; Contributors; Index |
| Record Nr. | UNINA-9910788677803321 |
| Bloomington, Indiana : , : Indiana University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
African art, interviews, narratives : bodies of knowledge at work / / edited by Joanna Grabski and Carol Magee
| African art, interviews, narratives : bodies of knowledge at work / / edited by Joanna Grabski and Carol Magee |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Bloomington, Indiana : , : Indiana University Press, , 2013 |
| Descrizione fisica | 1 online resource (207 pages) |
| Disciplina | 709.6 |
| Altri autori (Persone) |
GrabskiJoanna
MageeCarol L |
| Collana | African Expressive Cultures. |
| Soggetto topico |
Art, African
Artists Art museum curators Art historians Anthropologists |
| ISBN | 0-253-00699-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication Page; Table of Contents; Acknowledgments; Introduction: The Work of Interviews; 1. Talking to People about Art; 2. Ghostly Stories: Interviews with Artists in Dakar and the Productive Space around Absence; 3. Can the Artist Speak?: Hamid Kachmar's Subversive Redemptive Art of Resistance; 4. Photography, Narrative Interventions, and (Cross) Cultural Representations; 5. Narrating the Artist: Seyni Camara and the Multiple Constructions of the Artistic Persona; 6. Interview: Akinbode Akinbiyi
7. Interweaving Narratives of Art and Activism: Sandra Kriel's Heroic Women8. Politics of Narrative at the African Burial Ground in New York City: The Final Monument; 9. Who Owns the Past?: Constructing an Art History of a Malian Masquerade; 10. Framing Practices: Artists' Voices and the Power of Self-Representation; 11. Undisciplined Knowledge; Appendix: Interlocutors; Contributors; Index |
| Record Nr. | UNINA-9910826094603321 |
| Bloomington, Indiana : , : Indiana University Press, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Curating live arts : global perspectives on theory and practice / / edited by Dena Davida [and three others]
| Curating live arts : global perspectives on theory and practice / / edited by Dena Davida [and three others] |
| Pubbl/distr/stampa | New York ; ; Oxford : , : Berghahn Books, , 2019 |
| Descrizione fisica | 1 online resource (416 pages) |
| Disciplina | 708 |
| Soggetto topico |
Art museum curators
Art museums Art - Exhibition techniques |
| Soggetto non controllato | Live Arts, Performance, Performance Studies, Art, Dance, Theatre, Museology, Music |
| ISBN |
1-78785-904-5
1-78533-964-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Curating Live Arts -- Copyright Page -- Contents -- Illustrations -- Prologue - Bethinking One's Own Strengths: The Performative Potential of Curating -- Acknowledgments -- A Collective Introduction -- A Note on Curatorial Statements - A Third Space: Chasing the Intangible -- Part I - Historical Framings -- Chapter 1 - From Content to Context: The Emergence of the Performance Curator -- Practical Space - Curiosity and Intuition -- Chapter 2 - Exhibiting Performances: Process and Valorization in When Attitudes Become Forms-Bern 1969/Venice 2013 -- Chapter 3 - Can We Curate Dance without Making a Festival? On Dance Curatorship and Its Shifting Borders -- Chapter 4 - Curating Performance from Africa on International Stages: Thoughts on Artistic Categories and Critical Discourse -- Practical Space - Untitled -- Chapter 5 - The Curating Nation: Emergence of Performance Curation in Singapore and Its Impact on Cultural Politics -- Chapter 6 - The Curatorial Chronotope -- Practical Space - Layers -- Chapter 7 - More Weirdness, More Joy: Performance Curation and Pedagogy at Danspace Project and the Institute for Curatorial Practice in Performance -- Part II - Ethical Proposals -- Chapter 8 - Dancing the Museum -- Chapter 9 - Curatorial Discourse and Equity: Tensions in Contemporary Dance Presenting in the United States -- Practical Space - Holy Motor-a Mechanical Metaphor Surrounding the Live Arts Curator -- Chapter 10 - Noticing the Feedback: A Proposal to the Contemporary Dance Field, and/or This Revolution Will Be Crowdsourced -- Chapter 11 - Email to a Curator: An Introduction to The Curators' Piece -- Practical Space - Curating Liveness -- Chapter 12 - Curation as a Form of Artistic Practice: Context as a New Work through UK-based Forest Fringe -- Part III - The Artist-Curators.
Chapter 13 - The Artist-Curator, or the Philosophy of "Do-It-Yourself" -- Embodied Space - "Soft-Curation," Pollination, and Rhizomes -- Chapter 14 - Being in the Vanguard of Sensibility: Artists as Curators in Performing Arts-a Study of Collective Affect -- Chapter 15 - Familias: Artist-Activist Curation in the South Bronx, New York -- Chapter 16 - What We Talk About When We Talk About Curating the "Unexpected" -- Embodied Space - Greater Than -- Chapter 17 - Because I Love Art, I Want Art to Be Different: The Project Perverse Curating and a Few Things I've Learned from It -- Chapter 18 - Making Stage: Contemporary Dance and Performance Curation in the Caribbean -- Embodied Space - As We -- Chapter 19 - The Work of the Musician-Curator in Relation to the "Concert Scenario" -- Chapter 20 - Pseudo-, Anti-, and Total Dance: A Self-Interview on Curation -- Chapter 21 - Collective Creation and Improvised Curation: A Discussion with Body Slam -- Part IV - Exhibition as Events -- Chapter 22 - A New Kind of Critical Elsewhere -- Chapter 23 - Re-enact History? Peforming the Archive! -- Chapter 24 - Choreographing Archives, Curating Choreographers: Yvonne Rainer, Xavier Le Roy, and the Dance Retrospective -- Embodied Space - The Title as the Curator's Art Piece -- Chapter 25 - Exhibiting Dance, Performing Objects: Cultural Mediation in the Museum -- Chapter 26 - The Curator's Work: Stories and Experiences from Tino Sehgal's Events -- Part V - Artivism -- Chapter 27 - Framing a Network, Charting Dis-Courses: Performance Curation, Community Work, and the Logic/Anxieties of an Emerging Field -- Ethical Space - Curate -- Chapter 28 - Food=Need: Constraints, Reflexivity, and Community Performance -- Chapter 29 - ARC.HIVE of Contemporary Arab Performing Arts: Memory, Catastrophe, Resistance, and Oblivion. Chapter 30 - Collective Walks/Spaces of Contestation: Site-Specificity, Community Involvement, and Mobility Employed as Curatorial Strategies in the Creation of Participatory Performances -- Chapter 31 - Sound Citizen: Curating Sound Art in the Distributed Public Sphere -- Ethical Space - Curation as a Practice of Radical Care: A Definition -- Part VI - Institutional Reinventions -- Chapter 32 - Rethinking the Role of Institutions and Curators in a New Interdisciplinary Age -- Chapter 33 - The Curator as a Culture Producer -- Ethical Space - Definition of Curation -- Chapter 34 - How to Build a Manifesto for the Future of a Festival: "Festivals as Thinking Entities," a Conversation with Judith Blackenberg, Daniel Blanga-Gubbay, Silvia Bottiroli, and Livia Andrea Piazza, initiated by Silvia Bottiroli and Berno Odo Polzer -- Chapter 35 - The Curatorial Gesture as a Decolonial Gesture -- Ethical Space - Proposing Intervals-Curating as Choreography -- Chapter 36 - Are You Not Entertained? Curating Performance within the Institution -- Chapter 37 - Bodies in Museums: Institutional Practices and Politics -- Ethical Space: Curating History, Curating Resistance -- Chapter 38 - What Can Contemporary Art Perform? And Then Transgress? -- Epilogue - Situation Critical: What Comes Next for the Field of Performance Curation? -- Ethical Space - The Parable of the Curator -- Index. |
| Record Nr. | UNINA-9910793387303321 |
| New York ; ; Oxford : , : Berghahn Books, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Curating live arts : global perspectives on theory and practice / / edited by Dena Davida [and three others]
| Curating live arts : global perspectives on theory and practice / / edited by Dena Davida [and three others] |
| Pubbl/distr/stampa | New York ; ; Oxford : , : Berghahn Books, , 2019 |
| Descrizione fisica | 1 online resource (416 pages) |
| Disciplina | 708 |
| Soggetto topico |
Art museum curators
Art museums Art - Exhibition techniques |
| Soggetto non controllato | Live Arts, Performance, Performance Studies, Art, Dance, Theatre, Museology, Music |
| ISBN |
1-78785-904-5
1-78533-964-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Curating Live Arts -- Copyright Page -- Contents -- Illustrations -- Prologue - Bethinking One's Own Strengths: The Performative Potential of Curating -- Acknowledgments -- A Collective Introduction -- A Note on Curatorial Statements - A Third Space: Chasing the Intangible -- Part I - Historical Framings -- Chapter 1 - From Content to Context: The Emergence of the Performance Curator -- Practical Space - Curiosity and Intuition -- Chapter 2 - Exhibiting Performances: Process and Valorization in When Attitudes Become Forms-Bern 1969/Venice 2013 -- Chapter 3 - Can We Curate Dance without Making a Festival? On Dance Curatorship and Its Shifting Borders -- Chapter 4 - Curating Performance from Africa on International Stages: Thoughts on Artistic Categories and Critical Discourse -- Practical Space - Untitled -- Chapter 5 - The Curating Nation: Emergence of Performance Curation in Singapore and Its Impact on Cultural Politics -- Chapter 6 - The Curatorial Chronotope -- Practical Space - Layers -- Chapter 7 - More Weirdness, More Joy: Performance Curation and Pedagogy at Danspace Project and the Institute for Curatorial Practice in Performance -- Part II - Ethical Proposals -- Chapter 8 - Dancing the Museum -- Chapter 9 - Curatorial Discourse and Equity: Tensions in Contemporary Dance Presenting in the United States -- Practical Space - Holy Motor-a Mechanical Metaphor Surrounding the Live Arts Curator -- Chapter 10 - Noticing the Feedback: A Proposal to the Contemporary Dance Field, and/or This Revolution Will Be Crowdsourced -- Chapter 11 - Email to a Curator: An Introduction to The Curators' Piece -- Practical Space - Curating Liveness -- Chapter 12 - Curation as a Form of Artistic Practice: Context as a New Work through UK-based Forest Fringe -- Part III - The Artist-Curators.
Chapter 13 - The Artist-Curator, or the Philosophy of "Do-It-Yourself" -- Embodied Space - "Soft-Curation," Pollination, and Rhizomes -- Chapter 14 - Being in the Vanguard of Sensibility: Artists as Curators in Performing Arts-a Study of Collective Affect -- Chapter 15 - Familias: Artist-Activist Curation in the South Bronx, New York -- Chapter 16 - What We Talk About When We Talk About Curating the "Unexpected" -- Embodied Space - Greater Than -- Chapter 17 - Because I Love Art, I Want Art to Be Different: The Project Perverse Curating and a Few Things I've Learned from It -- Chapter 18 - Making Stage: Contemporary Dance and Performance Curation in the Caribbean -- Embodied Space - As We -- Chapter 19 - The Work of the Musician-Curator in Relation to the "Concert Scenario" -- Chapter 20 - Pseudo-, Anti-, and Total Dance: A Self-Interview on Curation -- Chapter 21 - Collective Creation and Improvised Curation: A Discussion with Body Slam -- Part IV - Exhibition as Events -- Chapter 22 - A New Kind of Critical Elsewhere -- Chapter 23 - Re-enact History? Peforming the Archive! -- Chapter 24 - Choreographing Archives, Curating Choreographers: Yvonne Rainer, Xavier Le Roy, and the Dance Retrospective -- Embodied Space - The Title as the Curator's Art Piece -- Chapter 25 - Exhibiting Dance, Performing Objects: Cultural Mediation in the Museum -- Chapter 26 - The Curator's Work: Stories and Experiences from Tino Sehgal's Events -- Part V - Artivism -- Chapter 27 - Framing a Network, Charting Dis-Courses: Performance Curation, Community Work, and the Logic/Anxieties of an Emerging Field -- Ethical Space - Curate -- Chapter 28 - Food=Need: Constraints, Reflexivity, and Community Performance -- Chapter 29 - ARC.HIVE of Contemporary Arab Performing Arts: Memory, Catastrophe, Resistance, and Oblivion. Chapter 30 - Collective Walks/Spaces of Contestation: Site-Specificity, Community Involvement, and Mobility Employed as Curatorial Strategies in the Creation of Participatory Performances -- Chapter 31 - Sound Citizen: Curating Sound Art in the Distributed Public Sphere -- Ethical Space - Curation as a Practice of Radical Care: A Definition -- Part VI - Institutional Reinventions -- Chapter 32 - Rethinking the Role of Institutions and Curators in a New Interdisciplinary Age -- Chapter 33 - The Curator as a Culture Producer -- Ethical Space - Definition of Curation -- Chapter 34 - How to Build a Manifesto for the Future of a Festival: "Festivals as Thinking Entities," a Conversation with Judith Blackenberg, Daniel Blanga-Gubbay, Silvia Bottiroli, and Livia Andrea Piazza, initiated by Silvia Bottiroli and Berno Odo Polzer -- Chapter 35 - The Curatorial Gesture as a Decolonial Gesture -- Ethical Space - Proposing Intervals-Curating as Choreography -- Chapter 36 - Are You Not Entertained? Curating Performance within the Institution -- Chapter 37 - Bodies in Museums: Institutional Practices and Politics -- Ethical Space: Curating History, Curating Resistance -- Chapter 38 - What Can Contemporary Art Perform? And Then Transgress? -- Epilogue - Situation Critical: What Comes Next for the Field of Performance Curation? -- Ethical Space - The Parable of the Curator -- Index. |
| Record Nr. | UNINA-9910813197903321 |
| New York ; ; Oxford : , : Berghahn Books, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
Art museum curators
(5)
- Anthropologists (3)
- Art historians (3)
- Art, African (3)
- Artists (3)