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Engaged Humanities : Rethinking Art, Culture, and Public Life / / ed. by Renée Vall, Amanda Kluveld, Aagje Swinnen
| Engaged Humanities : Rethinking Art, Culture, and Public Life / / ed. by Renée Vall, Amanda Kluveld, Aagje Swinnen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2022] |
| Descrizione fisica | 1 online resource (362 p.) |
| Disciplina | 001.2 |
| Soggetto topico |
Humanities - 21st century
ART / History / Contemporary (1945-) |
| Soggetto non controllato | Humanities, cultural studies, media studies, cultural history, (art) history, gender studies |
| ISBN | 90-485-5040-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Foreword: Culture and Anarchy Revisited -- Introduction: Engaged and Engaging Humanities -- Part I Subjectivities and Communities -- 1. “Literature as Equipment for Living” Parental Self-Fashioning in Full Circle Adoptions -- 2. “Look! Look Now, So Beautiful” Collaborative Engagement with an Artistic Film Installation in Residential Dementia Care -- 3. Examining Multilinguistic Practices in a Peripheral Region: Social Categorization and Belonging -- 4. Hacking Rules: Facilitating Inclusivity in Hacker- and Makerspaces -- Part II Engaging Narratives -- 5. Generation War: Dissonant Perceptions of the Second World War and the Holocaust -- 6. Revisiting a Vanished Shtetl A Reconstruction of the Everyday Life of the Jews of Interwar Grodzisko Dolne Based on Oral and Written Testimonies of Holocaust Survivors -- 7. Minimalist Lifestyles and the Path to Degrowth: Towards an Engaged Mindfulness -- Part III Collaborations -- 8. Embedded, Embodied, Engaged: Studying and Valorizing Home Movie Dispositifs -- 9. History in a Box: Bringing Families Together through Technology -- 10. Bridging the Gaps between Theory and Practice through Cross-Institutional Collaboration in the Conservation of Contemporary Art -- Part IV The Humanities Tradition: Pioneers and Longstanding Debates -- 11. Between Female Hellenism and Suffrage: Jane Ellen Harrison’s Feminist Engagement and the Early Performative Turn in the Study of Religion -- 12. Educating for Democracy: Empathy, Reading, and Making Better Citizens in Martha Nussbaum’s Public Education Project -- List of Illustrations -- Index |
| Record Nr. | UNISA-996483169903316 |
| Amsterdam : , : Amsterdam University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Engaged Humanities : Rethinking Art, Culture, and Public Life / / ed. by Renée Vall, Amanda Kluveld, Aagje Swinnen
| Engaged Humanities : Rethinking Art, Culture, and Public Life / / ed. by Renée Vall, Amanda Kluveld, Aagje Swinnen |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Amsterdam : , : Amsterdam University Press, , [2022] |
| Descrizione fisica | 1 online resource (362 p.) |
| Disciplina | 001.2 |
| Soggetto topico |
Humanities - 21st century
ART / History / Contemporary (1945-) |
| Soggetto non controllato | Humanities, cultural studies, media studies, cultural history, (art) history, gender studies |
| ISBN | 90-485-5040-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Frontmatter -- Table of Contents -- Foreword: Culture and Anarchy Revisited -- Introduction: Engaged and Engaging Humanities -- Part I Subjectivities and Communities -- 1. “Literature as Equipment for Living” Parental Self-Fashioning in Full Circle Adoptions -- 2. “Look! Look Now, So Beautiful” Collaborative Engagement with an Artistic Film Installation in Residential Dementia Care -- 3. Examining Multilinguistic Practices in a Peripheral Region: Social Categorization and Belonging -- 4. Hacking Rules: Facilitating Inclusivity in Hacker- and Makerspaces -- Part II Engaging Narratives -- 5. Generation War: Dissonant Perceptions of the Second World War and the Holocaust -- 6. Revisiting a Vanished Shtetl A Reconstruction of the Everyday Life of the Jews of Interwar Grodzisko Dolne Based on Oral and Written Testimonies of Holocaust Survivors -- 7. Minimalist Lifestyles and the Path to Degrowth: Towards an Engaged Mindfulness -- Part III Collaborations -- 8. Embedded, Embodied, Engaged: Studying and Valorizing Home Movie Dispositifs -- 9. History in a Box: Bringing Families Together through Technology -- 10. Bridging the Gaps between Theory and Practice through Cross-Institutional Collaboration in the Conservation of Contemporary Art -- Part IV The Humanities Tradition: Pioneers and Longstanding Debates -- 11. Between Female Hellenism and Suffrage: Jane Ellen Harrison’s Feminist Engagement and the Early Performative Turn in the Study of Religion -- 12. Educating for Democracy: Empathy, Reading, and Making Better Citizens in Martha Nussbaum’s Public Education Project -- List of Illustrations -- Index |
| Record Nr. | UNINA-9910584585803321 |
| Amsterdam : , : Amsterdam University Press, , [2022] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Enrique Martínez Celaya : Collected Writings and Interviews, 2010-2017 / / Enrique Martínez Celaya ; foreword by Matthew Biro
| Enrique Martínez Celaya : Collected Writings and Interviews, 2010-2017 / / Enrique Martínez Celaya ; foreword by Matthew Biro |
| Autore | Martínez Celaya Enrique <1964-> |
| Pubbl/distr/stampa | Lincoln : , : University of Nebraska Press, , 2020 |
| Descrizione fisica | 1 online resource (352 pages) |
| Disciplina | 700 |
| Soggetto topico |
ART / History / Contemporary (1945-)
LITERARY COLLECTIONS / General Art |
| ISBN |
1-4962-1927-9
1-4962-1925-2 |
| Classificazione | LCO000000ART015110 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgements<BR /><BR /> Foreword<BR /> Matthew Biro<BR /> <BR />Introduction<BR /> Enrique Martínez Celaya<BR /> <BR />CollectedWritings& Interviews, 2010-2017<BR /> Why Make Art?, 2010<BR /> On Worth, 2011<BR /> Thank you for the Not-Art, 2011<BR /> Gesamtkunstwerk, 2011<BR /> Notes, 2011<BR /> On The Master, 2011<BR />Schneebett, 2011<BR /> The Tower of Snow, A Story of Process, 2012<BR /> From an interview with Mary Rakow and Leo A. Harrington, 2012<BR /> From a video entitled Enrique Martínez Celaya, 2012<BR /> The Journal, 2012<BR /> Tuesday, April 3. The Beginning<BR /> Monday, April 9. A Primer on Freedom<BR /> Sunday, April 15. Against the Odds<BR /> Monday, April 23. Spirit of the Hive<BR /> Wednesday, May 16. One Art<BR /> Monday, May 21. Breakthroughs<BR /> Tuesday, June 5. A Mole in the Sun<BR /> Thursday, June 7. Road Home<BR /> Monday, June 11. Insolence<BR /> Friday, July 13. Authenticity and Drift<BR /> Sunday, August 5. Not a Forest<BR /> Saturday, September 8. Shown Rather Than Told (I)<BR /> Thursday, September 20. The Hunt's Will<BR /> Sunday, October 28. Like<BR /> Friday, November 2. Therefore<BR /> Friday, December 14. On Complaints About the Art Market<BR /> Saturday, December 15. Wall Wisdom<BR /> Notes, 2012<BR />The Pearl and the Total Work of Art, 2013<BR />The Pearl: Between Life and Dreams, A Conversation with Enrique<BR /> Martínez Celaya and Irene Hofmann, 2013<BR /> From a video entitled The Pearl at SITE Santa Fe, 2013<BR />The Pearl, 2013<BR /> Notes, 2013<BR /> The Journal, 2013<BR /> Wednesday, January 2. Alain-Fournier<BR /> Monday, February 25. The Regret of the Mounting Dragon<BR /> Tuesday, March 12. The Great Race<BR /> Thursday, May 2. Why Don't You Give It Away More Easily?<BR /> Friday, June 21. The Pearl<BR /> Thursday, September 19. Markets<BR /> Monday, November 4. Burning as It Were a Lamp<BR /> Friday, November 8. Empirical Evidence<BR /> Thursday, November 14. Confetti Words and Dark Matter<BR /> Tuesday, November 19. The Tide<BR /> Wednesday, December 18. The Advice (Part I, to be continued)<BR /> On The Well, 2014<BR /> From an interview with Saul Ostrow, 2014<BR /> The Journal, 2014<BR /> Wednesday, January 15. A Wasted Journey, A Half-finished Blaze<BR /> Sunday, August 24. The Seaman's Crop<BR /> Monday, September 22. Seeing Things Differently (Part I)<BR /> Wednesday, September 24. Seeing Things Differently (Part II)<BR /> Tuesday, September 30. Seeing Things Differently (Part III)<BR /> Monday, November 17. The Frog King<BR /> Tuesday, December 9. Desert Places<BR /> Notes, 2014<BR /> The Child with the Mirror, 2014<BR /> Section Introductions from Martínez Celaya: Work and Documents 1990-2015, 2015<BR /> Why?, 2015<BR /> Excerpts from On Art & Mindfulness, 2015<BR /> Afterword from On Art & Mindfulness, 2015<BR /> Lone Star, 2015<BR /> Lone Star I<BR /> Lone Star II<BR /> Lone Star III<BR /> From a conversation with Sebastian Martínez Celaya, 2015<BR /> The Journal, 2015<BR /> Monday, January 26. The Question of Place <BR /> Wednesday, February 4. To Do <BR /> Monday, February 9. Work<BR /> Friday, February 20. The Juniper Tree<BR /> Monday, April 13. Selling Out <BR /> Thursday, April 30. Fluid Dynamics <BR /> Monday, June 22. One Reason to Stay In<BR /> Wednesday, October 14. The Captain<BR /> Wednesday, November 11. More Welders and Fewer Philosophers<BR /> Tuesday, November 24. Courage and Desperation<BR /> Empires, 2015<BR /> Empires I: Beginnings<BR /> Empires II: The Shore<BR /> Empires III: The Lions<BR /> Empires IV: Cowboy Junkies's Staring Man<BR /> Empires V: The Dresser<BR /> Empires VI: The Dream<BR /> Empires VII: The Fridge<BR /> Empires VIII: Misreadings and Searchings<BR /> Empires IX: The Prodigal Son<BR /> Empires X: Drifting<BR /> Empires XI: The Dream<BR /> Empires XII: Endings<BR /> A footnote on Empires<BR /> From an interview with Robin Cembalest, 2015<BR /> La casa de Nueva Paz: A Proposal for Frieze London, 2015<BR /> On The Fourth Angel, 2015<BR /> What You Owe Yourself, 2015<BR /> From an interview with Boris Hirmas Said, 2016<BR /> From an interview with Ben Tufnell, 2016<BR /> The Journal, 2016<BR /> Friday, February 26. Portraits Anti-Portraits<BR /> Tuesday, April 12. Superheroes<BR /> Sunday, May 8. Heart, Hemingway and The Iceberg<BR /> Tuesday, May 10. The Collector (Not the John Fowles novel)<BR /> Friday, October 28. The Case for Not Answering a Call<BR /> Notes, 2016<BR /> From an interview with Hannah Silverstein, 2016<BR /> Don't Be Great Again: Art, Disillusionment, and Potentiality, 2017<BR /> From an interview with Chris Hedges, 2017<BR /> From an interview with Krista Tippett, 2017<BR /> The Artist: Conscience in the Age of Cynicism, 2017<BR /> Reflections on Slowness and Art, 2017<BR /> Interview with Myself, 2017<BR /> From an interview with Klaus Ottmann, 2017<BR /> From an interview with Susan Delson, 2017<BR /> From an interview with Lilly Wei, 2017<BR /> From an interview with Osman Can Yerebakan, 2017<BR /> Notes, 2017<BR /> On Nothing That is Ours, 2017<BR /> The Journal, 2017<BR /> Thursday, April 13. The Robot<BR /> Tuesday, August 1. The Reader<BR /> Monday, August 14. The Date<BR /> The Other Life, 2017. |
| Record Nr. | UNINA-9910795110403321 |
Martínez Celaya Enrique <1964->
|
||
| Lincoln : , : University of Nebraska Press, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Enrique Martínez Celaya : Collected Writings and Interviews, 2010-2017 / / Enrique Martínez Celaya ; foreword by Matthew Biro
| Enrique Martínez Celaya : Collected Writings and Interviews, 2010-2017 / / Enrique Martínez Celaya ; foreword by Matthew Biro |
| Autore | Martínez Celaya Enrique <1964-> |
| Pubbl/distr/stampa | Lincoln : , : University of Nebraska Press, , 2020 |
| Descrizione fisica | 1 online resource (352 pages) |
| Disciplina | 700 |
| Soggetto topico |
ART / History / Contemporary (1945-)
LITERARY COLLECTIONS / General Art |
| ISBN |
1-4962-1927-9
1-4962-1925-2 |
| Classificazione | LCO000000ART015110 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: Acknowledgements<BR /><BR /> Foreword<BR /> Matthew Biro<BR /> <BR />Introduction<BR /> Enrique Martínez Celaya<BR /> <BR />CollectedWritings& Interviews, 2010-2017<BR /> Why Make Art?, 2010<BR /> On Worth, 2011<BR /> Thank you for the Not-Art, 2011<BR /> Gesamtkunstwerk, 2011<BR /> Notes, 2011<BR /> On The Master, 2011<BR />Schneebett, 2011<BR /> The Tower of Snow, A Story of Process, 2012<BR /> From an interview with Mary Rakow and Leo A. Harrington, 2012<BR /> From a video entitled Enrique Martínez Celaya, 2012<BR /> The Journal, 2012<BR /> Tuesday, April 3. The Beginning<BR /> Monday, April 9. A Primer on Freedom<BR /> Sunday, April 15. Against the Odds<BR /> Monday, April 23. Spirit of the Hive<BR /> Wednesday, May 16. One Art<BR /> Monday, May 21. Breakthroughs<BR /> Tuesday, June 5. A Mole in the Sun<BR /> Thursday, June 7. Road Home<BR /> Monday, June 11. Insolence<BR /> Friday, July 13. Authenticity and Drift<BR /> Sunday, August 5. Not a Forest<BR /> Saturday, September 8. Shown Rather Than Told (I)<BR /> Thursday, September 20. The Hunt's Will<BR /> Sunday, October 28. Like<BR /> Friday, November 2. Therefore<BR /> Friday, December 14. On Complaints About the Art Market<BR /> Saturday, December 15. Wall Wisdom<BR /> Notes, 2012<BR />The Pearl and the Total Work of Art, 2013<BR />The Pearl: Between Life and Dreams, A Conversation with Enrique<BR /> Martínez Celaya and Irene Hofmann, 2013<BR /> From a video entitled The Pearl at SITE Santa Fe, 2013<BR />The Pearl, 2013<BR /> Notes, 2013<BR /> The Journal, 2013<BR /> Wednesday, January 2. Alain-Fournier<BR /> Monday, February 25. The Regret of the Mounting Dragon<BR /> Tuesday, March 12. The Great Race<BR /> Thursday, May 2. Why Don't You Give It Away More Easily?<BR /> Friday, June 21. The Pearl<BR /> Thursday, September 19. Markets<BR /> Monday, November 4. Burning as It Were a Lamp<BR /> Friday, November 8. Empirical Evidence<BR /> Thursday, November 14. Confetti Words and Dark Matter<BR /> Tuesday, November 19. The Tide<BR /> Wednesday, December 18. The Advice (Part I, to be continued)<BR /> On The Well, 2014<BR /> From an interview with Saul Ostrow, 2014<BR /> The Journal, 2014<BR /> Wednesday, January 15. A Wasted Journey, A Half-finished Blaze<BR /> Sunday, August 24. The Seaman's Crop<BR /> Monday, September 22. Seeing Things Differently (Part I)<BR /> Wednesday, September 24. Seeing Things Differently (Part II)<BR /> Tuesday, September 30. Seeing Things Differently (Part III)<BR /> Monday, November 17. The Frog King<BR /> Tuesday, December 9. Desert Places<BR /> Notes, 2014<BR /> The Child with the Mirror, 2014<BR /> Section Introductions from Martínez Celaya: Work and Documents 1990-2015, 2015<BR /> Why?, 2015<BR /> Excerpts from On Art & Mindfulness, 2015<BR /> Afterword from On Art & Mindfulness, 2015<BR /> Lone Star, 2015<BR /> Lone Star I<BR /> Lone Star II<BR /> Lone Star III<BR /> From a conversation with Sebastian Martínez Celaya, 2015<BR /> The Journal, 2015<BR /> Monday, January 26. The Question of Place <BR /> Wednesday, February 4. To Do <BR /> Monday, February 9. Work<BR /> Friday, February 20. The Juniper Tree<BR /> Monday, April 13. Selling Out <BR /> Thursday, April 30. Fluid Dynamics <BR /> Monday, June 22. One Reason to Stay In<BR /> Wednesday, October 14. The Captain<BR /> Wednesday, November 11. More Welders and Fewer Philosophers<BR /> Tuesday, November 24. Courage and Desperation<BR /> Empires, 2015<BR /> Empires I: Beginnings<BR /> Empires II: The Shore<BR /> Empires III: The Lions<BR /> Empires IV: Cowboy Junkies's Staring Man<BR /> Empires V: The Dresser<BR /> Empires VI: The Dream<BR /> Empires VII: The Fridge<BR /> Empires VIII: Misreadings and Searchings<BR /> Empires IX: The Prodigal Son<BR /> Empires X: Drifting<BR /> Empires XI: The Dream<BR /> Empires XII: Endings<BR /> A footnote on Empires<BR /> From an interview with Robin Cembalest, 2015<BR /> La casa de Nueva Paz: A Proposal for Frieze London, 2015<BR /> On The Fourth Angel, 2015<BR /> What You Owe Yourself, 2015<BR /> From an interview with Boris Hirmas Said, 2016<BR /> From an interview with Ben Tufnell, 2016<BR /> The Journal, 2016<BR /> Friday, February 26. Portraits Anti-Portraits<BR /> Tuesday, April 12. Superheroes<BR /> Sunday, May 8. Heart, Hemingway and The Iceberg<BR /> Tuesday, May 10. The Collector (Not the John Fowles novel)<BR /> Friday, October 28. The Case for Not Answering a Call<BR /> Notes, 2016<BR /> From an interview with Hannah Silverstein, 2016<BR /> Don't Be Great Again: Art, Disillusionment, and Potentiality, 2017<BR /> From an interview with Chris Hedges, 2017<BR /> From an interview with Krista Tippett, 2017<BR /> The Artist: Conscience in the Age of Cynicism, 2017<BR /> Reflections on Slowness and Art, 2017<BR /> Interview with Myself, 2017<BR /> From an interview with Klaus Ottmann, 2017<BR /> From an interview with Susan Delson, 2017<BR /> From an interview with Lilly Wei, 2017<BR /> From an interview with Osman Can Yerebakan, 2017<BR /> Notes, 2017<BR /> On Nothing That is Ours, 2017<BR /> The Journal, 2017<BR /> Thursday, April 13. The Robot<BR /> Tuesday, August 1. The Reader<BR /> Monday, August 14. The Date<BR /> The Other Life, 2017. |
| Record Nr. | UNINA-9910823284403321 |
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Martínez Celaya Enrique <1964->
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||
| Lincoln : , : University of Nebraska Press, , 2020 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Hans Haacke und Pierre Huyghe : Non-Human Living Sculptures seit den 1960er-Jahren / / Ursula Ströbele
| Hans Haacke und Pierre Huyghe : Non-Human Living Sculptures seit den 1960er-Jahren / / Ursula Ströbele |
| Autore | Ströbele Ursula |
| Pubbl/distr/stampa | Berlin ; ; Boston : , : De Gruyter, , [2024] |
| Descrizione fisica | 1 online resource (464 p.) |
| Collana | Schriftenreihe des Studienzentrums zur Moderne - Bibliothek Herzog Franz von Bayern am Zentralinstitut für Kunstgeschichte |
| Soggetto topico | ART / History / Contemporary (1945-) |
| Soggetto non controllato |
20th century
21st century Hans Haacke Non-Human Living Sculptures Pierre Huyghe art and ecology art contemporary art sculpture temporary art works |
| ISBN | 3-11-102715-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhaltsverzeichnis -- Danksagung -- Einleitung -- 1. Bildsäule, Raumgestalterin, Readymade, Living Sculpture oder Biofakt: Theorien und Diskurse -- 2. "Ich arbeitete mit dem 'wirklichen Zeug' nach seinen eigenen Bedingungen ..." -- 3. "What is = +/- growth" -- Anstatt eines Schlusswortes -- Literaturverzeichnis -- Abbildungsnachweise |
| Record Nr. | UNISA-996586271803316 |
|
Ströbele Ursula
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| Berlin ; ; Boston : , : De Gruyter, , [2024] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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Kunstfiguren : Ästhetische Strategien und Performative Praktiken Von Künstlerisch Gestalteten Identitäten
| Kunstfiguren : Ästhetische Strategien und Performative Praktiken Von Künstlerisch Gestalteten Identitäten |
| Autore | Senkpiel Fabiana |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin/Boston : , : Walter de Gruyter GmbH, , 2023 |
| Descrizione fisica | 1 online resource (152 pages) |
| Altri autori (Persone) |
HeimSibylle
KandathilMira |
| Soggetto topico | ART / History / Contemporary (1945-) |
| Soggetto non controllato |
Andy Warhol
Jilet Ayşe Lady Gaga Müslüm Sun Ra contemporary art performance art popular culture self-portrayal |
| ISBN | 3-11-077920-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhaltsverzeichnis -- Vorwort und Danksagung -- Kunstfiguren? Ästhetische Strategien und performative Praktiken von künstlerisch gestalteten Identitäten zur Einführung -- Idil Baydar und Semih Yavsaner im Gespräch über das Potenzial von Kunstfiguren -- Kunstfiguren: Stellvertreteridentität − Selbstermächtigung – Disidentifikation -- Identifiktion: Zwischen Künstlerin und Kunstfigur -- Körper − Wissen − Kunstfigur? Listen zwischen epistemischer Figuration und Gebrauch in Arbeitsprozessen im zeitgenössischen Tanz -- Erkundigungen zwischen Star- und Kunstfigur: Buffalo Bill (vs. Lady Gaga) vs. Andy Warhol -- Wie Soya the Cow versucht, die Welt durch Veganismus zu retten -- „I Come to You as the Myth“: Sun Ra und Afrofuturismus -- Les discours du corps noir : négociations entre sujet et persona-artiste dans les expériences rhétoriques chez des artistes afro-brésiliens -- Afropolitane Performancekunst: Die Kunstfi guren und ästhetischen Strategien von Ntando Cele -- Die zeitgenössische Drag-Persona: Eine Rolle? Eine Kunstfigur? -- Kurzbiografien Autor*innen -- Bildnachweise -- Tafelteil |
| Record Nr. | UNISA-996556969803316 |
|
Senkpiel Fabiana
|
||
| Berlin/Boston : , : Walter de Gruyter GmbH, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Kunstfiguren : Ästhetische Strategien und Performative Praktiken Von Künstlerisch Gestalteten Identitäten
| Kunstfiguren : Ästhetische Strategien und Performative Praktiken Von Künstlerisch Gestalteten Identitäten |
| Autore | Senkpiel Fabiana |
| Edizione | [1st ed.] |
| Pubbl/distr/stampa | Berlin/Boston : , : Walter de Gruyter GmbH, , 2023 |
| Descrizione fisica | 1 online resource (152 pages) |
| Altri autori (Persone) |
HeimSibylle
KandathilMira |
| Soggetto topico | ART / History / Contemporary (1945-) |
| Soggetto non controllato |
Andy Warhol
Jilet Ayşe Lady Gaga Müslüm Sun Ra contemporary art performance art popular culture self-portrayal |
| ISBN | 3-11-077920-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ger |
| Nota di contenuto | Frontmatter -- Inhaltsverzeichnis -- Vorwort und Danksagung -- Kunstfiguren? Ästhetische Strategien und performative Praktiken von künstlerisch gestalteten Identitäten zur Einführung -- Idil Baydar und Semih Yavsaner im Gespräch über das Potenzial von Kunstfiguren -- Kunstfiguren: Stellvertreteridentität − Selbstermächtigung – Disidentifikation -- Identifiktion: Zwischen Künstlerin und Kunstfigur -- Körper − Wissen − Kunstfigur? Listen zwischen epistemischer Figuration und Gebrauch in Arbeitsprozessen im zeitgenössischen Tanz -- Erkundigungen zwischen Star- und Kunstfigur: Buffalo Bill (vs. Lady Gaga) vs. Andy Warhol -- Wie Soya the Cow versucht, die Welt durch Veganismus zu retten -- „I Come to You as the Myth“: Sun Ra und Afrofuturismus -- Les discours du corps noir : négociations entre sujet et persona-artiste dans les expériences rhétoriques chez des artistes afro-brésiliens -- Afropolitane Performancekunst: Die Kunstfi guren und ästhetischen Strategien von Ntando Cele -- Die zeitgenössische Drag-Persona: Eine Rolle? Eine Kunstfigur? -- Kurzbiografien Autor*innen -- Bildnachweise -- Tafelteil |
| Record Nr. | UNINA-9910838179903321 |
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Senkpiel Fabiana
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||
| Berlin/Boston : , : Walter de Gruyter GmbH, , 2023 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Left Bank of the Hudson : Jersey City and the Artists of 111 1st Street / / David J. Goodwin ; foreword by D.W. Gibson
| Left Bank of the Hudson : Jersey City and the Artists of 111 1st Street / / David J. Goodwin ; foreword by D.W. Gibson |
| Autore | Goodwin David J. |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York : , : Fordham University Press, , 2017 |
| Descrizione fisica | 1 online resource (201 pages) : illustrations, maps |
| Disciplina | 307.7609749/270904 |
| Soggetto topico |
ART / History / Contemporary (1945-)
HISTORY / United States / State & Local / Middle Atlantic (DC, DE, MD, NJ, NY, PA) SOCIAL SCIENCE / Sociology / Urban Lost architecture - New Jersey - Jersey City Artists' studios - New Jersey - Jersey City - History - 21th century Artists' studios - New Jersey - Jersey City - History - 20th century Gentrification - New Jersey - Jersey City - History - 21st century Gentrification - New Jersey - Jersey City - History - 20th century |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8232-7805-0 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Introduction. Why Does 111 1st Street Matter? -- 1. The Lorillard Legacy -- 2. Crossing the Hudson -- 3. The Spaces in Between -- 4. Who Owns a Space? -- 5. When a Dream Dies -- 6. One Last Fight: Historic Preservation and 111 1st Street -- 7. What Might Be Learned -- Conclusion: Some Years Later -- Epilogue. The 111 1st Street Exodus: Where Are They Now? -- Appendix -- Acknowledgments -- Notes -- Bibliography -- Index. |
| Record Nr. | UNINA-9910480331103321 |
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Goodwin David J.
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| New York : , : Fordham University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Left Bank of the Hudson : Jersey City and the Artists of 111 1st Street / / David J. Goodwin ; foreword by D.W. Gibson
| Left Bank of the Hudson : Jersey City and the Artists of 111 1st Street / / David J. Goodwin ; foreword by D.W. Gibson |
| Autore | Goodwin David J. |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York : , : Fordham University Press, , 2017 |
| Descrizione fisica | 1 online resource (201 pages) : illustrations, maps |
| Disciplina | 307.7609749/270904 |
| Soggetto topico |
ART / History / Contemporary (1945-)
HISTORY / United States / State & Local / Middle Atlantic (DC, DE, MD, NJ, NY, PA) SOCIAL SCIENCE / Sociology / Urban Lost architecture - New Jersey - Jersey City Artists' studios - New Jersey - Jersey City - History - 21th century Artists' studios - New Jersey - Jersey City - History - 20th century Gentrification - New Jersey - Jersey City - History - 21st century Gentrification - New Jersey - Jersey City - History - 20th century |
| Soggetto non controllato |
Artists
Arts District Creative Class Gentrification Historic Preservation Jersey City Lorillard Tobacco Company New Jersey History Urban History Urban Politics |
| ISBN | 0-8232-7805-0 |
| Classificazione | SOC026030HIS036080ART015110 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Introduction. Why Does 111 1st Street Matter? -- 1. The Lorillard Legacy -- 2. Crossing the Hudson -- 3. The Spaces in Between -- 4. Who Owns a Space? -- 5. When a Dream Dies -- 6. One Last Fight: Historic Preservation and 111 1st Street -- 7. What Might Be Learned -- Conclusion: Some Years Later -- Epilogue. The 111 1st Street Exodus: Where Are They Now? -- Appendix -- Acknowledgments -- Notes -- Bibliography -- Index. |
| Record Nr. | UNINA-9910794992103321 |
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Goodwin David J.
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| New York : , : Fordham University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Left Bank of the Hudson : Jersey City and the Artists of 111 1st Street / / David J. Goodwin ; foreword by D.W. Gibson
| Left Bank of the Hudson : Jersey City and the Artists of 111 1st Street / / David J. Goodwin ; foreword by D.W. Gibson |
| Autore | Goodwin David J. |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | New York : , : Fordham University Press, , 2017 |
| Descrizione fisica | 1 online resource (201 pages) : illustrations, maps |
| Disciplina | 307.7609749/270904 |
| Soggetto topico |
ART / History / Contemporary (1945-)
HISTORY / United States / State & Local / Middle Atlantic (DC, DE, MD, NJ, NY, PA) SOCIAL SCIENCE / Sociology / Urban Lost architecture - New Jersey - Jersey City Artists' studios - New Jersey - Jersey City - History - 21th century Artists' studios - New Jersey - Jersey City - History - 20th century Gentrification - New Jersey - Jersey City - History - 21st century Gentrification - New Jersey - Jersey City - History - 20th century |
| Soggetto non controllato |
Artists
Arts District Creative Class Gentrification Historic Preservation Jersey City Lorillard Tobacco Company New Jersey History Urban History Urban Politics |
| ISBN | 0-8232-7805-0 |
| Classificazione | SOC026030HIS036080ART015110 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Machine generated contents note: -- Introduction. Why Does 111 1st Street Matter? -- 1. The Lorillard Legacy -- 2. Crossing the Hudson -- 3. The Spaces in Between -- 4. Who Owns a Space? -- 5. When a Dream Dies -- 6. One Last Fight: Historic Preservation and 111 1st Street -- 7. What Might Be Learned -- Conclusion: Some Years Later -- Epilogue. The 111 1st Street Exodus: Where Are They Now? -- Appendix -- Acknowledgments -- Notes -- Bibliography -- Index. |
| Record Nr. | UNINA-9910825046403321 |
|
Goodwin David J.
|
||
| New York : , : Fordham University Press, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Soggetto topico
-
ART / History / Contemporary (1945-)
(14)
- Artists' studios - New Jersey - Jersey City - History - 20th century (3)
- Artists' studios - New Jersey - Jersey City - History - 21th century (3)
- Gentrification - New Jersey - Jersey City - History - 20th century (3)
- Gentrification - New Jersey - Jersey City - History - 21st century (3)