Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Les Amys du vieux Dieppe : [bulletin]
| Les Amys du vieux Dieppe : [bulletin] |
| Pubbl/distr/stampa | Dieppe, : Amys du vieux Dieppe |
| Soggetto topico |
Historic preservation - France - Dieppe
Art, French Archaeology - France - Dieppe Archaeology Historic preservation |
| Soggetto genere / forma |
History
Periodicals. |
| ISSN | 2698-1211 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910390533303321 |
| Dieppe, : Amys du vieux Dieppe | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Bulletin de la Société de l'histoire de l'art français
| Bulletin de la Société de l'histoire de l'art français |
| Pubbl/distr/stampa | Paris, : F. de Nobele |
| Descrizione fisica | 1 online resource |
| Disciplina | 709/.44 |
| Soggetto topico |
Art, French - History
Art français - Histoire Art, French Art - France Art - France - History Art, French - History - Societies, etc Artists - France |
| Soggetto genere / forma |
Periodicals.
History |
| ISSN | 2711-6735 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910896632703321 |
| Paris, : F. de Nobele | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
A Companion to French Art
| A Companion to French Art |
| Autore | Adamson Natalie |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Wiley, 2026 |
| Descrizione fisica | 1 online resource (627 pages) |
| Disciplina | 709.44 |
| Collana | Blackwell Companions to Art History Series |
| Soggetto topico |
Art, French
Art and society |
| ISBN |
1-119-37050-7
1-119-37048-5 9781119370482 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover -- Series Page -- Title Page -- Copyright Page -- Contents -- List of Figures -- About the Editors -- Notes on Contributors -- Series Editor's Preface -- Acknowledgments -- Introduction -- What is French Art? -- Where is French Art? -- When was French Art? -- Organization -- Notes -- Bibliography -- Part 1 Post-Revolutionary Visions -- Chapter 1 The Smiling Face of Terror: Étienne Béricourt's French Revolution -- Displeased with Life -- Body Shock -- Cold Carnival -- Performing Revolution -- Notes -- Bibliography -- Chapter 2 After the Terror, Passing Scenes: Historical Experience in Robertson's Paris Phantasmagoria -- Necromancy and Cultural Retrieval -- Urban Passages and Embodied Transitions -- Optical Illusions and Electric Resurrections -- Revenants, Portraits, Historical Experience -- Notes -- Bibliography -- Chapter 3 Portraits and Pathologies: Clinical Pictures in Early Nineteenth-Century France -- Portraits -- Emergence of the Pathological Image -- Coup d'œil and Character -- Notes -- Bibliography -- Chapter 4 Costuming in History Painting -- The Paradox of Modern Costume in Nineteenth-Century Art -- Heine on Costume in Vernet -- Notes -- Bibliography -- Chapter 5 The Déjeuner Culture et récolte du cacao: Staging Fantasies of Regression in Nineteenth-Century French Porcelain -- Juste Milieu Porcelain -- Picturesque Politics -- Regressive Intimacies -- Notes -- Bibliography -- Chapter 6 The Album des Deux Frontières: Lithography at the Nation's Limit -- France's Bounds -- Prints and Production of the Pyrenees -- Lithography and the Deployment of the Picturesque -- Divided Identities and Doubled Borders -- Conclusion -- Notes -- Bibliography -- Part 2 Materialising Modernity -- Chapter 7 The Ground of Painting: Modernism and Materiality in Gustave Courbet's L'atelier du peintre (1855) -- Historiography of the Ground.
Industrial Canvases -- Bringing the Ground to the Fore: Gustave Courbet's L'atelier du peintre -- Notes -- Bibliography -- Chapter 8 Designing with Iron in Mid-Nineteenth-Century France -- Producing Iron -- Building with Iron -- Debating Iron -- Employing Iron -- Promoting Iron -- Exposition Universelle 1867 -- Notes -- Bibliography -- Chapter 9 Camille Pissarro at the Crossroad of the Plantation -- Infrastructures of Painting Practice in St. Thomas and Venezuela -- Colonial Infrastructure -- Modernity and the Materiality of Roads -- Conclusion -- Notes -- Bibliography -- Chapter 10 Gloomy Renoir -- Renoir's Reputation -- Approaching Renoir's Terrible Year Paintings of the Domestic Interior -- Points of Departure/Inspirations -- Reading Renoir's Pictures -- Conclusion -- Notes -- Bibliography -- Chapter 11 Playing Doctor with Toulouse-Lautrec: Male Friendship, Medicine, and Identity -- "Like the Others, but with Differences": Individuality and Collectivity in Cormon's Studio -- Lautrec's Medical Circles: Portraiture and Friendship -- Malleable Masculinities: Lautrec's Medical Performance -- Conclusion -- Notes -- Bibliography -- Chapter 12 Monet's Series Reconsidered: Instantaneity in Standard Time -- Of Seriality and Clocks -- Seriality and Universal Time -- Morning on the Seine and Other Serial Times -- Conclusion -- Notes -- Bibliography -- Part 3 Media, Publics, Subjects -- Chapter 13 In the Tradition: Grappling with the Past in the Long Nineteenth Century -- Notes -- Bibliography -- Chapter 14 Precious Works of Art: Rodin's Hanakos and Hanako's Rodins -- Exhibiting Japan -- Inventing Hanako -- Incorporeal Woman? -- National Treasures -- Notes -- Bibliography -- Chapter 15 L'Inhumaine (1924), the "Plastic" Arts, and Cinematic Specificity -- Cinema, Synthesis, Uniqueness, and Plasticity -- L'Inhumaine and "Plastic Harmonies". Cinema and Plasticity after World War II -- Notes -- Bibliography -- Chapter 16 The Public Turn in French Art during the 1930s -- Debates About Art in the Mid-1930s -- The Public Practice of Art -- Conclusion -- Notes -- Bibliography -- Chapter 17 Surrealism: Revolution of the "Never Seen" -- At Play with the Work -- Derangements of Identity -- Visualizing the Margins of the Self -- Automatism: Enigma and Compulsion -- Chance as Structure -- The Heritors of Equivocation -- Notes -- Bibliography -- Chapter 18 The Film Photo-Novel "Made in France" -- Film is Not a Screen Medium -- Film-Novel, Photo-Novel, Film Photo-Novel -- A Singular Kind of Photo-Novel -- Film Photo-Novels and the Avant-Garde -- A Short But Never-Ending Story -- Notes -- Bibliography -- Part 4 Contesting the Nation -- Chapter 19 Entangled Modernisms: Vietnamese Modern Art in Paris -- Introduction -- The Framework of Colonial Patronage -- Forging a Vietnamese "Emigrant Modernism" -- Postwar and Postcolonial: Conflicted Affiliations -- Conclusion -- Notes -- Bibliography -- Chapter 20 "What the Black Man Contributes": Présence Africaine, l'art nègre, and Modernism in Post-War Paris -- Présence Africaine: Networks -- From Negritude to "notre nouvelle formule": Présence Africaine, Colonialism, Anti-Colonialism -- Modern artists in Paris: Sekoto and Mancoba -- Notes -- Bibliography -- Chapter 21 Bidonville Aesthetics and Genealogies of Modernity from Algiers, 1953/1963 -- Algiers, 1953: The CIAM-Alger Grid -- Terrasses: Remapping the Aesthetics of the Bidonville -- Algiers, 1963: "Revolution in the Museum"30 -- Notes -- Bibliography -- Chapter 22 Universality as a Radical Form: The Philips Pavilion at Expo 58 -- A Shared Humanity Through Photographic Images: A Heterogeneous Social Encounter -- A Sensorial Dramaturgy of the Self: A Merged Phenomenon of Fragmentation. Biopolitics of Brute Matter -- Seventeen Seconds of "Technologically Marked State Terror" -- Conclusion: French Universalism Between Abstraction and Particularity -- Notes -- Bibliography -- Chapter 23 The World in Question: Post-Imperial Solidarities in Narrative Figuration -- Hervé Télémaque -- Antonio Berni -- Kudo Tetsumi -- Le Monde En Question -- Conclusion -- Notes -- Bibliography -- Chapter 24 The "École de Paris" in Dakar -- The École de Paris in Dakar in 1966 -- Paris: "Citadel of Culture" -- Dakar at the École de Paris? -- Picasso in Dakar -- Soulages and Manessier in Dakar -- L'École de Dakar in Paris -- Notes -- Bibliography -- Part 5 Archives of the Present -- Chapter 25 Building the "Museum Without Walls": Innovations in Photographic Art Reproduction in France, 1860-1960 -- Carbon Prints and Orthochromatism: A Museum in a Portfolio -- Museum Shops: Photographic Museums -- Lantern Slides: Ephemeral Museums -- Postcards and Illustrated Books: Composing One's Own Museum -- Color in Print: The Museum Without Walls -- Notes -- Bibliography -- Chapter 26 Unlearning at the École des Beaux-Arts de Paris -- Originality on the Horizon -- The School of Teachers -- In the Interstices of the School -- Institutional Reforms -- The Students' School -- Notes -- Bibliography -- Chapter 27 Seeing the Dark Continent in the City of Light: Women's Transnational Networks in 1970s Paris, Capital of the Arts -- Creative Capital -- Theoretical Disclosures -- Paris Ville Lumière -- Remaking Capital -- Decolonizing Practices - From Hole to Dark Continent -- Conclusion -- Notes -- Bibliography -- Chapter 28 Art and Fashion in the 1980s -- Introduction: Why New French Art was Lousy -- A Successful Store in an Underground Neighborhood -- From Store to Gallery -- Notes -- Bibliography. Chapter 29 Photographic Investigations: Between Art, Human Sciences, and Investigative Journalism -- Mathieu Asselin and Monsanto® -- Mathieu Pernot and the Internment of Roma Populations -- Stéphanie Solinas and the History of a Building -- Notes -- Bibliography -- Chapter 30 Unsunk Archives: The Resurfacing of Colonial Historical Records in Contemporary Art -- Locating Decolonization in the "Archival Turn" -- Layered Histories: Dennis Adams' The Algerian Folie at Magiciens de la terre, 1989 -- On State-Produced Photographs and Affect -- Women At War -- Decolonization-Themed Archival Art as "French" Art? -- Notes -- Bibliography -- Index -- EULA. |
| Record Nr. | UNINA-9911058127703321 |
Adamson Natalie
|
||
| Wiley, 2026 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Figaro-Salon
| Figaro-Salon |
| Pubbl/distr/stampa | Paris, : Boussod, Valadon et Cie, : L. Baschet, 1885-1901 |
| Descrizione fisica | 1 online resource |
| Soggetto topico |
Art, French - 19th century
Art - France - Paris Peinture française Sculpture française Art Art, French |
| Soggetto genere / forma |
Periodicals.
Exhibition catalogs. |
| ISSN | 2534-1871 |
| Formato | Materiale a stampa |
| Livello bibliografico | Periodico |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910302210103321 |
| Paris, : Boussod, Valadon et Cie, : L. Baschet, 1885-1901 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Francophone cultures and geographies of identity / / edited by H. Adlai Murdoch and Zsuzsanna Fagyal
| Francophone cultures and geographies of identity / / edited by H. Adlai Murdoch and Zsuzsanna Fagyal |
| Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 |
| Descrizione fisica | 1 online resource (409 p.) |
| Disciplina | 709.44 |
| Soggetto topico |
Art, French
French literature - French-speaking countries - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-4438-6344-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; ACKNOWLEDGEMENTS; PART I; FRANCOPHONIE FROM A GEOCULTURALPERSPECTIVE; PART II; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART III; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; PART IV; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; PART V; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; PART VI; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CONTRIBUTORS; INDEX |
| Record Nr. | UNINA-9910464542303321 |
| Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Francophone cultures and geographies of identity / / edited by H. Adlai Murdoch and Zsuzsanna Fagyal
| Francophone cultures and geographies of identity / / edited by H. Adlai Murdoch and Zsuzsanna Fagyal |
| Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 |
| Descrizione fisica | 1 online resource (409 p.) |
| Disciplina | 709.44 |
| Soggetto topico |
Art, French
French literature - French-speaking countries - History and criticism |
| ISBN | 1-4438-6344-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; ACKNOWLEDGEMENTS; PART I; FRANCOPHONIE FROM A GEOCULTURALPERSPECTIVE; PART II; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART III; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; PART IV; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; PART V; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; PART VI; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CONTRIBUTORS; INDEX |
| Record Nr. | UNINA-9910786655603321 |
| Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Francophone cultures and geographies of identity / / edited by H. Adlai Murdoch and Zsuzsanna Fagyal
| Francophone cultures and geographies of identity / / edited by H. Adlai Murdoch and Zsuzsanna Fagyal |
| Pubbl/distr/stampa | Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 |
| Descrizione fisica | 1 online resource (409 p.) |
| Disciplina | 709.44 |
| Soggetto topico |
Art, French
French literature - French-speaking countries - History and criticism |
| ISBN | 1-4438-6344-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; PREFACE; ACKNOWLEDGEMENTS; PART I; FRANCOPHONIE FROM A GEOCULTURALPERSPECTIVE; PART II; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART III; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; PART IV; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; PART V; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CHAPTER SIXTEEN; PART VI; CHAPTER SEVENTEEN; CHAPTER EIGHTEEN; CHAPTER NINETEEN; CHAPTER TWENTY; CHAPTER TWENTY-ONE; CONTRIBUTORS; INDEX |
| Record Nr. | UNINA-9910829049303321 |
| Newcastle upon Tyne, England : , : Cambridge Scholars Publishing, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jacques Louis David, la Traite Négrière et L'esclavage : Son Séjour à Nantes, Mars-Avril 1790
| Jacques Louis David, la Traite Négrière et L'esclavage : Son Séjour à Nantes, Mars-Avril 1790 |
| Autore | Bordes Philippe |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Chicago : , : diaphanes, , 2024 |
| Descrizione fisica | 1 online resource (176 pages) |
| Soggetto topico |
Art, French
Abolitionists |
| ISBN |
9782735129690
2735129691 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Nota di contenuto | Jacques Louis David, la traite négrière et l’esclavage -- 9 - Introduction -- 17 - I. Une célébrité artistique très politique -- 25 - II. L’ami des Amis des Noirs -- 39 - III. L’appel des édiles nantais -- 49 - IV. David répond à Mathurin Crucy le 9 décembre 1789 -- 53 - V. L’accueil de David à Nantes -- 61 - VI. Le portrait de Kervegan -- 71 - VII. Un long mois à Nantes -- 83 - VIII. Le « tableau de Nantes » -- 93 - IX. La composition allégorique -- 113 - X. Du « tableau de Nantes » au Serment du Jeu de Paume -- 123 - Épilogue. Le peintre et ses élèves au temps de l’abolition -- 139 - Notes -- 165 - Index -- 171 - Remerciements -- 173 - Crédits photographiques |
| Record Nr. | UNINA-9910768400903321 |
|
Bordes Philippe
|
||
| Chicago : , : diaphanes, , 2024 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Salon de 1833 / / Théophile Gautier
| Salon de 1833 / / Théophile Gautier |
| Autore | Gautier Théophile |
| Pubbl/distr/stampa | Chicoutimi : , : J.-M. Tremblay, , 2004 |
| Descrizione fisica | 1 online resource |
| Disciplina | 709.4407404361 |
| Collana | classiques des sciences sociales |
| Soggetto topico |
Art, French - 19th century
Art, French |
| ISBN | 1-55441-298-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910131626003321 |
|
Gautier Théophile
|
||
| Chicoutimi : , : J.-M. Tremblay, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Salon de 1834 / / Théophile Gautier
| Salon de 1834 / / Théophile Gautier |
| Autore | Gautier Théophile |
| Pubbl/distr/stampa | Chicoutimi : , : J.-M. Tremblay, , 2004 |
| Descrizione fisica | 1 online resource |
| Disciplina | 709.4407404361 |
| Collana | classiques des sciences sociales |
| Soggetto topico |
Art, French - 19th century
Art, French |
| ISBN | 1-55441-299-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | fre |
| Record Nr. | UNINA-9910131625203321 |
|
Gautier Théophile
|
||
| Chicoutimi : , : J.-M. Tremblay, , 2004 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||