Bergson and Durational Performance : (Re)Ma(r)king Time / / James Layton |
Autore | Layton James, Dr. |
Pubbl/distr/stampa | Bristol, England : , : Intellect, , [2022] |
Descrizione fisica | 1 online resource (299 pages) |
Disciplina | 194 |
Soggetto topico |
Acting - Philosophy
Time perception |
ISBN |
1-78938-624-1
1-78938-623-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover -- Bergson and Durational Performance: (Re)Ma(r)king Time -- Copyright -- Contents -- List of Figures -- Prologue: 15 April 1912 -- Introduction -- PART ONE -- 1. Bergson, Pure Memory and Pure Duration -- 2. Bergson and Durational Performance: Duration, Immersion,Participation, Ritual -- 3. Durational Performance in a Socially Accelerated Culture:Clock-Time + Network Time = No Time -- 4. Durational Performance as a Challenge toSmooth Consumption -- PART TWO -- 5. Peak Time: Bergson and Maslow -- 6. Flow Time: Bergson and Csikszentmihalyi -- 7. Time Together: Bergson and Turner -- 8. Hotel Medea: Memory, Duration and Peak-Experience inan Accelerated Culture -- 9. All These Are the Days My Friends: Duration and Flow inEinstein on the Beach -- 10. Walking, Communitas, Ritual and Transformation -- 11. Marking, Making, Remarking, Remaking Time: Bergsonand the Future of Durational Performance -- Epilogue: A Manifesto for Durational Performance -- Postscript: Arriving at the Crack of Dawn for a Plagueground Game Show -- Bibliography -- Index -- Back Cover. |
Record Nr. | UNINA-9910796060303321 |
Layton James, Dr. | ||
Bristol, England : , : Intellect, , [2022] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Bergson and Durational Performance : (Re)Ma(r)king Time / / James Layton |
Autore | Layton James, Dr. |
Pubbl/distr/stampa | Bristol, England : , : Intellect, , [2022] |
Descrizione fisica | 1 online resource (299 pages) |
Disciplina | 194 |
Soggetto topico |
Acting - Philosophy
Time perception |
ISBN |
1-78938-624-1
1-78938-623-3 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Cover -- Bergson and Durational Performance: (Re)Ma(r)king Time -- Copyright -- Contents -- List of Figures -- Prologue: 15 April 1912 -- Introduction -- PART ONE -- 1. Bergson, Pure Memory and Pure Duration -- 2. Bergson and Durational Performance: Duration, Immersion,Participation, Ritual -- 3. Durational Performance in a Socially Accelerated Culture:Clock-Time + Network Time = No Time -- 4. Durational Performance as a Challenge toSmooth Consumption -- PART TWO -- 5. Peak Time: Bergson and Maslow -- 6. Flow Time: Bergson and Csikszentmihalyi -- 7. Time Together: Bergson and Turner -- 8. Hotel Medea: Memory, Duration and Peak-Experience inan Accelerated Culture -- 9. All These Are the Days My Friends: Duration and Flow inEinstein on the Beach -- 10. Walking, Communitas, Ritual and Transformation -- 11. Marking, Making, Remarking, Remaking Time: Bergsonand the Future of Durational Performance -- Epilogue: A Manifesto for Durational Performance -- Postscript: Arriving at the Crack of Dawn for a Plagueground Game Show -- Bibliography -- Index -- Back Cover. |
Record Nr. | UNINA-9910816309803321 |
Layton James, Dr. | ||
Bristol, England : , : Intellect, , [2022] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Double Shakespeares : emotional-realist acting and contemporary performance / / Cary M. Mazer |
Autore | Mazer Cary M. |
Pubbl/distr/stampa | Madison : , : Fairleigh Dickinson University Press, , [2015] |
Descrizione fisica | 1 online resource (215 p.) |
Disciplina | 792.02/801 |
Collana | Shakespeare and the stage |
Soggetto topico |
Acting - Philosophy
Shakespearean actors and actresses |
ISBN | 1-61147-844-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: The anxiety of identity -- Doubleness: Double selves. Undoubling and redoubling. Double bodies -- Double narratives: Double fictions. Double memoirs -- Double plays: Frames. Three scripts, three productions, six plays -- "Wounds invisible": An epilogue. |
Record Nr. | UNINA-9910797697803321 |
Mazer Cary M. | ||
Madison : , : Fairleigh Dickinson University Press, , [2015] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Double Shakespeares : emotional-realist acting and contemporary performance / / Cary M. Mazer |
Autore | Mazer Cary M. |
Pubbl/distr/stampa | Madison : , : Fairleigh Dickinson University Press, , [2015] |
Descrizione fisica | 1 online resource (215 p.) |
Disciplina | 792.02/801 |
Collana | Shakespeare and the stage |
Soggetto topico |
Acting - Philosophy
Shakespearean actors and actresses |
ISBN | 1-61147-844-8 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction: The anxiety of identity -- Doubleness: Double selves. Undoubling and redoubling. Double bodies -- Double narratives: Double fictions. Double memoirs -- Double plays: Frames. Three scripts, three productions, six plays -- "Wounds invisible": An epilogue. |
Record Nr. | UNINA-9910810987103321 |
Mazer Cary M. | ||
Madison : , : Fairleigh Dickinson University Press, , [2015] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Itinerant Spectator/Itinerant Spectacle / P.A. Skantze |
Autore | Skantze P. A. <1957-> |
Pubbl/distr/stampa | Baltimore, Maryland : , : Project Muse, , 2020 |
Descrizione fisica | 1 online resource (252 pages) : illustrations; digital, PDF file(s) |
Disciplina | 792.02/8 |
Soggetto topico |
Acting - Psychological aspects
Acting - Philosophy Acting - Study and teaching Actors - Study and teaching Theater audiences - Study and teaching Theater - Study and teaching |
Soggetto genere / forma | Electronic books. |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Introduction : weathered thresholds -- Satisfaction -- Sound -- Structures -- Senses -- States -- Epilogue. |
Record Nr. | UNINA-9910140449503321 |
Skantze P. A. <1957-> | ||
Baltimore, Maryland : , : Project Muse, , 2020 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Performing consciousness [[electronic resource] /] / edited by Per Brask and Daniel Meyer-Dinkgräfe |
Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars Pub., 2010 |
Descrizione fisica | 1 online resource (229 p.) |
Disciplina | 792.028019 |
Altri autori (Persone) |
BraskPer <1952->
Meyer-DinkgräfeDaniel <1958-> |
Soggetto topico |
Acting - Psychological aspects
Acting - Philosophy |
Soggetto genere / forma | Electronic books. |
ISBN |
1-4438-1997-2
1-282-48152-5 9786612481529 1-4438-1796-1 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | TABLE OF CONTENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CONTRIBUTORS |
Record Nr. | UNINA-9910464575603321 |
Newcastle upon Tyne, : Cambridge Scholars Pub., 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Performing consciousness [[electronic resource] /] / edited by Per Brask and Daniel Meyer-Dinkgrafe |
Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars Pub., 2010 |
Descrizione fisica | 1 online resource (229 p.) |
Disciplina | 792.028019 |
Altri autori (Persone) |
BraskPer
Meyer-DinkgrafeDaniel <1958-> |
Soggetto topico |
Acting - Psychological aspects
Acting - Philosophy |
ISBN | 1-4438-1997-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | TABLE OF CONTENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CONTRIBUTORS |
Record Nr. | UNINA-9910788997703321 |
Newcastle upon Tyne, : Cambridge Scholars Pub., 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Performing consciousness / / edited by Per Brask and Daniel Meyer-Dinkgrafe |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Newcastle upon Tyne, : Cambridge Scholars Pub., 2010 |
Descrizione fisica | 1 online resource (229 p.) |
Disciplina | 792.028019 |
Altri autori (Persone) |
BraskPer
Meyer-DinkgrafeDaniel <1958-> |
Soggetto topico |
Acting - Psychological aspects
Acting - Philosophy |
ISBN | 1-4438-1997-2 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | TABLE OF CONTENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CHAPTER FIFTEEN; CONTRIBUTORS |
Record Nr. | UNINA-9910827282103321 |
Newcastle upon Tyne, : Cambridge Scholars Pub., 2010 | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Phenomenology for actors : theatre-making and the question of being / / Daniel Johnston |
Autore | Johnston Daniel <1947-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bristol, England : , : Intellect Ltd, , [2021] |
Descrizione fisica | 1 online resource (176 pages) |
Disciplina | 792.02801 |
Soggetto topico |
Acting - Philosophy
Phenomenology |
ISBN |
1-78938-411-7
1-78938-410-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Cover -- Half Title -- Frontispieces -- Phenomenology for Actors: Theatre- Making and the Question of Being -- Copyright Page -- Dedication -- Epigra[ph -- Table of contents -- Illustrations -- Acknowledgements -- A Note on the Text -- 1 Beginnings: Being There -- Touching hands with Being -- What is phenomenology? -- Performance and phenomenology -- Philosophers on stage -- Mapping the self -- 2 Phenomenology: Being-in-the-World -- Some background terms -- Space and bodies -- The history of Being -- Destruktion and the text -- From theory to practice -- Observe a walk -- Observe stillness -- Scrutinize an object -- Chart a place well known to you -- Unpack a place where you feel at home -- Dissect a familiar activity -- Describe a person -- Recount a time when you struggled to communicate -- Demonstrate a moment when you had an unusual experience of time -- Stage a life choice -- Recreate the instant in which your life was threatened -- Text-Character-Performance -- 3 Being-with Others: The Cherry Orchard -- Equipment -- Involvement -- Touch -- Being elsewhere -- Other people -- 4 Authenticity and Freedom: Antigone -- Falling -- Moods and faring -- Thrownness and projection -- Fate and destiny -- 5 Time and Resoluteness: Hamlet -- Timeliness -- Having a history -- Being-a-whole -- Resoluteness -- Being-towards-death -- 6 Possibilities: Aletheia -- On the essence of truth in theatre -- Poetry, language, theatre -- Building, dwelling, theatre -- The question concerning theatre technology -- Ereignis -- References -- Index -- Back Cover. |
Record Nr. | UNINA-9910794542103321 |
Johnston Daniel <1947-> | ||
Bristol, England : , : Intellect Ltd, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|
Phenomenology for actors : theatre-making and the question of being / / Daniel Johnston |
Autore | Johnston Daniel <1947-> |
Edizione | [1st ed.] |
Pubbl/distr/stampa | Bristol, England : , : Intellect Ltd, , [2021] |
Descrizione fisica | 1 online resource (176 pages) |
Disciplina | 792.02801 |
Soggetto topico |
Acting - Philosophy
Phenomenology |
ISBN |
1-78938-411-7
1-78938-410-9 |
Formato | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione | eng |
Nota di contenuto | Front Cover -- Half Title -- Frontispieces -- Phenomenology for Actors: Theatre- Making and the Question of Being -- Copyright Page -- Dedication -- Epigra[ph -- Table of contents -- Illustrations -- Acknowledgements -- A Note on the Text -- 1 Beginnings: Being There -- Touching hands with Being -- What is phenomenology? -- Performance and phenomenology -- Philosophers on stage -- Mapping the self -- 2 Phenomenology: Being-in-the-World -- Some background terms -- Space and bodies -- The history of Being -- Destruktion and the text -- From theory to practice -- Observe a walk -- Observe stillness -- Scrutinize an object -- Chart a place well known to you -- Unpack a place where you feel at home -- Dissect a familiar activity -- Describe a person -- Recount a time when you struggled to communicate -- Demonstrate a moment when you had an unusual experience of time -- Stage a life choice -- Recreate the instant in which your life was threatened -- Text-Character-Performance -- 3 Being-with Others: The Cherry Orchard -- Equipment -- Involvement -- Touch -- Being elsewhere -- Other people -- 4 Authenticity and Freedom: Antigone -- Falling -- Moods and faring -- Thrownness and projection -- Fate and destiny -- 5 Time and Resoluteness: Hamlet -- Timeliness -- Having a history -- Being-a-whole -- Resoluteness -- Being-towards-death -- 6 Possibilities: Aletheia -- On the essence of truth in theatre -- Poetry, language, theatre -- Building, dwelling, theatre -- The question concerning theatre technology -- Ereignis -- References -- Index -- Back Cover. |
Record Nr. | UNINA-9910817923703321 |
Johnston Daniel <1947-> | ||
Bristol, England : , : Intellect Ltd, , [2021] | ||
Materiale a stampa | ||
Lo trovi qui: Univ. Federico II | ||
|