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The birth and development of the idealized concept of Arcadia in the ancient world / / Antonio Corso
| The birth and development of the idealized concept of Arcadia in the ancient world / / Antonio Corso |
| Autore | Corso Antonio |
| Pubbl/distr/stampa | Oxford, England : , : Archaeopress Publishing Ltd, , [2022] |
| Descrizione fisica | 1 online resource (198 pages) |
| Disciplina | 880.09 |
| Soggetto topico |
Art and literature - Greece
Greek literature - History and criticism Arcadia in literature Arcadia in art Art, Greek |
| Soggetto non controllato | Political Science |
| ISBN |
9781803271651
9781803271644 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Title Page -- Copyright Page -- Contents Page -- List of Figures -- Figure 1: Corinthian orientalizing jug (Munich, Antikensammlung). -- Figure 2: Gypsum alabaster relief with garden. From Niniveh, North Palace, room H (London, The British Museum, Middle East Department). -- Figure 3: Gold bowl found in the tomb of Yaba, wife of Tiglat-Pileser III (Baghdad, Iraq Museum). -- Figure 4: Samian cup, Paris (Louvre, DAGER). -- Figure 5: The Priam Painter, amphora from Caere (Rome, National Museum of Villa Giulia). -- Figure 6: Cover slab of the Diver's tomb from Paestum (National Archaeological Museum of Paestum). -- Figure 7: The Achilles Painter, lekythos (Munich, Antikensammlung). -- Figure 8: The Attic Phiale Painter, krater (Rome, The Vatican Museums, Museo Gregoriano Profano). -- Figure 9: Relief from Daphni (Athens, The National Archaeological Museum). -- Figure 10: Reverse of coin type of Megara struck in Antonine times with running Artemis, inspired by Strongylion's Artemis at Megara (London, The British Museum: Department of Coins). -- Figure 11: The Eretria Painter, epinetron (Athens, The National Archaeological Museum). -- Figure 12: The Meidias Painter, hydria (London, The British Museum). -- Figure 13: Pebble mosaic from Olynthus, Villa of Good Fortune (Greece). -- Figure 14: Dresden Artemis, copy from Praxiteles' Artemis at Megara (Dresden, Staatlische Kunstsammlungen, Skulpturensammlung). -- Figure 15: Artemis on coin of Mantinea, inspired by Praxiteles' Artemis at Mantinea (Athens, The Numismatic Museum). -- Figure 16: The Versailles Artemis (Paris, Louvre, DAGER). -- Figure 17: Artemis on coin of Anticyra, inspired by Praxiteles' Artemis at Anticyra (Athens, The Numismatic Museum). -- Figure 18: Artemis, bronze statuette close to the Malta type (Museo Nazionale Concordiese, Portogruaro).
Figure 19: Knidia Belvedere, copy from Praxiteles' Aphrodite at Knidos (Rome, Vatican Museums). -- Figure 20: Resting Satyr, copy from original statue by Praxiteles (Rome, Capitoline Museums). -- Figure 21: Apollo Sauroctonus, copy from original statue by Praxiteles (Rome, Vatican Museums). -- Figure 25: Praxiteles, Hermes carrying baby Dionysus (Olympia, Archaeological Museum). -- Figure 26: Sleeping Eros (Turin, Museum of Antiquities). -- Figure 27: The Lycian Sarcophagus from Sidon, hunting scene (Istanbul, Archaeological Museum). -- Figure 28: The Satrap Sarcophagus from Sidon, hunting scene (Istanbul, Archaeological Museum). -- Figure 29: The Nereids' monument at Xanthus, hunting scene (London, The British Museum). -- Figure 30: Hunting scene on the sarcophagus of Hecatomnus (Hecatomneion, Mylasa). -- Figure 31: Hunting of the Calydonian boar, east pediment, temple of Athena Alea at Tegea (reconstruction drawing by Stewart 1977). -- Figure 32: Hunting frieze, Royal tomb 2 at Vergina (reconstruction drawing by Franks 2012). -- Figure 33: The Hesperides' Painter, hydria (New York, The Metropolitan Museum). -- Figure 34: The Circle of the Black Fury Painter, oinochoe (Malibu, Getty Museum). -- Figure 35: The Black Fury Painter, krater (Boston, Museum of Fine Arts). -- Figure 36: The Circle of the Chamay Painter, stamnos (Cabinet des médailles, Bibliothèque nationale, Paris). -- Figure 37: Coin struck by Pheneos, with Hermes holding the baby Arcas (Athens, Numismatic Museum). -- Figure 38: Coin struck by Mantinea, with head of Callisto on the reverse (Athens, Numismatic Museum). -- Figure 39: Wall-painting from the Augusteum, the so-called 'Basilica of Herculaneum' (Naples, National Archaeological Museum). -- Figure 40: Symplegma of Silenus with Hermaphrodite (Dresden, Staatlische Kunstsammlungen, Skulpturensammlung). Figure 41: The Woburn Abbey Dionysos (Woburn Abbey, UK). -- Figure 42: Hermoupolis Magna, tomb of Petosiris, milking scene (Hermopolis Magna, Egypt). -- Figure 43: Hermoupolis Magna, tomb of Petosiris, cattle's scene (Hermopolis Magna, Egypt). -- Figure 44: Landscape cup (Alexandria, Greek and Roman Museum). -- Figure 45: Portland vase (London, The British Museum). -- Figure 46: Pergamon, Altar, Telephos' frieze, east side (reconstruction drawing by Seaman 2020). -- Figure 47: Ptolemaic cup (drawing by Adriani 1959, Paris, Cabinet des médailles, Bibliothèque Nationale). -- Figure 48: Pan with Daphnis (Naples, National Archaeological Museum, Farnese Collection). -- Figure 49: 'Invitation to Dance' (Rome, Torlonia Collection). -- Figure 50: Nymph with Satyr (Rome, Capitoline Museums). -- Figure 51: Nymph with Satyr ('The Ludovisi Group') (Rome, Roman National Museum, Altemps Palace). -- Figure 52: The Barberini Faun (Munich, Glyptothek). -- Figure 53: 'The Thorn-remover' (the head being a 5th-c. BC original) (Rome, Capitoline Museums). -- Figure 54: Satyr removing a thorn from Pan (Paris, Louvre). -- Figure 55: Old shepherd with lamb (Rome, Capitoline Museums). -- Figure 56: Plan of the 'Villa of Mysteries' (Pompeii, Italy). -- Figure 57: Plan of the 'Villa of Livia ad gallinas albas', Rome. -- Figure 58: Colour image of ancient Rome, with the parks (horti) shown in green. -- Figure 64: Wall painting in atrium of the 'Villa of Mysteries' (Pompeii, Italy). -- Figure 65: Wall painting in cubiculum of the villa of P. Fannius Synistor (Boscoreale, Italy). -- Figure 66: Wall painting of the Villa of Agrippa Postumus (Boscotrecase, Italy). -- Figure 67: Wall painting of the Villa of Agrippa Postumus (Boscotrecase, Italy). -- Figure 68: Yellow frieze in the reception room of the House of Livia (Rome). Figure 69: Wall painting in the Rome, 'room of the Masks', House of Augustus (Rome). -- Figure 70: Wall painting in the villa under the Farnesina (Rome). -- Figure 71: Wall painting from the 'Villa of Livia ad gallinas albas' at Rome (Rome, Roman National Museum). -- Acknowledgements -- Introduction -- Escaping the community in Archaic Greece -- The Homeric / Geometric period -- The Orientalising period -- The High and Late Archaic periods -- The Early Classical Period -- Historical and literary evidence -- The visual evidence -- The Mid Classical Period -- The historical and literary evidence -- The visual evidence -- The Late Classical Period -- The historical and literary evidence -- The evidence in architecture and the visual arts -- The creation of the Arcadian Dream in early Hellenistic times -- The Age of the Diadochi -- Historical and literary evidence -- The visual evidence -- Evidence from the Roman world -- The Arcadiam Dream in mid Hellenistic times -- The historical and mythical evidence -- Visual evidence -- The Arcadian Dream in late Hellenistic times -- The historical and literary evidence -- Architecture and the visual arts -- Bibliography -- Index of testimonia. |
| Record Nr. | UNINA-9910795993503321 |
Corso Antonio
|
||
| Oxford, England : , : Archaeopress Publishing Ltd, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The birth and development of the idealized concept of Arcadia in the ancient world / / Antonio Corso
| The birth and development of the idealized concept of Arcadia in the ancient world / / Antonio Corso |
| Autore | Corso Antonio |
| Pubbl/distr/stampa | Oxford, England : , : Archaeopress Publishing Ltd, , [2022] |
| Descrizione fisica | 1 online resource (198 pages) |
| Disciplina | 880.09 |
| Soggetto topico |
Art and literature - Greece
Greek literature - History and criticism Arcadia in literature Arcadia in art Art, Greek |
| Soggetto non controllato | Political Science |
| ISBN |
9781803271651
9781803271644 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Title Page -- Copyright Page -- Contents Page -- List of Figures -- Figure 1: Corinthian orientalizing jug (Munich, Antikensammlung). -- Figure 2: Gypsum alabaster relief with garden. From Niniveh, North Palace, room H (London, The British Museum, Middle East Department). -- Figure 3: Gold bowl found in the tomb of Yaba, wife of Tiglat-Pileser III (Baghdad, Iraq Museum). -- Figure 4: Samian cup, Paris (Louvre, DAGER). -- Figure 5: The Priam Painter, amphora from Caere (Rome, National Museum of Villa Giulia). -- Figure 6: Cover slab of the Diver's tomb from Paestum (National Archaeological Museum of Paestum). -- Figure 7: The Achilles Painter, lekythos (Munich, Antikensammlung). -- Figure 8: The Attic Phiale Painter, krater (Rome, The Vatican Museums, Museo Gregoriano Profano). -- Figure 9: Relief from Daphni (Athens, The National Archaeological Museum). -- Figure 10: Reverse of coin type of Megara struck in Antonine times with running Artemis, inspired by Strongylion's Artemis at Megara (London, The British Museum: Department of Coins). -- Figure 11: The Eretria Painter, epinetron (Athens, The National Archaeological Museum). -- Figure 12: The Meidias Painter, hydria (London, The British Museum). -- Figure 13: Pebble mosaic from Olynthus, Villa of Good Fortune (Greece). -- Figure 14: Dresden Artemis, copy from Praxiteles' Artemis at Megara (Dresden, Staatlische Kunstsammlungen, Skulpturensammlung). -- Figure 15: Artemis on coin of Mantinea, inspired by Praxiteles' Artemis at Mantinea (Athens, The Numismatic Museum). -- Figure 16: The Versailles Artemis (Paris, Louvre, DAGER). -- Figure 17: Artemis on coin of Anticyra, inspired by Praxiteles' Artemis at Anticyra (Athens, The Numismatic Museum). -- Figure 18: Artemis, bronze statuette close to the Malta type (Museo Nazionale Concordiese, Portogruaro).
Figure 19: Knidia Belvedere, copy from Praxiteles' Aphrodite at Knidos (Rome, Vatican Museums). -- Figure 20: Resting Satyr, copy from original statue by Praxiteles (Rome, Capitoline Museums). -- Figure 21: Apollo Sauroctonus, copy from original statue by Praxiteles (Rome, Vatican Museums). -- Figure 25: Praxiteles, Hermes carrying baby Dionysus (Olympia, Archaeological Museum). -- Figure 26: Sleeping Eros (Turin, Museum of Antiquities). -- Figure 27: The Lycian Sarcophagus from Sidon, hunting scene (Istanbul, Archaeological Museum). -- Figure 28: The Satrap Sarcophagus from Sidon, hunting scene (Istanbul, Archaeological Museum). -- Figure 29: The Nereids' monument at Xanthus, hunting scene (London, The British Museum). -- Figure 30: Hunting scene on the sarcophagus of Hecatomnus (Hecatomneion, Mylasa). -- Figure 31: Hunting of the Calydonian boar, east pediment, temple of Athena Alea at Tegea (reconstruction drawing by Stewart 1977). -- Figure 32: Hunting frieze, Royal tomb 2 at Vergina (reconstruction drawing by Franks 2012). -- Figure 33: The Hesperides' Painter, hydria (New York, The Metropolitan Museum). -- Figure 34: The Circle of the Black Fury Painter, oinochoe (Malibu, Getty Museum). -- Figure 35: The Black Fury Painter, krater (Boston, Museum of Fine Arts). -- Figure 36: The Circle of the Chamay Painter, stamnos (Cabinet des médailles, Bibliothèque nationale, Paris). -- Figure 37: Coin struck by Pheneos, with Hermes holding the baby Arcas (Athens, Numismatic Museum). -- Figure 38: Coin struck by Mantinea, with head of Callisto on the reverse (Athens, Numismatic Museum). -- Figure 39: Wall-painting from the Augusteum, the so-called 'Basilica of Herculaneum' (Naples, National Archaeological Museum). -- Figure 40: Symplegma of Silenus with Hermaphrodite (Dresden, Staatlische Kunstsammlungen, Skulpturensammlung). Figure 41: The Woburn Abbey Dionysos (Woburn Abbey, UK). -- Figure 42: Hermoupolis Magna, tomb of Petosiris, milking scene (Hermopolis Magna, Egypt). -- Figure 43: Hermoupolis Magna, tomb of Petosiris, cattle's scene (Hermopolis Magna, Egypt). -- Figure 44: Landscape cup (Alexandria, Greek and Roman Museum). -- Figure 45: Portland vase (London, The British Museum). -- Figure 46: Pergamon, Altar, Telephos' frieze, east side (reconstruction drawing by Seaman 2020). -- Figure 47: Ptolemaic cup (drawing by Adriani 1959, Paris, Cabinet des médailles, Bibliothèque Nationale). -- Figure 48: Pan with Daphnis (Naples, National Archaeological Museum, Farnese Collection). -- Figure 49: 'Invitation to Dance' (Rome, Torlonia Collection). -- Figure 50: Nymph with Satyr (Rome, Capitoline Museums). -- Figure 51: Nymph with Satyr ('The Ludovisi Group') (Rome, Roman National Museum, Altemps Palace). -- Figure 52: The Barberini Faun (Munich, Glyptothek). -- Figure 53: 'The Thorn-remover' (the head being a 5th-c. BC original) (Rome, Capitoline Museums). -- Figure 54: Satyr removing a thorn from Pan (Paris, Louvre). -- Figure 55: Old shepherd with lamb (Rome, Capitoline Museums). -- Figure 56: Plan of the 'Villa of Mysteries' (Pompeii, Italy). -- Figure 57: Plan of the 'Villa of Livia ad gallinas albas', Rome. -- Figure 58: Colour image of ancient Rome, with the parks (horti) shown in green. -- Figure 64: Wall painting in atrium of the 'Villa of Mysteries' (Pompeii, Italy). -- Figure 65: Wall painting in cubiculum of the villa of P. Fannius Synistor (Boscoreale, Italy). -- Figure 66: Wall painting of the Villa of Agrippa Postumus (Boscotrecase, Italy). -- Figure 67: Wall painting of the Villa of Agrippa Postumus (Boscotrecase, Italy). -- Figure 68: Yellow frieze in the reception room of the House of Livia (Rome). Figure 69: Wall painting in the Rome, 'room of the Masks', House of Augustus (Rome). -- Figure 70: Wall painting in the villa under the Farnesina (Rome). -- Figure 71: Wall painting from the 'Villa of Livia ad gallinas albas' at Rome (Rome, Roman National Museum). -- Acknowledgements -- Introduction -- Escaping the community in Archaic Greece -- The Homeric / Geometric period -- The Orientalising period -- The High and Late Archaic periods -- The Early Classical Period -- Historical and literary evidence -- The visual evidence -- The Mid Classical Period -- The historical and literary evidence -- The visual evidence -- The Late Classical Period -- The historical and literary evidence -- The evidence in architecture and the visual arts -- The creation of the Arcadian Dream in early Hellenistic times -- The Age of the Diadochi -- Historical and literary evidence -- The visual evidence -- Evidence from the Roman world -- The Arcadiam Dream in mid Hellenistic times -- The historical and mythical evidence -- Visual evidence -- The Arcadian Dream in late Hellenistic times -- The historical and literary evidence -- Architecture and the visual arts -- Bibliography -- Index of testimonia. |
| Record Nr. | UNINA-9910822526903321 |
|
Corso Antonio
|
||
| Oxford, England : , : Archaeopress Publishing Ltd, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The distaff side [[electronic resource] ] : representing the female in Homer's Odyssey / / edited by Beth Cohen
| The distaff side [[electronic resource] ] : representing the female in Homer's Odyssey / / edited by Beth Cohen |
| Pubbl/distr/stampa | New York, : Oxford University Press, c1995 |
| Descrizione fisica | 1 online resource (286 p.) |
| Disciplina | 883/.01 |
| Altri autori (Persone) | CohenBeth |
| Soggetto topico |
Art and literature - Greece
Art, Greek Epic poetry, Greek - History and criticism Goddesses, Greek, in literature Women and literature - Greece Women in art Women in literature |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-52720-X
0-19-534473-1 1-4294-0625-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Contributors; Abbreviations; I. Introduction; II. Female Representations in the Odyssey; III. Representations of Female Characters from the Odyssey in Ancient Art; References; Index |
| Record Nr. | UNINA-9910451078203321 |
| New York, : Oxford University Press, c1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The distaff side : representing the female in Homer's Odyssey / / edited by Beth Cohen
| The distaff side : representing the female in Homer's Odyssey / / edited by Beth Cohen |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 1995 |
| Descrizione fisica | 1 online resource (xviii, 229 pages) : illustrations |
| Disciplina | 883/.01 |
| Altri autori (Persone) | CohenBeth |
| Soggetto topico |
Art and literature - Greece
Art, Greek Epic poetry, Greek - History and criticism Goddesses, Greek, in literature Women and literature - Greece Women in art Women in literature |
| ISBN |
0-19-770451-4
1-280-52720-X 0-19-534473-1 1-4294-0625-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Contributors; Abbreviations; I. Introduction; II. Female Representations in the Odyssey; III. Representations of Female Characters from the Odyssey in Ancient Art; References; Index |
| Record Nr. | UNINA-9910784845103321 |
| New York : , : Oxford University Press, , 1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The distaff side : representing the female in Homer's Odyssey / / edited by Beth Cohen
| The distaff side : representing the female in Homer's Odyssey / / edited by Beth Cohen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York, : Oxford University Press, c1995 |
| Descrizione fisica | 1 online resource (xviii, 229 pages) : illustrations |
| Disciplina | 883/.01 |
| Altri autori (Persone) | CohenBeth |
| Collana | Oxford scholarship online |
| Soggetto topico |
Art and literature - Greece
Art, Greek Epic poetry, Greek - History and criticism Goddesses, Greek, in literature Women and literature - Greece Women in art Women in literature |
| ISBN |
0-19-770451-4
1-280-52720-X 0-19-534473-1 1-4294-0625-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Contributors; Abbreviations; I. Introduction; II. Female Representations in the Odyssey; III. Representations of Female Characters from the Odyssey in Ancient Art; References; Index |
| Record Nr. | UNINA-9910959317403321 |
| New York, : Oxford University Press, c1995 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modes of viewing in Hellenistic poetry and art [[electronic resource] /] / Graham Zanker
| Modes of viewing in Hellenistic poetry and art [[electronic resource] /] / Graham Zanker |
| Autore | Zanker G (Graham), <1947-> |
| Pubbl/distr/stampa | Madison, : University of Wisconsin Press, c2004 |
| Descrizione fisica | xiv, 223 p |
| Disciplina | 881/.0109 |
| Collana | Wisconsin studies in classics |
| Soggetto topico |
Greek poetry, Hellenistic - History and criticism
Description (Rhetoric) - History - To 1500 Visual perception in literature Art and literature - Greece Point of view (Literature) Rhetoric, Ancient Art, Hellenistic |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-26946-1
0-299-19453-1 9786612269462 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910454436403321 |
|
Zanker G (Graham), <1947->
|
||
| Madison, : University of Wisconsin Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modes of viewing in Hellenistic poetry and art [[electronic resource] /] / Graham Zanker
| Modes of viewing in Hellenistic poetry and art [[electronic resource] /] / Graham Zanker |
| Autore | Zanker G (Graham), <1947-> |
| Pubbl/distr/stampa | Madison, : University of Wisconsin Press, c2004 |
| Descrizione fisica | xiv, 223 p |
| Disciplina | 881/.0109 |
| Collana | Wisconsin studies in classics |
| Soggetto topico |
Greek poetry, Hellenistic - History and criticism
Description (Rhetoric) - History - To 1500 Visual perception in literature Art and literature - Greece Point of view (Literature) Rhetoric, Ancient Art, Hellenistic |
| ISBN |
1-282-26946-1
0-299-19453-1 9786612269462 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910782551803321 |
|
Zanker G (Graham), <1947->
|
||
| Madison, : University of Wisconsin Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Modes of viewing in Hellenistic poetry and art / / Graham Zanker
| Modes of viewing in Hellenistic poetry and art / / Graham Zanker |
| Autore | Zanker G (Graham), <1947-> |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Madison, : University of Wisconsin Press, c2004 |
| Descrizione fisica | xiv, 223 p |
| Disciplina | 881/.0109 |
| Collana | Wisconsin studies in classics |
| Soggetto topico |
Greek poetry, Hellenistic - History and criticism
Description (Rhetoric) - History - To 1500 Visual perception in literature Art and literature - Greece Point of view (Literature) Rhetoric, Ancient Art, Hellenistic |
| ISBN |
9786612269462
9781282269460 1282269461 9780299194536 0299194531 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Intro -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- 1. Aims, Approaches, and Samples -- 2. Full Presentation of the Image -- 3. Reader or Viewer Supplementation -- 4. Reader or Viewer Integration -- 5. An Eye for the New: Poetic Genres, Iconographical Traditions -- 6. Viewing Pleasure and Pain -- Notes -- Bibliography -- Index. |
| Record Nr. | UNINA-9910957402003321 |
|
Zanker G (Graham), <1947->
|
||
| Madison, : University of Wisconsin Press, c2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
