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The Animated Bestiary : Animals, Cartoons, and Culture / / Paul Wells
| The Animated Bestiary : Animals, Cartoons, and Culture / / Paul Wells |
| Autore | Wells Paul |
| Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2008] |
| Descrizione fisica | 1 online resource (236 p.) |
| Disciplina |
741.5
791.43 791.43/662 791.43662 |
| Soggetto topico |
Animals in motion pictures
Animated films - History and criticism Animated films -- History and criticism Animated films Animals in motion pictures - History and criticism Music, Dance, Drama & Film Film |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-03348-4
0-8135-4643-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. The Bear Who Wasn't -- 2. Of Mice and Men -- 3. "I Don't Care What You Say, I'm Cold" -- 4. Which Came First, the Chicken or the Egg? -- 5. Creature Comforted -- BIBLIOGRAPHY -- FILMOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910454408703321 |
Wells Paul
|
||
| New Brunswick, NJ : , : Rutgers University Press, , [2008] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Animated Bestiary : Animals, Cartoons, and Culture / / Paul Wells
| The Animated Bestiary : Animals, Cartoons, and Culture / / Paul Wells |
| Autore | Wells Paul |
| Pubbl/distr/stampa | New Brunswick, NJ : , : Rutgers University Press, , [2008] |
| Descrizione fisica | 1 online resource (236 p.) |
| Disciplina |
741.5
791.43 791.43/662 791.43662 |
| Soggetto topico |
Animals in motion pictures
Animated films - History and criticism Animated films -- History and criticism Animated films Animals in motion pictures - History and criticism Music, Dance, Drama & Film Film |
| ISBN |
1-282-03348-4
0-8135-4643-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. The Bear Who Wasn't -- 2. Of Mice and Men -- 3. "I Don't Care What You Say, I'm Cold" -- 4. Which Came First, the Chicken or the Egg? -- 5. Creature Comforted -- BIBLIOGRAPHY -- FILMOGRAPHY -- INDEX |
| Record Nr. | UNINA-9910782685803321 |
|
Wells Paul
|
||
| New Brunswick, NJ : , : Rutgers University Press, , [2008] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Animating Film Theory [[electronic resource]]
| Animating Film Theory [[electronic resource]] |
| Autore | Beckman Karen Redrobe <1971-> |
| Pubbl/distr/stampa | Durham, : Duke University Press, 2014 |
| Descrizione fisica | 1 online resource (370 p.) |
| Disciplina |
791.43
791.4334 |
| Soggetto topico |
Animated films -- History and criticism
Animated films -- Social aspects Animation (Cinematography) Animated films - History and criticism Animated films - Social aspects Visual Arts Art, Architecture & Applied Arts Drawing, Design & Illustration |
| ISBN | 0-8223-7681-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Contents; Acknowledgments; Animating Film Theory: An Introduction - Karen Beckman; I. Time and Space; 1. Animation and History - Esther Leslie; 2. Animating the Instant: The Secret Symmetry between Animation and Photography - Tom Gunning; 3. Polygraphic Photography and the Origins of 3-D Animation - Alexander R. Galloway; 4. "A Living, Developing Egg Is Present before You": Animation, Scientific Visualization, Modeling - Oliver Gaycken; II. Cinema and Animation
5. André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms - Hervé Joubert-Laurencin (Translated by Lucy Swanson)6. "First Principles" of Animation - Alan Cholodenko; 7. Animation, in Theory - Suzanne Buchan; III. The Experiment; 8. Film as Experiment in Animation: Are Films Experiments on Human Beings - Gertrud Koch, (Translated by Daniel Hendrickson); 9. Frame Shot: Vertov's Ideologies of Animation - Mihaela Mihailova and John MacKay; 10. Signatures of Motion: Len Lye's Scratch Films and the Energy of the Line - Andrew R. Johnston 11. Animating Copies: Japanese Graphic Design, the Xerox Machine, and Walter Benjamin - Yuriko Furuhata12. Framing the Postmodern: The Rhetoric of Animated Form in Experimental Identity-Politics Documentary Video in the 1980s and 1990s - Tess Takahashi; IV. Animation and the World; 13. Cartoon Film Theory: Imamura Taihei on Animation, Documentary, and Photography - Thomas LaMarre; 14. African American Representation through the Combination of Live Action and Animation - Christopher P. Lehman 15. Animating Uncommon Life: U.S. Military Malaria Films (1942-1945) and the Pacific Theater - Bishnupriya Ghosh16. Realism in the Animation Media Environment: Animation Theory from Japan - Marc Steinberg; 17. Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine - Scott Bukatman; Bibliography; Contributors; Index |
| Record Nr. | UNINA-9910547696903321 |
|
Beckman Karen Redrobe <1971->
|
||
| Durham, : Duke University Press, 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
