Nollywood in Glocal Perspective / / edited by Bala A. Musa |
Edizione | [1st ed. 2019.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
Descrizione fisica | 1 online resource (264 pages) |
Disciplina | 791.4309669 |
Soggetto topico |
Motion pictures
Africa Ethnology—Africa Culture Communication African Cinema and TV African Culture Global Cinema and TV Global/International Culture Media and Communication |
ISBN | 3-030-30663-1 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | SECTION I: EVOLUTION AND HISTORICAL PERSPECTIVE -- 1. History and Evolution of Nollywood: A look at Early and Late Influences - Adesina Lukman Azeez -- 2. From Nigerian Film Industry to Nollywood: Land-Marking the Growth of the New Wave Cinema - Shaibu Hassan Husseini and Oloruntola A. Sunday -- 3. From Informality to ‘New Nollywood’: Implications for the Audience - Gloria Chimeziem Ernest-Samuel and Ngozi Uduma -- 4. Challenges of Technological Innovation in Nollywood Film Production - Soji Alabi -- SECTION II: SOCIO-CULTURAL PERSPECTIVE -- 5. Nollywood as an Agent of African Culture and Identity - Olufemi J. Abodunrin and Ogungbemi Christopher Akintola -- 6. Sexuality and Negotiation: A Nego-Feminist Reading of Keeping My Man (2013) - Morountodun Joseph -- 7. Nollywood and the Glocalization of Prosocial Entertainment - Bala A. Musa -- SECTION III: LOCAL AND GLOBAL INFLUENCE -- 8. Genre Preferences Among the Benin Video-Film Audience in Nollywood - Osakue Stevenson Omoera -- 9. Socio-Economic Psychology of Nigeria’s Nollywood & Kannywood Film Industries - Abdulmutallib Ado Abubakar and Sharafa Dauda -- 10. Nollywood-Inspired Filmmaking in Europe: A Swiss Example - Sandra Mooser -- 11. Multichoice Corporation’s Intervention in Nollywood: A Case Study in Glocal Partnership – Expectations, Issues & Outcomes - Gloria Chimeziem Ernest-Samuel -- 12. Digital Revolution and the Empowerment of Women in the Movie Industry: Vistas from Nollywood to Riverwood - Bala A. Musa. |
Record Nr. | UNINA-9910484680103321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 | ||
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Lo trovi qui: Univ. Federico II | ||
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Rural cinema exhibition and audiences in a global context / / edited by Daniela Treveri Gennari, Danielle Hipkins, Catherine O'Rawe |
Edizione | [1st ed. 2018.] |
Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
Descrizione fisica | 1 online resource (370 pages) |
Disciplina | 791.4309 |
Collana | Global Cinema |
Soggetto topico |
Motion pictures
Motion pictures—European influences Motion pictures, American Africa Australasia Motion pictures—United States Global Cinema and TV European Cinema and TV Latin American Cinema and TV African Cinema and TV Australasian Cinema and TV American Cinema and TV |
ISBN | 3-319-66344-5 |
Formato | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | 1. Introduction: Rural Cinema Exhibition and Audiences in a Global Context—Not Just a Slower Transition to Modernity -- Part I Space, Place and Cinema-Going Experiences -- 2. The Use of Geographical Categories in Cinema Studies: An Ontological Examination -- 3. Kanda’s Grounds and the Ritual Experience of Rural Cinema in Narok -- 4. The Business of ‘Wholesome Entertainment’: The Mascioli Film Circuit of Northeastern Ontario -- Part II Early Cinema, Itinerant Showmen and the Lure of Modernity -- 5. Spaces In-Between: The Railway and Early Cinema in Rural, Western Canada -- 6. Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire’s North Country, 1896–1917 -- Part III Oral Histories and the Social Experience of Rural Cinema-Going -- 7. Oral Memories of Cinema-Going in Rural Italy of the 1950s -- 8. Belgian Film Culture Beyond the Big City: Cinema-Going in the Provincial and Rural Periphery of Antwerp -- 9. The Social Experience of Going to the Movies in the 1930s–1960s in a Small Texas Border Town: Moviegoing Habits and Memories of Films in Laredo, Texas -- 10. The Social Geography of ‘Going Out’: Teenagers and Community Cinema in Rural Australia -- Part IV Shaping Cinema Audiences for Educational and Ideological Purposes -- 11. Projecting Modernity: Sol Plaatje’s Touring Cinema Exhibition in 1920s South Africa -- 12. Controlling Rural Cinemagoing by Appropriating a Film Format: The Catholic Adventure of 'Pathé-Rural' in Interwar France -- 13. UNESCO, Mobile Cinema, and Rural Audiences: Exhibition Histories and Instrumental Ideologies of the 1940s -- 14. Reconsidering Post-Revolutionary Cultural Change: Rural Film Projection Teams in Shaanxi Province, 1949–1956 -- 15. Silence under the Linden Tree: Rural Cinema-Going in Czechoslovakia in the 1950s and 1960s -- Part V Film Programming Strategies, Exhibition Practices and Reception -- 16. Language and Cultural Nearness: Film Programming Strategies and Audience Preferences in Big Cities and Small Towns in the Netherlands 1934–1936 -- 17. Post-war Thai Cinema: Audiences and Film Style in a Divided Nation -- 18. Youth, Leisure, and Modernity in the film One Summer of Happiness (1951): Exploring the Space of Rural Film Exhibition in Swedish Post-war Cinema -- 19. Cine Centímetro: Memories and Cinemagoing Practices in an MGM Replica Cinema in the Rio de Janeiro Countryside. |
Record Nr. | UNINA-9910300032603321 |
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
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Lo trovi qui: Univ. Federico II | ||
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