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Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman
| Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman |
| Pubbl/distr/stampa | New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 |
| Descrizione fisica | 1 online resource (600 p.) |
| Disciplina | 791.43611 |
| Soggetto topico | Experimental films - United States |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-86196-909-X |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Adam Hyman -- Introduction / David E. James -- Historical materials. Introduction / David E. James -- Distribution center for experimental films / Curtis Harrington -- Personal chronicle : the making of an experimental film / Curtis Harrington -- A letter from the West Coast / Robert Pike -- Amateur vs. professional / Maya Deren -- Personal state meant / John Fles -- A statement / Curtis Harrington -- Are movies junk / John Fles -- Los Angeles Film Festival / Jack Hirschman -- Seeing is believing / John Fles -- Underground movies rise to the surface / Kevin Thomas -- Students reflect future of cinema / Gene Youngblood -- Woman as ethnographic filmmaker / Chick Strand -- Mouse enigma : auto-history of a film person / Peter Mays -- Scholarship. Introduction / David E. James -- Scarlet woman on film : Inauguration of the pleasure dome and The Wormwood Star : Kenneth Anger, Curtis Harrington, Marjorie Cameron, and Los Angeles alternative film and culture in the early 1950's / Alice Hutchison -- Against transparency : Jonas Mekas, Vernon Zimmerman, and the West Coast contribution to the new American cinema / Josh Guilford -- Vicarious Vicario : restocking John Vicario's forgotten Shoppers market (1963) / Ken Eisenstein -- Raymond Rohauer and the Society of Cinema Arts (1948-1962) : giving the devil his due / Tim Lanza -- For love and/or money : exhibiting avant-garde film in Los Angeles 1960-1980 / Alison Kozberg -- Kent Mackenzie's The exiles : reinventing the real of cinema / Ross Lipman -- Taylor Mead, a faggot in Venice Beach in 1961 / Marc Siegel -- Ed Ruscha's moving pictures / Matt Reynolds -- Asco's Super-8 cinema and the specter of muralism / Jesse Lerner -- Inner-city symphony : Water ritual #1 : an urban rite of purification / Veena Hariharan -- Not just a day job : experimental filmmakers and the special effects industry in the 1970's and 1980's / Julie Turnock -- Storm, stress, and structure : the collaborative cinema of Roberta Friedman and Grahame Weinbren / Juan Carlos Kase -- Nun notes and deviant longings / Erika Suderburg -- Currents direct and alternating : Water and power and other works by Pat O'Neill / Grahame Weinbren -- Screenings. Alternative projections screenings series / Adam Hyman. |
| Record Nr. | UNINA-9910460986203321 |
| New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman
| Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman |
| Pubbl/distr/stampa | New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 |
| Descrizione fisica | 1 online resource (600 p.) |
| Disciplina | 791.43611 |
| Soggetto topico | Experimental films - United States |
| ISBN | 0-86196-909-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Adam Hyman -- Introduction / David E. James -- Historical materials. Introduction / David E. James -- Distribution center for experimental films / Curtis Harrington -- Personal chronicle : the making of an experimental film / Curtis Harrington -- A letter from the West Coast / Robert Pike -- Amateur vs. professional / Maya Deren -- Personal state meant / John Fles -- A statement / Curtis Harrington -- Are movies junk / John Fles -- Los Angeles Film Festival / Jack Hirschman -- Seeing is believing / John Fles -- Underground movies rise to the surface / Kevin Thomas -- Students reflect future of cinema / Gene Youngblood -- Woman as ethnographic filmmaker / Chick Strand -- Mouse enigma : auto-history of a film person / Peter Mays -- Scholarship. Introduction / David E. James -- Scarlet woman on film : Inauguration of the pleasure dome and The Wormwood Star : Kenneth Anger, Curtis Harrington, Marjorie Cameron, and Los Angeles alternative film and culture in the early 1950's / Alice Hutchison -- Against transparency : Jonas Mekas, Vernon Zimmerman, and the West Coast contribution to the new American cinema / Josh Guilford -- Vicarious Vicario : restocking John Vicario's forgotten Shoppers market (1963) / Ken Eisenstein -- Raymond Rohauer and the Society of Cinema Arts (1948-1962) : giving the devil his due / Tim Lanza -- For love and/or money : exhibiting avant-garde film in Los Angeles 1960-1980 / Alison Kozberg -- Kent Mackenzie's The exiles : reinventing the real of cinema / Ross Lipman -- Taylor Mead, a faggot in Venice Beach in 1961 / Marc Siegel -- Ed Ruscha's moving pictures / Matt Reynolds -- Asco's Super-8 cinema and the specter of muralism / Jesse Lerner -- Inner-city symphony : Water ritual #1 : an urban rite of purification / Veena Hariharan -- Not just a day job : experimental filmmakers and the special effects industry in the 1970's and 1980's / Julie Turnock -- Storm, stress, and structure : the collaborative cinema of Roberta Friedman and Grahame Weinbren / Juan Carlos Kase -- Nun notes and deviant longings / Erika Suderburg -- Currents direct and alternating : Water and power and other works by Pat O'Neill / Grahame Weinbren -- Screenings. Alternative projections screenings series / Adam Hyman. |
| Record Nr. | UNINA-9910797004603321 |
| New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman
| Alternative projections : experimental film in Los Angeles 1945-1980 / / edited by David E. James and Adam Hyman |
| Pubbl/distr/stampa | New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 |
| Descrizione fisica | 1 online resource (600 p.) |
| Disciplina | 791.43611 |
| Soggetto topico | Experimental films - United States |
| ISBN | 0-86196-909-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Foreword / Adam Hyman -- Introduction / David E. James -- Historical materials. Introduction / David E. James -- Distribution center for experimental films / Curtis Harrington -- Personal chronicle : the making of an experimental film / Curtis Harrington -- A letter from the West Coast / Robert Pike -- Amateur vs. professional / Maya Deren -- Personal state meant / John Fles -- A statement / Curtis Harrington -- Are movies junk / John Fles -- Los Angeles Film Festival / Jack Hirschman -- Seeing is believing / John Fles -- Underground movies rise to the surface / Kevin Thomas -- Students reflect future of cinema / Gene Youngblood -- Woman as ethnographic filmmaker / Chick Strand -- Mouse enigma : auto-history of a film person / Peter Mays -- Scholarship. Introduction / David E. James -- Scarlet woman on film : Inauguration of the pleasure dome and The Wormwood Star : Kenneth Anger, Curtis Harrington, Marjorie Cameron, and Los Angeles alternative film and culture in the early 1950's / Alice Hutchison -- Against transparency : Jonas Mekas, Vernon Zimmerman, and the West Coast contribution to the new American cinema / Josh Guilford -- Vicarious Vicario : restocking John Vicario's forgotten Shoppers market (1963) / Ken Eisenstein -- Raymond Rohauer and the Society of Cinema Arts (1948-1962) : giving the devil his due / Tim Lanza -- For love and/or money : exhibiting avant-garde film in Los Angeles 1960-1980 / Alison Kozberg -- Kent Mackenzie's The exiles : reinventing the real of cinema / Ross Lipman -- Taylor Mead, a faggot in Venice Beach in 1961 / Marc Siegel -- Ed Ruscha's moving pictures / Matt Reynolds -- Asco's Super-8 cinema and the specter of muralism / Jesse Lerner -- Inner-city symphony : Water ritual #1 : an urban rite of purification / Veena Hariharan -- Not just a day job : experimental filmmakers and the special effects industry in the 1970's and 1980's / Julie Turnock -- Storm, stress, and structure : the collaborative cinema of Roberta Friedman and Grahame Weinbren / Juan Carlos Kase -- Nun notes and deviant longings / Erika Suderburg -- Currents direct and alternating : Water and power and other works by Pat O'Neill / Grahame Weinbren -- Screenings. Alternative projections screenings series / Adam Hyman. |
| Record Nr. | UNINA-9910809547903321 |
| New Barnet, Herts, [England] : , : John Libbey Publishing, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American cinematographers in the Great War, 1914-1918 / / James W. Castellan, Ron van Dopperren, Cooper C. Graham
| American cinematographers in the Great War, 1914-1918 / / James W. Castellan, Ron van Dopperren, Cooper C. Graham |
| Autore | Castellan James W. |
| Pubbl/distr/stampa | Herts, England : , : John Libbey Publishing, , 2016 |
| Descrizione fisica | 1 online resource (322 p.) |
| Disciplina | 791.43658 |
| Soggetto topico |
World War, 1914-1918 - Motion pictures and the war
Cinematographers - United States - History |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-86196-921-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Dedication; Chapter 1 Over There; Chapter 2 Over Here; Chapter 3 Belgium; Chapter 4 William Randolph Hearst and the War; Chapter 5 Behind the German Lines; Chapter 6 Filming the Central Powers' Drive across Russian Poland; Chapter 7 Cameramen with the Entente; Chapter 8 Mobilizing Movies: the U.S. Signal Corps and the Committee on Public Information; Chapter 9 Aftermath; Colour Plates; Acknowledgements; Suggestions for Further Reading; Index |
| Record Nr. | UNINA-9910465317903321 |
Castellan James W.
|
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| Herts, England : , : John Libbey Publishing, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American cinematographers in the Great War, 1914-1918 / / James W. Castellan, Ron van Dopperren, Cooper C. Graham
| American cinematographers in the Great War, 1914-1918 / / James W. Castellan, Ron van Dopperren, Cooper C. Graham |
| Autore | Castellan James W. |
| Pubbl/distr/stampa | Herts, England : , : John Libbey Publishing, , 2016 |
| Descrizione fisica | 1 online resource (322 p.) |
| Disciplina | 791.43658 |
| Soggetto topico |
World War, 1914-1918 - Motion pictures and the war
Cinematographers - United States - History |
| ISBN | 0-86196-921-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Dedication; Chapter 1 Over There; Chapter 2 Over Here; Chapter 3 Belgium; Chapter 4 William Randolph Hearst and the War; Chapter 5 Behind the German Lines; Chapter 6 Filming the Central Powers' Drive across Russian Poland; Chapter 7 Cameramen with the Entente; Chapter 8 Mobilizing Movies: the U.S. Signal Corps and the Committee on Public Information; Chapter 9 Aftermath; Colour Plates; Acknowledgements; Suggestions for Further Reading; Index |
| Record Nr. | UNINA-9910798394403321 |
|
Castellan James W.
|
||
| Herts, England : , : John Libbey Publishing, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
American cinematographers in the Great War, 1914-1918 / / James W. Castellan, Ron van Dopperren, Cooper C. Graham
| American cinematographers in the Great War, 1914-1918 / / James W. Castellan, Ron van Dopperren, Cooper C. Graham |
| Autore | Castellan James W. |
| Pubbl/distr/stampa | Herts, England : , : John Libbey Publishing, , 2016 |
| Descrizione fisica | 1 online resource (322 p.) |
| Disciplina | 791.43658 |
| Soggetto topico |
World War, 1914-1918 - Motion pictures and the war
Cinematographers - United States - History |
| ISBN | 0-86196-921-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Contents; Dedication; Chapter 1 Over There; Chapter 2 Over Here; Chapter 3 Belgium; Chapter 4 William Randolph Hearst and the War; Chapter 5 Behind the German Lines; Chapter 6 Filming the Central Powers' Drive across Russian Poland; Chapter 7 Cameramen with the Entente; Chapter 8 Mobilizing Movies: the U.S. Signal Corps and the Committee on Public Information; Chapter 9 Aftermath; Colour Plates; Acknowledgements; Suggestions for Further Reading; Index |
| Record Nr. | UNINA-9910809684703321 |
|
Castellan James W.
|
||
| Herts, England : , : John Libbey Publishing, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond the screen : institutions, networks, and publics of early cinema / / edited by Marta Braun [and four others]
| Beyond the screen : institutions, networks, and publics of early cinema / / edited by Marta Braun [and four others] |
| Pubbl/distr/stampa | New Barnet, England : , : John Libbey Publishing, , 2016 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 791 |
| Collana | Early Cinema in Review: Proceedings of Domitor |
| Soggetto topico |
Motion pictures - History - 20th century
Silent films - History and criticism Educational films - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-86196-913-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Marta Braun, Charlie Keil, Rob King, Paul Moore and Louis Pelletier -- part I. Charity and religion -- "Neutrality-humanity" : the humanitarian mission and the films of the American Red Cross / Jennifer Horne -- Early missionary filming and the emergence of the professional cameraman / Stephen Bottomore -- Mission on screen : the church army and its multi-media activities / Frank Gray -- "Baits to entrapthe pleasure-seeker and the worldling" : charity bazaars introduce moving pictures to Ireland / Denis Condon -- Paroles éducatives et religieuses lors des projections de films en France avant 1915 / Martin Barnier -- Mütter, verzaget nicht! (1911) [Mothers, despair not!] : Henny Porten's promotion for mothers' welfare / Martin Loiperdinger and Holger Ziegler -- part II. Government and civics -- The tsar and the kinematograph : film as history and the chronicle of the Russian monarchy / Oksana Chefranova -- "Wheelbarrows" and "Real soldiers" : advertising, audiences and war films of all varieties / Liz Clarke -- "What is a picture?" : film as defined in British law before 1910 / Ian Christie -- Le cinéma et les élections au Québec : de l'attraction à la banalité / Germain Lacasse -- A moving picture farce : public opinion and the beginnings of film censorship in Quebec / Louis Pelletier -- part III. Education and advocacy -- Health instruction on screen : the Department of Health in New York City, 1909-1917 / Marina Dahlquist -- John Collier, Thomas Edison and the educational promotion of moving pictures / Amanda R. Keeler -- "And they can see half-naked dancers, catching young men in their nets" : teachers and the cinema in Norway, 1907-1913 / Gunnar Iversen -- Documentaries, family film nights and the first film university : the early works and big ideas of Belgian film pioneer Hippolyte De Kempeneer (1876-1944) / Gerda Cammaer -- part IV. Science and magic -- The school of the future or Ganot's Physics? : Edison's foray into educational cinema / Oliver Gaycken -- Multi-purposing early cinema : a psychological experiment involving Van Bibber's experiment (Edison, 1911) / Marsha Orgeron -- Dissecting the medical training film / Scott Curtis -- Corporal permeability and shadow pictures : reconsidering Uncle Josh at the moving picture show (1902) / Amy E. Borden -- Eroticism and death : the skeleton in the trick film / Murray Leeder -- Magies en images, les prestidigitateurs et la machine / Frédéric Tabet -- part V. Art and aesthetics -- Early film colour, today and yesterday / Charles O'Brien -- Salvage ethnography and the exoticisation of decay in Peter Delpeut's Lyrical nitrate and Bill Morrison's Decasia / Nadia Bozak -- Picture craft, visual education and the lantern : a lecture fantasy / Kaveh Askari -- The socpe of those scopes : production diversity for the mutoscope and biograph during the movies' early years / Paul C. Spehr -- The high-stakes history of the French Camera Operators' Union before the First World War / Priska Morrissey -- part VI. Exhibition and showmanship -- Les séries culturelles de la conférence-avec-projection et de la projection-avec-boniment : continuités et ruptures / André Gaudreault and Philippe Gauthier -- Les "conférenciers de cinéma" en France (1896-1930) : historique à travers différents lieux de projection, genres filmiques et réseaux / Thierry Lecointe -- Les images en mouvement au théâtre de variétés : le cas de l'Apollo de Düsseldorf / Frank Kessler et Sabine Lenk -- Royals, Rembrandts and Luxors : patterns and clusters in the nomenclature of Dutch cinemas / André van der Velden -- Local showmanship in the early feature era : the case of Stanley Mastbaum / Joel Frykholm -- A transformative moment : Samuel Rothafel and the rise of multi-class moviegoing in the Midwest, 1911-1913 / Ross Melnick -- part VII. Community and the public sphere -- "This splendid temple" : watching movies in the Wanamaker department store / Catilin McGrath -- "Boost your town in the movies" : municipal film companies in the United States, 1910-1917 / Martin L. Johnson -- Early cinema and the public sphere of the neighbourhood meeting hall : the longue durée of working-class sociability / Judith Thissen -- Trans-inter-national public spheres / Wolfgang Fuhrmann -- Turning the social problem into performance : slumming and screen culture in Victorian lantern shows / Ludwig Maria Vogl-Bienek. |
| Record Nr. | UNINA-9910465308003321 |
| New Barnet, England : , : John Libbey Publishing, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond the screen : institutions, networks, and publics of early cinema / / edited by Marta Braun [and four others]
| Beyond the screen : institutions, networks, and publics of early cinema / / edited by Marta Braun [and four others] |
| Pubbl/distr/stampa | New Barnet, England : , : John Libbey Publishing, , 2016 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 791 |
| Collana | Early Cinema in Review: Proceedings of Domitor |
| Soggetto topico |
Motion pictures - History - 20th century
Silent films - History and criticism Educational films - History and criticism |
| ISBN | 0-86196-913-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Marta Braun, Charlie Keil, Rob King, Paul Moore and Louis Pelletier -- part I. Charity and religion -- "Neutrality-humanity" : the humanitarian mission and the films of the American Red Cross / Jennifer Horne -- Early missionary filming and the emergence of the professional cameraman / Stephen Bottomore -- Mission on screen : the church army and its multi-media activities / Frank Gray -- "Baits to entrapthe pleasure-seeker and the worldling" : charity bazaars introduce moving pictures to Ireland / Denis Condon -- Paroles éducatives et religieuses lors des projections de films en France avant 1915 / Martin Barnier -- Mütter, verzaget nicht! (1911) [Mothers, despair not!] : Henny Porten's promotion for mothers' welfare / Martin Loiperdinger and Holger Ziegler -- part II. Government and civics -- The tsar and the kinematograph : film as history and the chronicle of the Russian monarchy / Oksana Chefranova -- "Wheelbarrows" and "Real soldiers" : advertising, audiences and war films of all varieties / Liz Clarke -- "What is a picture?" : film as defined in British law before 1910 / Ian Christie -- Le cinéma et les élections au Québec : de l'attraction à la banalité / Germain Lacasse -- A moving picture farce : public opinion and the beginnings of film censorship in Quebec / Louis Pelletier -- part III. Education and advocacy -- Health instruction on screen : the Department of Health in New York City, 1909-1917 / Marina Dahlquist -- John Collier, Thomas Edison and the educational promotion of moving pictures / Amanda R. Keeler -- "And they can see half-naked dancers, catching young men in their nets" : teachers and the cinema in Norway, 1907-1913 / Gunnar Iversen -- Documentaries, family film nights and the first film university : the early works and big ideas of Belgian film pioneer Hippolyte De Kempeneer (1876-1944) / Gerda Cammaer -- part IV. Science and magic -- The school of the future or Ganot's Physics? : Edison's foray into educational cinema / Oliver Gaycken -- Multi-purposing early cinema : a psychological experiment involving Van Bibber's experiment (Edison, 1911) / Marsha Orgeron -- Dissecting the medical training film / Scott Curtis -- Corporal permeability and shadow pictures : reconsidering Uncle Josh at the moving picture show (1902) / Amy E. Borden -- Eroticism and death : the skeleton in the trick film / Murray Leeder -- Magies en images, les prestidigitateurs et la machine / Frédéric Tabet -- part V. Art and aesthetics -- Early film colour, today and yesterday / Charles O'Brien -- Salvage ethnography and the exoticisation of decay in Peter Delpeut's Lyrical nitrate and Bill Morrison's Decasia / Nadia Bozak -- Picture craft, visual education and the lantern : a lecture fantasy / Kaveh Askari -- The socpe of those scopes : production diversity for the mutoscope and biograph during the movies' early years / Paul C. Spehr -- The high-stakes history of the French Camera Operators' Union before the First World War / Priska Morrissey -- part VI. Exhibition and showmanship -- Les séries culturelles de la conférence-avec-projection et de la projection-avec-boniment : continuités et ruptures / André Gaudreault and Philippe Gauthier -- Les "conférenciers de cinéma" en France (1896-1930) : historique à travers différents lieux de projection, genres filmiques et réseaux / Thierry Lecointe -- Les images en mouvement au théâtre de variétés : le cas de l'Apollo de Düsseldorf / Frank Kessler et Sabine Lenk -- Royals, Rembrandts and Luxors : patterns and clusters in the nomenclature of Dutch cinemas / André van der Velden -- Local showmanship in the early feature era : the case of Stanley Mastbaum / Joel Frykholm -- A transformative moment : Samuel Rothafel and the rise of multi-class moviegoing in the Midwest, 1911-1913 / Ross Melnick -- part VII. Community and the public sphere -- "This splendid temple" : watching movies in the Wanamaker department store / Catilin McGrath -- "Boost your town in the movies" : municipal film companies in the United States, 1910-1917 / Martin L. Johnson -- Early cinema and the public sphere of the neighbourhood meeting hall : the longue durée of working-class sociability / Judith Thissen -- Trans-inter-national public spheres / Wolfgang Fuhrmann -- Turning the social problem into performance : slumming and screen culture in Victorian lantern shows / Ludwig Maria Vogl-Bienek. |
| Record Nr. | UNINA-9910798115803321 |
| New Barnet, England : , : John Libbey Publishing, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Beyond the screen : institutions, networks, and publics of early cinema / / edited by Marta Braun [and four others]
| Beyond the screen : institutions, networks, and publics of early cinema / / edited by Marta Braun [and four others] |
| Pubbl/distr/stampa | New Barnet, England : , : John Libbey Publishing, , 2016 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 791 |
| Collana | Early Cinema in Review: Proceedings of Domitor |
| Soggetto topico |
Motion pictures - History - 20th century
Silent films - History and criticism Educational films - History and criticism |
| ISBN | 0-86196-913-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction / Marta Braun, Charlie Keil, Rob King, Paul Moore and Louis Pelletier -- part I. Charity and religion -- "Neutrality-humanity" : the humanitarian mission and the films of the American Red Cross / Jennifer Horne -- Early missionary filming and the emergence of the professional cameraman / Stephen Bottomore -- Mission on screen : the church army and its multi-media activities / Frank Gray -- "Baits to entrapthe pleasure-seeker and the worldling" : charity bazaars introduce moving pictures to Ireland / Denis Condon -- Paroles éducatives et religieuses lors des projections de films en France avant 1915 / Martin Barnier -- Mütter, verzaget nicht! (1911) [Mothers, despair not!] : Henny Porten's promotion for mothers' welfare / Martin Loiperdinger and Holger Ziegler -- part II. Government and civics -- The tsar and the kinematograph : film as history and the chronicle of the Russian monarchy / Oksana Chefranova -- "Wheelbarrows" and "Real soldiers" : advertising, audiences and war films of all varieties / Liz Clarke -- "What is a picture?" : film as defined in British law before 1910 / Ian Christie -- Le cinéma et les élections au Québec : de l'attraction à la banalité / Germain Lacasse -- A moving picture farce : public opinion and the beginnings of film censorship in Quebec / Louis Pelletier -- part III. Education and advocacy -- Health instruction on screen : the Department of Health in New York City, 1909-1917 / Marina Dahlquist -- John Collier, Thomas Edison and the educational promotion of moving pictures / Amanda R. Keeler -- "And they can see half-naked dancers, catching young men in their nets" : teachers and the cinema in Norway, 1907-1913 / Gunnar Iversen -- Documentaries, family film nights and the first film university : the early works and big ideas of Belgian film pioneer Hippolyte De Kempeneer (1876-1944) / Gerda Cammaer -- part IV. Science and magic -- The school of the future or Ganot's Physics? : Edison's foray into educational cinema / Oliver Gaycken -- Multi-purposing early cinema : a psychological experiment involving Van Bibber's experiment (Edison, 1911) / Marsha Orgeron -- Dissecting the medical training film / Scott Curtis -- Corporal permeability and shadow pictures : reconsidering Uncle Josh at the moving picture show (1902) / Amy E. Borden -- Eroticism and death : the skeleton in the trick film / Murray Leeder -- Magies en images, les prestidigitateurs et la machine / Frédéric Tabet -- part V. Art and aesthetics -- Early film colour, today and yesterday / Charles O'Brien -- Salvage ethnography and the exoticisation of decay in Peter Delpeut's Lyrical nitrate and Bill Morrison's Decasia / Nadia Bozak -- Picture craft, visual education and the lantern : a lecture fantasy / Kaveh Askari -- The socpe of those scopes : production diversity for the mutoscope and biograph during the movies' early years / Paul C. Spehr -- The high-stakes history of the French Camera Operators' Union before the First World War / Priska Morrissey -- part VI. Exhibition and showmanship -- Les séries culturelles de la conférence-avec-projection et de la projection-avec-boniment : continuités et ruptures / André Gaudreault and Philippe Gauthier -- Les "conférenciers de cinéma" en France (1896-1930) : historique à travers différents lieux de projection, genres filmiques et réseaux / Thierry Lecointe -- Les images en mouvement au théâtre de variétés : le cas de l'Apollo de Düsseldorf / Frank Kessler et Sabine Lenk -- Royals, Rembrandts and Luxors : patterns and clusters in the nomenclature of Dutch cinemas / André van der Velden -- Local showmanship in the early feature era : the case of Stanley Mastbaum / Joel Frykholm -- A transformative moment : Samuel Rothafel and the rise of multi-class moviegoing in the Midwest, 1911-1913 / Ross Melnick -- part VII. Community and the public sphere -- "This splendid temple" : watching movies in the Wanamaker department store / Catilin McGrath -- "Boost your town in the movies" : municipal film companies in the United States, 1910-1917 / Martin L. Johnson -- Early cinema and the public sphere of the neighbourhood meeting hall : the longue durée of working-class sociability / Judith Thissen -- Trans-inter-national public spheres / Wolfgang Fuhrmann -- Turning the social problem into performance : slumming and screen culture in Victorian lantern shows / Ludwig Maria Vogl-Bienek. |
| Record Nr. | UNINA-9910822388203321 |
| New Barnet, England : , : John Libbey Publishing, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The Disney fetish / / Seán Harrington
| The Disney fetish / / Seán Harrington |
| Autore | Harrington Sean |
| Pubbl/distr/stampa | Hertfordshire, England : , : John Libbey Publishing, , 2015 |
| Descrizione fisica | 1 online resource (380 p.) |
| Disciplina | 791.43/34 |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-86196-908-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Half title; Title; Copyright; Contents; Preface; Acknowledgements; Introduction; Part One The Homunculus; Chapter 1 A Theoretical Context; Chapter 2 Psycho-mythology; Walt Disney; Alice in Cartoon-land; Chapter 3 The Phallus and Disney Animation; Oswald the Lucky Rabbit; Mickey Mouse and Donald Duck, the Ego Ideal and the Id; Steamboat Willy; The Duck; Analysis; Chapter 4 The Conceptual Homunculus; Fetishism; Anality and Rivalry in the Silly Symphonies series; Part Two The Regressive Apparatus; Chapter 5 Disney Character Tropes; Mass Appeal and Regression; A Disney Apparatus
Snow White Disney Character Tropes; Chapter 6 The Industrial Process and the Father; A Lexicon of Regression; Absent Fathers: Disney and the Real Boy; Malevolence and the Castrating Fathers; Threat to the Homuncule Body; Chapter 7 Fantasia and Eroticism; Fantasia's Utopia; Pastoral Symphony; The Sorcerer's Apprentice; Death of the Dinosaurs; A Night on Bald Mountain; Chapter 8 Regression and Jouissance; The Regressive; The Law and the Primordial in Regression; Dumbo: Regressive Narratives; Ugly Children; Bambi: Death of the Mother and Jouissance; Violence and the Cartoon Body in Bambi Part Three The Hybrid Utopia Chapter 9 Hegemony; Unionisation and the Disney Strike; Films Made in Studio During the Strike; Chapter 10 Disney's 'Good Neighbour'; The Three Caballeros: Hyper-real Sexuality and Cartoon Jouissance; Communist witch-hunts and red fear; Chapter 11 World War II and Propaganda; The Production of Canadian Propaganda; The United States Enters the War; Donald gets Drafted; The Cartoon Body: Sadism, Exaggeration and Manipulation; Propaganda, pornography and utopia; Chapter 12 The Consumerist Utopia; Television and Disneyland Feature-length Films of the 50's and 60's: Familial Sexuality Walt Disney's Death and Walt Disney World; Conclusion; Future Research and End Notes; References, Filmography, Studios, Digital Rights; Index |
| Record Nr. | UNINA-9910460987603321 |
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Harrington Sean
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| Hertfordshire, England : , : John Libbey Publishing, , 2015 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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