(Counter-)Archive: Memorial Practices of the Soviet Underground / / edited by Klavdia Smola, Ilya Kukulin, Annelie Bachmaier
| (Counter-)Archive: Memorial Practices of the Soviet Underground / / edited by Klavdia Smola, Ilya Kukulin, Annelie Bachmaier |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (524 pages) |
| Disciplina | 027 |
| Collana | Palgrave Macmillan Memory Studies |
| Soggetto topico |
Collective memory
Russia - History Europe, Eastern - History Soviet Union - History Culture - Study and teaching Art - History Memory Studies Russian, Soviet, and East European History Visual Culture Art History |
| ISBN |
9783031671333
3031671333 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1: Archiving Subcultures -- Chapter 1: Klavdia Smola, Ilya Kukulin, Annelie Bachmaier: (Counter-)Archive: Memorial Practices of the Soviet Underground. Introduction -- Chapter 2: Juliane Fürst: Notes from the Zone of Kaif: An Exploration of the Azazello Archive -- Chapter 3: Nathalie Moine: Sound Archives from the Margin of the Soviet: Recording Gypsy Tales and Songs in the late Soviet Union -- Part 2: Archival Aesthetics and Poetics -- Chapter 4: Ilja Kukuj: “Keeping the Thread”: on the Archival Practices of Ry Nikonova and Sergei Sigei -- Chapter 5: Mikhail Pavlovets: Collected Works, or Texts Selected and Discarded, or Under Construction and Other Words by Boniface and German Lukomnikov as an Exercise in Authorial Self-Archiving -- Chapter 6: Mary Nicholas: Co-Authorship, Collaboration, and Other ‘Counter-Archival’ Gestures in Late-Soviet Moscow Conceptualism -- Part 3: Artists as Collectors, Philologists, and Cultural Historians -- Chapter 7: Ann Komaromi: The Samizdat Journal Chasy (The Clock) and the Counter-Archive of Unofficial Culture -- Chapter 8: Christian Zehnder: The Leningrad Underground as an Archive of Modernism: Considering Informal Philology in the Late Soviet Union -- Part 4: The Afterlife of Memory -- Chapter 9: Klavdia Smola: Archiving the Life World: Memorial Practices of the Late Soviet Underground and After -- Chapter 10: Maria Engström, Aleksei Semenenko: Recycling the Underground: Archive and Memory Politics in Contemporary Russia -- Chapter 11: Dorine Schellens: Collecting, Archiving, Canonizing: The Role of Exhibitions in the Transnational Reception History of Moscow Conceptualism -- Chapter 12: Michał Mrugalski: The Warsaw Summit of Archivists: Ilʹia and Emilia Kabakov’s Meeting with Joseph Kosuth on the Borderline between Soviet and Western Banality -- Part 5: Artistic Testimonies -- Chapter 13: Sabine Hänsgen: Translating Moscow Conceptualism -- Chapter 14: Andrei Khlobystin: Wonders and Curiosities -- Chapter 15: Vadim Zakharov: The Artist as Institution: Self-Organization as Institutional Practice(s) in Moscow Conceptualism -- Chapter 16: Elena Penskaia: Archival Strategies and Literary Memory in Vsevolod Nekrasov’s Legacy -- Chapter 17: Pavel Arseniev: “Poetry was forever, until it was no more”: On the New Temporality and Media-Context of the Contemporary Cultural Movement. |
| Record Nr. | UNINA-9910896182503321 |
| Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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The (Im)possibility of Art Archives : Theories and Experience in/from Asia / / edited by Lu Pan
| The (Im)possibility of Art Archives : Theories and Experience in/from Asia / / edited by Lu Pan |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (xxxvii, 356 pages) : illustrations (some color) |
| Disciplina | 060 |
| Collana | Contemporary East Asian Visual Cultures, Societies and Politics |
| Soggetto topico |
Art, Modern - 21st century
Asia - Politics and government Art - History Culture - Study and teaching Culture Contemporary Art Asian Politics Art History Visual Culture Sociology of Culture |
| ISBN |
9789819958986
9819958989 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part I: Accumulation and Creation: The Birth of Archive -- Chapter 1: Diverse Voices of Japanese Modern and Contemporary Art: The Oral History Archives of Japanese Art -- Chapter 2: “Accumulation” and “Reward”: An Interview with Chen Tong on Video Bureau -- Chapter 3: RE-VISIONING THE ARCHIVES: On the Creation and Curation of a Relational and Decolonial Visual Art Archives in Asia -- Chapter 4: Hijikata Tatsumi Archive: A Pioneering Dance Archive in Japan -- Chapter 5: One-Man Archive: Koh Nguang How on the Possibilities of Archiving Singapore Art -- Part II: Deconstruction and Recreation: Artist, Curator and Research on Archive -- Chapter 6: Encountering Incompleteness: Archives, Institutions and Exhibition-making -- Chapter 7: The Need of Art Archives in India -- Chapter 8: The Timeless Plunge: The Ha Bik Chuen Archive -- Chapter 9: Endless Documents: Chinese Contemporary Art and Curatorial Practices in Archives -- Chapter 10: The Eyes of Archives: How Contemporary Taiwanese Video Art Set off a Revolt Regarding Japanese Colonial History -- Chapter 11: Expose: Archive of -- Matsuzawa Yutaka -- Chapter 12: It Takes a Village: Archives Talk Back -- Chapter 13: Others, A Night in Tokyo, Coconut Forest and Tigers: Observations of a Pseudo-Tourist -- Chapter 14: Muse -- the archive, archival/exhibiting turn -- Chapter 15: The Retrieval, Restoration, and Predicament Objects, Memories and Records in Wartime -- Chapter 16: Toward Archiveology: Regarding Nguyen Trinh Thi’s Essay Films -- Part III: The Public and Imagination: Archive as Self-Portrait of Community -- Chapter 17: The Relationship between Sendai Mediatheque’s Art Exhibitions and 3.11 Archives - A case study of “Record and Recalling: Walking on the House of Images” -- Chapter 18: Rescuing an image of one’s own: Memoirs of a Taiwanese folk image preservation movement -- Chapter 19: Archives Without Archivists: Notes on “I’m calling you. rebirth of humans and the elephant -- Chapter 20: Multitude Asia: Huang Sun-quan on Articulation, Network, Asian Visual Archive -- Chapter 21: Praxis of Praxis: Collaborative Art Archiving, Going beyond an Imagined Community toward a Community in Process -- Chapter 22: Archiving the Commons: Struggle of anti-gentrification and anti-eviction. |
| Record Nr. | UNINA-9910831005203321 |
| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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Aesthetics from Ancient China : Aspects of Fenggu / / by Yonghao Wang
| Aesthetics from Ancient China : Aspects of Fenggu / / by Yonghao Wang |
| Autore | Wang Yonghao |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (230 pages) |
| Disciplina | 951 |
| Altri autori (Persone) | ChuJiajun |
| Collana | Key Concepts in Chinese Thought and Culture |
| Soggetto topico |
China - History
Art - History Oriental literature History of China Art History Asian Literature |
| ISBN |
9789819724017
9789819724000 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter I Standards and Norms for Calligraphy and Painting: Fenggu in Calligraphy -- Chapter II Art in a Class of Its Own: Fenggu in Painting -- Chapter III The Beauty and Subtlety of Language: Fenggu as an Aesthetic Genre in Poetry -- Chapter IV The Formation of Fenggu―From Brush and Ink to Character -- Chapter V Shared Sensation and Connectedness—An Overview of Fenggu Aesthetic Genre. |
| Record Nr. | UNINA-9910872185603321 |
Wang Yonghao
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| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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Archaeological Ambassadors : A History of Archaeological Gifts in New York City / / by Elizabeth R. Macaulay
| Archaeological Ambassadors : A History of Archaeological Gifts in New York City / / by Elizabeth R. Macaulay |
| Autore | Macaulay Elizabeth R. |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (279 pages) |
| Disciplina | 659.299301 |
| Soggetto topico |
Culture - Study and teaching
Art - History Cultural property United States - History Visual Culture Art History Cultural Heritage US History |
| ISBN |
9783031513916
3031513916 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1: Archaeological Ambassadors -- Chapter 2: Cleopatra’s Needle: An Obelisk for a Rising Metropolis -- Chapter 3: Greek Bearing Gifts: The Marathon Stone, Casts, and Presidential Gifts -- Chapter 4. Columns as Cultural Capital: The Jordanian Practice of Gifting Archaeological Objects -- Chapter 5: An Exquisite Toy: The Temple of Dendur, a Gift for New York -- Chapter 6: Walks with Minerva and the Contemporary Lives of Archaeological Gifts. . |
| Record Nr. | UNINA-9910842288003321 |
Macaulay Elizabeth R.
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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Archive as Detour : Historical Re-enactment in Artist Archive and Archival Art Practices of Contemporary Hong Kong / / by Sau Wai Vennes Cheng
| Archive as Detour : Historical Re-enactment in Artist Archive and Archival Art Practices of Contemporary Hong Kong / / by Sau Wai Vennes Cheng |
| Autore | Vennes Cheng Sau Wai |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 |
| Descrizione fisica | 1 online resource (252 pages) : illustrations (some color) |
| Disciplina | 025.3 |
| Collana | Contemporary East Asian Visual Cultures, Societies and Politics |
| Soggetto topico |
Art - History
Ethnology Culture Arts Asia - Politics and government Art History Regional Cultural Studies Asian Politics |
| ISBN |
9789819724888
9789819724871 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1. Introduction -- Chapter 2. Art, Archive, and History(ies) -- Chapter 3. The Assemblage of Ha Bik Chuen - his art and his archive as art -- Chapter 4. Image Constellation - The encounter of Ha Bik Chuen’s Modified Books & Aby Warburg’ Mnemosyne Atlas -- Chapter 5. Counter-memorial strategy - The disabled histories in the archival practices of Leung Chi Wo and Lee Kai Chung -- Chapter 6. Staging the archive - the curatorial as detour -- Chapter 7. Epilogue, the becoming histories. |
| Record Nr. | UNINA-9910878045803321 |
Vennes Cheng Sau Wai
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| Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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Art and Culture in the Multiverse of Metaverses : Immersion, Presence, and Interactivity in the Digital Age / / by James Hutson
| Art and Culture in the Multiverse of Metaverses : Immersion, Presence, and Interactivity in the Digital Age / / by James Hutson |
| Autore | Hutson James |
| Edizione | [1st ed. 2024.] |
| Pubbl/distr/stampa | Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2024 |
| Descrizione fisica | 1 online resource (211 pages) |
| Disciplina |
005.437
004.019 |
| Collana | Springer Series on Cultural Computing |
| Soggetto topico |
User interfaces (Computer systems)
Human-computer interaction Cultural property Art - History Virtual reality Augmented reality User Interfaces and Human Computer Interaction Cultural Heritage Art History Virtual and Augmented Reality Interfícies d'usuari (Sistemes d'ordinadors) Interacció persona-ordinador Patrimoni cultural Història de l'art Realitat virtual |
| Soggetto genere / forma | Llibres electrònics |
| ISBN |
9783031663208
9783031663192 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Part 1: Location and immersion -- Introduction -- Microcosm of history: Everywhere. Everything. Everyone -- Part 2: Place and presence -- Art in the age of virtual reproduction -- Digital cultural heritage preservation -- Part 3: Identity and interactivity -- Embodiment in avatars and technoculture -- From simulacra to reanimation: Resurrecting the (un)dead -- Conclusion. |
| Record Nr. | UNINA-9910878978903321 |
Hutson James
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| Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2024 | ||
| Lo trovi qui: Univ. Federico II | ||
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Art Discovery and Censorship in the Centre William Rappard of Geneva : Building the Future / / by Edmundo Murray
| Art Discovery and Censorship in the Centre William Rappard of Geneva : Building the Future / / by Edmundo Murray |
| Autore | Murray Edmundo |
| Edizione | [1st ed. 2023.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 |
| Descrizione fisica | 1 online resource (227 pages) |
| Disciplina |
709
701.03 |
| Soggetto topico |
Art - History
Architecture Ethnology - Europe Culture Cities and towns - History Art History European Culture Urban History |
| ISBN |
9783031271601
3031271602 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. The Art Paradox: Between Love and Fear of the Image -- 2. 1926 – Metaphors of Hope -- 3. 1930 – “Sex and drunkenness and, yes, sin”: The Geneva Window that never arrived in Geneva -- 4. 1937 – “He wishes that it be removed”: Hiding Pygmalion -- 5. 1977 – “Profane, almost sentimentalist, almost human”: The GATT Secretariat in the Centre William Rappard -- 6. 2013 – Fresh Air: Rediscovering and Restoring Artworks -- 7. 2020 – The end of humour -- 8. Ars celare artem. |
| Record Nr. | UNINA-9910731470603321 |
Murray Edmundo
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023 | ||
| Lo trovi qui: Univ. Federico II | ||
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Art history
| Art history |
| Pubbl/distr/stampa | [Oxford], : Blackwell Publishers |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Art - Historiography
Art History Kunst |
| Soggetto genere / forma | Periodicals. |
| ISSN | 1467-8365 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996202297703316 |
| [Oxford], : Blackwell Publishers | ||
| Lo trovi qui: Univ. di Salerno | ||
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Art history
| Art history |
| Pubbl/distr/stampa | [Oxford], : Blackwell Publishers |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Art - Historiography
Art History Kunst |
| Soggetto genere / forma |
Periodicals
Periodicals. |
| ISSN | 1467-8365 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910145061503321 |
| [Oxford], : Blackwell Publishers | ||
| Lo trovi qui: Univ. Federico II | ||
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Art History for Comics : Past, Present and Potential Futures / / by Ian Horton, Maggie Gray
| Art History for Comics : Past, Present and Potential Futures / / by Ian Horton, Maggie Gray |
| Autore | Horton Ian |
| Edizione | [1st ed. 2022.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
| Descrizione fisica | 1 online resource (248 pages) |
| Disciplina | 709 |
| Collana | Palgrave Studies in Comics and Graphic Novels |
| Soggetto topico |
Comic books, strips, etc - Influence on mass media
Art - History Comics Studies Art History |
| ISBN |
9783031073533
3031073533 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Why Does Comics Studies Need Art History (and Vice Versa)? -- Disciplinary and Methodological Concerns -- Part I: The History of Art History and Comics Studies -- Part II: Possibilities for Comics Art History Now -- References -- Part I The History of Art History and Comics Studies -- Establishing Canons, Styles and Schools at the Dawn of Comics Studies -- Creating Classical Canons -- Defining Styles and Schools -- References -- Iconography and Cultural History in Comics Studies -- Iconography as Method and Methodology -- Cultural History as a Critical Framework -- References -- Art History Turned Upside Down: David Kunzle and the Social History of Art -- Volume 1: Exe⁄orcising Gombrich -- New Left Art History -- How Karl Marx Prevailed over Carl Barks -- Volume 2: The Social History of Comics -- References -- Variations of Formalism, Modernism, Abstraction -- Claude Moliterni: A Formalism of Narrative Technique -- Gerald Gassiot-Talabot: Comics Against Formalism and Abstraction? -- Comics (and the) Modernist Avant-Garde -- Andrei Molotiu: Abstract Comics Formalism -- Abstraction Beyond Modernist Formalism -- References -- Part II Possibilities for Comics Art History Now -- Challenging Canons and the Challenge of Style: Visualising the Baroque Storyworld of Judge Dredd’s “The Cursed Earth” -- Contesting Canons in Comics Studies -- The Challenge of Style for Comics Studies -- Styles and Schools as Canonical Markers -- Picturing a Baroque Storyworld: Seeing “The Cursed Earth” Through Wolfflin’s Comparative Methodology -- The Limits and Potential of Wolfflin’s Analysis of Style for Comics Studies -- References -- Iconography for Comics Studies Reconsidered: Interpreting Visual Transformations in Jack Kirby’s The Mighty Thor -- From Iconography to Iconology -- The Semiotic Turn in Art History (and Comics Studies) -- Thump, Karrrack! The Iconology of Transformation in Thor -- The Challenge of Iconography and Iconology for Comic Studies (and Art History) -- References -- Cultural History for Comics Studies: Reinterpreting the Eagle and “Dan Dare - Pilot of the Future” -- From Iconology to Cultural History -- The Discourse of Cultural Studies Within Comics Studies -- Recontextualising the Eagle and “Dan Dare - Pilot of the Future” -- Daring to Use Cultural History in Comics Studies -- References -- A Social History of Comics Art: Looking at Writers and Readers’ Capitalism for Beginners -- Marxist Art History and Comics -- Style, Ideology and Class -- Ideology and Autonomy -- Affect, Materiality and Ways of Reading and Seeing -- Writers and Readers ... for Beginners Comic Books -- Relations of Production, Distribution and Consumption -- Style, Materiality and the Politics of Form -- Ways of Reading and Looking -- References -- Re-framing the Avant-Garde: Different Ways of Seeing Escape -- Positioning the Avant-Garde in Comics Studies -- Unpopular Culture and Postmodern Modernism -- Framing the Avant-Garde in Art History -- Advancing Towards the Picture Plane -- AdvancingAgainst Art and into Life -- Advancing as Reaction and Repetition -- Advancing Beyond the Frame -- Escape Artistry -- Reading Escape as Unpopular Culture -- Small Press and Alternative Avant-Gardes -- A Mainstream Alternative -- Putting Comics Studies in the Frame -- References -- Modernism and Comics Revisited: Form and Fragmentation in Alan Moore’s “I Can Hear the Grass Grow” -- Comics and Modernism -- Modernism in Art History -- The Significance of Form -- The Specificity of Medium -- The Defence of Autonomy -- The Occlusions of Modernist Criticism -- Reframing Modernism and Comics -- I Can Hear the Grass Grow -- Form: The Abstract Underscore, Medium and Modernism -- A Medium of Fragments: Modernity, Montage and the Politics of Form -- References -- Conclusion: Future Directions -- References -- Index. |
| Record Nr. | UNINA-9910595038203321 |
Horton Ian
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 | ||
| Lo trovi qui: Univ. Federico II | ||
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