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Achtsame Hochschulen in der digitalen Gesellschaft / Mike Sandbothe, Reyk Albrecht, Jon Kabat-Zinn
Achtsame Hochschulen in der digitalen Gesellschaft / Mike Sandbothe, Reyk Albrecht, Jon Kabat-Zinn
Autore Sandbothe Mike
Edizione [1st ed.]
Pubbl/distr/stampa Bielefeld, : transcript Verlag, 2025
Descrizione fisica 1 online resource (250 p.)
Collana Achtsamkeit - Bildung - Medien
Soggetto topico Achtsamkeit
Attention
Digitalisierung
Digitalization
Bildungsrevolution
Education Revolution
Education
Bildung
Hochschule
University
21st Century
21. Jahrhundert
Gesundheitsförderung
Health Promotion
Kulturtechnik
Cultural Technique
Digitale Technik
Teaching Processes
Lehrprozesse
Learning Processes
Lernprozesse
Administration
Leadership
Verwaltung
Management
Führung
Organization
Organisation
Media
Medien
Educational Research
Bildungsforschung
Media Education
Universität
Digital Media
Medienpädagogik
Pedagogy
Digitale Medien
Pädagogik
ISBN 3-8394-5188-4
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione ger
Nota di contenuto Frontmatter -- Inhalt -- Vorwort / Jon Kabat-Zinn -- Einleitung -- Das Buch in Kürze - Überblick über die einzelnen Kapitel -- Teil I Das Thüringer Modell Achtsame Hochschulen -- 1. Entstehung, Aufbau und Vision des weltweit ersten Programmpakets von Achtsamkeitstrainings für Hochschulen / Mike Sandbothe, Reyk Albrecht -- 2. Medizinische Evaluation: Achtsamkeitstraining für Studierende (MBST®) führt zu einer physiologischen Stressreduktion / Andreas Voss, Martin Bogdanski, Mike Sandbothe, Reyk Albrecht -- 3. Medizinische Evaluation: Achtsamkeitstraining für Studierende (MBST®) führt zu nachhaltiger Reduzierung von stressassoziierten Biomarkern / Andreas Voss, Martin Bogdanski, Mario Walther, Bernd Langohr, Reyk Albrecht, Georg Seifert, Mike Sandbothe -- 4. Sozialwissenschaftliche Evaluation: Achtsamkeitstrainings für Studierende (MBST®) und Mitarbeitende (MBET®) führen zu einer signifikanten Veränderung von Achtsamkeit, Stressempfinden und Internetabhängigkeit / Heiko Haase, Arndt Lautenschläger -- 5. Sozialwissenschaftliche Evaluation: Zusammenhänge zwischen Internetabhängigkeit, Stressempfinden, Achtsamkeit und Wohlbefinden / Arndt Lautenschläger, Heiko Haase -- 6. Phänomenologische Evaluation: Ergebnisse aus Interviews mit Hochschullehrenden nach dem Inkubationsworkshop »Achtsame Hochschulen - Innehalten und Vorwärtsschreiten« / Nils Altner -- 7. Erfahrungsbericht: Achtsamkeitsformate für Hochschullehrende / Nicola Döring -- Teil II Wegweiser für Achtsame Hochschulen -- 1. Erfahrungen mit Achtsamkeitsangeboten an Hochschulen und anderen Einrichtungen in der DACH-Region / Martina Aßmann, Asena Boyadzhieva, Laura Fitz, Andreas Franze, Jan Giebel, David Graefe, Astrid Hermesmeyer-Kühler, Evelin Kramer, Klaus Kramer, Taiya Mikisch, Richard Möllers, Lena Ramstetter, Kirstin Reil, Denisa Sandbothe, Gerda Schneider, Theresa Strasser, Stefanie Tränkle, Matthias Wigger -- 2. Vier Ebenen der Integration von Achtsamkeit in das Wirtschaftsingenieurstudium an der Ernst-Abbe-Hochschule Jena / Hubert Ostermaier, Rüdiger Mottl, Brigitte Mottl, Burkhard Schmager -- 3. »Achtsamkeit« als Seminar im Bachelorstudium Psychologie der Universität Salzburg / Beate Priewasser, Maria T. Kluge, Veronika Schwienbacher -- 4. Mindfulness-based interventions in polizeilicher Hochschullehre, Praxis und Forschung / Stefanie Tränkle -- 5. Achtsamkeit und wissenschaftliches Schreiben an der Friedrich-Schiller-Universität Jena / Peter Braun, Reyk Albrecht, Lena Saniye Güngör, Natalie Pfaff -- 6. Zen-Meditation und Achtsamkeitstraining für Studierende (MBST®) an der Universität Erfurt / Birgit Jäpelt -- 7. Mindful experience training / Ulrich Lakemann, Karin Krudup -- Teil III Inspirationsquellen für die Hochschule des 21. Jahrhunderts -- 1. Bildung für Amphibien / Aldous Huxley -- 2. Jon Kabat-Zinns Modellierung der Achtsamkeit / Jacob Schmidt -- 3. Vertikale Bildung / Claus Otto Scharmer -- 4. Brückenprogramme für die Hochschule des 21. Jahrhunderts / Mike Sandbothe, Reyk Albrecht, Thomas Corrinth -- Anhang -- Danksagung / Mike Sandbothe, Reyk Albrecht -- Kurzviten der Autor:innen
Altri titoli varianti tw5188 Albrecht/Sandbothe (Hg.), Achtsame Hochschulen
Record Nr. UNINA-9911003673603321
Sandbothe Mike  
Bielefeld, : transcript Verlag, 2025
Materiale a stampa
Lo trovi qui: Univ. Federico II
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American Lit Remixed : Music in Twenty-First-Century American Literature
American Lit Remixed : Music in Twenty-First-Century American Literature
Autore Strong Melissa J.
Edizione [1st ed.]
Pubbl/distr/stampa Lanham, Maryland : , : Lexington Books, , [2021]
Descrizione fisica 1 online resource (177 pages)
Disciplina 810.935780905
Soggetto topico American literature - 21st century - History and criticism
Music in literature
Litterature americaine - 21e siecle - Histoire et critique
Musique dans la litterature
21st Century
Modern
LITERARY CRITICISM
Subjects & Themes
American literature
Soggetto genere / forma Criticism, interpretation, etc.
ISBN 1-66698-445-0
1-4985-9478-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Chapter 1: Intro: "A New Soundtrack" for American Literature -- Notes -- Chapter 2: Fiction on Record: A Visit from the Goon Squad -- Notes -- Chapter 3: Alexie's iPods and Cover Songs -- Notes -- Chapter 4: Remixes on the Stage and the Page -- Notes -- Chapter 5: Outro -- Note -- Bibliography -- Index -- About the Author.
Record Nr. UNINA-9911117247903321
Strong Melissa J.  
Lanham, Maryland : , : Lexington Books, , [2021]
Materiale a stampa
Lo trovi qui: Univ. Federico II
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American Lit Remixed : Music in Twenty-First-Century American Literature
American Lit Remixed : Music in Twenty-First-Century American Literature
Autore Strong Melissa J.
Edizione [1st ed.]
Pubbl/distr/stampa Lanham, Maryland : , : Lexington Books, , [2021]
Descrizione fisica 1 online resource (177 pages)
Disciplina 810.935780905
Soggetto topico American literature - 21st century - History and criticism
Music in literature
Litterature americaine - 21e siecle - Histoire et critique
Musique dans la litterature
21st Century
Modern
LITERARY CRITICISM
Subjects & Themes
American literature
Soggetto genere / forma Criticism, interpretation, etc.
ISBN 1-66698-445-0
1-4985-9478-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Chapter 1: Intro: "A New Soundtrack" for American Literature -- Notes -- Chapter 2: Fiction on Record: A Visit from the Goon Squad -- Notes -- Chapter 3: Alexie's iPods and Cover Songs -- Notes -- Chapter 4: Remixes on the Stage and the Page -- Notes -- Chapter 5: Outro -- Note -- Bibliography -- Index -- About the Author.
Record Nr. UNINA-9911148197503321
Strong Melissa J.
Lanham, Maryland : , : Lexington Books, , [2021]
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Changing Images of the Left in Bulgaria : An Old-and-New Divide? / / Boris Popivanov, Andreas Umland
Changing Images of the Left in Bulgaria : An Old-and-New Divide? / / Boris Popivanov, Andreas Umland
Autore Popivanov Boris
Edizione [1st ed.]
Pubbl/distr/stampa Hannover, : ibidem, 2015
Descrizione fisica 1 online resource (235 p.)
Disciplina 324.2499074
Collana Soviet and Post-Soviet Politics and Society
Soggetto topico politics
Bulgaria
21st Century
history
Leftist
post-communism
transformation
transition
Bulgarian Socialist Party
ISBN 3-8382-6717-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Contents; Abbreviations of political parties and organizations; Other important abbreviations; Preface; 1 Contextualizing the Bulgarian Left: The Communist Successor Parties in Central and Eastern Europe; 1.1 The Post-Communist Left in Central and Eastern Europe; 1.2 Programmatic and Structural Change within CEE Communist Parties; 1.3 Programmatic and Structural Transformation of BCP; 2 The Complex Historical Pathways of the Bulgarian Socialist Party; 2.1 A Proletarian Party with no Proletariat; 2.2 BCP in its Attempt to be Party of the Entire People
2.3 The Party in the Transition and the Transition in the Party3 Leftist Elite and Leftist Supporters: An Emerging Divide; 3.1 Has the Socialist Leadership been Sliding 'Right'?; 3.2 Has the Socialist Electorate been Sliding 'Left'?; 4 The Bulgarian Post-Communist Left in Crisis. Is a New Left on the Way?; 4.1 The Challenge of New Leftist Projects; 4.2 The Challenge of New Leftist Groups; 4.3 The Challenge of the 'Protest Year' 2013; In Lieu of a Conclusion; Bibliography
Record Nr. UNINA-9911109286103321
Popivanov Boris  
Hannover, : ibidem, 2015
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Changing Images of the Left in Bulgaria : An Old-and-New Divide? / / Boris Popivanov, Andreas Umland
Changing Images of the Left in Bulgaria : An Old-and-New Divide? / / Boris Popivanov, Andreas Umland
Autore Popivanov Boris
Edizione [1st ed.]
Pubbl/distr/stampa Hannover, : ibidem, 2015
Descrizione fisica 1 online resource (235 p.)
Disciplina 324.2499074
Collana Soviet and Post-Soviet Politics and Society
Soggetto topico politics
Bulgaria
21st Century
history
Leftist
post-communism
transformation
transition
Bulgarian Socialist Party
ISBN 3-8382-6717-6
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Contents; Abbreviations of political parties and organizations; Other important abbreviations; Preface; 1 Contextualizing the Bulgarian Left: The Communist Successor Parties in Central and Eastern Europe; 1.1 The Post-Communist Left in Central and Eastern Europe; 1.2 Programmatic and Structural Change within CEE Communist Parties; 1.3 Programmatic and Structural Transformation of BCP; 2 The Complex Historical Pathways of the Bulgarian Socialist Party; 2.1 A Proletarian Party with no Proletariat; 2.2 BCP in its Attempt to be Party of the Entire People
2.3 The Party in the Transition and the Transition in the Party3 Leftist Elite and Leftist Supporters: An Emerging Divide; 3.1 Has the Socialist Leadership been Sliding 'Right'?; 3.2 Has the Socialist Electorate been Sliding 'Left'?; 4 The Bulgarian Post-Communist Left in Crisis. Is a New Left on the Way?; 4.1 The Challenge of New Leftist Projects; 4.2 The Challenge of New Leftist Groups; 4.3 The Challenge of the 'Protest Year' 2013; In Lieu of a Conclusion; Bibliography
Record Nr. UNINA-9911133655803321
Popivanov Boris  
Hannover, : ibidem, 2015
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Dystopia on Demand: Technology, Digital Culture, and the Metamodern Quest in Complex Serial Dystopias / / Laura Winter
Dystopia on Demand: Technology, Digital Culture, and the Metamodern Quest in Complex Serial Dystopias / / Laura Winter
Autore Winter Laura
Edizione [1st ed.]
Pubbl/distr/stampa Tübingen, : Narr Francke Attempto Verlag, 2024
Descrizione fisica 1 online resource (362 pages)
Disciplina 791.4575
Collana Mannheimer Beiträge zur Literatur- und Kulturwissenschaft
Soggetto topico Dystopia
Utopia
TV Series
Streaming
Digital Culture
Technology
Metamodernism
Complex TV
Worldbuilding
Serial Storytelling
Hyperobjects
Science Fiction
Speculative Fiction
21st Century
Black Mirror
Mr. Robot
Westworld
Kiss Me First
ISBN 3-381-11222-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto I. Introduction: Serialising Dystopia II. Dystopia, Complex TV, and Metamodernism 1. Technology and the Dystopian Imagination 1.1 Tracing the Human-Technology Entanglement 1.2 Digital Culture, the Good Life, and Resilience 2. Serialising Dystopia in Audio-Visual Culture 2.1 Challenging Escapism through Complexity 2.2 Worldbuilding and Modes of Complexities 3. Dystopia and Complex TV: A Metamodern Quest 3.1 Oscillation, 'Depthiness', and Other Metamodern Sensibilities 3.2 The End is (not) Nigh: Seriality and Utopia as Process III. Complex Serial Dystopias and the Human-Technology Entanglement 1. Technological Omnipresence in Black Mirror (2011-) 1.1 Navigating Screen Culture: The Black Mirror Universe 1.2 Invasive Technologies: Implants, Algorithms, and Robot Dogs 1.3 Dystopian Heroes and the Vortex of Hyperobjects 1.4 "Heaven is a Place on Earth": The Anthology's Metamodern Impulse 2. Society in Binary Codes: Mr. Robot (2015-2019) 2.1 Decoding the Dystopian Realism of Mr. Robot 2.2 Merging Hyperobjects: Visions of Technology & Capitalism 2.3 "Are you a 1 or a 0?": Elliot's Entrapment 2.4 Failed Revolutions: Hacking the Way to Utopia 3. The Uncanny Valley of Westworld (2016-) 3.1 Westworld: A Carefully Designed Microcosm for Visitors - and Viewers 3.2 "Going off script": Hedonism, the Good Life, and Malfunctioning Machines 3.3 "If you can't tell, does it matter?": Narratives and Unresolved Binaries 3.4 An Android's Utopia: Romanticising the Robot 4. VR Gaming and Postponed Utopia: Kiss Me First (2018-) 4.1 CGI meets Reality: VR Gaming and Dystopian Realism 4.2 "What you're hiding... it'll come out": Red Pill and the Unconscious 4.3 Coming of Age in Digital Culture: Leila's Solitary Quest 4.4 From Utopia to Eutopia: False Promises and the Infinite Deferral of Utopia IV. Conclusion: The Future of Dystopia, TV, and Hope V. Bibliography
Record Nr. UNINA-9911116943203321
Winter Laura  
Tübingen, : Narr Francke Attempto Verlag, 2024
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Dystopia on Demand: Technology, Digital Culture, and the Metamodern Quest in Complex Serial Dystopias / / Laura Winter
Dystopia on Demand: Technology, Digital Culture, and the Metamodern Quest in Complex Serial Dystopias / / Laura Winter
Autore Winter Laura
Edizione [1st ed.]
Pubbl/distr/stampa Tübingen, : Narr Francke Attempto Verlag, 2024
Descrizione fisica 1 online resource (362 pages)
Disciplina 791.4575
Collana Mannheimer Beiträge zur Literatur- und Kulturwissenschaft
Soggetto topico Dystopia
Utopia
TV Series
Streaming
Digital Culture
Technology
Metamodernism
Complex TV
Worldbuilding
Serial Storytelling
Hyperobjects
Science Fiction
Speculative Fiction
21st Century
Black Mirror
Mr. Robot
Westworld
Kiss Me First
ISBN 3-381-11222-8
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto I. Introduction: Serialising Dystopia II. Dystopia, Complex TV, and Metamodernism 1. Technology and the Dystopian Imagination 1.1 Tracing the Human-Technology Entanglement 1.2 Digital Culture, the Good Life, and Resilience 2. Serialising Dystopia in Audio-Visual Culture 2.1 Challenging Escapism through Complexity 2.2 Worldbuilding and Modes of Complexities 3. Dystopia and Complex TV: A Metamodern Quest 3.1 Oscillation, 'Depthiness', and Other Metamodern Sensibilities 3.2 The End is (not) Nigh: Seriality and Utopia as Process III. Complex Serial Dystopias and the Human-Technology Entanglement 1. Technological Omnipresence in Black Mirror (2011-) 1.1 Navigating Screen Culture: The Black Mirror Universe 1.2 Invasive Technologies: Implants, Algorithms, and Robot Dogs 1.3 Dystopian Heroes and the Vortex of Hyperobjects 1.4 "Heaven is a Place on Earth": The Anthology's Metamodern Impulse 2. Society in Binary Codes: Mr. Robot (2015-2019) 2.1 Decoding the Dystopian Realism of Mr. Robot 2.2 Merging Hyperobjects: Visions of Technology & Capitalism 2.3 "Are you a 1 or a 0?": Elliot's Entrapment 2.4 Failed Revolutions: Hacking the Way to Utopia 3. The Uncanny Valley of Westworld (2016-) 3.1 Westworld: A Carefully Designed Microcosm for Visitors - and Viewers 3.2 "Going off script": Hedonism, the Good Life, and Malfunctioning Machines 3.3 "If you can't tell, does it matter?": Narratives and Unresolved Binaries 3.4 An Android's Utopia: Romanticising the Robot 4. VR Gaming and Postponed Utopia: Kiss Me First (2018-) 4.1 CGI meets Reality: VR Gaming and Dystopian Realism 4.2 "What you're hiding... it'll come out": Red Pill and the Unconscious 4.3 Coming of Age in Digital Culture: Leila's Solitary Quest 4.4 From Utopia to Eutopia: False Promises and the Infinite Deferral of Utopia IV. Conclusion: The Future of Dystopia, TV, and Hope V. Bibliography
Record Nr. UNINA-9911150636603321
Winter Laura
Tübingen, : Narr Francke Attempto Verlag, 2024
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Ethics for the Future : Perspectives from 21st Century Fiction / Stephanie Bender
Ethics for the Future : Perspectives from 21st Century Fiction / Stephanie Bender
Autore Bender Stephanie <p>Stephanie Bender, Albert-Ludwigs-Universität Freiburg, Deutschland </p>
Edizione [1st ed.]
Pubbl/distr/stampa Bielefeld, : transcript Verlag, 2023
Descrizione fisica 1 online resource (317 pages)
Disciplina 891.709003
Collana Edition Kulturwissenschaft
Soggetto topico Future
Ethics
Film
Novels
21st Century
Literature
American Studies
British Studies
Literary Studies
ISBN 9783839468203
3839468205
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover -- Contents -- Acknowledgements -- Introduction -- Challenging Times -- Ethics for the Future: From Humanism to Posthumanism -- Ethical Criticism in the 21st Century -- Aesthetics for the Future: Popular Future Fictions -- The Chapters -- 2 Ethics for the Future through Fiction -- A Difficult Heritage: Humanism and Beyond -- New Ethics for a New Age: Hans Jonas -- Deconstruction, Ethics, and the Anthropocene: Joanna Zylinska -- Towards Posthumanist Ethics -- Actual Worlds and Possible Futures in Fiction -- Existing Ethical Approaches to Literature -- Ethical Criticism in Film -- Limitations of Existing Approaches -- Future Ethical Criticism: Worlds in the Making -- 3 Future World Ecologies: Kim Stanley Robinson's New York 2140 (2017) and James Cameron's Avatar (2009) -- A Political World‐Ecology Approach: Kim Stanley Robinson's NewYork 2140 -- New Realist Utopianism -- Ethics through an Aesthetic Unity of Effect -- The Capitalocene: Economy‐Ecology -- Political Organisation through Actor Networks -- Back to "Nature" in James Cameron's Avatar -- Effective Affection? Ethical Responses to the Fantastic -- Ecologies without Nature -- The Unobtainium of the Industrial‐Military Complex -- Are the Scientists also the Good Guys? -- Can You See What Is Real? -- Conclusion -- 4 Transhumanist Futures: Christopher Nolan's Interstellar (2014) and Wally Pfister's Transcendence (2014) -- Transhumanist Ethics in Christopher Nolan's Interstellar -- Directing Viewers' Emotions -- The End Times of the Earth's World Ecology Managed by Bureaucrats -- Normative Humanity and Border Transgressions -- The Scientific, Science Fiction, and Space -- The Otherworld in Space: A Fusion of Science and Love -- Philosophical Essentialism: Futuristic Technologies and The Humanin Wally Pfister's Transcendence -- More than Black and White: Ambiguous Ethics and Aesthetics.
Will as a Prototypical Representative of Transhumanist Thought -- Technology as a New Form of Secular Spirituality -- A Natural Techno‐Spirituality -- The Classical Substantivist View: Revolutionary Independence fromTechnology -- The Resolution? Max as Middle Ground, Love as Reconciling Force -- Conclusion -- 5 Futuristic Digital Neoliberalism: Spike Jonze's Her (2013) and Dave Eggers's The Circle (2013) -- The Self and the Other in Digital Neoliberalism: Relationshipsand Identities in Spike Jonze's Her -- The Aesthetics of Digital Neoliberalism, the Self and the Other -- A Digital Mimicking of Neoliberal Selfhood -- Failed Romance: Meeting the Self instead of the Other -- Selling Love -- A Posthuman(ist) Possibility of an Other(world) -- The Economy of Attention in Dave Eggers's The Circle -- The Aesthetics of Warning -- The Threat of a Digital Economy of Attention -- Digital Capitalism and Transhumanism -- The Individual Level: Computational Psychologies -- The Political Level: Democratic Transhumanism -- The Physical and the Political Economy as Otherworlds -- Conclusion -- 6 Biopolitics of the Future: Kazuo Ishiguro's Never Let Me Go (2006) and Don DeLillo's Zero K (2016) -- The Biopolitics of Health in an Alternative Past: KnowingandNotKnowinginKazuo Ishiguro's Never Let Me Go -- Knowing and Not Knowing -- The Alternative Futuristic History -- The Complicity of the Deprived -- Narrative Worldmaking -- Structures of Recognition -- Making Arts and Creating Illusions: Humanist Art as a Tool forIdeological Worldmaking -- A Futuristic Present: The Power over Life and Death inDonDeLillo'sZero K -- The Present as Future -- The Biopolitics of Death in the Future -- Language and Life -- The Immortality of Art and the Art of Immortality -- The Little Life as Otherworld -- Conclusion.
7 More than Human?: Threats of AI in Dennis Villeneuve's Blade Runner 2049 (2017) and Alex Garland's ExMachina (2014) -- "To Be Born Is to Have a Soul, I Guess." Reproduction andHuman(e)ness in Dennis Villeneuve's Blade Runner 2049 -- The Ethics and Aesthetics of Biopunk Futures -- Reality and Simulation -- The Dominant World: Capitalism and Transhumanism, Again -- Reproducing "the Human" -- Deconstructing "the Human" -- Reflecting the Speculative Spectacle: Alex Garland's ExMachina -- The Speculative Spectacle: Cultural Fear of AI -- ExMachina "through the Looking Glass" -- Transhumanist Hubris: Nathan -- Humanism Failed: Caleb as the Antihero -- Posthuman(ist) Otherness: Ava -- Conclusion -- 8 Posthumanist Futures: Margaret Atwood's MaddAddam Trilogy (2003, 2006, 2013) and Paolo Bacigalupi's The Windup Girl (2009) -- Ethics through Metafiction: Storytelling in Margaret Atwood's MaddAddam Trilogy -- "It matters what stories make worlds, what worlds make stories" -- Postmodernist Aesthetics and Ethics -- Neoliberal Capitalism Unleashed -- The Otherworld of the Gardeners -- The Story of the Apocalypse -- Postapocalyptic Posthumanism -- Non‐human Agents and Posthumanist Ethics in Paolo Bacigalupi'sThe Windup Girl -- Biopunk and the Aesthetics of Scale -- A Complex Entanglement of Worlds -- The Bioconservatist Regression to "Niche and Nature" -- The New Expansion of Biocapitalism -- Posthuman and Transhumanist Perspectives -- Posthumanist Ethics -- Conclusion -- 9 Contemporary Imaginaries of the Future -- Ethical Openness versus Closure -- Unmaking Capitalist Futures -- Otherworlds of the Future -- Speculative Realism -- Works Cited.
Altri titoli varianti Bender, Ethics for the Future Perspectives from 21st Century Fiction
Record Nr. UNINA-9911097698703321
Bender Stephanie <p>Stephanie Bender, Albert-Ludwigs-Universität Freiburg, Deutschland </p>  
Bielefeld, : transcript Verlag, 2023
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Ethics for the Future : Perspectives from 21st Century Fiction / Stephanie Bender
Ethics for the Future : Perspectives from 21st Century Fiction / Stephanie Bender
Autore Bender Stephanie <p>Stephanie Bender, Albert-Ludwigs-Universität Freiburg, Deutschland </p>
Edizione [1st ed.]
Pubbl/distr/stampa Bielefeld, : transcript Verlag, 2023
Descrizione fisica 1 online resource (317 pages)
Disciplina 891.709003
Collana Edition Kulturwissenschaft
Soggetto topico Future
Ethics
Film
Novels
21st Century
Literature
American Studies
British Studies
Literary Studies
ISBN 9783839468203
3839468205
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Cover -- Contents -- Acknowledgements -- Introduction -- Challenging Times -- Ethics for the Future: From Humanism to Posthumanism -- Ethical Criticism in the 21st Century -- Aesthetics for the Future: Popular Future Fictions -- The Chapters -- 2 Ethics for the Future through Fiction -- A Difficult Heritage: Humanism and Beyond -- New Ethics for a New Age: Hans Jonas -- Deconstruction, Ethics, and the Anthropocene: Joanna Zylinska -- Towards Posthumanist Ethics -- Actual Worlds and Possible Futures in Fiction -- Existing Ethical Approaches to Literature -- Ethical Criticism in Film -- Limitations of Existing Approaches -- Future Ethical Criticism: Worlds in the Making -- 3 Future World Ecologies: Kim Stanley Robinson's New York 2140 (2017) and James Cameron's Avatar (2009) -- A Political World‐Ecology Approach: Kim Stanley Robinson's NewYork 2140 -- New Realist Utopianism -- Ethics through an Aesthetic Unity of Effect -- The Capitalocene: Economy‐Ecology -- Political Organisation through Actor Networks -- Back to "Nature" in James Cameron's Avatar -- Effective Affection? Ethical Responses to the Fantastic -- Ecologies without Nature -- The Unobtainium of the Industrial‐Military Complex -- Are the Scientists also the Good Guys? -- Can You See What Is Real? -- Conclusion -- 4 Transhumanist Futures: Christopher Nolan's Interstellar (2014) and Wally Pfister's Transcendence (2014) -- Transhumanist Ethics in Christopher Nolan's Interstellar -- Directing Viewers' Emotions -- The End Times of the Earth's World Ecology Managed by Bureaucrats -- Normative Humanity and Border Transgressions -- The Scientific, Science Fiction, and Space -- The Otherworld in Space: A Fusion of Science and Love -- Philosophical Essentialism: Futuristic Technologies and The Humanin Wally Pfister's Transcendence -- More than Black and White: Ambiguous Ethics and Aesthetics.
Will as a Prototypical Representative of Transhumanist Thought -- Technology as a New Form of Secular Spirituality -- A Natural Techno‐Spirituality -- The Classical Substantivist View: Revolutionary Independence fromTechnology -- The Resolution? Max as Middle Ground, Love as Reconciling Force -- Conclusion -- 5 Futuristic Digital Neoliberalism: Spike Jonze's Her (2013) and Dave Eggers's The Circle (2013) -- The Self and the Other in Digital Neoliberalism: Relationshipsand Identities in Spike Jonze's Her -- The Aesthetics of Digital Neoliberalism, the Self and the Other -- A Digital Mimicking of Neoliberal Selfhood -- Failed Romance: Meeting the Self instead of the Other -- Selling Love -- A Posthuman(ist) Possibility of an Other(world) -- The Economy of Attention in Dave Eggers's The Circle -- The Aesthetics of Warning -- The Threat of a Digital Economy of Attention -- Digital Capitalism and Transhumanism -- The Individual Level: Computational Psychologies -- The Political Level: Democratic Transhumanism -- The Physical and the Political Economy as Otherworlds -- Conclusion -- 6 Biopolitics of the Future: Kazuo Ishiguro's Never Let Me Go (2006) and Don DeLillo's Zero K (2016) -- The Biopolitics of Health in an Alternative Past: KnowingandNotKnowinginKazuo Ishiguro's Never Let Me Go -- Knowing and Not Knowing -- The Alternative Futuristic History -- The Complicity of the Deprived -- Narrative Worldmaking -- Structures of Recognition -- Making Arts and Creating Illusions: Humanist Art as a Tool forIdeological Worldmaking -- A Futuristic Present: The Power over Life and Death inDonDeLillo'sZero K -- The Present as Future -- The Biopolitics of Death in the Future -- Language and Life -- The Immortality of Art and the Art of Immortality -- The Little Life as Otherworld -- Conclusion.
7 More than Human?: Threats of AI in Dennis Villeneuve's Blade Runner 2049 (2017) and Alex Garland's ExMachina (2014) -- "To Be Born Is to Have a Soul, I Guess." Reproduction andHuman(e)ness in Dennis Villeneuve's Blade Runner 2049 -- The Ethics and Aesthetics of Biopunk Futures -- Reality and Simulation -- The Dominant World: Capitalism and Transhumanism, Again -- Reproducing "the Human" -- Deconstructing "the Human" -- Reflecting the Speculative Spectacle: Alex Garland's ExMachina -- The Speculative Spectacle: Cultural Fear of AI -- ExMachina "through the Looking Glass" -- Transhumanist Hubris: Nathan -- Humanism Failed: Caleb as the Antihero -- Posthuman(ist) Otherness: Ava -- Conclusion -- 8 Posthumanist Futures: Margaret Atwood's MaddAddam Trilogy (2003, 2006, 2013) and Paolo Bacigalupi's The Windup Girl (2009) -- Ethics through Metafiction: Storytelling in Margaret Atwood's MaddAddam Trilogy -- "It matters what stories make worlds, what worlds make stories" -- Postmodernist Aesthetics and Ethics -- Neoliberal Capitalism Unleashed -- The Otherworld of the Gardeners -- The Story of the Apocalypse -- Postapocalyptic Posthumanism -- Non‐human Agents and Posthumanist Ethics in Paolo Bacigalupi'sThe Windup Girl -- Biopunk and the Aesthetics of Scale -- A Complex Entanglement of Worlds -- The Bioconservatist Regression to "Niche and Nature" -- The New Expansion of Biocapitalism -- Posthuman and Transhumanist Perspectives -- Posthumanist Ethics -- Conclusion -- 9 Contemporary Imaginaries of the Future -- Ethical Openness versus Closure -- Unmaking Capitalist Futures -- Otherworlds of the Future -- Speculative Realism -- Works Cited.
Altri titoli varianti Bender, Ethics for the Future Perspectives from 21st Century Fiction
Record Nr. UNINA-9911151420403321
Bender Stephanie <p>Stephanie Bender, Albert-Ludwigs-Universität Freiburg, Deutschland </p>
Bielefeld, : transcript Verlag, 2023
Materiale a stampa
Lo trovi qui: Univ. Federico II
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Finance, Terror, and Science on Stage : Current Public Concerns in 21st-Century British Drama / / Kerstin Frank, Caroline Lusin
Finance, Terror, and Science on Stage : Current Public Concerns in 21st-Century British Drama / / Kerstin Frank, Caroline Lusin
Edizione [1st ed.]
Pubbl/distr/stampa Tübingen, : Narr Francke Attempto Verlag, 2017
Descrizione fisica 1 online resource (227 pages)
Disciplina 822.9209
Collana Mannheimer Beiträge zur Literatur- und Kulturwissenschaft
Soggetto topico Contemporary Drama
British Literature
21st Century
Current Issues
Current Topic
ISBN 3-8233-9142-9
Formato Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione eng
Nota di contenuto Kerstin Frank and Caroline Lusin Introduction: Current Debates and British Drama since 2000 I. Politics Merle Tönnies Still / Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011) Peter Paul Schnierer Immigration as Farce: Richard Bean’s England People Very Nice (2009) Ariane de Waal Expel, Exploit, Exfoliate: Taking on Terror in Mark Ravenhill’s Shoot / Get Treasure / Repeat (2007) II. Finance and Austerity Caroline Lusin Surviving Boom and Bust: Finance, Responsibility, and the State of the World in Nicholas Pierpan’s You Can Still Make a Killing (2012) Annika Gonnermann Homo Homini Rhino Est: April De Angelis’ Wild East (2005) and the Deconstruction of Responsibility in Corporate Culture Dorothee Birke The 'Underclass' Talks Back: Poverty and Homelessness in Nadia Fall’s Home (2013) III. Science and Technology Christine Schwanecke Data Streams, Post-Human Lives, and (Virtual) Realities: Jules Horne’s Gorgeous Avatar (2006) Maurus Roller A Critical Review of Science: Caryl Churchill’s A Number (2002), Individual Identity, and Human Cloning Stefan Glomb “No View from Nowhere”: Science, Freedom, and Determinism in Nick Payne’s Incognito (2014) IV. Cultural Identity Lisa Schwander Re-Visiting the British Empire: Neo-Victorian Perspectives on Multicultural Britain in Tanika Gupta’s The Empress (2013) Kerstin Frank Defusing Stereotypes with Comedy: Conflicting Afro-Caribbean British Identities and Urban Street Culture in Bola Agbaje’s Gone Too Far! (2007) Abir Al-Laham Apple Stores and Jihadi Brides: Hassan Abdulrazzak’s Love, Bombs and Apples (2016) and the Role of Religion in Contemporary British Society
Record Nr. UNINA-9911117097703321
Tübingen, : Narr Francke Attempto Verlag, 2017
Materiale a stampa
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui