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Art and Death [[electronic resource]]
| Art and Death [[electronic resource]] |
| Autore | Townsend Chris |
| Pubbl/distr/stampa | London, : I.B.Tauris, 2008 |
| Descrizione fisica | 1 online resource (331 p.) |
| Disciplina | 704.9493069 |
| Soggetto topico |
Art, Modern -- 20th century
Art, Modern -- 21st century Artists -- Psychology Death -- Psychological aspects Death in art Video art |
| ISBN |
0-7556-0399-0
0-85773-276-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title page; Copyright page; Contents; List of Illustrations; Acknowledgements; Introduction; 1. Francis Bacon; 2. Damien Hirst - Francis Bacon; 3. Tracey Emin; 4. Nan Goldin; 5. Ralph Eugene Meatyard; 6. Derek Jarman; 7. Shimon Attie - Aberfan; Conclusion; Notes; Bibliography |
| Record Nr. | UNINA-9910787021503321 |
Townsend Chris
|
||
| London, : I.B.Tauris, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Art and Death [[electronic resource]]
| Art and Death [[electronic resource]] |
| Autore | Townsend Chris |
| Pubbl/distr/stampa | London, : I.B.Tauris, 2008 |
| Descrizione fisica | 1 online resource (331 p.) |
| Disciplina | 704.9493069 |
| Soggetto topico |
Art, Modern -- 20th century
Art, Modern -- 21st century Artists -- Psychology Death -- Psychological aspects Death in art Video art |
| ISBN |
0-7556-0399-0
0-85773-276-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Title page; Copyright page; Contents; List of Illustrations; Acknowledgements; Introduction; 1. Francis Bacon; 2. Damien Hirst - Francis Bacon; 3. Tracey Emin; 4. Nan Goldin; 5. Ralph Eugene Meatyard; 6. Derek Jarman; 7. Shimon Attie - Aberfan; Conclusion; Notes; Bibliography |
| Record Nr. | UNINA-9910812524003321 |
|
Townsend Chris
|
||
| London, : I.B.Tauris, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary Art : 1989 to the Present
| Contemporary Art : 1989 to the Present |
| Autore | Dumbadze Alexander |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hoboken : , : John Wiley & Sons, Incorporated, , 2013 |
| Descrizione fisica | 1 online resource (511 pages) |
| Disciplina | 709.04 |
| Altri autori (Persone) | HudsonSuzanne |
| Soggetto topico |
Art, Modern -- 20th century
Art, Modern -- 21st century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9781118298886
9781118298923 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contemporary Art: 1989 to the Present -- Copyright -- Contents -- Contributors -- Introduction -- A User's Guide to Contemporary Art: 1989 to the Present -- 1 The Contemporary and Globalization -- Worlds Apart: Contemporary Art, Globalization, and the Rise of Biennials -- "Our" Contemporaneity? -- Ab-original: Contemporaneity and the Origins of Art -- The Art-World Considers "the contemporary" -- The Historicity of the Contemporary is Now! -- 2 Art after Modernism and Postmodernism -- Elite Art in an Age of Populism -- "Of Adversity we Live!" -- Making it Work: Artists and Contemporary Art in China -- 3 Formalism -- Form Struggles -- Polemics -- Łódź -- Multiple Ironies -- Generational Contracts -- Form Incorporating Ironies -- Formalism Redefined -- The World in Plain View: Form in the Service of the Global -- 4 Medium Specificity -- The (Re)Animation of Medium Specificity in Contemporary Art -- Media Specificity in Context -- Around '89 -- Recollecting (Media) History -- Open End -- Medium Aspecificity/Autopoietic Form -- Specificity -- 5 Art and Technology -- Test Sites: Fabrication -- Inhabiting the Technosphere: Art and Technology Beyond Technical Invention -- Conceptual Art 2.0 -- Platforms -- Nodes and Nets -- Conceptual Art 2.0 -- 6 Biennials -- In Defense of Biennials -- Curating in Heterogeneous Worlds -- Biennial Culture and the Aesthetics of Experience -- Trajectories of Experience -- Philosophies -- 7 Participation -- Participation -- The Ripple Effect: "Participation" as an Expanded Field -- Publicity and Complicity in Contemporary Art -- 8 Activism -- Activism -- Knit Dissent -- Craft Kills -- Contemporary War/Craft -- Labor, Politics, Gender -- Light from a Distant Star: A Meditation on Art, Agency, and Politics -- Plenitude? -- Time-out? -- Plugs and Sockets? -- Protagonist? -- World? -- Acts? -- Storytellers?.
Significance? -- Time? -- 9 Agency -- Participation in Art: 10 Theses -- Fusions of Powers: Four Models of Agency in the Field of Contemporary Art, Ranked Unapologetically in Order of Preference -- Indefinite Postponements -- Catholics -- Conspirateurs Professionnels -- Atheist Choir Boys -- Strategic Essentialism -- Life Full of Holes: Contemporary Art and Bare Life -- 10 The Rise of Fundamentalism -- Monotheism à la Mode -- Return of the Toad -- Iconoclasm: A Modernology -- The Profanations of Art -- Erasures -- Freedom's Just Another Word -- Protest Scene -- The Fundamental Right -- Consensus Overruling Democracy -- Who Speaks Thus? -- On the Frontline: The Politics of Terrorism in Contemporary Pakistani Art -- 11 Judgment -- Judgment's Troubled Objects -- A Producer's Journal, or Judgment A Go-Go -- 1 -- 2 -- 3 -- 4 -- After Criticism -- 12 Markets -- Globalization and Commercialization of the Art Market -- Introduction -- The Rise of the Art Fair, the Internet, and the Auction Houses -- Globalization and its Limits -- Commercialization -- The Limits of "Hostile Worlds" -- Three Perspectives on the Market -- Untitled -- 13 Art Schools and the Academy -- Lifelong Learning -- Hyper School -- Amateur Institutions -- Professional Amateurs -- School as Form -- Before and After -- Art without Institutions -- "Will the Academy Become a Monster?" -- 14 Scholarship -- Our Literal Speed -- Globalization, Art History, and the Specter of Difference -- The Academic Condition of Contemporary Art -- The Contemporary is not the Present -- Art History is not the Past -- Contemporary Art Needs Contemporary Art History -- Index. |
| Record Nr. | UNINA-9910795830103321 |
|
Dumbadze Alexander
|
||
| Hoboken : , : John Wiley & Sons, Incorporated, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Contemporary Art : 1989 to the Present
| Contemporary Art : 1989 to the Present |
| Autore | Dumbadze Alexander |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hoboken : , : John Wiley & Sons, Incorporated, , 2013 |
| Descrizione fisica | 1 online resource (511 pages) |
| Disciplina | 709.04 |
| Altri autori (Persone) | HudsonSuzanne |
| Soggetto topico |
Art, Modern -- 20th century
Art, Modern -- 21st century |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9781118298886
9781118298923 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Intro -- Contemporary Art: 1989 to the Present -- Copyright -- Contents -- Contributors -- Introduction -- A User's Guide to Contemporary Art: 1989 to the Present -- 1 The Contemporary and Globalization -- Worlds Apart: Contemporary Art, Globalization, and the Rise of Biennials -- "Our" Contemporaneity? -- Ab-original: Contemporaneity and the Origins of Art -- The Art-World Considers "the contemporary" -- The Historicity of the Contemporary is Now! -- 2 Art after Modernism and Postmodernism -- Elite Art in an Age of Populism -- "Of Adversity we Live!" -- Making it Work: Artists and Contemporary Art in China -- 3 Formalism -- Form Struggles -- Polemics -- Łódź -- Multiple Ironies -- Generational Contracts -- Form Incorporating Ironies -- Formalism Redefined -- The World in Plain View: Form in the Service of the Global -- 4 Medium Specificity -- The (Re)Animation of Medium Specificity in Contemporary Art -- Media Specificity in Context -- Around '89 -- Recollecting (Media) History -- Open End -- Medium Aspecificity/Autopoietic Form -- Specificity -- 5 Art and Technology -- Test Sites: Fabrication -- Inhabiting the Technosphere: Art and Technology Beyond Technical Invention -- Conceptual Art 2.0 -- Platforms -- Nodes and Nets -- Conceptual Art 2.0 -- 6 Biennials -- In Defense of Biennials -- Curating in Heterogeneous Worlds -- Biennial Culture and the Aesthetics of Experience -- Trajectories of Experience -- Philosophies -- 7 Participation -- Participation -- The Ripple Effect: "Participation" as an Expanded Field -- Publicity and Complicity in Contemporary Art -- 8 Activism -- Activism -- Knit Dissent -- Craft Kills -- Contemporary War/Craft -- Labor, Politics, Gender -- Light from a Distant Star: A Meditation on Art, Agency, and Politics -- Plenitude? -- Time-out? -- Plugs and Sockets? -- Protagonist? -- World? -- Acts? -- Storytellers?.
Significance? -- Time? -- 9 Agency -- Participation in Art: 10 Theses -- Fusions of Powers: Four Models of Agency in the Field of Contemporary Art, Ranked Unapologetically in Order of Preference -- Indefinite Postponements -- Catholics -- Conspirateurs Professionnels -- Atheist Choir Boys -- Strategic Essentialism -- Life Full of Holes: Contemporary Art and Bare Life -- 10 The Rise of Fundamentalism -- Monotheism à la Mode -- Return of the Toad -- Iconoclasm: A Modernology -- The Profanations of Art -- Erasures -- Freedom's Just Another Word -- Protest Scene -- The Fundamental Right -- Consensus Overruling Democracy -- Who Speaks Thus? -- On the Frontline: The Politics of Terrorism in Contemporary Pakistani Art -- 11 Judgment -- Judgment's Troubled Objects -- A Producer's Journal, or Judgment A Go-Go -- 1 -- 2 -- 3 -- 4 -- After Criticism -- 12 Markets -- Globalization and Commercialization of the Art Market -- Introduction -- The Rise of the Art Fair, the Internet, and the Auction Houses -- Globalization and its Limits -- Commercialization -- The Limits of "Hostile Worlds" -- Three Perspectives on the Market -- Untitled -- 13 Art Schools and the Academy -- Lifelong Learning -- Hyper School -- Amateur Institutions -- Professional Amateurs -- School as Form -- Before and After -- Art without Institutions -- "Will the Academy Become a Monster?" -- 14 Scholarship -- Our Literal Speed -- Globalization, Art History, and the Specter of Difference -- The Academic Condition of Contemporary Art -- The Contemporary is not the Present -- Art History is not the Past -- Contemporary Art Needs Contemporary Art History -- Index. |
| Record Nr. | UNINA-9910815547403321 |
|
Dumbadze Alexander
|
||
| Hoboken : , : John Wiley & Sons, Incorporated, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
