Info
- Utilizzare la checkbox di selezione a fianco di ciascun documento per attivare le funzionalità di stampa, invio email, download nei formati disponibili del (i) record.
Architectural Colour in the Professional Palette [[electronic resource]]
| Architectural Colour in the Professional Palette [[electronic resource]] |
| Autore | McLachlan Fiona |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2012 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina |
720.1
729 |
| Soggetto topico |
Architecture, Modern -- 20th century -- Themes, motives
Architecture, Modern -- 21st century -- Themes, motives Color in architecture Color in architecture - Themes, motives - 20th century Architecture, Modern - Themes, motives - 21st century Architecture, Modern Art, Architecture & Applied Arts Architecture |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-280-68176-4
9786613658708 0-203-12147-3 1-136-32759-2 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title; Copyright Page; Contents; Preface; ONE: Introduction: investigations in the professional palette; Colour under threat; Meaning in colour; The power of colour; Investigations in the professional palette; TWO: Colour, form and material surface; Purple shadows; The perception of form; Surface; Material surface: a short history of pigments; Contemporary pigments; Pigments and health; Pigmented materials and the future; Colour, form and material surface; THREE: The unattainable myth of novelty: Caruso St John; Colour and cultural tradition; Victoriana at Bethnal Green
Fashion and anti-fashionDressing and wrapping; FOUR: An intuitive palette: O'Donnell + Tuomey; Colour in the ethos of the office; Colour, form and surface; Meaning and association; Seriality in the palette; FIVE: Who's afraid of red, yellow and blue? Erich Wiesner and Otto Steidle; Artist/architects; Heroic Modernism; 'Colour Field' and the emancipation of colour in the 1950s and 1960s; Authority, originality and the creative impulse; Wiesner and Steidle: artist/architect collaboration; Rhythm and blues; Experimental echoes; SIX: Place, space, colour and light: Steven Holl; Colour and light TemporalityLocation and translocation; Precision or doubt?; Space, place and time; SEVEN: Surface and edge: Gigon/Guyer; Genius loci; Variety as identity; High gloss: surface reflectance; The power of the edge; EIGHT: Memories, associations and the brightness of yellow: AHMM; Colour in the urban realm; 'Signing' rather than signage; Parrots among the pigeons; Developing the professional palette; The brightness of yellow; NINE: Synergies and discords: Sauerbruch Hutton; Between the physical and the visual; 2D to 3D; Well-being; Subverting the form; Irregularity in the facade Harmony and dissonanceEquilibrium; TEN: Transformational, instrumental colour: UN Studio; Amorphous space; The instrumentality of colour; Experimentation; Illusion; Transformational colour; ELEVEN: Navigation, communication and language; Navigation systems; The art of communication; Digital colour space; TWELVE: Playing space: laws, rules and prescription; The wrong blue: subjective experience and objective recognition; Laws, rules and prescription: didactic approaches; Colour choice and composition; Between pragmatism and the sublime; Conclusion; Acknowledgements; Notes; Bibliography Image creditsIndex |
| Record Nr. | UNINA-9910461893403321 |
McLachlan Fiona
|
||
| Hoboken, : Taylor and Francis, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Architectural Colour in the Professional Palette [[electronic resource]]
| Architectural Colour in the Professional Palette [[electronic resource]] |
| Autore | McLachlan Fiona |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2012 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina |
720.1
729 |
| Soggetto topico |
Architecture, Modern -- 20th century -- Themes, motives
Architecture, Modern -- 21st century -- Themes, motives Color in architecture Color in architecture - Themes, motives - 20th century Architecture, Modern - Themes, motives - 21st century Architecture, Modern Art, Architecture & Applied Arts Architecture |
| ISBN |
1-280-68176-4
9786613658708 0-203-12147-3 1-136-32759-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Title -- Copyright Page -- Contents -- Preface -- ONE: Introduction: investigations in the professional palette -- Colour under threat -- Meaning in colour -- The power of colour -- Investigations in the professional palette -- TWO: Colour, form and material surface -- Purple shadows -- The perception of form -- Surface -- Material surface: a short history of pigments -- Contemporary pigments -- Pigments and health -- Pigmented materials and the future -- Colour, form and material surface -- THREE: The unattainable myth of novelty: Caruso St John -- Colour and cultural tradition -- Victoriana at Bethnal Green -- Fashion and anti-fashion Dressing and wrapping -- FOUR: An intuitive palette: O'Donnell + Tuomey -- Colour in the ethos of the office -- Colour, form and surface -- Meaning and association -- Seriality in the palette -- FIVE: Who's afraid of red, yellow and blue? Erich Wiesner and Otto Steidle -- Artist/architects -- Heroic Modernism -- 'Colour Field' and the emancipation of colour in the 1950s and 1960s -- Authority, originality and the creative impulse -- Wiesner and Steidle: artist/architect collaboration -- Rhythm and blues -- Experimental echoes -- SIX: Place, space, colour and light: Steven Holl -- Colour and light -- Temporality Location and translocation -- Precision or doubt? -- Space, place and time -- SEVEN: Surface and edge: Gigon/Guyer -- Genius loci -- Variety as identity -- High gloss: surface reflectance -- The power of the edge -- EIGHT: Memories, associations and the brightness of yellow: AHMM -- Colour in the urban realm -- 'Signing' rather than signage -- Parrots among the pigeons -- Developing the professional palette -- The brightness of yellow -- NINE: Synergies and discords: Sauerbruch Hutton -- Between the physical and the visual -- 2D to 3D -- Well-being -- Subverting the form -- Irregularity in the facade -- Harmony and dissonance Equilibrium -- TEN: Transformational, instrumental colour: UN Studio -- Amorphous space -- The instrumentality of colour -- Experimentation -- Illusion -- Transformational colour -- ELEVEN: Navigation, communication and language -- Navigation systems -- The art of communication -- Digital colour space -- TWELVE: Playing space: laws, rules and prescription -- The wrong blue: subjective experience and objective recognition -- Laws, rules and prescription: didactic approaches -- Colour choice and composition -- Between pragmatism and the sublime -- Conclusion -- Acknowledgements -- Notes -- Bibliography -- Image credits -- Index. |
| Record Nr. | UNINA-9910790371803321 |
|
McLachlan Fiona
|
||
| Hoboken, : Taylor and Francis, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Architectural Colour in the Professional Palette
| Architectural Colour in the Professional Palette |
| Autore | McLachlan Fiona |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Hoboken, : Taylor and Francis, 2012 |
| Descrizione fisica | 1 online resource (249 p.) |
| Disciplina |
720.1
729 |
| Soggetto topico |
Architecture, Modern -- 20th century -- Themes, motives
Architecture, Modern -- 21st century -- Themes, motives Color in architecture Color in architecture - Themes, motives - 20th century Architecture, Modern - Themes, motives - 21st century Architecture, Modern Art, Architecture & Applied Arts Architecture |
| ISBN |
1-280-68176-4
9786613658708 0-203-12147-3 1-136-32759-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover -- Title -- Copyright Page -- Contents -- Preface -- ONE: Introduction: investigations in the professional palette -- Colour under threat -- Meaning in colour -- The power of colour -- Investigations in the professional palette -- TWO: Colour, form and material surface -- Purple shadows -- The perception of form -- Surface -- Material surface: a short history of pigments -- Contemporary pigments -- Pigments and health -- Pigmented materials and the future -- Colour, form and material surface -- THREE: The unattainable myth of novelty: Caruso St John -- Colour and cultural tradition -- Victoriana at Bethnal Green -- Fashion and anti-fashion Dressing and wrapping -- FOUR: An intuitive palette: O'Donnell + Tuomey -- Colour in the ethos of the office -- Colour, form and surface -- Meaning and association -- Seriality in the palette -- FIVE: Who's afraid of red, yellow and blue? Erich Wiesner and Otto Steidle -- Artist/architects -- Heroic Modernism -- 'Colour Field' and the emancipation of colour in the 1950s and 1960s -- Authority, originality and the creative impulse -- Wiesner and Steidle: artist/architect collaboration -- Rhythm and blues -- Experimental echoes -- SIX: Place, space, colour and light: Steven Holl -- Colour and light -- Temporality Location and translocation -- Precision or doubt? -- Space, place and time -- SEVEN: Surface and edge: Gigon/Guyer -- Genius loci -- Variety as identity -- High gloss: surface reflectance -- The power of the edge -- EIGHT: Memories, associations and the brightness of yellow: AHMM -- Colour in the urban realm -- 'Signing' rather than signage -- Parrots among the pigeons -- Developing the professional palette -- The brightness of yellow -- NINE: Synergies and discords: Sauerbruch Hutton -- Between the physical and the visual -- 2D to 3D -- Well-being -- Subverting the form -- Irregularity in the facade -- Harmony and dissonance Equilibrium -- TEN: Transformational, instrumental colour: UN Studio -- Amorphous space -- The instrumentality of colour -- Experimentation -- Illusion -- Transformational colour -- ELEVEN: Navigation, communication and language -- Navigation systems -- The art of communication -- Digital colour space -- TWELVE: Playing space: laws, rules and prescription -- The wrong blue: subjective experience and objective recognition -- Laws, rules and prescription: didactic approaches -- Colour choice and composition -- Between pragmatism and the sublime -- Conclusion -- Acknowledgements -- Notes -- Bibliography -- Image credits -- Index. |
| Record Nr. | UNINA-9910812074403321 |
|
McLachlan Fiona
|
||
| Hoboken, : Taylor and Francis, 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
