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Absolute music and the construction of meaning / / Daniel K.L. Chua [[electronic resource]]
| Absolute music and the construction of meaning / / Daniel K.L. Chua [[electronic resource]] |
| Autore | Chua Daniel K. L. <1966-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 1999 |
| Descrizione fisica | 1 online resource (xii, 314 pages) : digital, PDF file(s) |
| Disciplina | 781.1/7 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Absolute music
Music - Philosophy and aesthetics |
| ISBN |
1-107-11569-8
0-511-01918-1 1-280-42029-4 0-511-17575-2 0-511-15634-0 0-511-32540-1 0-511-48169-1 0-511-05106-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Half-title; Series-title; Title; Copyright; CONTENTS; ILLUSTRATIONS; ACKNOWLEDGEMENTS; ON THE PREFACE; PART 1 The Garden of Eden; PART 2 The Fruit of Knowledge; PART 3 The Tower of Babel; BIBLIOGRAPHY; INDEX |
| Altri titoli varianti | Absolute Music & the Construction of Meaning |
| Record Nr. | UNINA-9910454664503321 |
Chua Daniel K. L. <1966->
|
||
| Cambridge : , : Cambridge University Press, , 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music and the construction of meaning / / Daniel K.L. Chua [[electronic resource]]
| Absolute music and the construction of meaning / / Daniel K.L. Chua [[electronic resource]] |
| Autore | Chua Daniel K. L. <1966-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 1999 |
| Descrizione fisica | 1 online resource (xii, 314 pages) : digital, PDF file(s) |
| Disciplina | 781.1/7 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Absolute music
Music - Philosophy and aesthetics |
| ISBN |
0-511-08901-5
1-107-11569-8 0-511-01918-1 1-280-42029-4 0-511-17575-2 0-511-15634-0 0-511-32540-1 0-511-48169-1 0-511-05106-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Half-title; Series-title; Title; Copyright; CONTENTS; ILLUSTRATIONS; ACKNOWLEDGEMENTS; ON THE PREFACE; PART 1 The Garden of Eden; PART 2 The Fruit of Knowledge; PART 3 The Tower of Babel; BIBLIOGRAPHY; INDEX |
| Altri titoli varianti | Absolute Music & the Construction of Meaning |
| Record Nr. | UNINA-9910780075803321 |
|
Chua Daniel K. L. <1966->
|
||
| Cambridge : , : Cambridge University Press, , 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music and the construction of meaning / / Daniel K.L. Chua [[electronic resource]]
| Absolute music and the construction of meaning / / Daniel K.L. Chua [[electronic resource]] |
| Autore | Chua Daniel K. L. <1966-> |
| Pubbl/distr/stampa | Cambridge : , : Cambridge University Press, , 1999 |
| Descrizione fisica | 1 online resource (xii, 314 pages) : digital, PDF file(s) |
| Disciplina | 781.1/7 |
| Collana | New perspectives in music history and criticism |
| Soggetto topico |
Absolute music
Music - Philosophy and aesthetics |
| ISBN |
0-511-08901-5
1-107-11569-8 0-511-01918-1 1-280-42029-4 0-511-17575-2 0-511-15634-0 0-511-32540-1 0-511-48169-1 0-511-05106-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Cover; Half-title; Series-title; Title; Copyright; CONTENTS; ILLUSTRATIONS; ACKNOWLEDGEMENTS; ON THE PREFACE; PART 1 The Garden of Eden; PART 2 The Fruit of Knowledge; PART 3 The Tower of Babel; BIBLIOGRAPHY; INDEX |
| Altri titoli varianti | Absolute Music & the Construction of Meaning |
| Record Nr. | UNINA-9910810196503321 |
|
Chua Daniel K. L. <1966->
|
||
| Cambridge : , : Cambridge University Press, , 1999 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto genere / forma | Electronic books. |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910456396403321 |
|
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910781129403321 |
|
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby
| Absolute music, mechanical reproduction [[electronic resource] /] / Arved Ashby |
| Autore | Ashby Arved Mark |
| Pubbl/distr/stampa | Berkeley, : University of California Press, c2010 |
| Descrizione fisica | 1 online resource (333 pages) |
| Disciplina | 781.49 |
| Soggetto topico |
Absolute music
Sound recordings - Social aspects Music - Philosophy and aesthetics Performance practice (Music) - History - 20th century Music and technology Sound - Recording and reproducing - Digital techniques MP3 (Audio coding standard) - Social aspects |
| Soggetto non controllato |
absolute instrumental music
aesthetics art music classical music contemporary world historical listening to music live arts mechanical reproduction music criticism music critics music historians music history music recordings music scholars music musical contexts musical culture musicology nonfiction performing arts recording technology recordings and sound socially progressive students and teachers |
| ISBN |
9786612697661
0-520-94569-7 1-282-69766-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist. |
| Record Nr. | UNINA-9910808751903321 |
|
Ashby Arved Mark
|
||
| Berkeley, : University of California Press, c2010 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Antithetical arts [[electronic resource] ] : on the ancient quarrel between literature and music / / Peter Kivy
| Antithetical arts [[electronic resource] ] : on the ancient quarrel between literature and music / / Peter Kivy |
| Autore | Kivy Peter |
| Pubbl/distr/stampa | Oxford, : Clarendon Press |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina |
780.08
781.17 |
| Soggetto topico |
Music and literature
Absolute music |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-282-05345-0
9786612053450 0-19-156806-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface; Contents; Part I: The Founding of Formalism; 1. First the Music, and Then the Words; 2. Designs À La Grecque; 3. Body and Soul; Part II: The Fortunes of Formalism; 4. Mood and Music; 5. Persona Non Grata; 6. Action and Agency; 7. Shostakovich's Secret?; Part III: The Fate of Formalism; 8. The Failure of Formalism and the Failure of its Foes; 9. Attention, Ritual, and the Additive Strategy; 10. Musical Morality; 11. Empty Pleasure to the Ear; Bibliography; Index; |
| Record Nr. | UNINA-9910454163603321 |
|
Kivy Peter
|
||
| Oxford, : Clarendon Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Antithetical arts [[electronic resource] ] : on the ancient quarrel between literature and music / / Peter Kivy
| Antithetical arts [[electronic resource] ] : on the ancient quarrel between literature and music / / Peter Kivy |
| Autore | Kivy Peter |
| Pubbl/distr/stampa | Oxford, : Clarendon Press |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina |
780.08
781.17 |
| Soggetto topico |
Music and literature
Absolute music |
| ISBN |
1-282-05345-0
9786612053450 0-19-156806-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface; Contents; Part I: The Founding of Formalism; 1. First the Music, and Then the Words; 2. Designs À La Grecque; 3. Body and Soul; Part II: The Fortunes of Formalism; 4. Mood and Music; 5. Persona Non Grata; 6. Action and Agency; 7. Shostakovich's Secret?; Part III: The Fate of Formalism; 8. The Failure of Formalism and the Failure of its Foes; 9. Attention, Ritual, and the Additive Strategy; 10. Musical Morality; 11. Empty Pleasure to the Ear; Bibliography; Index; |
| Record Nr. | UNINA-9910782831403321 |
|
Kivy Peter
|
||
| Oxford, : Clarendon Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Antithetical arts [[electronic resource] ] : on the ancient quarrel between literature and music / / Peter Kivy
| Antithetical arts [[electronic resource] ] : on the ancient quarrel between literature and music / / Peter Kivy |
| Autore | Kivy Peter |
| Pubbl/distr/stampa | Oxford, : Clarendon Press |
| Descrizione fisica | 1 online resource (288 p.) |
| Disciplina |
780.08
781.17 |
| Soggetto topico |
Music and literature
Absolute music |
| ISBN |
1-282-05345-0
9786612053450 0-19-156806-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Preface; Contents; Part I: The Founding of Formalism; 1. First the Music, and Then the Words; 2. Designs À La Grecque; 3. Body and Soul; Part II: The Fortunes of Formalism; 4. Mood and Music; 5. Persona Non Grata; 6. Action and Agency; 7. Shostakovich's Secret?; Part III: The Fate of Formalism; 8. The Failure of Formalism and the Failure of its Foes; 9. Attention, Ritual, and the Additive Strategy; 10. Musical Morality; 11. Empty Pleasure to the Ear; Bibliography; Index; |
| Record Nr. | UNINA-9910827852903321 |
|
Kivy Peter
|
||
| Oxford, : Clarendon Press | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
