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Jung & film II : the return : further post-Jungian takes on the moving image / / edited by Christopher Hauke & Luke Hockley
| Jung & film II : the return : further post-Jungian takes on the moving image / / edited by Christopher Hauke & Luke Hockley |
| Pubbl/distr/stampa | Hove, East Sussex : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (357 p.) |
| Disciplina | 791.43019 |
| Altri autori (Persone) |
HaukeChristopher <1953->
HockleyLuke |
| Soggetto topico |
Jungian psychology
Motion pictures - Psychological aspects |
| ISBN |
1-136-63360-X
1-280-68340-6 9786613660343 0-203-80341-8 1-136-63361-8 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Jung and Film II: The Return; Copyright Page; Contents; List of films; List of figures; Notes on contributors; Acknowledgments; Introduction: Christopher Hauke and Luke Hockley; Part I: Image andpsychotherapy; 1. The decisive image: In documentary film, in Jungian analysis: Tom Hurwitz and Margaret Klenck; 2. 'I thought he might be better now': A clinician's reading of individuation in von Trier's Breaking The Waves: David Hewison; 3. Love, loss, imagination and the 'other' in Soderbergh's Solaris: Andre Zanardo
4. Birth: Eternal grieving of the spotless mind: John Izod and Joanna Dovalis5. Soul and space in the Coen brothers' No Country for Old Men: Christopher Hauke; Part II: Image and theory; 6. Jungian film studies: The corruption of consciousness and the nurturing of psychological life: Don Fredericksen; 7. 'Much begins amusingly and leads into the dark': Jung's popular cinema and the Other: Christopher Hauke; 8. Contrasting interpretations of film: Freudian and Jungian: Michael Jacobs; 9. Individual interpretations: A response to Michael Jacobs: John Izod 10. The third image: Depth psychology and the cinematic experience: Luke Hockley11. The nature of adaptation: Myth and the femininegaze in Ang Lee's Sense and Sensibility: Susan Rowland; 12. Cinephilia: Or, looking for meaningfulness in encounters with cinema: Greg Singh; 13. Twilight: Discourse theory and Jung: Catriona Miller; 14. Individual and society in the films of Tim Burton: Helena Bassil-Morozow; Part III: Image, type and archetype; 15. The shadow: Constriction, transformation and individuation in Campion's The Piano: Mary Dougherty 16. The dark feminine in Aronofsky's The Wrestler: Lydia Lennihan17. The archetype of transformation in Maya Deren's film rituals: Michelangelo Paganopoulos; 18. Coppola's The Conversation: Typology and a caul to the soul: James Palmer; 19. Navel gazing: Introversion/extraversion and Australian cinema: Terrie Waddell; 20. The Wizard of Oz: A vision of development in the American political psyche: John Beebe; Glossary; Index |
| Altri titoli varianti | Jung and film II |
| Record Nr. | UNINA-9910790225003321 |
| Hove, East Sussex : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Jung & film II : the return : further post-Jungian takes on the moving image / / edited by Christopher Hauke & Luke Hockley
| Jung & film II : the return : further post-Jungian takes on the moving image / / edited by Christopher Hauke & Luke Hockley |
| Pubbl/distr/stampa | Hove, East Sussex : , : Routledge, , 2011 |
| Descrizione fisica | 1 online resource (357 p.) |
| Disciplina | 791.43019 |
| Altri autori (Persone) |
HaukeChristopher <1953->
HockleyLuke |
| Soggetto topico |
Jungian psychology
Motion pictures - Psychological aspects |
| ISBN |
1-136-63360-X
1-280-68340-6 9786613660343 0-203-80341-8 1-136-63361-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Jung and Film II: The Return; Copyright Page; Contents; List of films; List of figures; Notes on contributors; Acknowledgments; Introduction: Christopher Hauke and Luke Hockley; Part I: Image andpsychotherapy; 1. The decisive image: In documentary film, in Jungian analysis: Tom Hurwitz and Margaret Klenck; 2. 'I thought he might be better now': A clinician's reading of individuation in von Trier's Breaking The Waves: David Hewison; 3. Love, loss, imagination and the 'other' in Soderbergh's Solaris: Andre Zanardo
4. Birth: Eternal grieving of the spotless mind: John Izod and Joanna Dovalis5. Soul and space in the Coen brothers' No Country for Old Men: Christopher Hauke; Part II: Image and theory; 6. Jungian film studies: The corruption of consciousness and the nurturing of psychological life: Don Fredericksen; 7. 'Much begins amusingly and leads into the dark': Jung's popular cinema and the Other: Christopher Hauke; 8. Contrasting interpretations of film: Freudian and Jungian: Michael Jacobs; 9. Individual interpretations: A response to Michael Jacobs: John Izod 10. The third image: Depth psychology and the cinematic experience: Luke Hockley11. The nature of adaptation: Myth and the femininegaze in Ang Lee's Sense and Sensibility: Susan Rowland; 12. Cinephilia: Or, looking for meaningfulness in encounters with cinema: Greg Singh; 13. Twilight: Discourse theory and Jung: Catriona Miller; 14. Individual and society in the films of Tim Burton: Helena Bassil-Morozow; Part III: Image, type and archetype; 15. The shadow: Constriction, transformation and individuation in Campion's The Piano: Mary Dougherty 16. The dark feminine in Aronofsky's The Wrestler: Lydia Lennihan17. The archetype of transformation in Maya Deren's film rituals: Michelangelo Paganopoulos; 18. Coppola's The Conversation: Typology and a caul to the soul: James Palmer; 19. Navel gazing: Introversion/extraversion and Australian cinema: Terrie Waddell; 20. The Wizard of Oz: A vision of development in the American political psyche: John Beebe; Glossary; Index |
| Altri titoli varianti | Jung and film II |
| Record Nr. | UNINA-9910829047403321 |
| Hove, East Sussex : , : Routledge, , 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||