The Feminist Avant-Garde in American Poetry [[electronic resource]] |
Autore | Frost Elisabeth A |
Pubbl/distr/stampa | Iowa City, : University of Iowa Press, 2005 |
Descrizione fisica | 1 online resource (275 p.) |
Disciplina |
811.5099287
811/.5099287 |
Soggetto topico |
American poetry - History and criticism - 20th century - United States
Feminism and literature - History - 20th century - United States Avant-garde (Aesthetics) - History - 20th century - United States Women and literature - History - 20th Century American poetry - History and criticism - Women authors Experimental poetry, American - History and criticism Feminist poetry, American - History and criticism |
Soggetto genere / forma | Electronic books. |
ISBN | 1-58729-434-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Acknowledgments; Introduction; Part I. Women Poets and the Historical Avant-Gardes; 1. "Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons; 2. "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose"; Part II. Agendas of Race and Gender; 3. "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement; Part III. Traditions of Marginality; 4. "Unsettling" America: Susan Howe and Antinomian Tradition; 5. "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen; Epilogue; Notes; Works Cited; Permissions; Index |
Record Nr. | UNINA-9910450454503321 |
Frost Elisabeth A | ||
Iowa City, : University of Iowa Press, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
The feminist avant-garde in American poetry [[electronic resource]] |
Autore | Frost Elisabeth A |
Pubbl/distr/stampa | Iowa City, : University of Iowa Press, 2005 |
Descrizione fisica | 1 online resource (275 p.) |
Disciplina |
811.5099287
811/.5099287 |
Soggetto topico |
American poetry - History and criticism - 20th century - United States
Feminism and literature - History - 20th century - United States Avant-garde (Aesthetics) - History - 20th century - United States Women and literature - History - 20th Century American poetry - History and criticism - Women authors Experimental poetry, American - History and criticism Feminist poetry, American - History and criticism |
ISBN | 1-58729-434-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Acknowledgments; Introduction; Part I. Women Poets and the Historical Avant-Gardes; 1. "Replacing the Noun": Fetishism, Parody, and Gertrude Stein's Tender Buttons; 2. "Crisis in Consciousness": Mina Loy's "Anglo-Mongrels and the Rose"; Part II. Agendas of Race and Gender; 3. "a fo / real / revolu/shun": Sonia Sanchez and the Black Arts Movement; Part III. Traditions of Marginality; 4. "Unsettling" America: Susan Howe and Antinomian Tradition; 5. "Belatedly Beladied Blues": Hybrid Traditions in the Poetry of Harryette Mullen; Epilogue; Notes; Works Cited; Permissions; Index |
Record Nr. | UNINA-9910783437203321 |
Frost Elisabeth A | ||
Iowa City, : University of Iowa Press, 2005 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Improvisation and the Making of American Literary Modernism [[electronic resource]] |
Autore | Wallace Rob |
Pubbl/distr/stampa | London, : Continuum International Publishing, 2010 |
Descrizione fisica | 1 online resource (210 p.) |
Disciplina | 810.9112 |
Soggetto topico |
American literature -- 20th century -- History and criticism
American poetry - History and criticism - 20th century - United States Modernism (Literature) English Languages & Literatures American Literature |
Soggetto genere / forma | Electronic books. |
ISBN |
1-282-94789-3
9786612947896 1-4411-2289-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Acknowledgments; INTRODUCTION: WRITING IMPROVISATION INTO MODERNISM; CHAPTER 1 EZRA POUND: MUSIC, HISTORY, TIME; CHAPTER 2 LANGSTON HUGHES: "HOW TO TAKE THE IMPOSSIBLE AND MAKE IT DANCE"; CHAPTER 3 LISTENING TO GERTRUDE STEIN'S SAXOPHONE; CHAPTER 4 BANJOS, BLACKBIRDS, AND BLUE GUITARS: THE SOUNDWORLD OF WALLACE STEVENS; CONCLUSION; Notes; Bibliography; Index |
Record Nr. | UNINA-9910460296503321 |
Wallace Rob | ||
London, : Continuum International Publishing, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Improvisation and the Making of American Literary Modernism [[electronic resource]] |
Autore | Wallace Rob |
Pubbl/distr/stampa | London, : Continuum International Publishing, 2010 |
Descrizione fisica | 1 online resource (210 p.) |
Disciplina | 810.9112 |
Soggetto topico |
American literature -- 20th century -- History and criticism
American poetry - History and criticism - 20th century - United States Modernism (Literature) English Languages & Literatures American Literature |
ISBN |
1-282-94789-3
9786612947896 1-4411-2289-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Acknowledgments; INTRODUCTION: WRITING IMPROVISATION INTO MODERNISM; CHAPTER 1 EZRA POUND: MUSIC, HISTORY, TIME; CHAPTER 2 LANGSTON HUGHES: "HOW TO TAKE THE IMPOSSIBLE AND MAKE IT DANCE"; CHAPTER 3 LISTENING TO GERTRUDE STEIN'S SAXOPHONE; CHAPTER 4 BANJOS, BLACKBIRDS, AND BLUE GUITARS: THE SOUNDWORLD OF WALLACE STEVENS; CONCLUSION; Notes; Bibliography; Index |
Record Nr. | UNINA-9910785698303321 |
Wallace Rob | ||
London, : Continuum International Publishing, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Improvisation and the Making of American Literary Modernism |
Autore | Wallace Rob |
Edizione | [1st ed.] |
Pubbl/distr/stampa | London, : Continuum International Publishing, 2010 |
Descrizione fisica | 1 online resource (210 p.) |
Disciplina | 810.9112 |
Soggetto topico |
American literature -- 20th century -- History and criticism
American poetry - History and criticism - 20th century - United States Modernism (Literature) English Languages & Literatures American Literature |
ISBN |
1-282-94789-3
9786612947896 1-4411-2289-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Contents; Acknowledgments; INTRODUCTION: WRITING IMPROVISATION INTO MODERNISM; CHAPTER 1 EZRA POUND: MUSIC, HISTORY, TIME; CHAPTER 2 LANGSTON HUGHES: "HOW TO TAKE THE IMPOSSIBLE AND MAKE IT DANCE"; CHAPTER 3 LISTENING TO GERTRUDE STEIN'S SAXOPHONE; CHAPTER 4 BANJOS, BLACKBIRDS, AND BLUE GUITARS: THE SOUNDWORLD OF WALLACE STEVENS; CONCLUSION; Notes; Bibliography; Index |
Record Nr. | UNINA-9910814470303321 |
Wallace Rob | ||
London, : Continuum International Publishing, 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Le risque de la lettre : lectures de la poésie moderniste américaine |
Autore | Alfandary Isabelle |
Pubbl/distr/stampa | ENS Éditions, 2012 |
Descrizione fisica | 1 online resource (176 p.) |
Collana | Collection Signes Le risque de la lettre |
Soggetto topico |
American poetry - History and criticism - 20th century - United States
Modernism (Literature) English Languages & Literatures American Literature |
Soggetto non controllato |
Cummings (Edward Estlin)
Cage (John) Stein (Gertrude) |
ISBN | 2-84788-632-X |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | fre |
Record Nr. | UNINA-9910169193303321 |
Alfandary Isabelle | ||
ENS Éditions, 2012 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|