Collecting objects/excluding people [[electronic resource] ] : Chinese subjects and American visual culture, 1830-1900 / / Lenore Metrick-Chen |
Autore | Metrick-Chen Lenore |
Pubbl/distr/stampa | Albany [N.Y.], : State University of New York Press, 2012 |
Descrizione fisica | 1 online resource (296 p.) |
Disciplina | 709.51/0973 |
Soggetto topico |
Art, Chinese - Collectors and collecting - United States
Art museums - Social aspects - United States Art and race |
Soggetto genere / forma | Electronic books. |
ISBN | 1-4384-4327-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910462255403321 |
Metrick-Chen Lenore
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Albany [N.Y.], : State University of New York Press, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Collecting objects/excluding people [[electronic resource] ] : Chinese subjects and American visual culture, 1830-1900 / / Lenore Metrick-Chen |
Autore | Metrick-Chen Lenore |
Pubbl/distr/stampa | Albany [N.Y.], : State University of New York Press, 2012 |
Descrizione fisica | 1 online resource (296 p.) |
Disciplina | 709.51/0973 |
Soggetto topico |
Art, Chinese - Collectors and collecting - United States
Art museums - Social aspects - United States Art and race |
ISBN | 1-4384-4327-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNINA-9910786494903321 |
Metrick-Chen Lenore
![]() |
||
Albany [N.Y.], : State University of New York Press, 2012 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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Collecting objects/excluding people : Chinese subjects and American visual culture, 1830-1900 / / Lenore Metrick-Chen |
Autore | Metrick-Chen Lenore |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Albany [N.Y.], : State University of New York Press, 2012 |
Descrizione fisica | 1 online resource (296 p.) |
Disciplina | 709.51/0973 |
Soggetto topico |
Art, Chinese - Collectors and collecting - United States
Art museums - Social aspects - United States Art and race |
ISBN | 1-4384-4327-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Matter -- Contents -- Illustrations and Credits -- Acknowledgments -- Introduction -- The Politics of Chinoiserie -- The Power of Inaction -- From Class to Race -- The Chinese of the American Imagination -- Conclusion -- Notes -- Name Index -- subject Index |
Record Nr. | UNINA-9910812711103321 |
Metrick-Chen Lenore
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Albany [N.Y.], : State University of New York Press, 2012 | ||
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Lo trovi qui: Univ. Federico II | ||
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Creative composites [[electronic resource] ] : modernism, race, and the Stieglitz circle / / Lauren Kroiz |
Autore | Kroiz Lauren <1980-> |
Pubbl/distr/stampa | Berkeley : , : University of California Press |
Descrizione fisica | 1 online resource (267 p. ) : ill. ; |
Collana | Phillips book prize series |
Soggetto topico |
Modernism (Art) - United States
Arts, American - 20th century Art criticism - United States - History - 20th century Art and race |
ISBN | 0-520-27249-8 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Record Nr. | UNISA-996248329803316 |
Kroiz Lauren <1980->
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Berkeley : , : University of California Press | ||
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Lo trovi qui: Univ. di Salerno | ||
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Ethno-techno : writings on performance, activism, and pedagogy / / Guillermo Gomez-Peña ; edited by Elaine Peña |
Autore | Gomez-Pena Guillermo |
Pubbl/distr/stampa | New York : , : Routledge, , 2005 |
Descrizione fisica | xxvi, 304 p. : ill |
Disciplina | 700 |
Altri autori (Persone) | PenaElaine |
Soggetto topico |
Performance art - United States - 20th century
Mexican American art Politics in art Minorities in art Art and race |
Soggetto genere / forma | Electronic books. |
ISBN |
1-134-23110-5
9786610217298 1-134-23111-3 1-280-21729-4 0-203-01276-3 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part track One INTRODUCTORY ESSAYS AND CHRONICLES -- chapter 1 On the other side of the Mexican mirror -- chapter 2 In defense of performance -- chapter 3 Culturas-in-extremis: Performing against the cultural backdrop of the mainstream bizarre -- chapter 4 An open letter to the national arts community -- part track two PEDAGOGY: A useful guide to the Pocha method -- chapter 5 Crosscontamination: The performance activism and oppositional art of La Pocha Nostra / Guillermo Gómez-Peña, with Rachel Rogers, Kari Hensley, Elaine Peña, Roberto Sifuentes, and Michelle Ceballos -- chapter 6 La Pocha Nostra’s basic methodology -- part track three PERFORMANCE RADIO -- chapter 7 Letter to an unknown thief -- chapter 8 HSAC-TV: The Home-Shopping Art Channel -- chapter 9 The imaginary effects of a Trans-American Free-Trade Zone -- chapter 10 A sad postcard from San Francisco, Chilicon Valley -- chapter 11 Postcards from Alaska: A chilling tale of performance artists in the snow / Guillermo Gómez-Peña -- chapter 12 Touring in times of war -- chapter 13 On dual citizenship -- chapter 14 My evil twin -- chapter 15 Saddam in Hollywood -- chapter 16 Frida lite or Fat-free dah -- part track four PERFORMANCE LITERATURE: For the stage and cyberspace -- chapter 17 Brownout 2 175 / Introduction: Elaine Katzenberger -- chapter 18 Twenty-first-century Chicano newscast -- chapter 19 America’s most wanted inner demon -- chapter 20 A declaration of poetic disobedience from the new border -- chapter 21 Helpful performance tips on how to avoid xenophobia and express solidarity with innocent Arab-Americans after 9/11 / Guillermo Gómez-Peña -- chapter 22 The post-9/11 “rights and privileges” of a US citizen -- part track five Conversations with theorists -- chapter 23 Theatricalizations of postcolonial theory: A Colombian philosopher interviews a Chicano performance artist / Eduardo Mendieta -- chapter 24 The minefields of Utopia: A dialogue on the dangers of artistic collaboration / Lisa Wolford -- chapter 25 The minefields of Dystopia: The pervasive effects of 9/11 / Lisa Wolford -- chapter 26 Loose ends: The fluid borders between author and editor / Elaine Peña. |
Record Nr. | UNINA-9910450985403321 |
Gomez-Pena Guillermo
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New York : , : Routledge, , 2005 | ||
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Lo trovi qui: Univ. Federico II | ||
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Ethno-techno : writings on performance, activism, and pedagogy / / Guillermo Gomez-Peña ; edited by Elaine Peña |
Autore | Gomez-Pena Guillermo |
Pubbl/distr/stampa | New York : , : Routledge, , 2005 |
Descrizione fisica | xxvi, 304 p. : ill |
Disciplina | 700 |
Altri autori (Persone) | PenaElaine |
Soggetto topico |
Performance art - United States - 20th century
Mexican American art Politics in art Minorities in art Art and race |
ISBN |
1-134-23110-5
9786610217298 1-134-23111-3 1-280-21729-4 0-203-01276-3 |
Classificazione |
AP 61850
LH 65830 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part track One INTRODUCTORY ESSAYS AND CHRONICLES -- chapter 1 On the other side of the Mexican mirror -- chapter 2 In defense of performance -- chapter 3 Culturas-in-extremis: Performing against the cultural backdrop of the mainstream bizarre -- chapter 4 An open letter to the national arts community -- part track two PEDAGOGY: A useful guide to the Pocha method -- chapter 5 Crosscontamination: The performance activism and oppositional art of La Pocha Nostra / Guillermo Gómez-Peña, with Rachel Rogers, Kari Hensley, Elaine Peña, Roberto Sifuentes, and Michelle Ceballos -- chapter 6 La Pocha Nostra’s basic methodology -- part track three PERFORMANCE RADIO -- chapter 7 Letter to an unknown thief -- chapter 8 HSAC-TV: The Home-Shopping Art Channel -- chapter 9 The imaginary effects of a Trans-American Free-Trade Zone -- chapter 10 A sad postcard from San Francisco, Chilicon Valley -- chapter 11 Postcards from Alaska: A chilling tale of performance artists in the snow / Guillermo Gómez-Peña -- chapter 12 Touring in times of war -- chapter 13 On dual citizenship -- chapter 14 My evil twin -- chapter 15 Saddam in Hollywood -- chapter 16 Frida lite or Fat-free dah -- part track four PERFORMANCE LITERATURE: For the stage and cyberspace -- chapter 17 Brownout 2 175 / Introduction: Elaine Katzenberger -- chapter 18 Twenty-first-century Chicano newscast -- chapter 19 America’s most wanted inner demon -- chapter 20 A declaration of poetic disobedience from the new border -- chapter 21 Helpful performance tips on how to avoid xenophobia and express solidarity with innocent Arab-Americans after 9/11 / Guillermo Gómez-Peña -- chapter 22 The post-9/11 “rights and privileges” of a US citizen -- part track five Conversations with theorists -- chapter 23 Theatricalizations of postcolonial theory: A Colombian philosopher interviews a Chicano performance artist / Eduardo Mendieta -- chapter 24 The minefields of Utopia: A dialogue on the dangers of artistic collaboration / Lisa Wolford -- chapter 25 The minefields of Dystopia: The pervasive effects of 9/11 / Lisa Wolford -- chapter 26 Loose ends: The fluid borders between author and editor / Elaine Peña. |
Record Nr. | UNINA-9910783661303321 |
Gomez-Pena Guillermo
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||
New York : , : Routledge, , 2005 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Ethno-techno : writings on performance, activism, and pedagogy / / Guillermo Gomez-Peña ; edited by Elaine Peña |
Autore | Gomez-Pena Guillermo |
Edizione | [1st ed.] |
Pubbl/distr/stampa | New York : , : Routledge, , 2005 |
Descrizione fisica | xxvi, 304 p. : ill |
Disciplina | 700 |
Altri autori (Persone) | PenaElaine |
Soggetto topico |
Performance art - United States - 20th century
Mexican American art Politics in art Minorities in art Art and race |
ISBN |
1-134-23110-5
9786610217298 1-134-23111-3 1-280-21729-4 0-203-01276-3 |
Classificazione |
AP 61850
LH 65830 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | part track One INTRODUCTORY ESSAYS AND CHRONICLES -- chapter 1 On the other side of the Mexican mirror -- chapter 2 In defense of performance -- chapter 3 Culturas-in-extremis: Performing against the cultural backdrop of the mainstream bizarre -- chapter 4 An open letter to the national arts community -- part track two PEDAGOGY: A useful guide to the Pocha method -- chapter 5 Crosscontamination: The performance activism and oppositional art of La Pocha Nostra / Guillermo Gómez-Peña, with Rachel Rogers, Kari Hensley, Elaine Peña, Roberto Sifuentes, and Michelle Ceballos -- chapter 6 La Pocha Nostra’s basic methodology -- part track three PERFORMANCE RADIO -- chapter 7 Letter to an unknown thief -- chapter 8 HSAC-TV: The Home-Shopping Art Channel -- chapter 9 The imaginary effects of a Trans-American Free-Trade Zone -- chapter 10 A sad postcard from San Francisco, Chilicon Valley -- chapter 11 Postcards from Alaska: A chilling tale of performance artists in the snow / Guillermo Gómez-Peña -- chapter 12 Touring in times of war -- chapter 13 On dual citizenship -- chapter 14 My evil twin -- chapter 15 Saddam in Hollywood -- chapter 16 Frida lite or Fat-free dah -- part track four PERFORMANCE LITERATURE: For the stage and cyberspace -- chapter 17 Brownout 2 175 / Introduction: Elaine Katzenberger -- chapter 18 Twenty-first-century Chicano newscast -- chapter 19 America’s most wanted inner demon -- chapter 20 A declaration of poetic disobedience from the new border -- chapter 21 Helpful performance tips on how to avoid xenophobia and express solidarity with innocent Arab-Americans after 9/11 / Guillermo Gómez-Peña -- chapter 22 The post-9/11 “rights and privileges” of a US citizen -- part track five Conversations with theorists -- chapter 23 Theatricalizations of postcolonial theory: A Colombian philosopher interviews a Chicano performance artist / Eduardo Mendieta -- chapter 24 The minefields of Utopia: A dialogue on the dangers of artistic collaboration / Lisa Wolford -- chapter 25 The minefields of Dystopia: The pervasive effects of 9/11 / Lisa Wolford -- chapter 26 Loose ends: The fluid borders between author and editor / Elaine Peña. |
Record Nr. | UNINA-9910814517903321 |
Gomez-Pena Guillermo
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New York : , : Routledge, , 2005 | ||
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Lo trovi qui: Univ. Federico II | ||
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Exhibiting blackness : African Americans and the American art museum / / Bridget R. Cooks |
Autore | Cooks Bridget R. <1972-> |
Pubbl/distr/stampa | Amherst, [Massachusetts] ; ; Boston, [Massachusetts] : , : University of Massachusetts Press, , 2011 |
Descrizione fisica | 1 online resource : illustrations (some color) |
Soggetto topico |
Art museums - Social aspects - United States
African American art - Exhibitions - Social aspects Art and society - United States Art and race |
Soggetto genere / forma | Electronic books. |
ISBN | 1-61376-006-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A note on terminology -- Introduction. African Americans enter the art museum -- Negro art in the modern art museum -- Black artists and activism : Harlem on my mind, 1969 -- Filling the void : two centuries of black American art, 1976 -- New York to L.A. : black male : representations of black masculinity in contemporary American art, 1994-1995 -- Back to the future : The quilts of Gee's Bend, 2002 -- Conclusion. African Americans after the art museum -- Epilogue. |
Record Nr. | UNINA-9910464150503321 |
Cooks Bridget R. <1972->
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Amherst, [Massachusetts] ; ; Boston, [Massachusetts] : , : University of Massachusetts Press, , 2011 | ||
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Lo trovi qui: Univ. Federico II | ||
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Exhibiting blackness : African Americans and the American art museum / / Bridget R. Cooks |
Autore | Cooks Bridget R. <1972-> |
Pubbl/distr/stampa | Amherst, [Massachusetts] ; ; Boston, [Massachusetts] : , : University of Massachusetts Press, , 2011 |
Descrizione fisica | 1 online resource : illustrations (some color) |
Disciplina | 704.03/96073 |
Soggetto topico |
Art museums - Social aspects - United States
African American art - Exhibitions - Social aspects Art and society - United States Art and race |
ISBN | 1-61376-006-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A note on terminology -- Introduction. African Americans enter the art museum -- Negro art in the modern art museum -- Black artists and activism : Harlem on my mind, 1969 -- Filling the void : two centuries of black American art, 1976 -- New York to L.A. : black male : representations of black masculinity in contemporary American art, 1994-1995 -- Back to the future : The quilts of Gee's Bend, 2002 -- Conclusion. African Americans after the art museum -- Epilogue. |
Record Nr. | UNINA-9910788675003321 |
Cooks Bridget R. <1972->
![]() |
||
Amherst, [Massachusetts] ; ; Boston, [Massachusetts] : , : University of Massachusetts Press, , 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Exhibiting blackness : African Americans and the American art museum / / Bridget R. Cooks |
Autore | Cooks Bridget R. <1972-> |
Pubbl/distr/stampa | Amherst, [Massachusetts] ; ; Boston, [Massachusetts] : , : University of Massachusetts Press, , 2011 |
Descrizione fisica | 1 online resource : illustrations (some color) |
Disciplina | 704.03/96073 |
Soggetto topico |
Art museums - Social aspects - United States
African American art - Exhibitions - Social aspects Art and society - United States Art and race |
ISBN | 1-61376-006-X |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | A note on terminology -- Introduction. African Americans enter the art museum -- Negro art in the modern art museum -- Black artists and activism : Harlem on my mind, 1969 -- Filling the void : two centuries of black American art, 1976 -- New York to L.A. : black male : representations of black masculinity in contemporary American art, 1994-1995 -- Back to the future : The quilts of Gee's Bend, 2002 -- Conclusion. African Americans after the art museum -- Epilogue. |
Record Nr. | UNINA-9910810749203321 |
Cooks Bridget R. <1972->
![]() |
||
Amherst, [Massachusetts] ; ; Boston, [Massachusetts] : , : University of Massachusetts Press, , 2011 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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