Ars - Visus - Affectus : Visuelle Kulturen des Affektiven in der Frühen Neuzeit / / Isabella Augart, Anna Pawlak, Lars Zieke |
Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2016] |
Descrizione fisica | 1 online resource (292 pages) : illustrations |
Disciplina |
701/.15
701.15 |
Soggetto topico |
Emotions in art
Affect (Psychology) Art, Modern - Themes, motives |
ISBN |
3-11-047411-5
3-11-047441-7 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | ger |
Nota di contenuto | Frontmatter -- Inhaltsverzeichnis -- Vorwort -- Aby Warburgs Nymphen und Schmetterlinge als Affekte / Baert, Barbara -- Rembrandts Denkräume / Grohé, Stefan -- Tristia Cum Gemitu Cristi Spectacula / Wenderholm, Iris -- Heilige in »Nahdistanz« / Wetzler, Dörte -- Stillstellung - Verinnerlichung - Kontemplation / Zieke, Lars -- Affekt als Raum / Augart, Isabella -- Rhetoriken der Empfindsamkeit / Imorde, Joseph -- Affekt, Devotion, Prestige / Plackinger, Andreas -- Imago et Figura Mortis / Pawlak, Anna -- Mit Herz und ohne Vernunft / Saß, Maurice -- Formen pathognomischen Experimentierens in Leonardo da Vincis Zeichnungen / Cazzola-Senkpiel, Fabiana -- Keine Miene zum bösen Spiel? / Wittke, Marius A. T. -- Affectus Exprimit / Albl, Stefan -- Charles Le Bruns Expression des passions und die Têtes d'expression im Kontext physiologischer Betrachtungen / Weissert, Caecilie -- Abbildungsnachweis -- Farbtafeln |
Record Nr. | UNINA-9910162964203321 |
Berlin ; ; Boston : , : De Gruyter, , [2016] | ||
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Lo trovi qui: Univ. Federico II | ||
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Industry and intelligence : contemporary art since 1820 / / Liam Gillick |
Autore | Gillick Liam <1964-> |
Pubbl/distr/stampa | New York, New York : , : Columbia University Press, , 2016 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 709.04 |
Collana | Bampton Lectures in America |
Soggetto topico |
Art, Modern - Themes, motives
Art and society |
Soggetto genere / forma | Electronic books. |
ISBN | 0-231-54096-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Creative Disruption in the Age of Soft Revolutions -- 1. Contemporary Art Does Not Account for That Which Is Taking Place -- 2. Projection and Parallelism -- 3. Art as a Pile: Split and Fragmented Simultaneously -- 4. 1820: Erasmus and Upheaval -- 5. ASAP Futures, Not Infinite Future -- 6. 1948: B. F. Skinner and Counter-Revolution -- 7. Abstract -- 8. 1963: Herman Kahn and Projection -- 9. The Complete Curator -- 10. Maybe It Would Be Better If We Worked in Groups of Three? -- 11. The Return of the Border -- 12. 1974: Volvo and the Mise-en-Scène -- 13. The Experimental Factory -- 14. Nostalgia for the Group -- 15. Why Work? -- Notes -- Index |
Record Nr. | UNINA-9910465970403321 |
Gillick Liam <1964->
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New York, New York : , : Columbia University Press, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Industry and intelligence : contemporary art since 1820 / / Liam Gillick |
Autore | Gillick Liam <1964-> |
Pubbl/distr/stampa | New York, New York : , : Columbia University Press, , 2016 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 709.04 |
Collana | Bampton Lectures in America |
Soggetto topico |
Art, Modern - Themes, motives
Art and society |
ISBN | 0-231-54096-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Creative Disruption in the Age of Soft Revolutions -- 1. Contemporary Art Does Not Account for That Which Is Taking Place -- 2. Projection and Parallelism -- 3. Art as a Pile: Split and Fragmented Simultaneously -- 4. 1820: Erasmus and Upheaval -- 5. ASAP Futures, Not Infinite Future -- 6. 1948: B. F. Skinner and Counter-Revolution -- 7. Abstract -- 8. 1963: Herman Kahn and Projection -- 9. The Complete Curator -- 10. Maybe It Would Be Better If We Worked in Groups of Three? -- 11. The Return of the Border -- 12. 1974: Volvo and the Mise-en-Scène -- 13. The Experimental Factory -- 14. Nostalgia for the Group -- 15. Why Work? -- Notes -- Index |
Record Nr. | UNINA-9910798243903321 |
Gillick Liam <1964->
![]() |
||
New York, New York : , : Columbia University Press, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
|
Industry and intelligence : contemporary art since 1820 / / Liam Gillick |
Autore | Gillick Liam <1964-> |
Pubbl/distr/stampa | New York, New York : , : Columbia University Press, , 2016 |
Descrizione fisica | 1 online resource (209 p.) |
Disciplina | 709.04 |
Collana | Bampton Lectures in America |
Soggetto topico |
Art, Modern - Themes, motives
Art and society |
ISBN | 0-231-54096-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Frontmatter -- Contents -- Acknowledgments -- Introduction: Creative Disruption in the Age of Soft Revolutions -- 1. Contemporary Art Does Not Account for That Which Is Taking Place -- 2. Projection and Parallelism -- 3. Art as a Pile: Split and Fragmented Simultaneously -- 4. 1820: Erasmus and Upheaval -- 5. ASAP Futures, Not Infinite Future -- 6. 1948: B. F. Skinner and Counter-Revolution -- 7. Abstract -- 8. 1963: Herman Kahn and Projection -- 9. The Complete Curator -- 10. Maybe It Would Be Better If We Worked in Groups of Three? -- 11. The Return of the Border -- 12. 1974: Volvo and the Mise-en-Scène -- 13. The Experimental Factory -- 14. Nostalgia for the Group -- 15. Why Work? -- Notes -- Index |
Record Nr. | UNINA-9910813064003321 |
Gillick Liam <1964->
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||
New York, New York : , : Columbia University Press, , 2016 | ||
![]() | ||
Lo trovi qui: Univ. Federico II | ||
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