Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt |
Autore | Burt Natalie |
Pubbl/distr/stampa | London : , : Oberon Books, , 2013 |
Descrizione fisica | 1 online resource (569 p.) |
Disciplina | 792.028 |
Soggetto topico |
Acting
Acting - Vocational guidance Actors - Training of |
Soggetto genere / forma | Electronic books. |
ISBN | 1-84943-495-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Contents; 1. An Introduction; 2. Your 3rd Year of Training; Attitude; Development; Product; Decisions; In-House Shows During Training; Photographs; The Marketing Package; Spotlight & Equity; 3. Showcase; Shaping Showcase; Choosing A Scene & Partner; My Chosen Scene, As An Example; The Hype; The 3 Minutes; The Aftermath; Agents; Interviews; 4. Graduation & Beyond; A Home; Renting Tips; Dealing With 'Success' Around You; Showreel / No Showreel; Auditions & Interviews; Making Your Own Luck/Work/Way; Furthering/Practising Your Craft
Subscriptions/ExposureA Word On 'Networking'; Leisure Time; Your 1St Job; 5. Work in the Theatre; You Got The Job; Digs List; First Day Of Rehearsal; Reviews; Utilising The Experience; 6. Working on Screen; Screen Auditions, The Difference; Peg An Extract From The Stage Play; Peg An Extract From The Screenplay; Step By Step, Casting To Airdate; Utilising The Experience; The Fame Game; 7. Work in Voiceovers and Commercials; Producing A Voicereel & Getting An Agent; Commercials/Adverts; 8. Finance; Your Finances; Managing Debt; Preventing Further Debt; Budgeting A Conversation With Accountant Mark Livermore9. Not Working; 'Resting'; Rejection; My Audition Torment; Find An Outlet For Frustration; Fine Lines; Continued Productivity & Maintaining Positivity; Out Of Work, Work; Jobsworths; Staying Sane; 10. Doubt; Assessing The Situation; Contemplating A Decision; Biting The Bullet; What Next; 11. Conversations with the People of Tomorrow; A Conversation With Director Bruce Guthrie; A Q&A With Casting Director Alice Purser; A Conversation With Actor Sean Biggerstaff; A Q&A With Agent James Penford; 12. Tips & Quips; Potential; The Taxi Thesp Arse Over Tit13. I Conclude; Appendix; Acknowledgements; Plate Section |
Record Nr. | UNINA-9910511478303321 |
Burt Natalie | ||
London : , : Oberon Books, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt |
Autore | Burt Natalie |
Pubbl/distr/stampa | London : , : Oberon Books, , 2013 |
Descrizione fisica | 1 online resource (569 p.) |
Disciplina | 792.028 |
Soggetto topico |
Acting
Acting - Vocational guidance Actors - Training of |
ISBN | 1-84943-495-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Contents; 1. An Introduction; 2. Your 3rd Year of Training; Attitude; Development; Product; Decisions; In-House Shows During Training; Photographs; The Marketing Package; Spotlight & Equity; 3. Showcase; Shaping Showcase; Choosing A Scene & Partner; My Chosen Scene, As An Example; The Hype; The 3 Minutes; The Aftermath; Agents; Interviews; 4. Graduation & Beyond; A Home; Renting Tips; Dealing With 'Success' Around You; Showreel / No Showreel; Auditions & Interviews; Making Your Own Luck/Work/Way; Furthering/Practising Your Craft
Subscriptions/ExposureA Word On 'Networking'; Leisure Time; Your 1St Job; 5. Work in the Theatre; You Got The Job; Digs List; First Day Of Rehearsal; Reviews; Utilising The Experience; 6. Working on Screen; Screen Auditions, The Difference; Peg An Extract From The Stage Play; Peg An Extract From The Screenplay; Step By Step, Casting To Airdate; Utilising The Experience; The Fame Game; 7. Work in Voiceovers and Commercials; Producing A Voicereel & Getting An Agent; Commercials/Adverts; 8. Finance; Your Finances; Managing Debt; Preventing Further Debt; Budgeting A Conversation With Accountant Mark Livermore9. Not Working; 'Resting'; Rejection; My Audition Torment; Find An Outlet For Frustration; Fine Lines; Continued Productivity & Maintaining Positivity; Out Of Work, Work; Jobsworths; Staying Sane; 10. Doubt; Assessing The Situation; Contemplating A Decision; Biting The Bullet; What Next; 11. Conversations with the People of Tomorrow; A Conversation With Director Bruce Guthrie; A Q&A With Casting Director Alice Purser; A Conversation With Actor Sean Biggerstaff; A Q&A With Agent James Penford; 12. Tips & Quips; Potential; The Taxi Thesp Arse Over Tit13. I Conclude; Appendix; Acknowledgements; Plate Section |
Record Nr. | UNINA-9910787735403321 |
Burt Natalie | ||
London : , : Oberon Books, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt |
Autore | Burt Natalie |
Pubbl/distr/stampa | London : , : Oberon Books, , 2013 |
Descrizione fisica | 1 online resource (569 p.) |
Disciplina | 792.028 |
Soggetto topico |
Acting
Acting - Vocational guidance Actors - Training of |
ISBN | 1-84943-495-6 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Contents; 1. An Introduction; 2. Your 3rd Year of Training; Attitude; Development; Product; Decisions; In-House Shows During Training; Photographs; The Marketing Package; Spotlight & Equity; 3. Showcase; Shaping Showcase; Choosing A Scene & Partner; My Chosen Scene, As An Example; The Hype; The 3 Minutes; The Aftermath; Agents; Interviews; 4. Graduation & Beyond; A Home; Renting Tips; Dealing With 'Success' Around You; Showreel / No Showreel; Auditions & Interviews; Making Your Own Luck/Work/Way; Furthering/Practising Your Craft
Subscriptions/ExposureA Word On 'Networking'; Leisure Time; Your 1St Job; 5. Work in the Theatre; You Got The Job; Digs List; First Day Of Rehearsal; Reviews; Utilising The Experience; 6. Working on Screen; Screen Auditions, The Difference; Peg An Extract From The Stage Play; Peg An Extract From The Screenplay; Step By Step, Casting To Airdate; Utilising The Experience; The Fame Game; 7. Work in Voiceovers and Commercials; Producing A Voicereel & Getting An Agent; Commercials/Adverts; 8. Finance; Your Finances; Managing Debt; Preventing Further Debt; Budgeting A Conversation With Accountant Mark Livermore9. Not Working; 'Resting'; Rejection; My Audition Torment; Find An Outlet For Frustration; Fine Lines; Continued Productivity & Maintaining Positivity; Out Of Work, Work; Jobsworths; Staying Sane; 10. Doubt; Assessing The Situation; Contemplating A Decision; Biting The Bullet; What Next; 11. Conversations with the People of Tomorrow; A Conversation With Director Bruce Guthrie; A Q&A With Casting Director Alice Purser; A Conversation With Actor Sean Biggerstaff; A Q&A With Agent James Penford; 12. Tips & Quips; Potential; The Taxi Thesp Arse Over Tit13. I Conclude; Appendix; Acknowledgements; Plate Section |
Record Nr. | UNINA-9910816468003321 |
Burt Natalie | ||
London : , : Oberon Books, , 2013 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Time and performer training / / edited by Mark Evans, Konstantinos Thomaidis and Libby Worth |
Pubbl/distr/stampa | Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2019 |
Descrizione fisica | 1 online resource (253 pages) |
Disciplina | 792.02/8 |
Soggetto topico |
Acting
Actors - Training of Space and time in the theater |
ISBN |
1-351-18035-5
1-351-18036-3 1-351-18034-7 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Foreword: embodied time / Anne Bogart -- Introduction: expansive temporalities of performer training / Konstantinos Thomaidis, with Mark Evans and Libby Worth -- Lecoq: training, time and temporality / Mark Evans -- A long view of theatre training / David Wiles -- Time in noh theatre performance and training: conversations with Udaka Tatsushige / Diego Pellecchia -- A materialist feminist perspective on time in actor training: the commodity of illusion / Evi Stamatiou -- The ecology of a sense of good timing / Darren Tunstall -- Gathering ghosts: Lecoq's twenty movements as a technique to mark time / Jenny Swingler -- Adavu: drilling through time / Mark Hamilton -- RSVP and the timely experience / Gillian Raby -- Formative trainings in Carnatic vocal music: a three-way conversation through time / Tim Jones -- Change, continuity and repetition: married to the Balinese mask / Tiffany Strawson -- The feeling of time / Jennifer Jackson -- The dance of opposition: repetition, legacy and difference in third theatre training / Jane Turner and Patrick Campbell -- Out of time: beyond presence and the present -- Bridging monuments: on repetition, time and articulated knowledge at the Bridge of Winds Group / Adriana La Selva -- The always-not-yet / always-already of voice perception: training towards vocal presence / Konstantinos Thomaidis -- Rehearsing (inter)disciplinarity: training, production practice, and the 10,000-hour problem / Laura Vorwerg -- Beyond the "time capsule": recreating Korean narrative temporalities in pansori singing / Chan E. Park -- Simultaneity and asynchronicity in performer training: a case study of massive open online courses as training tools / Jonathan Pitches -- Festival time / Kate Craddock -- Time, friendship and "collective intimacy": the point of view of a co-devisor from within Little Bulb Theatre / Eugénie Pastor -- Time moves: temporal experiences in current London-based training for traditional clog and rapper sword dances / Libby Worth. |
Record Nr. | UNINA-9910772089403321 |
Abingdon, Oxon ; ; New York, NY : , : Routledge, , 2019 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|