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The artist as curator / / edited by Celina Jeffery
| The artist as curator / / edited by Celina Jeffery |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, USA : , : Intellect, , 2015 |
| Descrizione fisica | 1 online resource (214 p.) |
| Disciplina | 707.5 |
| Soggetto topico |
Art - Exhibition techniques
Artists as art museum curators Curatorship |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-78320-339-0
1-78320-338-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; Note
Chapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition; References; Notes; Contributors; Index; BackCover |
| Record Nr. | UNINA-9910461077603321 |
| Bristol, UK ; ; Chicago, USA : , : Intellect, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The artist as curator / / edited by Celina Jeffery
| The artist as curator / / edited by Celina Jeffery |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, USA : , : Intellect, , 2015 |
| Descrizione fisica | 1 online resource (214 p.) |
| Disciplina | 707.5 |
| Soggetto topico |
Art - Exhibition techniques
Artists as art museum curators Curatorship |
| ISBN |
1-78320-339-0
1-78320-338-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; Note
Chapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition; References; Notes; Contributors; Index; BackCover |
| Record Nr. | UNINA-9910797404903321 |
| Bristol, UK ; ; Chicago, USA : , : Intellect, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The artist as curator / / edited by Celina Jeffery
| The artist as curator / / edited by Celina Jeffery |
| Pubbl/distr/stampa | Bristol, UK ; ; Chicago, USA : , : Intellect, , 2015 |
| Descrizione fisica | 1 online resource (214 p.) |
| Disciplina | 707.5 |
| Soggetto topico |
Art - Exhibition techniques
Artists as art museum curators Curatorship |
| ISBN |
1-78320-339-0
1-78320-338-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; Note
Chapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition; References; Notes; Contributors; Index; BackCover |
| Record Nr. | UNINA-9910822252603321 |
| Bristol, UK ; ; Chicago, USA : , : Intellect, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
ARTocracy : art, informal space, and social consequence : a curatorial handbook in collaborative practice / / Nuno Sacramento and Claudia Zeiske
| ARTocracy : art, informal space, and social consequence : a curatorial handbook in collaborative practice / / Nuno Sacramento and Claudia Zeiske |
| Autore | Sacramento Nuno |
| Pubbl/distr/stampa | Berlin : , : Jovis, , 2010 |
| Descrizione fisica | 1 online resource (183 p.) |
| Disciplina | 706 |
| Soggetto topico |
Art museums - Collection management
Art museums - Curatorship Art - Exhibition techniques Art and society |
| ISBN | 3-86859-900-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half Title; Title Page; Copyright; Contents; Foreword | Paul Shepheard; Introduction | ARTocracy; Curator and Shadow Curator; Deveron Arts; The Story of the town is the venue; Projects; Curatorial Methodology; the town is the venue; Reading the Context; Participant Observation; Cultural Audit; Project Layers; People; Context; Processes; Results; Project Practicalities; Fund-Raising; Marketing; Learning; Transferability of the town is the venue; Huntlosen; Sesimbra; Riebeek Kasteel; Shadow Curator Discussion; Theoretical Reflections; Theoretical Reflections: Place and Communities
Looking Around | Lucy LippardNew Communities | Nina Möntmann; Appendix; Huntly Branding Guidelines; the town is the venue Projects; FAQs; Resources; Glossary; Biographies |
| Record Nr. | UNINA-9910163019703321 |
Sacramento Nuno
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| Berlin : , : Jovis, , 2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Curating differently : feminisms, exhibitions and curatorial spaces / / edited by Jessica Sjöholm Skrubbe
| Curating differently : feminisms, exhibitions and curatorial spaces / / edited by Jessica Sjöholm Skrubbe |
| Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2016 |
| Descrizione fisica | 1 online resource (191 p.) |
| Disciplina | 707.5 |
| Soggetto topico |
Art - Exhibition techniques
Art - Exhibition techniques - Social aspects Feminism in art Curatorship |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4438-8738-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910460622403321 |
| Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Curating differently : feminisms, exhibitions and curatorial spaces / / edited by Jessica Sjöholm Skrubbe
| Curating differently : feminisms, exhibitions and curatorial spaces / / edited by Jessica Sjöholm Skrubbe |
| Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2016 |
| Descrizione fisica | 1 online resource (191 p.) |
| Disciplina | 707.5 |
| Soggetto topico |
Art - Exhibition techniques
Art - Exhibition techniques - Social aspects Feminism in art Curatorship |
| ISBN | 1-4438-8738-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910798037403321 |
| Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Curating differently : feminisms, exhibitions and curatorial spaces / / edited by Jessica Sjöholm Skrubbe
| Curating differently : feminisms, exhibitions and curatorial spaces / / edited by Jessica Sjöholm Skrubbe |
| Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2016 |
| Descrizione fisica | 1 online resource (191 p.) |
| Disciplina | 707.5 |
| Soggetto topico |
Art - Exhibition techniques
Art - Exhibition techniques - Social aspects Feminism in art Curatorship |
| ISBN | 1-4438-8738-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910810671903321 |
| Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Curating live arts : global perspectives on theory and practice / / edited by Dena Davida [and three others]
| Curating live arts : global perspectives on theory and practice / / edited by Dena Davida [and three others] |
| Pubbl/distr/stampa | New York ; ; Oxford : , : Berghahn Books, , 2019 |
| Descrizione fisica | 1 online resource (416 pages) |
| Disciplina | 708 |
| Soggetto topico |
Art museum curators
Art museums Art - Exhibition techniques |
| Soggetto non controllato | Live Arts, Performance, Performance Studies, Art, Dance, Theatre, Museology, Music |
| ISBN |
1-78785-904-5
1-78533-964-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Curating Live Arts -- Copyright Page -- Contents -- Illustrations -- Prologue - Bethinking One's Own Strengths: The Performative Potential of Curating -- Acknowledgments -- A Collective Introduction -- A Note on Curatorial Statements - A Third Space: Chasing the Intangible -- Part I - Historical Framings -- Chapter 1 - From Content to Context: The Emergence of the Performance Curator -- Practical Space - Curiosity and Intuition -- Chapter 2 - Exhibiting Performances: Process and Valorization in When Attitudes Become Forms-Bern 1969/Venice 2013 -- Chapter 3 - Can We Curate Dance without Making a Festival? On Dance Curatorship and Its Shifting Borders -- Chapter 4 - Curating Performance from Africa on International Stages: Thoughts on Artistic Categories and Critical Discourse -- Practical Space - Untitled -- Chapter 5 - The Curating Nation: Emergence of Performance Curation in Singapore and Its Impact on Cultural Politics -- Chapter 6 - The Curatorial Chronotope -- Practical Space - Layers -- Chapter 7 - More Weirdness, More Joy: Performance Curation and Pedagogy at Danspace Project and the Institute for Curatorial Practice in Performance -- Part II - Ethical Proposals -- Chapter 8 - Dancing the Museum -- Chapter 9 - Curatorial Discourse and Equity: Tensions in Contemporary Dance Presenting in the United States -- Practical Space - Holy Motor-a Mechanical Metaphor Surrounding the Live Arts Curator -- Chapter 10 - Noticing the Feedback: A Proposal to the Contemporary Dance Field, and/or This Revolution Will Be Crowdsourced -- Chapter 11 - Email to a Curator: An Introduction to The Curators' Piece -- Practical Space - Curating Liveness -- Chapter 12 - Curation as a Form of Artistic Practice: Context as a New Work through UK-based Forest Fringe -- Part III - The Artist-Curators.
Chapter 13 - The Artist-Curator, or the Philosophy of "Do-It-Yourself" -- Embodied Space - "Soft-Curation," Pollination, and Rhizomes -- Chapter 14 - Being in the Vanguard of Sensibility: Artists as Curators in Performing Arts-a Study of Collective Affect -- Chapter 15 - Familias: Artist-Activist Curation in the South Bronx, New York -- Chapter 16 - What We Talk About When We Talk About Curating the "Unexpected" -- Embodied Space - Greater Than -- Chapter 17 - Because I Love Art, I Want Art to Be Different: The Project Perverse Curating and a Few Things I've Learned from It -- Chapter 18 - Making Stage: Contemporary Dance and Performance Curation in the Caribbean -- Embodied Space - As We -- Chapter 19 - The Work of the Musician-Curator in Relation to the "Concert Scenario" -- Chapter 20 - Pseudo-, Anti-, and Total Dance: A Self-Interview on Curation -- Chapter 21 - Collective Creation and Improvised Curation: A Discussion with Body Slam -- Part IV - Exhibition as Events -- Chapter 22 - A New Kind of Critical Elsewhere -- Chapter 23 - Re-enact History? Peforming the Archive! -- Chapter 24 - Choreographing Archives, Curating Choreographers: Yvonne Rainer, Xavier Le Roy, and the Dance Retrospective -- Embodied Space - The Title as the Curator's Art Piece -- Chapter 25 - Exhibiting Dance, Performing Objects: Cultural Mediation in the Museum -- Chapter 26 - The Curator's Work: Stories and Experiences from Tino Sehgal's Events -- Part V - Artivism -- Chapter 27 - Framing a Network, Charting Dis-Courses: Performance Curation, Community Work, and the Logic/Anxieties of an Emerging Field -- Ethical Space - Curate -- Chapter 28 - Food=Need: Constraints, Reflexivity, and Community Performance -- Chapter 29 - ARC.HIVE of Contemporary Arab Performing Arts: Memory, Catastrophe, Resistance, and Oblivion. Chapter 30 - Collective Walks/Spaces of Contestation: Site-Specificity, Community Involvement, and Mobility Employed as Curatorial Strategies in the Creation of Participatory Performances -- Chapter 31 - Sound Citizen: Curating Sound Art in the Distributed Public Sphere -- Ethical Space - Curation as a Practice of Radical Care: A Definition -- Part VI - Institutional Reinventions -- Chapter 32 - Rethinking the Role of Institutions and Curators in a New Interdisciplinary Age -- Chapter 33 - The Curator as a Culture Producer -- Ethical Space - Definition of Curation -- Chapter 34 - How to Build a Manifesto for the Future of a Festival: "Festivals as Thinking Entities," a Conversation with Judith Blackenberg, Daniel Blanga-Gubbay, Silvia Bottiroli, and Livia Andrea Piazza, initiated by Silvia Bottiroli and Berno Odo Polzer -- Chapter 35 - The Curatorial Gesture as a Decolonial Gesture -- Ethical Space - Proposing Intervals-Curating as Choreography -- Chapter 36 - Are You Not Entertained? Curating Performance within the Institution -- Chapter 37 - Bodies in Museums: Institutional Practices and Politics -- Ethical Space: Curating History, Curating Resistance -- Chapter 38 - What Can Contemporary Art Perform? And Then Transgress? -- Epilogue - Situation Critical: What Comes Next for the Field of Performance Curation? -- Ethical Space - The Parable of the Curator -- Index. |
| Record Nr. | UNINA-9910793387303321 |
| New York ; ; Oxford : , : Berghahn Books, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Curating live arts : global perspectives on theory and practice / / edited by Dena Davida [and three others]
| Curating live arts : global perspectives on theory and practice / / edited by Dena Davida [and three others] |
| Pubbl/distr/stampa | New York ; ; Oxford : , : Berghahn Books, , 2019 |
| Descrizione fisica | 1 online resource (416 pages) |
| Disciplina | 708 |
| Soggetto topico |
Art museum curators
Art museums Art - Exhibition techniques |
| Soggetto non controllato | Live Arts, Performance, Performance Studies, Art, Dance, Theatre, Museology, Music |
| ISBN |
1-78785-904-5
1-78533-964-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Curating Live Arts -- Copyright Page -- Contents -- Illustrations -- Prologue - Bethinking One's Own Strengths: The Performative Potential of Curating -- Acknowledgments -- A Collective Introduction -- A Note on Curatorial Statements - A Third Space: Chasing the Intangible -- Part I - Historical Framings -- Chapter 1 - From Content to Context: The Emergence of the Performance Curator -- Practical Space - Curiosity and Intuition -- Chapter 2 - Exhibiting Performances: Process and Valorization in When Attitudes Become Forms-Bern 1969/Venice 2013 -- Chapter 3 - Can We Curate Dance without Making a Festival? On Dance Curatorship and Its Shifting Borders -- Chapter 4 - Curating Performance from Africa on International Stages: Thoughts on Artistic Categories and Critical Discourse -- Practical Space - Untitled -- Chapter 5 - The Curating Nation: Emergence of Performance Curation in Singapore and Its Impact on Cultural Politics -- Chapter 6 - The Curatorial Chronotope -- Practical Space - Layers -- Chapter 7 - More Weirdness, More Joy: Performance Curation and Pedagogy at Danspace Project and the Institute for Curatorial Practice in Performance -- Part II - Ethical Proposals -- Chapter 8 - Dancing the Museum -- Chapter 9 - Curatorial Discourse and Equity: Tensions in Contemporary Dance Presenting in the United States -- Practical Space - Holy Motor-a Mechanical Metaphor Surrounding the Live Arts Curator -- Chapter 10 - Noticing the Feedback: A Proposal to the Contemporary Dance Field, and/or This Revolution Will Be Crowdsourced -- Chapter 11 - Email to a Curator: An Introduction to The Curators' Piece -- Practical Space - Curating Liveness -- Chapter 12 - Curation as a Form of Artistic Practice: Context as a New Work through UK-based Forest Fringe -- Part III - The Artist-Curators.
Chapter 13 - The Artist-Curator, or the Philosophy of "Do-It-Yourself" -- Embodied Space - "Soft-Curation," Pollination, and Rhizomes -- Chapter 14 - Being in the Vanguard of Sensibility: Artists as Curators in Performing Arts-a Study of Collective Affect -- Chapter 15 - Familias: Artist-Activist Curation in the South Bronx, New York -- Chapter 16 - What We Talk About When We Talk About Curating the "Unexpected" -- Embodied Space - Greater Than -- Chapter 17 - Because I Love Art, I Want Art to Be Different: The Project Perverse Curating and a Few Things I've Learned from It -- Chapter 18 - Making Stage: Contemporary Dance and Performance Curation in the Caribbean -- Embodied Space - As We -- Chapter 19 - The Work of the Musician-Curator in Relation to the "Concert Scenario" -- Chapter 20 - Pseudo-, Anti-, and Total Dance: A Self-Interview on Curation -- Chapter 21 - Collective Creation and Improvised Curation: A Discussion with Body Slam -- Part IV - Exhibition as Events -- Chapter 22 - A New Kind of Critical Elsewhere -- Chapter 23 - Re-enact History? Peforming the Archive! -- Chapter 24 - Choreographing Archives, Curating Choreographers: Yvonne Rainer, Xavier Le Roy, and the Dance Retrospective -- Embodied Space - The Title as the Curator's Art Piece -- Chapter 25 - Exhibiting Dance, Performing Objects: Cultural Mediation in the Museum -- Chapter 26 - The Curator's Work: Stories and Experiences from Tino Sehgal's Events -- Part V - Artivism -- Chapter 27 - Framing a Network, Charting Dis-Courses: Performance Curation, Community Work, and the Logic/Anxieties of an Emerging Field -- Ethical Space - Curate -- Chapter 28 - Food=Need: Constraints, Reflexivity, and Community Performance -- Chapter 29 - ARC.HIVE of Contemporary Arab Performing Arts: Memory, Catastrophe, Resistance, and Oblivion. Chapter 30 - Collective Walks/Spaces of Contestation: Site-Specificity, Community Involvement, and Mobility Employed as Curatorial Strategies in the Creation of Participatory Performances -- Chapter 31 - Sound Citizen: Curating Sound Art in the Distributed Public Sphere -- Ethical Space - Curation as a Practice of Radical Care: A Definition -- Part VI - Institutional Reinventions -- Chapter 32 - Rethinking the Role of Institutions and Curators in a New Interdisciplinary Age -- Chapter 33 - The Curator as a Culture Producer -- Ethical Space - Definition of Curation -- Chapter 34 - How to Build a Manifesto for the Future of a Festival: "Festivals as Thinking Entities," a Conversation with Judith Blackenberg, Daniel Blanga-Gubbay, Silvia Bottiroli, and Livia Andrea Piazza, initiated by Silvia Bottiroli and Berno Odo Polzer -- Chapter 35 - The Curatorial Gesture as a Decolonial Gesture -- Ethical Space - Proposing Intervals-Curating as Choreography -- Chapter 36 - Are You Not Entertained? Curating Performance within the Institution -- Chapter 37 - Bodies in Museums: Institutional Practices and Politics -- Ethical Space: Curating History, Curating Resistance -- Chapter 38 - What Can Contemporary Art Perform? And Then Transgress? -- Epilogue - Situation Critical: What Comes Next for the Field of Performance Curation? -- Ethical Space - The Parable of the Curator -- Index. |
| Record Nr. | UNINA-9910813197903321 |
| New York ; ; Oxford : , : Berghahn Books, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Exhibiting photography : a practical guide to displaying your work / / Shirley Read
| Exhibiting photography : a practical guide to displaying your work / / Shirley Read |
| Autore | Read Shirley |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | Burlington, Mass. : , : Focal Press, , 2014 |
| Descrizione fisica | 1 online resource (436 p.) |
| Disciplina | 770 |
| Soggetto topico |
Photography - Exhibitions
Art - Exhibition techniques Museum exhibits |
| ISBN |
1-136-10253-1
0-240-82062-2 1-299-48105-1 1-136-10254-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Table of Contents; Acknowledgements; Thanks; Introduction; Chapter 1 Thinking about Exhibiting; Chapter 2 Creating Support Systems; Case Study One Leila Miller: The M.A. Show; Chapter 3 Storage & Archiving; Chapter 4 Preparation; Case Study Two Esther Teichmann: Working Collaboratively; Chapter 5 Alternative Routes; Chapter 6 D.I.Y Alternatives; Case Study Three Sian Bonnell: TRACE; Chapter 7 Approaching a Gallery; Chapter 8 The Curator's Role; Case Study Four Anne McNeill: A Gallery and a Curation: Joy Gregory at Impressions Gallery
Chapter 9 Forward Planning: OneChapter 10 Forward Planning: Two Research; Chapter 11 Texts: One-Personal; Chapter 12 Texts: Two-Publicity; Case Study Five Karin Bareman: Dutch Photography Centers; Chapter 13 Texts: Three-Mailing Lists; Chapter 14 Thinking about Presentation; Case Study Six Bridget Coaker: Troika Editions: How to Start an Online Gallery; Chapter 15 Pre-Planning: Using the Exhibition Space; Chapter 16 Pre-Planning: Practical Issues; Case Study Seven Katrina Sluis: Exhibiting Online; Chapter 17 Printing for Exhibition by Mike Crawford; Chapter 18 Sales Case Study Eight Andrew Dewdney: The Quest for a Digital GalleryChapter 19 Hanging the Exhibition; Chapter 20 The Private View; Chapter 21 After the Private View; Chapter 22 A Summary; Appendix Checklists; The resources file; Offering feedback; An exhibiting c.v.: Alison Marchant; The timetable; The budget; The press release; Invitation card; European paper sizes in millimeters and inches; The tool kit; Hanging an exhibition: the sequence; Possible teams to organize a group exhibition; Photo festivals; Possible pitfalls of exhibiting; Some ways to avoid pitfalls; Bibliography; Index |
| Record Nr. | UNINA-9910779683303321 |
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Read Shirley
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| Burlington, Mass. : , : Focal Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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