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Animation and Advertising / / edited by Malcolm Cook, Kirsten Moana Thompson
| Animation and Advertising / / edited by Malcolm Cook, Kirsten Moana Thompson |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 1 online resource (340 pages) |
| Disciplina |
659.1
791.4334 |
| Collana | Palgrave Animation |
| Soggetto topico |
Animated films
Marketing Animation |
| ISBN | 3-030-27939-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Chapter 1 Introduction to Animation and Advertising -- I: Revisionist Histories -- Chapter 2 George Pal’s ‘Cavalcade of Colours, Music and Dolls’: 1930s Advertising Films in Transnational Contexts -- Chapter 3 Sponsored Silhouettes: Lotte Reiniger’s ‘useful’ films in Britain -- Chapter 4 Magic Highways and Autopias: Disney and automobile advertising -- II: Intermediality -- Chapter 5 Animation and Commercial Display in Britain during the 1920s -- Chapter 6 Live Electrically with Reddy Kilowatt, Your Electrical Servant -- Chapter 7 ‘A Very Flexible Medium’: The Ministry of Information and Animated Propaganda Films on the Home Front -- III: Brands -- Chapter 8 Animation Across Borders: Schicht Fat Factory and its Transmedia and Transnational Advertising Strategies -- Chapter 9 Just Do It, Impossible is Nothing: Animation and Sports Commercials -- Chapter 10 ‘Don’t Mind Me, I’m Just a Dermatophyte’: The Use of Animation in Direct-to-Consumer Pharmaceutical Television Advertising -- IV: Television -- Chapter 11 Beyond Anime? Rethinking Japanese Animation History through Early Animated Television Commercials -- Chapter 12 The ‘Quasi-Artistic Venture’: MTV Idents and Alternative Animation Culture -- Chapter 13 ‘Stupid Little Stories’: Television Interstitial and Advertising Style in the Professional Culture of Indian Animation -- V: Digital and Contemporary -- Chapter 14 Promoting Computer Graphics Research: The tech demos of SIGGRAPH -- Chapter 15 ‘Movin’ to a different beat’: Commercial Pixar and the Simulated Ordinary -- Chapter 16 ‘Feel Everything’: Animation, Advertising and Affect in Cinema and Television Idents. |
| Record Nr. | UNINA-9910483266303321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Animation and Memory / / edited by Maarten van Gageldonk, László Munteán, Ali Shobeiri
| Animation and Memory / / edited by Maarten van Gageldonk, László Munteán, Ali Shobeiri |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xvii, 257 pages) : illustrations |
| Disciplina |
791.4334
777.7 |
| Collana | Palgrave Animation |
| Soggetto topico |
Animated films
Historiography Animation Memory Studies |
| ISBN | 3-030-34888-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | INTRODUCTION -- László Munteán, Ali Shobeiri, Maarten van Gageldonk -- PART I MEMORY AND MATERIALITY -- 1. Memoria Rerum: Animated Materiality, Memory and Amnesia -- Suzanne Buchan -- 2. Collaging Cultural Memory: Appropriation, Memory and Gender in the Films of Stacey Steers -- Maarten van Gageldonk -- 3. Animating Amnesia: The Materiality of Forgetting in Izabela Plucinska’s Liebling -- László Munteán -- PART II ANIMATION TECHNIQUES AND MEMORY -- 4. A Printing Machine for the Memory’: Stillness, Metamorphosis, and the Poiesis of Memory in Death and the Mother -- Nicholas Andrew Miller -- 5. Drawing on Memory: Layers of Association in Robert Breer’s Animated Films -- Mirriam Harris -- 6. Beyond the Unrepresentable: Animation, Bodies and Holocaust Memory -- Victoria Grace Walden -- PART III TRAUMA AND THE BODY -- 7. Antumbral Memory: A Psychosomatic Phenomenon in the Phantom Limb -- Ali Shobeiri -- 8. Metamorphosis, Memory, and Trauma in Michèle Cournoyer’s The Hat -- Ruth Richards -- 9. Apocalypse, Amnesia, and Acknowledgement: Trauma and Memory in Animated Movies -- Oliver Scheid -- PART IV ANIMATING URBAN PASTS -- 10. Stan Douglas and the Animation of Vancouver’s Urban Past -- Joel McKim -- 11. Cinema Emek, Cinema Labour, Cinema Travail: Revitalization of Istanbul’s Urban Past and the Cultural Memory of Protest -- Cansu Soyupak -- PART V DOCUMENTARY AND ANIMATION -- 12. ’However it affects you, it does not have to hold you back’: Animated Personal Accounts in My Autism and Me and the Genealogy of the Neurobiological Subject -- Hannah Ebben -- 13. Animated Memories -- Annabelle Honess Roe. |
| Record Nr. | UNINA-9910483551703321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Chinese Independent Animation : Renegotiating Identity in Modern China / / by Wenhai Zhou
| Chinese Independent Animation : Renegotiating Identity in Modern China / / by Wenhai Zhou |
| Autore | Zhou Wenhai |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (xii, 222 pages) : illustrations |
| Disciplina |
338.4768824
791.4334 |
| Collana | Palgrave Animation |
| Soggetto topico |
Animated films
Motion pictures - Asia Animation Asian Film and TV |
| ISBN | 3-030-40697-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- ‘Postsocialism’ and ‘Independence’ -- Chapter 1: A dispersed 'independent' ecology -- 1.1 The Meishu Legacy -- 1.2 An Emergent ‘Animation Industry’ -- 1.3 The Pioneer of Chinese Independent Animation – Shanke -- 1.4 Toward an ‘Ecological’ Conception of Independent Animation -- Chapter 2: Understanding the Ecology of Independent Chinese Animation within the context of China's Post-Socialist Reality -- 2.1 Minjian Individuality -- 2.2 From production pipeline to platform: the CIAFF -- 2.3 Conclusion: Assembling Ambiguous Contradictions -- Chapter 3: The Imaginative World of Pisan -- 3.1 Pisan – Redefining ‘Independence’ -- 3.2 An Icon of Resistance – Kuangkuang -- 3.3 Parallel ‘Realities’ in Miss Puff -- 3.4 ‘Parallel’ Responses of Pisan Within the Chinese Media Ecology -- 3.5 Conclusion -- Chapter 4: Lei Lei: A 'third way': Lei Lei and the Festival circuit -- 4.1 The journey towards independence -- 4.2 Early ‘rebellion’ through animation Face (2007) -- 4.3 Post-socialist ‘reality’ and collective ‘identity’ -- 4.4 Lei Lei's Transcendent Response to the Media Ecology -- 4.5 Conclusion -- Chapter 5: The Future Prospect of the Chinese Independent Animation Ecology -- 5.1 The mainstream path: a national ideology of Chineseness -- 5.2 The evolving independent path: disoriented individual identity -- 5.3 An ideological mirror: Piercing I -- 5.4 Conclusion -- Chapter 6: Conclusion. . |
| Record Nr. | UNINA-9910484797703321 |
Zhou Wenhai
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Crafty Animator : Handmade, Craft-based Animation and Cultural Value / / edited by Caroline Ruddell, Paul Ward
| The Crafty Animator : Handmade, Craft-based Animation and Cultural Value / / edited by Caroline Ruddell, Paul Ward |
| Edizione | [1st ed. 2019.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
| Descrizione fisica | 235p |
| Disciplina |
791.43
791.4334 |
| Collana | Palgrave Animation |
| Soggetto topico |
Animated films
Arts Animation |
| ISBN | 3-030-13943-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction, Caroline Ruddell and Paul Ward -- 2. Made by Hand, Birgitta Hosea -- 3. Craft as Critique in Experimental Animation, Lilly Husbands -- 4. Lotte Reiniger: The Crafty Animator and Cultural Value, Katharina Boeckenhoff and Caroline Ruddell -- 5. Autobiography and Authenticity in Stop-Motion Animation, Carla MacKinnon -- 6. Handmade Aesthetics in Animation for Adults and Children, Ewan Kirkland -- 7. In good hands? Indexes and interfaces in A Computer Animated Hand (Ed Catmull & Frederic Parke, 1972), Christopher Holliday -- 8. Crafted Wonder: The Puppet’s Place within Popular Special Effects Reception, Alexander Sergeant -- 9. Q&A with Eric Dyer, Caroline Ruddell and Paul Ward. |
| Record Nr. | UNINA-9910484253403321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Disney and the Dialectic of Desire : Fantasy as Social Practice / / by Joseph Zornado
| Disney and the Dialectic of Desire : Fantasy as Social Practice / / by Joseph Zornado |
| Autore | Zornado Joseph |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (IX, 260 p.) |
| Disciplina | 791.4301 |
| Soggetto topico |
Motion pictures
Animated films Aesthetics Motion pictures—United States Film genres Film Theory Animation American Cinema and TV Genre |
| ISBN | 3-319-62677-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: What is Fantasy? -- 2. Chapter Two: Capital, Crisis and the Rise of Disney Fantasy.- 3. Chapter Three: Walt Disney, Snow White, and Trauma of the Real -- 4. Chapter Four: Disney Fantasy as the Discourse of the Other -- 5. Chapter Five: Disneyland and the Perversity of Disney Fantasy -- 6. Chapter Six: Disney, Pixar, and Neoliberal Nostalgia -- 7. Chapter Seven: Conclusion: The Empire Expands: Star Wars as Disney Fantasy. |
| Record Nr. | UNINA-9910255074003321 |
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Zornado Joseph
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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DreamWorks Animation : Intertextuality and Aesthetics in Shrek and Beyond / / by Sam Summers
| DreamWorks Animation : Intertextuality and Aesthetics in Shrek and Beyond / / by Sam Summers |
| Autore | Summers Sam |
| Edizione | [1st ed. 2020.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Descrizione fisica | 1 online resource (ix, 233 pages) |
| Disciplina |
791.43340973
791.4334 |
| Collana | Palgrave Animation |
| Soggetto topico |
Animated films
Motion pictures Animation Film/TV Industry |
| ISBN | 3-030-36851-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Layered, Like Onions: Introducing DreamWorks’ Intertextuality -- 2. Why is Shrek funny?: DreamWorks and the intertextual gag -- 3. ‘All Star’ soundtracks: DreamWorks and the pop song -- 4. Woody Allen in the anthill: DreamWorks and star performance -- 5. Parody, pastiche and the patchwork world: DreamWorks and genre -- 6. The Shrekoning: DreamWorks’ impact on 2000s animation -- 7. Shrek Gets Shreked: DreamWorks’ online afterlife -- Index. . |
| Record Nr. | UNINA-9910484637703321 |
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Summers Sam
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Early British Animation : From Page and Stage to Cinema Screens / / by Malcolm Cook
| Early British Animation : From Page and Stage to Cinema Screens / / by Malcolm Cook |
| Autore | Cook Malcolm |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (282 pages) : illustrations |
| Disciplina | 791.433 |
| Soggetto topico |
Animated films
Motion pictures—Great Britain Arts Animation British Cinema and TV |
| ISBN | 3-319-73429-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction: Early British Animation -- 2. Alternative artists’ films -- 3. The lightning cartoon: animation from music hall to cinema -- 4. Perception, modernism, and modernity -- 5. The First World War: British animated cartoons and their international contexts -- 6. The ‘primitive’ appeal of cartooning and animation -- 7. Primitive animation: British animated cartoons in the 1920s -- 8. British Animation, talkies, and the 1927 Cinematograph Films Act. |
| Record Nr. | UNINA-9910300017703321 |
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Cook Malcolm
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Experimental and Expanded Animation : New Perspectives and Practices / / edited by Vicky Smith, Nicky Hamlyn
| Experimental and Expanded Animation : New Perspectives and Practices / / edited by Vicky Smith, Nicky Hamlyn |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XV, 286 p. 34 illus., 26 illus. in color.) |
| Disciplina | 791.4334 |
| Collana | Experimental Film and Artists’ Moving Image |
| Soggetto topico |
Animated films
Performing arts Motion picture acting Animation Performing Arts Screen Performance |
| ISBN | 3-319-73873-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1.Introduction, Vicky Smith and Nicky Hamlyn -- 2. Lines and Interruptions in Experimental Animation, Simon Payne -- 3. Performing the Margins of the New, Dirk de Bruyn -- 4. 21st Century Flicker: Jodie Mack, Benedict Drew and Sebastian Buerkner, Barnaby Dicker -- 5. Experimental Time-lapse Animation and the Manifestation of Change and Agency in Objects, Vicky Smith -- 6. Analogon: Of A World Already Animated, Sean Cubitt -- 7. Space and Material: The Virtual Object in Early CGI Art, Alex Jukes -- 8. Just about Film: Bruce McClure, Guy Sherwin and the Resurgence of Celluloid Sound Projections, Nicky Hamlyn.-9 -- Re-Splitting, De-Syncronising, Re-Animating: (E)motion, Neo-spectacle and Innocence in the film-works of John Stezaker, Paul Wells -- 10. Cut to Cute: Fact, Form, and Feeling in Digital Animation, Johanna Gosse -- 11. Into the post feminist doll house: Animation, Installation and Mushi, Suzanne Buchan -- 12. Intermediality in the tableaux vivants in Magic Mirror (75min, 2013) and Confessions To The Mirror (2016), Sarah Pucill -- 13. Siting Animation: the Affect of Place, Birgitta Hosea. |
| Record Nr. | UNINA-9910300026503321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Expressive Spaces in Digital 3D Cinema / / by Owen Weetch
| Expressive Spaces in Digital 3D Cinema / / by Owen Weetch |
| Autore | Weetch Owen |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XI, 168 p. 20 illus. in color.) |
| Disciplina | 791.4 |
| Collana | Palgrave Close Readings in Film and Television |
| Soggetto topico |
Motion pictures and television
Motion pictures Animated films Screen Studies Film Theory Animation |
| ISBN |
9781137542670
1-137-54266-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures -- Acknowledgements -- Introduction: The Expressivity of Space -- 1. 'I See You': Avatar, Narrative Spectacle and Accentuating Continuity -- 2. ‘You’re Going to Make It’: Ride Alignment and the Mastery of Stereographic Space in Gravity -- 3. ‘You Only Looked that Way Because I was Little’: Spaces of Terror and Reaching Maturity in The Hole -- 4. ‘There’s an Ocean in the Way’: Written Words, Unreachability and Competing Testimonies in The Great Gatsby -- 5. ‘Against the Wall’: Frozen’s Expressive Planarity, Attempts to Connect and Ambivalent Utopias -- Conclusion: A Special Plea for Off-the-Screen Space -- Glossary of Stereoscopic Terms -- Notes -- Bibliography -- . |
| Record Nr. | UNINA-9910136470203321 |
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Weetch Owen
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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GIF animation of mode shapes and other data on the Internet / / Richard S. Pappa
| GIF animation of mode shapes and other data on the Internet / / Richard S. Pappa |
| Autore | Pappa Richard S. |
| Pubbl/distr/stampa | Hampton, Virginia : , : National Aeronautics and Space Administration, Langley Research Center, , October 1998 |
| Descrizione fisica | 1 online resource (15 pages) : illustrations |
| Collana | NASA/TM |
| Soggetto topico |
Dynamic structural analysis
Internets Animation Format |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Altri titoli varianti | Graphics Interchange Format animation of mode shapes and other data on the internet |
| Record Nr. | UNINA-9910705809803321 |
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Pappa Richard S.
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| Hampton, Virginia : , : National Aeronautics and Space Administration, Langley Research Center, , October 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Soggetto topico
-
Animation
(20)
- Animated films (18)
- Motion pictures (6)
- Film Theory (4)
- Arts (3)