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Act : the modern actor's handbook / / David Rotenberg
| Act : the modern actor's handbook / / David Rotenberg |
| Autore | Rotenberg David (David Charles) |
| Pubbl/distr/stampa | Toronto, Ontario : , : ECW Press, , [2021] |
| Descrizione fisica | 1 online resource (202 pages) |
| Disciplina | 792.028 |
| Soggetto topico |
Acting - Vocational guidance
Acting - Auditions |
| ISBN |
1-77305-729-4
9781773057293 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front Cover -- Copyright -- Table of Contents -- Acknowledgments -- A Note on the Use of Pronouns in this Text -- A Word or Two of Introduction -- A Quick Word About Technique -- A Quick Word About the Biz -- Chapter 1: Getting Present -- Chapter 2: The Principles -- Chapter 3: Principle #1 - Actors Must Be Able to Direct Themselves -- Chapter 4: States of Being -- Chapter 5: The Playing of Actions -- Chapter 6: Images -- Chapter 7: Tool #1 - Keying -- Chapter 8: Principle #2 - Be Compelling, Not Necessarily Right -- Chapter 9: Tool #2 - Drone Noting -- Chapter 10: Some Notes on Character -- Chapter 11: Principle #3 -Modern Acting Is About Selecting Not Pretending -- Chapter 12: A Tangent - The Voice in Your Head -- Chapter 13: Principle #4 -No Neutral Mask -- Chapter 14: The Elephant in the Room -- Chapter 15: Principle #5 -Icon and Action Not the Word -- Chapter 16: Principle #6 -Naturalism Not Realism -- Chapter 17: Auditions -- Chapter 18: When the Moon's Too Thin for Stories -- Appendix: Exercises -- An Afterword -- Back Cover. |
| Record Nr. | UNINA-9910794692703321 |
Rotenberg David (David Charles)
|
||
| Toronto, Ontario : , : ECW Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Act : the modern actor's handbook / / David Rotenberg
| Act : the modern actor's handbook / / David Rotenberg |
| Autore | Rotenberg David (David Charles) |
| Pubbl/distr/stampa | Toronto, Ontario : , : ECW Press, , [2021] |
| Descrizione fisica | 1 online resource (202 pages) |
| Disciplina | 792.028 |
| Soggetto topico |
Acting - Vocational guidance
Acting - Auditions |
| ISBN |
1-77305-729-4
9781773057293 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Front Cover -- Copyright -- Table of Contents -- Acknowledgments -- A Note on the Use of Pronouns in this Text -- A Word or Two of Introduction -- A Quick Word About Technique -- A Quick Word About the Biz -- Chapter 1: Getting Present -- Chapter 2: The Principles -- Chapter 3: Principle #1 - Actors Must Be Able to Direct Themselves -- Chapter 4: States of Being -- Chapter 5: The Playing of Actions -- Chapter 6: Images -- Chapter 7: Tool #1 - Keying -- Chapter 8: Principle #2 - Be Compelling, Not Necessarily Right -- Chapter 9: Tool #2 - Drone Noting -- Chapter 10: Some Notes on Character -- Chapter 11: Principle #3 -Modern Acting Is About Selecting Not Pretending -- Chapter 12: A Tangent - The Voice in Your Head -- Chapter 13: Principle #4 -No Neutral Mask -- Chapter 14: The Elephant in the Room -- Chapter 15: Principle #5 -Icon and Action Not the Word -- Chapter 16: Principle #6 -Naturalism Not Realism -- Chapter 17: Auditions -- Chapter 18: When the Moon's Too Thin for Stories -- Appendix: Exercises -- An Afterword -- Back Cover. |
| Record Nr. | UNINA-9910820006103321 |
|
Rotenberg David (David Charles)
|
||
| Toronto, Ontario : , : ECW Press, , [2021] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt
| Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt |
| Autore | Burt Natalie |
| Pubbl/distr/stampa | London : , : Oberon Books, , 2013 |
| Descrizione fisica | 1 online resource (569 p.) |
| Disciplina | 792.028 |
| Soggetto topico |
Acting
Acting - Vocational guidance Actors - Training of |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-84943-495-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Contents; 1. An Introduction; 2. Your 3rd Year of Training; Attitude; Development; Product; Decisions; In-House Shows During Training; Photographs; The Marketing Package; Spotlight & Equity; 3. Showcase; Shaping Showcase; Choosing A Scene & Partner; My Chosen Scene, As An Example; The Hype; The 3 Minutes; The Aftermath; Agents; Interviews; 4. Graduation & Beyond; A Home; Renting Tips; Dealing With 'Success' Around You; Showreel / No Showreel; Auditions & Interviews; Making Your Own Luck/Work/Way; Furthering/Practising Your Craft
Subscriptions/ExposureA Word On 'Networking'; Leisure Time; Your 1St Job; 5. Work in the Theatre; You Got The Job; Digs List; First Day Of Rehearsal; Reviews; Utilising The Experience; 6. Working on Screen; Screen Auditions, The Difference; Peg An Extract From The Stage Play; Peg An Extract From The Screenplay; Step By Step, Casting To Airdate; Utilising The Experience; The Fame Game; 7. Work in Voiceovers and Commercials; Producing A Voicereel & Getting An Agent; Commercials/Adverts; 8. Finance; Your Finances; Managing Debt; Preventing Further Debt; Budgeting A Conversation With Accountant Mark Livermore9. Not Working; 'Resting'; Rejection; My Audition Torment; Find An Outlet For Frustration; Fine Lines; Continued Productivity & Maintaining Positivity; Out Of Work, Work; Jobsworths; Staying Sane; 10. Doubt; Assessing The Situation; Contemplating A Decision; Biting The Bullet; What Next; 11. Conversations with the People of Tomorrow; A Conversation With Director Bruce Guthrie; A Q&A With Casting Director Alice Purser; A Conversation With Actor Sean Biggerstaff; A Q&A With Agent James Penford; 12. Tips & Quips; Potential; The Taxi Thesp Arse Over Tit13. I Conclude; Appendix; Acknowledgements; Plate Section |
| Record Nr. | UNINA-9910511478303321 |
|
Burt Natalie
|
||
| London : , : Oberon Books, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt
| Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt |
| Autore | Burt Natalie |
| Pubbl/distr/stampa | London : , : Oberon Books, , 2013 |
| Descrizione fisica | 1 online resource (569 p.) |
| Disciplina | 792.028 |
| Soggetto topico |
Acting
Acting - Vocational guidance Actors - Training of |
| ISBN | 1-84943-495-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Contents; 1. An Introduction; 2. Your 3rd Year of Training; Attitude; Development; Product; Decisions; In-House Shows During Training; Photographs; The Marketing Package; Spotlight & Equity; 3. Showcase; Shaping Showcase; Choosing A Scene & Partner; My Chosen Scene, As An Example; The Hype; The 3 Minutes; The Aftermath; Agents; Interviews; 4. Graduation & Beyond; A Home; Renting Tips; Dealing With 'Success' Around You; Showreel / No Showreel; Auditions & Interviews; Making Your Own Luck/Work/Way; Furthering/Practising Your Craft
Subscriptions/ExposureA Word On 'Networking'; Leisure Time; Your 1St Job; 5. Work in the Theatre; You Got The Job; Digs List; First Day Of Rehearsal; Reviews; Utilising The Experience; 6. Working on Screen; Screen Auditions, The Difference; Peg An Extract From The Stage Play; Peg An Extract From The Screenplay; Step By Step, Casting To Airdate; Utilising The Experience; The Fame Game; 7. Work in Voiceovers and Commercials; Producing A Voicereel & Getting An Agent; Commercials/Adverts; 8. Finance; Your Finances; Managing Debt; Preventing Further Debt; Budgeting A Conversation With Accountant Mark Livermore9. Not Working; 'Resting'; Rejection; My Audition Torment; Find An Outlet For Frustration; Fine Lines; Continued Productivity & Maintaining Positivity; Out Of Work, Work; Jobsworths; Staying Sane; 10. Doubt; Assessing The Situation; Contemplating A Decision; Biting The Bullet; What Next; 11. Conversations with the People of Tomorrow; A Conversation With Director Bruce Guthrie; A Q&A With Casting Director Alice Purser; A Conversation With Actor Sean Biggerstaff; A Q&A With Agent James Penford; 12. Tips & Quips; Potential; The Taxi Thesp Arse Over Tit13. I Conclude; Appendix; Acknowledgements; Plate Section |
| Record Nr. | UNINA-9910787735403321 |
|
Burt Natalie
|
||
| London : , : Oberon Books, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt
| Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt |
| Autore | Burt Natalie |
| Pubbl/distr/stampa | London : , : Oberon Books, , 2013 |
| Descrizione fisica | 1 online resource (569 p.) |
| Disciplina | 792.028 |
| Soggetto topico |
Acting
Acting - Vocational guidance Actors - Training of |
| ISBN | 1-84943-495-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Contents; 1. An Introduction; 2. Your 3rd Year of Training; Attitude; Development; Product; Decisions; In-House Shows During Training; Photographs; The Marketing Package; Spotlight & Equity; 3. Showcase; Shaping Showcase; Choosing A Scene & Partner; My Chosen Scene, As An Example; The Hype; The 3 Minutes; The Aftermath; Agents; Interviews; 4. Graduation & Beyond; A Home; Renting Tips; Dealing With 'Success' Around You; Showreel / No Showreel; Auditions & Interviews; Making Your Own Luck/Work/Way; Furthering/Practising Your Craft
Subscriptions/ExposureA Word On 'Networking'; Leisure Time; Your 1St Job; 5. Work in the Theatre; You Got The Job; Digs List; First Day Of Rehearsal; Reviews; Utilising The Experience; 6. Working on Screen; Screen Auditions, The Difference; Peg An Extract From The Stage Play; Peg An Extract From The Screenplay; Step By Step, Casting To Airdate; Utilising The Experience; The Fame Game; 7. Work in Voiceovers and Commercials; Producing A Voicereel & Getting An Agent; Commercials/Adverts; 8. Finance; Your Finances; Managing Debt; Preventing Further Debt; Budgeting A Conversation With Accountant Mark Livermore9. Not Working; 'Resting'; Rejection; My Audition Torment; Find An Outlet For Frustration; Fine Lines; Continued Productivity & Maintaining Positivity; Out Of Work, Work; Jobsworths; Staying Sane; 10. Doubt; Assessing The Situation; Contemplating A Decision; Biting The Bullet; What Next; 11. Conversations with the People of Tomorrow; A Conversation With Director Bruce Guthrie; A Q&A With Casting Director Alice Purser; A Conversation With Actor Sean Biggerstaff; A Q&A With Agent James Penford; 12. Tips & Quips; Potential; The Taxi Thesp Arse Over Tit13. I Conclude; Appendix; Acknowledgements; Plate Section |
| Record Nr. | UNINA-9910816468003321 |
|
Burt Natalie
|
||
| London : , : Oberon Books, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting in theater / / George Capaccio
| Acting in theater / / George Capaccio |
| Autore | Capaccio George |
| Pubbl/distr/stampa | New York : , : Cavendish Square Publishing, , 2017 |
| Descrizione fisica | 1 online resource (71 pages) |
| Disciplina | 792.028023 |
| Collana | Exploring theater |
| Soggetto topico | Acting - Vocational guidance |
| ISBN | 1-5026-2270-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | An actor's toolbox -- Creating an ensemble -- Three steps of production -- Missteps and how to avoid them -- Applying acting experience. |
| Record Nr. | UNINA-9910158632203321 |
|
Capaccio George
|
||
| New York : , : Cavendish Square Publishing, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The actor's survival handbook / / Patrick Tucker and Christine Ozanne
| The actor's survival handbook / / Patrick Tucker and Christine Ozanne |
| Autore | Tucker Patrick |
| Pubbl/distr/stampa | New York : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (361 p.) |
| Disciplina | 792.028 |
| Altri autori (Persone) | OzanneChristine |
| Soggetto topico |
Acting
Acting - Vocational guidance |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-87830-175-5
1-135-47041-3 0-203-94252-3 1-135-47042-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgments; Introduction; How to Use This Book; Family Trees; Acting: What Is It?; Agents; Amateur Dramatics; Anecdotes and Jokes; Attitude; Audience; Auditions; Battle of the Sexes; Be Yourself (Plus!); Believability; Blowing Your Nose; Breaking Up (Corpsing); Business (Biz); Casting Directors; Comedy and Farce; Commercial Casting Sessions; Commitment; Conservatories and Drama Schools; Consistency; Costumes, Wigs, and Shoes; Crew; Designers; Dialects and Accents; Directors; Discussions; Don't Ask for Permission
Don't Give UpDrugs; Editing and Acting; Example: Al and Bob's First Meeting; Example: Anna Christie and Her Dad; Example: Broadway versus Hollywood; Example: Brother and Sister Act; Example: Kate and Corpsing; Example: Lady Bracknell's Handbag; Example: Mr. and Mrs. Noah Fight; Example: Mr. Horner Is Exactly That; Example: Noël Coward on the Phone; Example: Olivia's Ends; Example: Plunging in the Deep End; Example: Princely Business; Example: Signs of the Times; Example: The Silence of the Lads; Example: Valuable Verbals; Example: You, Thee-and the Gold; Eye-to-Eye Contact; Fellow Actors Film versus TelevisionForgetting Lines; Further Training; Gear Changes; Getting Work; Good and Bad Taste; Hierarchy; Homework; Illness; Improvisation; Instinct versus Intellect; Interviews; It's Not What It Used To Be; Jobs Requiring Acting Skills; Journey; Know Your Image; Laughter; Learning Lines; Less Is More?; Let the Words Do the Work; Medieval Acting; Melodrama Acting; Method Acting; Mistakes; Modern Contemporary Acting; Money Is Probably the Answer; Movement and Gestures; Multicamera versus Single Camera; Never Say No; No Training; Notes; Open Auditions; Opposites Outside-in versus Inside-outOver the Top; Pauses; Performing; Photographs; Problems; Producers; Projection; Properties (Props); Pulling Focus; Punctuality; Qualifications; Radio Acting; Readings; Rehearsals (Long, Short, or None); Rehearsing; Rejection; Restoration Acting; Resumes; Role-Play; Screen Acting; Screen Cheating; Screen Reactions; Screen Vocal Levels; Sex and Violence; Shakespeare Acting; Shakespeare: First Folio; Shakespeare: Prose or Poetry; Shakespeare: Simple or Complicated; Shakespeare: Verse; Shakespeare: What You Call People; Shakespeare: Wordplay; Shooting and Acting; Stars Starting OffStep-by-Step; Style; Teaching Acting; Technical and Dress Rehearsals; Technique; Ten-Second Rule; Text; The Team; Thinking; Training; Truth; Typecasting; University Courses; Versatility; Voice; Whatever Works; You (Your Other Life); Biographies |
| Record Nr. | UNINA-9910453594403321 |
|
Tucker Patrick
|
||
| New York : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The actor's survival handbook / / Patrick Tucker and Christine Ozanne
| The actor's survival handbook / / Patrick Tucker and Christine Ozanne |
| Autore | Tucker Patrick |
| Pubbl/distr/stampa | New York : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (361 p.) |
| Disciplina | 792.028 |
| Altri autori (Persone) | OzanneChristine |
| Soggetto topico |
Acting
Acting - Vocational guidance |
| ISBN |
0-87830-175-5
1-135-47041-3 0-203-94252-3 1-135-47042-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgments; Introduction; How to Use This Book; Family Trees; Acting: What Is It?; Agents; Amateur Dramatics; Anecdotes and Jokes; Attitude; Audience; Auditions; Battle of the Sexes; Be Yourself (Plus!); Believability; Blowing Your Nose; Breaking Up (Corpsing); Business (Biz); Casting Directors; Comedy and Farce; Commercial Casting Sessions; Commitment; Conservatories and Drama Schools; Consistency; Costumes, Wigs, and Shoes; Crew; Designers; Dialects and Accents; Directors; Discussions; Don't Ask for Permission
Don't Give UpDrugs; Editing and Acting; Example: Al and Bob's First Meeting; Example: Anna Christie and Her Dad; Example: Broadway versus Hollywood; Example: Brother and Sister Act; Example: Kate and Corpsing; Example: Lady Bracknell's Handbag; Example: Mr. and Mrs. Noah Fight; Example: Mr. Horner Is Exactly That; Example: Noël Coward on the Phone; Example: Olivia's Ends; Example: Plunging in the Deep End; Example: Princely Business; Example: Signs of the Times; Example: The Silence of the Lads; Example: Valuable Verbals; Example: You, Thee-and the Gold; Eye-to-Eye Contact; Fellow Actors Film versus TelevisionForgetting Lines; Further Training; Gear Changes; Getting Work; Good and Bad Taste; Hierarchy; Homework; Illness; Improvisation; Instinct versus Intellect; Interviews; It's Not What It Used To Be; Jobs Requiring Acting Skills; Journey; Know Your Image; Laughter; Learning Lines; Less Is More?; Let the Words Do the Work; Medieval Acting; Melodrama Acting; Method Acting; Mistakes; Modern Contemporary Acting; Money Is Probably the Answer; Movement and Gestures; Multicamera versus Single Camera; Never Say No; No Training; Notes; Open Auditions; Opposites Outside-in versus Inside-outOver the Top; Pauses; Performing; Photographs; Problems; Producers; Projection; Properties (Props); Pulling Focus; Punctuality; Qualifications; Radio Acting; Readings; Rehearsals (Long, Short, or None); Rehearsing; Rejection; Restoration Acting; Resumes; Role-Play; Screen Acting; Screen Cheating; Screen Reactions; Screen Vocal Levels; Sex and Violence; Shakespeare Acting; Shakespeare: First Folio; Shakespeare: Prose or Poetry; Shakespeare: Simple or Complicated; Shakespeare: Verse; Shakespeare: What You Call People; Shakespeare: Wordplay; Shooting and Acting; Stars Starting OffStep-by-Step; Style; Teaching Acting; Technical and Dress Rehearsals; Technique; Ten-Second Rule; Text; The Team; Thinking; Training; Truth; Typecasting; University Courses; Versatility; Voice; Whatever Works; You (Your Other Life); Biographies |
| Record Nr. | UNINA-9910791315103321 |
|
Tucker Patrick
|
||
| New York : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The actor's survival handbook / / Patrick Tucker and Christine Ozanne
| The actor's survival handbook / / Patrick Tucker and Christine Ozanne |
| Autore | Tucker Patrick |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (361 p.) |
| Disciplina | 792.028 |
| Altri autori (Persone) | OzanneChristine |
| Soggetto topico |
Acting
Acting - Vocational guidance |
| ISBN |
0-87830-175-5
1-135-47041-3 0-203-94252-3 1-135-47042-1 9780203942529 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgments; Introduction; How to Use This Book; Family Trees; Acting: What Is It?; Agents; Amateur Dramatics; Anecdotes and Jokes; Attitude; Audience; Auditions; Battle of the Sexes; Be Yourself (Plus!); Believability; Blowing Your Nose; Breaking Up (Corpsing); Business (Biz); Casting Directors; Comedy and Farce; Commercial Casting Sessions; Commitment; Conservatories and Drama Schools; Consistency; Costumes, Wigs, and Shoes; Crew; Designers; Dialects and Accents; Directors; Discussions; Don't Ask for Permission
Don't Give UpDrugs; Editing and Acting; Example: Al and Bob's First Meeting; Example: Anna Christie and Her Dad; Example: Broadway versus Hollywood; Example: Brother and Sister Act; Example: Kate and Corpsing; Example: Lady Bracknell's Handbag; Example: Mr. and Mrs. Noah Fight; Example: Mr. Horner Is Exactly That; Example: Noël Coward on the Phone; Example: Olivia's Ends; Example: Plunging in the Deep End; Example: Princely Business; Example: Signs of the Times; Example: The Silence of the Lads; Example: Valuable Verbals; Example: You, Thee-and the Gold; Eye-to-Eye Contact; Fellow Actors Film versus TelevisionForgetting Lines; Further Training; Gear Changes; Getting Work; Good and Bad Taste; Hierarchy; Homework; Illness; Improvisation; Instinct versus Intellect; Interviews; It's Not What It Used To Be; Jobs Requiring Acting Skills; Journey; Know Your Image; Laughter; Learning Lines; Less Is More?; Let the Words Do the Work; Medieval Acting; Melodrama Acting; Method Acting; Mistakes; Modern Contemporary Acting; Money Is Probably the Answer; Movement and Gestures; Multicamera versus Single Camera; Never Say No; No Training; Notes; Open Auditions; Opposites Outside-in versus Inside-outOver the Top; Pauses; Performing; Photographs; Problems; Producers; Projection; Properties (Props); Pulling Focus; Punctuality; Qualifications; Radio Acting; Readings; Rehearsals (Long, Short, or None); Rehearsing; Rejection; Restoration Acting; Resumes; Role-Play; Screen Acting; Screen Cheating; Screen Reactions; Screen Vocal Levels; Sex and Violence; Shakespeare Acting; Shakespeare: First Folio; Shakespeare: Prose or Poetry; Shakespeare: Simple or Complicated; Shakespeare: Verse; Shakespeare: What You Call People; Shakespeare: Wordplay; Shooting and Acting; Stars Starting OffStep-by-Step; Style; Teaching Acting; Technical and Dress Rehearsals; Technique; Ten-Second Rule; Text; The Team; Thinking; Training; Truth; Typecasting; University Courses; Versatility; Voice; Whatever Works; You (Your Other Life); Biographies |
| Record Nr. | UNINA-9911092788303321 |
|
Tucker Patrick
|
||
| New York : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The actor's survival handbook / / Patrick Tucker and Christine Ozanne
| The actor's survival handbook / / Patrick Tucker and Christine Ozanne |
| Autore | Tucker Patrick |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | New York : , : Routledge, , 2005 |
| Descrizione fisica | 1 online resource (361 p.) |
| Disciplina | 792.028 |
| Altri autori (Persone) | OzanneChristine |
| Soggetto topico |
Acting
Acting - Vocational guidance |
| ISBN |
0-87830-175-5
1-135-47041-3 0-203-94252-3 1-135-47042-1 9780203942529 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgments; Introduction; How to Use This Book; Family Trees; Acting: What Is It?; Agents; Amateur Dramatics; Anecdotes and Jokes; Attitude; Audience; Auditions; Battle of the Sexes; Be Yourself (Plus!); Believability; Blowing Your Nose; Breaking Up (Corpsing); Business (Biz); Casting Directors; Comedy and Farce; Commercial Casting Sessions; Commitment; Conservatories and Drama Schools; Consistency; Costumes, Wigs, and Shoes; Crew; Designers; Dialects and Accents; Directors; Discussions; Don't Ask for Permission
Don't Give UpDrugs; Editing and Acting; Example: Al and Bob's First Meeting; Example: Anna Christie and Her Dad; Example: Broadway versus Hollywood; Example: Brother and Sister Act; Example: Kate and Corpsing; Example: Lady Bracknell's Handbag; Example: Mr. and Mrs. Noah Fight; Example: Mr. Horner Is Exactly That; Example: Noël Coward on the Phone; Example: Olivia's Ends; Example: Plunging in the Deep End; Example: Princely Business; Example: Signs of the Times; Example: The Silence of the Lads; Example: Valuable Verbals; Example: You, Thee-and the Gold; Eye-to-Eye Contact; Fellow Actors Film versus TelevisionForgetting Lines; Further Training; Gear Changes; Getting Work; Good and Bad Taste; Hierarchy; Homework; Illness; Improvisation; Instinct versus Intellect; Interviews; It's Not What It Used To Be; Jobs Requiring Acting Skills; Journey; Know Your Image; Laughter; Learning Lines; Less Is More?; Let the Words Do the Work; Medieval Acting; Melodrama Acting; Method Acting; Mistakes; Modern Contemporary Acting; Money Is Probably the Answer; Movement and Gestures; Multicamera versus Single Camera; Never Say No; No Training; Notes; Open Auditions; Opposites Outside-in versus Inside-outOver the Top; Pauses; Performing; Photographs; Problems; Producers; Projection; Properties (Props); Pulling Focus; Punctuality; Qualifications; Radio Acting; Readings; Rehearsals (Long, Short, or None); Rehearsing; Rejection; Restoration Acting; Resumes; Role-Play; Screen Acting; Screen Cheating; Screen Reactions; Screen Vocal Levels; Sex and Violence; Shakespeare Acting; Shakespeare: First Folio; Shakespeare: Prose or Poetry; Shakespeare: Simple or Complicated; Shakespeare: Verse; Shakespeare: What You Call People; Shakespeare: Wordplay; Shooting and Acting; Stars Starting OffStep-by-Step; Style; Teaching Acting; Technical and Dress Rehearsals; Technique; Ten-Second Rule; Text; The Team; Thinking; Training; Truth; Typecasting; University Courses; Versatility; Voice; Whatever Works; You (Your Other Life); Biographies |
| Record Nr. | UNINA-9911134189603321 |
|
Tucker Patrick
|
||
| New York : , : Routledge, , 2005 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
