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100 exercises to get you into drama school [[electronic resource] /] / Jona Howl
| 100 exercises to get you into drama school [[electronic resource] /] / Jona Howl |
| Autore | Howl Jona |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London, : A&C Black, 2008 |
| Descrizione fisica | 1 online resource (129 p.) |
| Disciplina | 792.028 |
| Collana | Methuen drama |
| Soggetto topico | Acting |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-19468-6
9786613194688 1-4081-4652-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; Introduction; About this book; 10 easy ways; Build your own fitness programme; Chapter 1: Posture; Chapter 2: Movement; Chapter 3: Voice; Chapter 4: Performing Text; Chapter 5: Character; Chapter 6: The Audition; Monologues; Index and Credits |
| Record Nr. | UNINA-9910461540903321 |
Howl Jona
|
||
| London, : A&C Black, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
100 exercises to get you into drama school [[electronic resource] /] / Jona Howl
| 100 exercises to get you into drama school [[electronic resource] /] / Jona Howl |
| Autore | Howl Jona |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London, : A&C Black, 2008 |
| Descrizione fisica | 1 online resource (129 p.) |
| Disciplina | 792.028 |
| Collana | Methuen drama |
| Soggetto topico | Acting |
| ISBN |
1-283-19468-6
9786613194688 1-4081-4652-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; Introduction; About this book; 10 easy ways; Build your own fitness programme; Chapter 1: Posture; Chapter 2: Movement; Chapter 3: Voice; Chapter 4: Performing Text; Chapter 5: Character; Chapter 6: The Audition; Monologues; Index and Credits |
| Record Nr. | UNINA-9910789524403321 |
|
Howl Jona
|
||
| London, : A&C Black, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
100 exercises to get you into drama school [[electronic resource] /] / Jona Howl
| 100 exercises to get you into drama school [[electronic resource] /] / Jona Howl |
| Autore | Howl Jona |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | London, : A&C Black, 2008 |
| Descrizione fisica | 1 online resource (129 p.) |
| Disciplina | 792.028 |
| Collana | Methuen drama |
| Soggetto topico | Acting |
| ISBN |
1-283-19468-6
9786613194688 1-4081-4652-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Contents; Introduction; About this book; 10 easy ways; Build your own fitness programme; Chapter 1: Posture; Chapter 2: Movement; Chapter 3: Voice; Chapter 4: Performing Text; Chapter 5: Character; Chapter 6: The Audition; Monologues; Index and Credits |
| Record Nr. | UNINA-9910809542703321 |
|
Howl Jona
|
||
| London, : A&C Black, 2008 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt
| Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt |
| Autore | Burt Natalie |
| Pubbl/distr/stampa | London : , : Oberon Books, , 2013 |
| Descrizione fisica | 1 online resource (569 p.) |
| Disciplina | 792.028 |
| Soggetto topico |
Acting
Acting - Vocational guidance Actors - Training of |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-84943-495-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Contents; 1. An Introduction; 2. Your 3rd Year of Training; Attitude; Development; Product; Decisions; In-House Shows During Training; Photographs; The Marketing Package; Spotlight & Equity; 3. Showcase; Shaping Showcase; Choosing A Scene & Partner; My Chosen Scene, As An Example; The Hype; The 3 Minutes; The Aftermath; Agents; Interviews; 4. Graduation & Beyond; A Home; Renting Tips; Dealing With 'Success' Around You; Showreel / No Showreel; Auditions & Interviews; Making Your Own Luck/Work/Way; Furthering/Practising Your Craft
Subscriptions/ExposureA Word On 'Networking'; Leisure Time; Your 1St Job; 5. Work in the Theatre; You Got The Job; Digs List; First Day Of Rehearsal; Reviews; Utilising The Experience; 6. Working on Screen; Screen Auditions, The Difference; Peg An Extract From The Stage Play; Peg An Extract From The Screenplay; Step By Step, Casting To Airdate; Utilising The Experience; The Fame Game; 7. Work in Voiceovers and Commercials; Producing A Voicereel & Getting An Agent; Commercials/Adverts; 8. Finance; Your Finances; Managing Debt; Preventing Further Debt; Budgeting A Conversation With Accountant Mark Livermore9. Not Working; 'Resting'; Rejection; My Audition Torment; Find An Outlet For Frustration; Fine Lines; Continued Productivity & Maintaining Positivity; Out Of Work, Work; Jobsworths; Staying Sane; 10. Doubt; Assessing The Situation; Contemplating A Decision; Biting The Bullet; What Next; 11. Conversations with the People of Tomorrow; A Conversation With Director Bruce Guthrie; A Q&A With Casting Director Alice Purser; A Conversation With Actor Sean Biggerstaff; A Q&A With Agent James Penford; 12. Tips & Quips; Potential; The Taxi Thesp Arse Over Tit13. I Conclude; Appendix; Acknowledgements; Plate Section |
| Record Nr. | UNINA-9910511478303321 |
|
Burt Natalie
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||
| London : , : Oberon Books, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt
| Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt |
| Autore | Burt Natalie |
| Pubbl/distr/stampa | London : , : Oberon Books, , 2013 |
| Descrizione fisica | 1 online resource (569 p.) |
| Disciplina | 792.028 |
| Soggetto topico |
Acting
Acting - Vocational guidance Actors - Training of |
| ISBN | 1-84943-495-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Contents; 1. An Introduction; 2. Your 3rd Year of Training; Attitude; Development; Product; Decisions; In-House Shows During Training; Photographs; The Marketing Package; Spotlight & Equity; 3. Showcase; Shaping Showcase; Choosing A Scene & Partner; My Chosen Scene, As An Example; The Hype; The 3 Minutes; The Aftermath; Agents; Interviews; 4. Graduation & Beyond; A Home; Renting Tips; Dealing With 'Success' Around You; Showreel / No Showreel; Auditions & Interviews; Making Your Own Luck/Work/Way; Furthering/Practising Your Craft
Subscriptions/ExposureA Word On 'Networking'; Leisure Time; Your 1St Job; 5. Work in the Theatre; You Got The Job; Digs List; First Day Of Rehearsal; Reviews; Utilising The Experience; 6. Working on Screen; Screen Auditions, The Difference; Peg An Extract From The Stage Play; Peg An Extract From The Screenplay; Step By Step, Casting To Airdate; Utilising The Experience; The Fame Game; 7. Work in Voiceovers and Commercials; Producing A Voicereel & Getting An Agent; Commercials/Adverts; 8. Finance; Your Finances; Managing Debt; Preventing Further Debt; Budgeting A Conversation With Accountant Mark Livermore9. Not Working; 'Resting'; Rejection; My Audition Torment; Find An Outlet For Frustration; Fine Lines; Continued Productivity & Maintaining Positivity; Out Of Work, Work; Jobsworths; Staying Sane; 10. Doubt; Assessing The Situation; Contemplating A Decision; Biting The Bullet; What Next; 11. Conversations with the People of Tomorrow; A Conversation With Director Bruce Guthrie; A Q&A With Casting Director Alice Purser; A Conversation With Actor Sean Biggerstaff; A Q&A With Agent James Penford; 12. Tips & Quips; Potential; The Taxi Thesp Arse Over Tit13. I Conclude; Appendix; Acknowledgements; Plate Section |
| Record Nr. | UNINA-9910787735403321 |
|
Burt Natalie
|
||
| London : , : Oberon Books, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt
| Acting : cut the crap, cue the truth : living the life and doing the job / / Natalie Burt |
| Autore | Burt Natalie |
| Pubbl/distr/stampa | London : , : Oberon Books, , 2013 |
| Descrizione fisica | 1 online resource (569 p.) |
| Disciplina | 792.028 |
| Soggetto topico |
Acting
Acting - Vocational guidance Actors - Training of |
| ISBN | 1-84943-495-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half-title Page; Title Page; Copyright; Contents; 1. An Introduction; 2. Your 3rd Year of Training; Attitude; Development; Product; Decisions; In-House Shows During Training; Photographs; The Marketing Package; Spotlight & Equity; 3. Showcase; Shaping Showcase; Choosing A Scene & Partner; My Chosen Scene, As An Example; The Hype; The 3 Minutes; The Aftermath; Agents; Interviews; 4. Graduation & Beyond; A Home; Renting Tips; Dealing With 'Success' Around You; Showreel / No Showreel; Auditions & Interviews; Making Your Own Luck/Work/Way; Furthering/Practising Your Craft
Subscriptions/ExposureA Word On 'Networking'; Leisure Time; Your 1St Job; 5. Work in the Theatre; You Got The Job; Digs List; First Day Of Rehearsal; Reviews; Utilising The Experience; 6. Working on Screen; Screen Auditions, The Difference; Peg An Extract From The Stage Play; Peg An Extract From The Screenplay; Step By Step, Casting To Airdate; Utilising The Experience; The Fame Game; 7. Work in Voiceovers and Commercials; Producing A Voicereel & Getting An Agent; Commercials/Adverts; 8. Finance; Your Finances; Managing Debt; Preventing Further Debt; Budgeting A Conversation With Accountant Mark Livermore9. Not Working; 'Resting'; Rejection; My Audition Torment; Find An Outlet For Frustration; Fine Lines; Continued Productivity & Maintaining Positivity; Out Of Work, Work; Jobsworths; Staying Sane; 10. Doubt; Assessing The Situation; Contemplating A Decision; Biting The Bullet; What Next; 11. Conversations with the People of Tomorrow; A Conversation With Director Bruce Guthrie; A Q&A With Casting Director Alice Purser; A Conversation With Actor Sean Biggerstaff; A Q&A With Agent James Penford; 12. Tips & Quips; Potential; The Taxi Thesp Arse Over Tit13. I Conclude; Appendix; Acknowledgements; Plate Section |
| Record Nr. | UNINA-9910816468003321 |
|
Burt Natalie
|
||
| London : , : Oberon Books, , 2013 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli
| Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2002 |
| Descrizione fisica | 1 online resource (417 p.) |
| Disciplina | 792/.028 |
| Altri autori (Persone) | ZarrilliPhillip B. <1947-> |
| Collana | Worlds of performance |
| Soggetto topico | Acting |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-134-57543-2
1-134-57544-0 1-280-14200-6 0-203-99147-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; List of Illustrations; Contributors; Preface; Acknowledgements; General Introduction: Between theory and practice; Introduction; The Actor's Presence: Three phenomenal modes; On Acting and Not-Acting; ""Just Be Your Self"": Logocentrism and difference in performance theory; The Actor's Emotions Reconsidered: A psychological task-based perspective; Introduction; An Amulet Made of Memory: The significance of exercises in the actor's dramaturgy; Meyerhold's Biomechanics; Etienne Decroux's Promethean Mime; Actor Training in the Neutral Mask
Bali and Grotowski: Some parallels in the training processCulture is the Body; My Bodies: The performer in West Java; ""On the edge of a breath, looking"": Cultivating the actor's bodymind through Asian martial/meditation arts; The Gardzienice Theatre Association of Poland; Effector Patterns of Basic Emotions: A psychophysiological method for training actors; Introduction; Brecht and the Contradictory Actor; Dario Fo: The roar of the clown; Forum Theatre; Resisting the ""Organic"": A feminist actor's approach; Rachel Rosenthal Creating Her Selves; Task and Vision: Willem Dafoe in LSD David Warrilow: Creating symbol and cypherRobert Wilson and the Actor: Performing in Danton's Death; Anna Deavere Smith; Notes; Bibliography and References Cited; Bibliographical Note: Actors speaking on acting; Index |
| Record Nr. | UNINA-9910457575903321 |
| London ; ; New York : , : Routledge, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli
| Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2002 |
| Descrizione fisica | 1 online resource (417 p.) |
| Disciplina | 792/.028 |
| Altri autori (Persone) | ZarrilliPhillip B. <1947-> |
| Collana | Worlds of performance |
| Soggetto topico | Acting |
| ISBN |
1-134-57543-2
1-134-57544-0 1-280-14200-6 0-203-99147-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; List of Illustrations; Contributors; Preface; Acknowledgements; General Introduction: Between theory and practice; Introduction; The Actor's Presence: Three phenomenal modes; On Acting and Not-Acting; ""Just Be Your Self"": Logocentrism and difference in performance theory; The Actor's Emotions Reconsidered: A psychological task-based perspective; Introduction; An Amulet Made of Memory: The significance of exercises in the actor's dramaturgy; Meyerhold's Biomechanics; Etienne Decroux's Promethean Mime; Actor Training in the Neutral Mask
Bali and Grotowski: Some parallels in the training processCulture is the Body; My Bodies: The performer in West Java; ""On the edge of a breath, looking"": Cultivating the actor's bodymind through Asian martial/meditation arts; The Gardzienice Theatre Association of Poland; Effector Patterns of Basic Emotions: A psychophysiological method for training actors; Introduction; Brecht and the Contradictory Actor; Dario Fo: The roar of the clown; Forum Theatre; Resisting the ""Organic"": A feminist actor's approach; Rachel Rosenthal Creating Her Selves; Task and Vision: Willem Dafoe in LSD David Warrilow: Creating symbol and cypherRobert Wilson and the Actor: Performing in Danton's Death; Anna Deavere Smith; Notes; Bibliography and References Cited; Bibliographical Note: Actors speaking on acting; Index |
| Altri titoli varianti | Acting reconsidered |
| Record Nr. | UNINA-9910784586903321 |
| London ; ; New York : , : Routledge, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli
| Acting (re)considered : a theoretical and practical guide / / [edited by] Phillip B. Zarrilli |
| Edizione | [2nd ed.] |
| Pubbl/distr/stampa | London ; ; New York : , : Routledge, , 2002 |
| Descrizione fisica | 1 online resource (417 p.) |
| Disciplina | 792/.028 |
| Altri autori (Persone) | ZarrilliPhillip B. <1947-> |
| Collana | Worlds of performance |
| Soggetto topico | Acting |
| ISBN |
1-134-57543-2
1-134-57544-0 1-280-14200-6 0-203-99147-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Book Cover; Title; Contents; List of Illustrations; Contributors; Preface; Acknowledgements; General Introduction: Between theory and practice; Introduction; The Actor's Presence: Three phenomenal modes; On Acting and Not-Acting; ""Just Be Your Self"": Logocentrism and difference in performance theory; The Actor's Emotions Reconsidered: A psychological task-based perspective; Introduction; An Amulet Made of Memory: The significance of exercises in the actor's dramaturgy; Meyerhold's Biomechanics; Etienne Decroux's Promethean Mime; Actor Training in the Neutral Mask
Bali and Grotowski: Some parallels in the training processCulture is the Body; My Bodies: The performer in West Java; ""On the edge of a breath, looking"": Cultivating the actor's bodymind through Asian martial/meditation arts; The Gardzienice Theatre Association of Poland; Effector Patterns of Basic Emotions: A psychophysiological method for training actors; Introduction; Brecht and the Contradictory Actor; Dario Fo: The roar of the clown; Forum Theatre; Resisting the ""Organic"": A feminist actor's approach; Rachel Rosenthal Creating Her Selves; Task and Vision: Willem Dafoe in LSD David Warrilow: Creating symbol and cypherRobert Wilson and the Actor: Performing in Danton's Death; Anna Deavere Smith; Notes; Bibliography and References Cited; Bibliographical Note: Actors speaking on acting; Index |
| Altri titoli varianti | Acting reconsidered |
| Record Nr. | UNINA-9910817512403321 |
| London ; ; New York : , : Routledge, , 2002 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Acting in real time / / Paul Binnerts ; translated by Paul Binnerts and Stephen Wangh
| Acting in real time / / Paul Binnerts ; translated by Paul Binnerts and Stephen Wangh |
| Autore | Binnerts Paul |
| Pubbl/distr/stampa | Ann Arbor : , : The University of Michigan Press, , 2012 |
| Descrizione fisica | 1 online resource (291 p.) |
| Disciplina | 792.02/8 |
| Soggetto topico |
Acting
Method acting |
| Soggetto genere / forma | Electronic books. |
| ISBN |
0-472-02856-1
1-280-88048-1 9786613721792 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910452807403321 |
|
Binnerts Paul
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| Ann Arbor : , : The University of Michigan Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
Acting
(127)
- Drama (9)
- Drama - Technique (8)
- Performing arts (8)
- Theater (7)