Baroque Visual Rhetoric / / Vernon Hyde Minor |
Autore | Minor Vernon Hyde |
Pubbl/distr/stampa | Toronto : , : University of Toronto Press, , [2018] |
Descrizione fisica | 1 online resource (285 p.) |
Disciplina | 709.03/2 |
Collana | Toronto Italian Studies |
Soggetto topico |
Arts, Baroque - Italy
Arts, Italian - 17th century Arts, Italian - 18th century Aesthetics, Modern - 17th century Aesthetics, Modern - 18th century Art criticism - History Arts baroques - Italie Arts italiens - 17e siècle Arts italiens - 18e siècle Esthétique - 17e siècle Esthétique - 18e siècle Critique d'art - Histoire |
Soggetto genere / forma | Libros electronicos. |
ISBN |
1-4426-1770-5
1-4426-1769-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction; 2. Critical Perspectives; 3. Giovanni Lorenzo Bernini and Inexpressibility; 4. Death and Dying in St Peter's Basilica: Part 1; 5. Death and Dying in St Peter's Basilica: Part 2; 6. Eighteenth-Century Baroque: The Style That Did Not (Quite) Die; 7. Narrative and Symbol in the Apostles Series, San Giovanni in Laterano; 8. Fear and Trembling in Francesco Borromini's Sant'Ivo alla Sapienza; 9. Baroque Conceits: Domenichino and Baciccio; 10. Bernini and the Metaphor of the Fiery Angel; 11. Blaise Pascal, Jansenists, Jesuits, and the Lettres Provinciales; 12. The Corsini Chapel: Its Sense of Place and Time; Notes; Bibliography; Index. |
Record Nr. | UNINA-9910797973103321 |
Minor Vernon Hyde
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Toronto : , : University of Toronto Press, , [2018] | ||
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Lo trovi qui: Univ. Federico II | ||
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A companion to art theory [[electronic resource] /] / edited by Paul Smith and Carolyn Wilde |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Oxford ; ; Malden, MA, : Blackwell, 2002 |
Descrizione fisica | 1 online resource (552 p.) |
Disciplina |
700.1
701 701.18 |
Altri autori (Persone) |
SmithPaul <1956->
WildeCarolyn <1945-> |
Collana | Blackwell companions in cultural studies |
Soggetto topico |
Art - Philosophy - History
Art criticism - History Aesthetics |
ISBN |
0-470-99842-3
1-78268-424-7 1-280-28429-3 9786610284290 0-470-99843-1 0-585-47091-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
11 E. H. Gombrich and the Tradition of Hegel12 German Romanticism and French Aesthetic Theory; 13 Expression: Natural, Personal, Pictorial; 14 Reading Artists' Words; 15 Nietzsche and the Artist; 16 Wittgenstein, Description, and Adrian Stokes (on Cézanne); 17 Modernism and the Idea of the Avant-Garde; 18 On the Intention of Modern(ist) Art; 19 Anti-Art and the Concept of Art; 20 Marcel Duchamp's Readymades and Anti-Aesthetic Reflex; Part III: Critical Theory and Postmodernism; 21 Marxism and Critical Art History; 22 Walter Benjamin and Art Theory; 23 Bakhtin and the Visual Arts
24 Peirce's Visuality and the Semiotics of Art25 Conceptual Art; 26 Barthes on Art; 27 Foucault and Art; 28 Derrida and the Parergon; 29 What Consciousness Forgets: Lyotard's Concept of the Sublime; 30 Deleuze on Francis Bacon; 31 Feminisms and Art Theory; 32 Psycho-Phallus (Qu'est-ce que c'est?); Part IV: Interpretation and the Institution of Art; 33 The Rules of Representation; 34 Gombrich and Psychology; 35 Hermeneutics and Art Theory; 36 Reciprocity and Reception Theory; 37 The Paradox of Creative Interpretation in Art; 38 Interdisciplinarity and Visual Culture 39 Against Curatorial Imperialism: Merleau-Ponty and the Historicity of Art40 The Institutional Theory of Art: Theory and Antitheory; Index |
Record Nr. | UNISA-996218170503316 |
Oxford ; ; Malden, MA, : Blackwell, 2002 | ||
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Lo trovi qui: Univ. di Salerno | ||
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A companion to art theory / / edited by Paul Smith and Carolyn Wilde |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Oxford ; ; Malden, MA, : Blackwell, 2002 |
Descrizione fisica | 1 online resource (552 p.) |
Disciplina |
700.1
701 701.18 |
Altri autori (Persone) |
SmithPaul <1956->
WildeCarolyn <1945-> |
Collana | Blackwell companions in cultural studies |
Soggetto topico |
Art - Philosophy - History
Art criticism - History Aesthetics |
ISBN |
0-470-99842-3
1-78268-424-7 1-280-28429-3 9786610284290 0-470-99843-1 0-585-47091-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
11 E. H. Gombrich and the Tradition of Hegel12 German Romanticism and French Aesthetic Theory; 13 Expression: Natural, Personal, Pictorial; 14 Reading Artists' Words; 15 Nietzsche and the Artist; 16 Wittgenstein, Description, and Adrian Stokes (on Cézanne); 17 Modernism and the Idea of the Avant-Garde; 18 On the Intention of Modern(ist) Art; 19 Anti-Art and the Concept of Art; 20 Marcel Duchamp's Readymades and Anti-Aesthetic Reflex; Part III: Critical Theory and Postmodernism; 21 Marxism and Critical Art History; 22 Walter Benjamin and Art Theory; 23 Bakhtin and the Visual Arts
24 Peirce's Visuality and the Semiotics of Art25 Conceptual Art; 26 Barthes on Art; 27 Foucault and Art; 28 Derrida and the Parergon; 29 What Consciousness Forgets: Lyotard's Concept of the Sublime; 30 Deleuze on Francis Bacon; 31 Feminisms and Art Theory; 32 Psycho-Phallus (Qu'est-ce que c'est?); Part IV: Interpretation and the Institution of Art; 33 The Rules of Representation; 34 Gombrich and Psychology; 35 Hermeneutics and Art Theory; 36 Reciprocity and Reception Theory; 37 The Paradox of Creative Interpretation in Art; 38 Interdisciplinarity and Visual Culture 39 Against Curatorial Imperialism: Merleau-Ponty and the Historicity of Art40 The Institutional Theory of Art: Theory and Antitheory; Index |
Record Nr. | UNINA-9910143506903321 |
Oxford ; ; Malden, MA, : Blackwell, 2002 | ||
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Lo trovi qui: Univ. Federico II | ||
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Konzert und Konkurrenz : die Künste und ihre Wissenschaften im 19. Jahrhundert / / Christian Scholl, Sandra Richter, Oliver Huck |
Autore | Scholl Christian |
Pubbl/distr/stampa | Göttingen : , : Universitätsverlag Göttingen, , 2010 |
Descrizione fisica | 1 online resource (293 pages) |
Disciplina | 701.18 |
Soggetto topico | Art criticism - History |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Record Nr. | UNINA-9910725048703321 |
Scholl Christian
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Göttingen : , : Universitätsverlag Göttingen, , 2010 | ||
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Lo trovi qui: Univ. Federico II | ||
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Le Collectionnisme Au XIXe Siècle : Théophile Gautier et les Préfaces Aux Catalogues des Ventes Aux Enchères |
Autore | Rizzo Cettina |
Pubbl/distr/stampa | Paris : , : Editions L'Harmattan, , 2016 |
Descrizione fisica | 1 online resource (254 pages) |
Soggetto topico |
Art historians as collectors
Art criticism - History |
ISBN | 2-336-40047-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Record Nr. | UNINA-9910155170503321 |
Rizzo Cettina
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Paris : , : Editions L'Harmattan, , 2016 | ||
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Lo trovi qui: Univ. Federico II | ||
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The place of the viewer : the embodied beholder in the history of art, 1764-1968 / / by Kerr Houston |
Autore | Houston Kerr |
Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill, , 2019 |
Descrizione fisica | 1 online resource (282 pages) |
Disciplina | 701.15 |
Soggetto topico |
Art - Psychology
Art criticism - History |
Soggetto genere / forma | Electronic books. |
ISBN | 90-04-40053-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Matter -- Copyright page -- Acknowledgements -- Figures -- Introduction -- The Communicative Viewpoint: Photography, Frontality, and Multiplicity in the 1800s -- The Beholder in Motion: Kinetic Viewership -- The Body Physical, the Body Politic: Incorporated Viewership in the 1960s -- Art History and the Place of the Viewer since 1968 -- Back Matter -- Bibliography -- Index. |
Record Nr. | UNINA-9910511505203321 |
Houston Kerr
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Leiden ; ; Boston : , : Brill, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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The place of the viewer : the embodied beholder in the history of art, 1764-1968 / / by Kerr Houston |
Autore | Houston Kerr |
Pubbl/distr/stampa | Leiden ; ; Boston : , : Brill, , 2019 |
Descrizione fisica | 1 online resource (282 pages) |
Disciplina | 701.15 |
Soggetto topico |
Art - Psychology
Art criticism - History |
ISBN | 90-04-40053-2 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Matter -- Copyright page -- Acknowledgements -- Figures -- Introduction -- The Communicative Viewpoint: Photography, Frontality, and Multiplicity in the 1800s -- The Beholder in Motion: Kinetic Viewership -- The Body Physical, the Body Politic: Incorporated Viewership in the 1960s -- Art History and the Place of the Viewer since 1968 -- Back Matter -- Bibliography -- Index. |
Record Nr. | UNINA-9910793675103321 |
Houston Kerr
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Leiden ; ; Boston : , : Brill, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Plumes et Pinceaux : Discours de femmes sur l’art en Europe (1750-1850) — Essais / / Mechthild Fend, Melissa Hyde, Anne Lafont |
Autore | Baudino Isabelle |
Pubbl/distr/stampa | Dijon, : Publications de l’Institut national d’histoire de l’art, 2012 |
Descrizione fisica | 333 pages : chiefly color illustrations ; ; 21 cm |
Altri autori (Persone) |
BetzerSarah
BlankensteinDavid D. SheriffMary ÉtienneNoémie FendMechthild FoucherCharlotte HydeMelissa JensenHeather Belnap L. SchroderAnne L. SiegfriedSusan LafontAnne LohmannMalte NerlichFrance PadiyarSatish StruckmeyerNina |
Collana | Collection Oeuvres en sociétés |
Soggetto topico |
Women art critics - Europe - History
Women art historians - Europe - History Art criticism - History |
Soggetto non controllato |
Félicité de Genlis
historiographie Helmina von Chézy Marie d'Agoult peinture Johanna von Haza Julie Candeille sculpture Marie-Jacob Godefroid Jean Auguste Dominique Ingres gravure bas-bleus Élisabeth Vigée-Lebrun Canova Juliette Récamier journaux féminins restauration Anne-Louis Girodet |
ISBN | 2-917902-67-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Nota di contenuto | Rendre à Cléopâtre... : art, genre et historiographie -- Portrait de l'artiste en historienne de l'art: à propos des Souvenirs de Mme Vigée-Lebrun -- La pensée dans la pratique: le cas de Marie-Jacob Godefroid, restauratrice de tableaux au XVIIIe siècle -- Marie d'Agoult: une critique d'art "ingriste" -- "Elle était née pour peindre les héros!" : l'éducation artistique des filles et les femmes peintres vues par Mme de Genlis -- Les voyageuses britanniques à Paris: un point de vue féminin sur l'art? -- Les lettres de Mme Récamier à Canova (1813-1819) : une écriture féminine entre grâce et exil -- Quand la muse parle : Julie Candeille sur l'art de Girodet -- Helmina von Chézy, une historienne de l'art (?) berlinoise à Paris sous l'Empire -- Expression d'une subjectivité féminine dans les journaux pour femmes, 1800-1840 -- Le bas-bleu artistique: portrait au vitriol de la femme critique d'art -- Johanna von Haza, alias Heinrich Paris. De la critique d'art comme critique sociale |
Altri titoli varianti |
Plumes et Pinceaux
Plumes et Pinceaux |
Record Nr. | UNINA-9910353338703321 |
Baudino Isabelle
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Dijon, : Publications de l’Institut national d’histoire de l’art, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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